It’s Calvin And Hobbes Versus Beetle Bailey in SPENCER AND LOCKE 2

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July 12, 2018

Ringo-nominated series Spencer and Locke is returning this winter, but San Diego Comic-Con attendees will be able to check out the new story next weekend.

In case you missed volume one (shame on you), the premise is simple: imagine Calvin and Hobbes are detectives in Sin City. Now swap out Calvin for Locke and Hobbes for Spencer, and you have one of the best, most original new series in recent memory. It’s written by David Pepose, with art by Jorge Santiago, Jr, colors by Jasen Smith, and letters by Colin Bell. The series is published by Action Lab: Danger Zone.

Spencer and Locke blew fans away last year, and the volume two looks to be upping the ante in a big way. The duo will face off against “their deadliest foe yet” in Roach Riley, a former soldier who’s basically an evil Beetle Bailey.

“We’ve told fans from the beginning that there was a much larger universe for SPENCER & LOCKE to explore — and we’re excited to expand their world further with their latest adversary, Roach Riley,” Pepose said. “Half The Deer Hunter, half Heath Ledger’s Joker, Roach is only the beginning of Locke’s latest gauntlet, as every classic comic strip from your childhood will be fair game for parody in our action-packed sequel.”

“I think people that enjoyed the first volume will love where SPENCER & LOCKE 2 takes them,” added Santiago. “In both scale and scope, Spencer and Locke will have a lot more riding on things with Roach lurking in the shadows.”

Spencer and Locke earned five nominations at the 2018 Ringo Awards, including Best Series, Best Writer, Best Cover Artist, Best Colorist and Best Letterer.

About Spencer and Locke 2:
Suspended by Internal Affairs, Detective Locke continues to wrestle with the demons of his past alongside his trusty partner, his talking imaginary panther Spencer. But when Spencer and Locke face Roach Riley, a scarred former soldier set on violence and terror, will their partnership become the latest casualty on Roach’s hit list? Find out when the twisted nostalgia of Action Lab’s SPENCER & LOCKE 2 arrives in comic shops and digital devices Winter 2019, or be one of the first to enjoy the story at San Diego Comic-Con with an exclusive variant of SPENCER & LOCKE 2 #1 by artist Joe Mulvey!

Are you excited for Spencer and Locke‘s return? Sound off in the comments!

Read our review of volume one’s first issue here, or hear us talk about the series on our podcast!

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Review: HOLLYWEED Is Classic Kevin Smith With Added Green(s)

By

Manuel Gomez

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Kevin Smith returns to his Clerks roots with Hollyweed, an irreverent, charming, and funny new TV series about a Los Angeles pot dispensary and its employees and customers.

Hollyweed
Episode One ‘Pilot’
Starring: Kevin Smith, Donnel Rawlings, Frankie Shaw, Adam Brody, Ralph Garman and Jason Mewes
Written & Directed by: Kevin Smith

Hollyweed opens with two guys, Pete (Kevin Smith) and Nips (Donnel Rawlings), clipping weed plants while talking about pot and cracking jokes. The actors seem to be having fun, feeling each other out. The scene opens naturally and makes you chuckle, as any good sit-com cold open should. Fans will be instantly pleased to see that Smith still has a knack for witty dialog and observations. As the episode progresses, there are also some funny plot developments and supporting characters; it all flows easy enough in that comforting way sit-coms seem to unfold in.

If the show suffers anywhere it’s a bit with the acting. But that’s mostly in the very beginning. It like the cast (Smith included as an actor and director) are trying to get a feel for what to do. But at around the midway point, when Frankie Shaw (as Brookline/Janet) has her scene with Smith, the actors and crew seem to find their groove. Donnel Rawlings especially has a few great moments and line deliveries in the final scene.

Overall, a pilot just serves to give you a feel for the characters and tone, and in this case, it’s definitely warm. That’s exactly how the whole show feels. Warm. Like being pleasantly high on a random weekday afternoon with the right people at the perfect place. Hollyweed is definitely worth taking a hit on.

