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Longbox Legends: How THE FLASH (2011) #1 Reminded Us Why We Love Barry Allen
Corey Patterson
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DC: THE NEW FRONTIER is a Wonderful Callback to the Silver Age
Jose "Jody" Cardona
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Longbox Legends: BOOSTER GOLD #5 Goes To Hell And Back
Jason Jeffords Jr
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Self-Published Spotlight: THE CELERY STALKS By Patrick Ian Rooks
Manuel Gomez
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Longbox Legends: SPIDER-MAN/DEADPOOL #14 Showed Us Spidey At His Limit
Corey Patterson
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Unpacking The Destruction On The PLANET OF THE APES
Darryll Robson
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INTERVIEW: Composer David E. Russo Scores The Odyssey ‘Windows On The World’
Ruben Diaz
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Review: THE DREAMING #20: The Point is Simply to Feel
Justin Munday
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Netflix Review: BIG MOUTH Season 3
Kieran Freemantle
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A Conversation With Dan Abnett – RAI, COVID-19, And The Future Of Comics
Matthew Sardo
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Review – HEXAGON #2: The Tutorial Ends And The Main Story Begins
Jake Palermo
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SUPERGIRL and COMBAT COLIN: Two Peas In A Pod?
Darryll Robson
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SUPERMAN FOR ALL SEASONS – A Boy Becomes A Man
Justin Munday
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INTERVIEW: ‘Get Out’ Composer Michael Abels Scores HBO’s ‘Bad Education’
Ruben Diaz
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ALL-STAR SUPERMAN : The Greatest Clark Kent Story Ever Told
Jose "Jody" Cardona
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JSA: THE GOLDEN AGE is Really About Superheroes and Their Costumes
Zac Owens
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Longbox Legends: How THE BOOKS OF MAGIC #1 (1990) Revolutionized The Hero’s Journey
Corey Patterson
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Longbox Legends: BATMAN: BROKEN CITY – Noir Kept Local
Jason Jeffords Jr
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FALLEN is Modern Mythology Unafraid to Delve Into the Deities’ Dirt
Brandon Mudd
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INTERVIEW: Composer Nathaniel Blume And The Sonic Puzzles Of ‘Prodigal Son’
Ruben Diaz
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