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Joaquin Phoenix Talks About His Upcoming Joker Movie

By

Kieran McLean

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July 12, 2018

Earlier this week it was revealed that Joaquin Phoenix has officially signed on to play The Joker in Todd Phillips’ standalone origin movie, and just days later the actor is talking about the project in public.

Also Read – What Should The DCEU Do With Batman After Ben Affleck Leaves?

Collider’s Steve Weintraub recently spoke to Phoenix, who seemed more than willing to discuss The Joker. When they asked how he got involved in the project and if he was nervous to play the character, Phoenix said:

“I take a lot of time and consideration when making decisions and what I’m gonna work on always. So, in some ways, the process, which is obviously reading a script and meeting a filmmaker and then continuing to have meetings and discussions with Todd [Phillips]. I think he’s very impressive and he seems to have a very interesting understanding of this world and what he’s trying to say. And so there is something very appealing about that and working with him on this particular project. It feels unique, it is its own world in some ways, and maybe, mostly, it scares the fucking shit out of me or something. It might as well be the thing that scares you the most.”

Weintraub then asked Phoenix if he ever looked to see what fans and news outlets were saying about the film and his casting specifically:

“It’s a magnified version of what you deal with as an actor. So, when you get a script, obviously, the writer— usually for me, it’s the writer/director, last several years I’ve worked with a filmmaker that was the writer and director— and they have their expectation, and they’ve imagined things in their head, and they’ve imagined different actors, and suddenly you take it on and so there’s this moment of anxiety of ‘Did I live up to their expectations?’ And at some point you have to just own it and say like, ‘I can’t consider who they might have thought up before or what the movie was for the 6 months ago, this is what it is now and I have to find my way into it.’ And so in some ways it’s a very similar experience, right? But it feels magnified because it’s not just one person’s expectations, but what you’re telling me is that there’s at least a dozen.”

Phoenix also revealed that this isn’t the first time he’s considered joining one of these movies:

“Three or four years ago, I called my agent and said ‘Why don’t they want to take one of these characters and just make a lower budget film about it, a movie but a character study, and why not take one of the villains?’ And I thought, ‘You can’t do the Joker, because, you know, it’s just you can’t do that character, it’s just been done.’ So I was trying to think of other characters, and he said ‘I’ll set up a general meeting with Warner Bros.’ And I said ‘I’m not gonna go, I can’t go to a general meeting.’ So I completely forgot about it, and so then I heard about this idea, I was like, ‘Oh that’s so exciting, that’s the kind of experience I wanted to have, with a movie based on a comic character.’ I felt like you could get something on screen.”

Finally, Phoenix talked about the films director Todd Phillips and briefly discusses the tone and the direction of the story:

“I wouldn’t quite classify this as like any genre. I wouldn’t say it’s a superhero movie, or a studio movie or a … It feels unique, and I think more then anything, and probably the most important thing, is Todd seems very passionate about it and very giving, and so that’s exciting. I think, underneath the excitement of these films, and the size of them, there are these incredible characters that are dealing with real-life struggles. And sometimes that is uncovered and exposed, and sometimes it isn’t, and so I always felt, like, there were characters in comics that were really interesting and deserve the opportunity to be kind of studied. And so I think that’s what Todd sees appealing about this idea.”

while Phoenix doesn’t give too many details away, it’s great to hear him talk about the Joker movie and more than anything, it’s exciting to hear that they’re taking a more grounded and more character-driven approach to the tone. If done properly, a standalone Joker movie has the potential to be one of the most unique and compelling comic book movies of all-time.

The Hangover director Todd Phillips is helming the project. He also co-wrote the script with Scott Silver (The Fighter). Early rumours suggested that Martin Scorcese was producing the project, but we haven’t heard anything about that for a while. There’s a chance that Warner Bros. and DC Films could take the opportunity to divulge more details about the Joker origin movie at San Diego Comic-Con, which takes place next week.

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‘Split’ And ‘Unbreakable’ Casts Collide In First ‘Glass’ Images

By

Kieran McLean

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July 12, 2018

Entertainment Weekly has debuted a bunch of first-look images from M. Night Shyamalan’s Glass, which is a direct sequel to the directors latest film Split and his 2006 flick, Unbreakable. The pictures reveal a new look at James McAvoy’s Kevin Wendell Crumb, Bruce Willis’ David Dunn and Samuel L. Jackson’s Elijah Price in the highly-anticipated crossover.

Check out the images below:

Speaking to Entertainment Weekly, James McAvoy talked about the moment Shyamalan revealed his plans to bring the worlds of Split and Unbreakable together:

“We were chatting and he said, ‘Well, maybe if this one does well, we’ll do another one.’ I was like, ‘Really? We’re going to do a sequel to “Split”?’ He was like, ‘Yeah, you know, bring back David and all that.’ And I was like, David? Oh, wait a minute…”

Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.

Directed by M. Night Shyamalan, Glass stars James McAvoy, Bruce Willis, Samuel L. Jackson, Anya Taylor-Joy, Spencer Treat Clark and Sarah Paulson. The film will land in theatres on January 18, 2019!

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Tensions Are Rising In The First MARY QUEEN OF SCOTS Trailer

By

Dewey Singleton - Film Critic

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July 12, 2018

Mary Queen Of Scots has been universally regarded as an awards season release which has the potential of becoming a contender. While the Oscars and Golden Globes are at times hard to predict, it’s easy to see why the buzz is building for this fall release from Focus Features. Not only is the source material full of areas in which to create a strong narrative but the cast of this film looks exceptional. Mary Queen Of Scots stars Saoirse Ronan, Margot Robbie, Jack Lowden, Joe Alwyn, Gemma Chan, Martin Compston, Ismael Cordova, Brendan Coyle, Ian Hart, Adrian Lester, James McArdle, with David Tennant, and Guy Pearce.

In anticipation of today’s trailer launch, Focus Features released two character poster tied directly to Mary Queen Of Scots –

and here’s the other one –

It’s hard to ignore the immediate use of contrasting colors in each poster to symbolically set which side is on the right side of history and who isn’t. That’s not to say the heroes end up victorious in Mary Queen Of Scots (anyone who has studied history knows how their battle ends). Focus Features even released a synopsis of the film, and here it is –

“Mary Queen of Scots” explores the turbulent life of the charismatic Mary Stuart (Ronan). Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I (Robbie). Each young Queen beholds her “sister” in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones – and change the course of history.

Here’s the first trailer-

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Review: SORRY TO BOTHER YOU Is A Surreal And Original Experience

By

Anthony Composto - EIC

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Sorry To Bother You by writer/director Boots Riley is a trippy experience, and it’s one of the most original movies to come out in a long time.

Telemarketer Cassius Green (cash-is-green…get it?) quickly works his way up the corporate ladder. But is his newfound financial success worth the toll on his soul?

Riley’s film is a surreal look at our world, and it hits close to home. The racial and financial struggles facing Cassius and his friends are seen every day in our world. Yes, things are exaggerated for the film, but real terror hits you when you realize it’s not that far off from reality. It’s smart satire in the best way, full of metaphors and symbolism and clever writing. If you like to analyze film, you’ll have a ball with Sorry To Bother You.

Financial strife is at the core of this movie more than anything else. Cassius feels like he needs money to be interesting and give his life value. It’s nonsense, but – just like in the real world – this is the message that society puts out there. Riley shows the stark gap between the rich and the poor, and how the incompassionate uber-rich manipulate the system to keep themselves on top. He shows the ridiculousness of big business, the buzzwords and nonsensical stats (“35% of men who wear pink are more likely to start a franchise”). It’s frustrating to watch, mostly because you know it’s not fiction.

But as good as Riley’s script is, his direction is actually the most notable aspect of the flick. Sorry To Bother You is a visually original movie if I’ve ever seen one. The way Riley plays with the medium to do scene transitions, or show time passing, or just immerse you in Cassius’ sales calls is so fresh and fun to watch. This is the rapper’s directorial debut, and if this is the kind of fire he’s bringing, he’s got some awards in his future.

Of course, a movie’s only as good as its cast. Luckily, put together a stellar crew led by Lakeith Stanfield and Tessa Thompson. Armie Hammer comes close to stealing the show though as the sleazy big businessman who loves to chew the scenery.

Film fans, go see Sorry To Bother You. Everyone loves to complain about blockbusters and sequels and reboots, but this is proof that fresh and original movies are still being made, and being made well.

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Review: SORRY TO BOTHER YOU But This Film Is Brilliant

By

Dewey Singleton - Film Critic

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Boots Riley’s Sorry To Bother You is a brilliantly twisted and bombastic yet engrossing dive into the subject of race in America.

The magic of Riley’s writing/directorial debut is he doesn’t seek to retell the struggle of minorities fighting to gain acceptance in America but wants the audience members to experience it. Sorry To Bother You magically whisks everyone from the friendly confines of your local theater into an experience most will find unrelatable.

Most of us don’t experience the lingering glares or second-guessing of our intentions. Riley has provided the world with a lens through which we can experience those very things. He isn’t attempting to solve all of the world’s issues, but by providing perspective to the problem, it can only foster discussion.

The narrative centers around a young black man named Cassius Green (Lakeith Stanfield) struggle to make it a world which is far from accommodating. His girlfriend, Detroit (Tessa Thompson) is incredibly supportive even though he lives in his uncle Sergio’s (Terry Crews) garage. While Detroit does odd jobs to make money, Green seems to be drifting through life until Sergio threatens him with eviction due to back rent. Out of options, Green gets a job at a company called Regal View. The only instructions he’s given at this telemarketing job is to STTS (Stick To The Script). After one spectacular failure after the next, his older colleague at work Langston (Danny Glover) tells him he needs to put on a white voice to make these sales. After some hesitation, Green does it and begins to rake in mountains of cash. However, as his success starts to grow, Cassius has to decide if wealth is worth compromising who you are.

Sorry To Bother You is exquisitely structured with a purposeful narrative unfolding in a disturbing reality. Riley’s bold choices show the same level confidence we saw from Jordan Peele in Get Out. Every element of this film serves a higher purpose. Blink, and you’ll likely miss an essential part of Riley’s tale. This film is Riley’s opus, and each element is a note deftly woven into a symphony reflective of the turmoil ravaging minorities in America.

(l to r.) Jermaine Fowler as Salvador, Steven Yuen as Squeeze and Lakeith Stanfield as Cassius Green star in Boots Riley’s SORRY TO BOTHER YOU, an Annapurna Pictures release.

The pacing in Sorry To Bother You is quite erratic and reflective of where they are in their story. Jason Kisvarday’s production design was creative and appealing visually. Loved how they smoothly handled transitions as Cassius’s life improved due to his job. The use of light in those scenes also helped convey the changes which were occurring. Dierdra Elizabeth Govan’s costume designs were bright, bold, and in some instances full of symbolism. Detroit’s earrings were luminous and always contained a message for us in the theater. Cinematographer Doug Emmett was able to extrapolate from Riley’s words capturing stirring images of injustice, indifference, and assimilation in the film. Tune-Yards and The Coup provide the perfect musical accompaniment to this tale.

The theme of losing who your identity is front and center in this film. Cassius and Detroit start the film pretty comfortable with who they are. As the film unfolds, each character (Cassius mostly) finds themselves entertaining the idea of giving into societal wants to advance. Detroit only wrestles with this briefly when she puts on a fake British accent to impress her fellow lovers of art. Thompson’s character ultimately realizes this is wrong and never compromises herself again. Cassius isn’t mentally strong like Detroit. He’s easily seduced by status and wealth. What does it matter if he puts on a fake “white” voice while on the phone? That little compromise starts him down a transformative path which strips him little by little of who he is and Cassius’s rich heritage. Even when Stanfield’s character realizes what’s occurring behind the scenes at work, this warped version of society is preoccupied with mindless television and slanted news reports.

Stanfield and Thompson are equally remarkable on screen. Stanfield’s Cassius is a sympathetic figure which reflects a more significant problem society has yet to address. Thompson’s Detroit is strong but still has the same insecurities African American Women deal with. The supporting cast is undoubtedly stellar and brought out the best in our two lead actors.

Overall, Sorry To Bother You is a mind-blowing experience which aims to open a dialogue about equality. Riley’s film is a mirror reflection of how warped our world has become in hopes of opening our eyes to what could be. He doesn’t offer answers because those have to come from us, but first, we have to start paying attention. Hopefully, this movie helps with that very thing.

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Why You Should Catch Up on OUTCAST in Time for the Season 2 Debut July 20th

By

Joshua Versalle

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July 11, 2018

If you didn’t watch the fantastic first season of Outcast, there’s still time to rectify things. It’s available in solid (DVD) form and digitally, through Cinemax. The second season starts on July 20th, which gives you plenty of time to catch up on the ten-episode first season.

Why, you may be asking yourself, should I watch Outcast? Well, we already warned you it’s the best show you’re not watching. If that didn’t convince you, how about the creative team behind it? Robert Kirkman (who also co-created another comic/show with which you may be familiar) and Chris Black (Mad Men, Reaper, Star Trek: Enterprise) have brought you some of the most acclaimed and most beloved television shows in recent history.

But maybe you’re not interested in accolades, maybe you want something more concrete. Well, that’s fair, and I can tell you personally, Outcast is really fucking good. The series is scary (I’m still haunted by the opening scene of the pilot), imaginative, and compelling. It mixes horror, the supernatural, family drama, and small-town life in an apocalyptic cloud of hope and dread. If you’re a fan of The Walking Dead, Preacher, or Jessica Jones, then Outcast is for you.

Patrick Fugit stars as Kyle Barnes, a young man haunted by his past and plagued by demons. Isolated by the darkness that surrounds him, Kyle must work with his sister Megan (Wrenn Schmidt), the Reverend John Anderson (Philip Glenister), and Police Chief Giles (the late Reg E. Cathey) in order to cut through the mystery of his past. Standing in his way is Sidney (eerily portrayed by Brent Spiner), a stranger who appears in the small town of Rome, WV like a storm to a parched field, but will he replenish the crops or set the whole place ablaze with lightning?

You can check out our season two interview with Robert Kirkman and Chris Black here.

From Cinemax:

Plagued by demons since childhood, Kyle is on a journey to find answers – but what he uncovers could mean the end of life as we know it.

The suspense-horror series OUTCAST returns for its ten-episode second season FRIDAY, JULY 20 (10:00-11:00 p.m. ET/PT), exclusively on CINEMAX. Continuing to probe the mystery of what lies behind the town of Rome’s supernatural manifestations, and why they are drawn to Kyle, the show explores how people cope with extreme circumstances while protecting the ones they love. OUTCAST is created and executive produced by Robert Kirkman (“The Walking Dead”) and based on the Skybound/Image comic title by creator Robert Kirkman and artist Paul Azaceta.

Patrick Fugit (“Gone Girl,” HBO’s “Cinema Verité”) stars as Kyle Barnes, a young man who has been plagued by demonic possession all his life. With the help of Reverend Anderson, played by Philip Glenister (“Kingdom of Heaven”), a preacher who believes he is a soldier in God’s holy war against the forces of evil, Kyle tries to protect those he holds most dear, now that the otherworldly threats prove greater in scope and number than anticipated. His struggle will grow into a fight for all of his hometown, as he discovers the haunting secrets of his own past.

Other cast members in the second season include: Wrenn Schmidt (“The Looming Tower,” HBO’s “Boardwalk Empire”) as Kyle’s adopted sister, Megan Holter, a child psychologist who makes it her mission to fix the people around her; Reg E. Cathey (HBO’s “The Wire”) as Chief Giles, Rome’s chief of police, who has seen enough to know there’s some truth to his friend Rev. Anderson’s assertions about demons; Kate Lyn Sheil (“House of Cards,” HBO’s “High Maintenance”) as Kyle’s former wife, Allison Barnes, who has lingering doubts about what happened in their marriage; Julia Crockett (“Law & Order: Criminal Intent”) as Kyle’s mother, Sarah Barnes, whose apparent mental illness tainted his childhood; David Denman (“13 Hours”) as Megan’s husband, Mark Holter, a by-the-book small-town cop whose temper can get him in trouble; and Brent Spiner (“Star Trek: The Next Generation”) as Sidney, whose dapper appearance and smiling demeanor hide malevolence.

The first season of OUTCAST was hailed as a “suspense-laden, psychological examination of inner shadows” by Variety, which praised Patrick Fugit’s “poignant portrayal.”

OUTCAST is based on the Skybound/Image comic title by creator Robert Kirkman and artist Paul Azaceta. The series is produced by FOX International Studios for CINEMAX; created and executive produced by Robert Kirkman; executive produced by showrunner Chris Black, David Alpert, Sharon Tal Yguado and Sue Naegle.

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New ROBOCOP film now in Production

By

Kieran Freemantle

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July 11, 2018

Robocop is one of the beloved films from the 1980s, an entertaining genre film with plenty of humor, satire and social commentary. There have been two sequels, two TV shows and a reboot in 2014. Now Deadline reports that the series is going back to its routes and South African director Neill Blomkamp has been hired to direct.

The new Robocop film is to be a sequel to the original film, ignoring all other films in the series. It is going to be based on a screenplay by Edward Neumeier and Michael Miner, the writers of the original film. The screenplay was originally intended to be a sequel back when Robocop 2 was being developed but fell through because of a lack of interest from original director Paul Verhoeven. Neumier and Miner are set to be executive producers and up-and-coming screenwriter Justin Rhodes has been hired to do rewrites.

Director Neill Blomkamp on the set of TriStar Pictures’ ELYSIUM.

Blomkamp broke on the scene back in 2009 with his surprise hit District 9 and he is a perfect fit for the series. Blomkamp was a fan of the original film and all his films have been sci-fi action films with social commentary and humor. His most recent film, Chappie, was pretty much South African Robocop. He would be able to provide the action, special effects and political commentary expected from a Robocop film.

There are a couple of caveats. Many of the Robocop films have been through development hell, Robocop 2 ignored most of Frank Miller’s screenplay, Robocop 3 was made with a PG-13 in a desperate attempt to save Orion Pictures and the 2014 reboot had Darren Aronofsky attached for years before Jose Padilha took over. Padilha called his work on Robocop (2014) the worst experience of his life. None of the follow-ups have been able to recapture the magic of the first film.

Blomkamp has been bitten when making franchise films. He was hired to write and direct a follow-up to Aliens but his work discarded for Alien Covenant.

Despite these issues a Robocop sequel holds a lot of promise because of Neumier and Miner return and Blomkamp abilities as a filmmaker. It will be interesting to see what this team can do.

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First ‘Shazam!’ Image Gives Us A Look At Zachary Levi In Costume

By

Kieran McLean

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July 11, 2018

Entertainment Weekly has released the first image from David Sandberg’s Shazam! movie, which gives us an official first-look at Zachary Levi in costume as the DC hero.

Also Read – Djimon Hounsou Will Play The Wizard In Shazam

In the image, we see 14-year-old Billy Batson (Asher Angel/Zachary Levi), who can transform into an adult superhero by uttering the magic word. Billy is shown in the image chugging a can of cola with his best pal and fellow orphan, Freddie Freeman (Jack Dylan Grazer).

Check out the image below:

Talking to EW, the film’s director David Sandberg discussed what went into the design of the costume. The director reveals that he took elements from the many interpretations of the character, and moulded them together to create what you see in the image above.

See exactly what Sandberg said below:

“I wanted to keep the shorter cape as a throwback to the original because that’s something that sets him apart from Superman or Batman. It makes him feel a bit more Golden Age superhero, which is the vibe I’m going for.”

Shazam! will be the next DC movie after James Wan’s Aquaman. We can safely expect Zachary Levi, Asher Angel and David Sandberg to make an appearance at San Diego Comic-Con later this month, where they might reveal a further look at the movie.

The film stars Asher Angel as the 14-year-old Billy Batson, while Zachary Levi will portray the adult version of the character. Shazam! also stars Mark Strong, Jack Dylan Grazer, Grace Fulton, Ian Chen, Jovan Armand, Cooper Andrews, Faithe Herman and Marta Milans.

Shazam! will land in cinemas on April 5, 2019!

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