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THE EXPANSE Season 3 Finale: Reviewing “Congregation” & “Abaddon’s Gate”

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People on all sides are in pretty bad shape after the events of “Fallen World.” The massive deceleration caused by whatever power controls the Ring left several injured. Although many of the injuries are trivial, a lack of gravity interferes with people’s abilities to heal, and some who would be on the mend are given grave prognoses.

Specifically, Drummer, whose injury would be life threatening even with full gravity, is in bad shape after some heavy equipment crushed her legs and spine. Ashford, as executive officer, assumes control of the Behemoth and orders that they spin up their artificial gravity machine. It works like a charm, and Ashford offers aid to any who need it, Belter or otherwise.

The Expanse Season 3 Finale: Congregation – Crazy Jim

Ranting about the end of everything and that he’s been talking to a dead detective, the Martians, including Bobbie Draper, think Holden must be crazy. Unsure of what to do with him, they decide to take Holden to the Behemoth. Locked in a cell across from Clarissa Mao’s, Clarissa gets a chance to find out just how much the ordeal with the Ring is affecting Holden, and we see a glimmer of sympathy dawn in her eyes. Holden tries desperately to make contact with Miller, but to no avail.

Holden gets his crazy-sounding story about the end of all life as we know it through to Ashford, but he’s not convinced that Holden is sane. Ashford ignores the weary traveler and starts making plans of his own.

The Expanse Season 3 Finale: Congregation – “We can rebuild her: we have the technology.”

Drummer is down but not out. Her physician tells her that she needs to take it easy for a while. After all, regrowing spinal tissue is tough work. Drummer disagrees though. She starts building artificial legs out of some spare parts lying around. The prosthesis building isn’t going so well until Naomi Nagata shows up. The two have a less-than-cuddly reunion, but Nagata offers help to her one-time captain. With Naomi’s superior technical knowledge, the two get Drummer’s robotic legs in working order and set to finding Holden.

The Expanse Season 3 Finale: Congregation – “Holden, you’re talking to yourself.”

Finding Holden in his cell, Naomi and Holden finally get a chance to see each other, but there isn’t time for canoodling. Drummer and Naomi both want to know what to do next, and Holden works even harder on getting a hold of Miller.

The Expanse Season 3 Finale: Congregation – “Gotta’ nuke something.”

Proving that nuking things is still in vogue in the future, Dr. Kolvoord, aboard the UNN Thomas Prince manages to make contact with Ashford aboard the Behemoth. Kolvoord describes a plan: detonate a remote-controlled skiff armed with a nuclear warhead to disrupt the field holding the ships in place.

Kolvoord, with the Behemoth’s assistance, manages to detonate the skiff, but the field holding them in place remains. The detonation does provide the Thomas Prince with some interesting data, though, that shows that all of humanity is in danger from the Ring.

Ashford and Kolvoord start working on a backup plan. They determine that, by focusing their communication laser on a specific spot on the Ring, they may be able to destroy the ring. Unfortunately, this will also kill everyone inside the Ring. Crap.

The Expanse Season 3 Finale: Abaddon’s Gate – “Shut it down!”

Finally able to make contact with Miller, Holden learns that the Ring interpreted the nuclear explosion as a hostile move from the humans…duh. In retaliation, the source powering the ring has started charging up for a massive burst of energy. Holden tells Miller that the exploding skiff wasn’t meant as a hostile move, but Miller and his alien masters aren’t convinced. The intelligence behind the Ring demands a show of good faith, and Holden tells Naomi and Drummer that all ships must power down their reactors.

The Expanse Season 3 Finale: Abaddon’s Gate – “Luckily, we have a speechwriter/pastor and broadcasting equipment aboard!”

Naomi, Holden, and Drummer work on taking the Behemoth’s reactor so they can shut it down, but Diogo has other ideas. Wearing Martian battle armour, Diogo goes after his former captain.

Amos and Alex manage to convince Anna and Monica to broadcast their message that all ships must shut down their reactors or be annihilated by the Ring. Bobbie’s squad is called upon to stop the transmission, but, showing her true loyalties, Bobbie kills her own men to stop them from killing Amos and Alex.

Anna’s message gets out: she pleads with the ships involved to power down their reactors in a show of good faith to the Ring and the system that controls it.

The Expanse Season 3 Finale: Abaddon’s Gate – Shafted!

In his Martian armour, Diogo is able to catch up to Drummer, Naomi, and Holden relatively quickly. Unfortunately for him, he didn’t count on Naomi dropping an elevator on him. Crushed to death at the bottom of an elevator shaft, it seems that this on-again-off-again character will now be permanently off. Ashford orders Naomi and Holden killed, but Clarissa, showing that even a Mao can change her spots, decides she’s had enough of crazy jerks bossing her around. She takes matters into her own hands.

The Expanse Season 3 Finale: Abaddon’s Gate – “Serial murderer on the bridge!”

Even though the other ships have all powered down, Ashford is still bent on killing everyone. He refuses to shut down the Behemoth’s reactor. Having been freed from her cell to help repair the Behemoth’s communication laser, which Ashford plans on using to destroy the Ring, and with the neural blocker that stopped her from using her space-uppers removed, Clarissa takes matters into her own hands. She manages to shut the Behemoth’s reactor down in the nick of time, frees Holden and Naomi, and smashes Ashford’s face into his control panel. Unfortunately, no good super-deed goes unpunished. She takes a bullet, and it seems that this is the end of Clarissa Mao’s ride.

The Expanse Season 3 Finale: Abaddon’s Gate – The Final Final Frontier

With the Behemoth’s reactor finally deactivated, the Ring powers down and the field immobilizing the ships dissipates. Earther, Martian, and Belter alike all leave the Ring but as they do, they see that the Ring has opened portals to 1,300 different habitable solar systems.

Draper takes up a post on the Rocinante as a pilot, and the tough little ship makes its way out of the Ring. As it leaves, though, Holden has another vision. We see him standing on some alien beach. He appears to be naked, or at least shirtless, for some reason. Holden wonders how the race who created the Rings was destroyed, and Miller appears next to him saying that’s what he’d like to know. The two look up at the sky where they see the activated Rings providing access to new solar systems, and the vision ends.

Just before the Roci clears the Ring and the credits roll, though, Holden sees an energy fluctuation that seems to enter his body. Unfortunately, we’ll have to wait until season 4 to find out whether the fluctuation is a representation of Miller, the Investigator, or something else entirely.

The Expanse Season 3 Finale: Abaddon’s Gate – Final Thoughts

This two-part season finale was intriguing, but execution needed some work. Throughout these two episodes, I kept thinking about how convenient all the plot points are. Clarissa’s well-timed conversion, Anna and Monica’s team effort to convince the ships to power down, these and other items gave these two episodes a too-convenient feel.

Of course, it’s difficult to find the correct balance between fatalism and random occurrence within the world of a television show, but The Expanse has spent three years walking this fine line, and I’ve rarely felt that the writers missed their target. Season finales tend to suffer from this kind of problem since writers get more concerned with wrapping up loose ends than wrapping them up well.

I look forward to the next season, which will apparently begin streaming on Amazon Prime Video at some point in the future. With the Rings now open, it almost seems like The Expanse is just getting started.

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DC Comics Rapid 🔥🔥🔥 Recap For The Week Of August 1, 2018

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Trials, Social Media Justice, Kid Villains, and so much more all in this week’s DC COMICS RAPID FIRE RECAP as Lex Luthor creates Doom in JUSTICE LEAGUE #5 and Scott Free juggles life, apocalyptic war, and happiness in MISTER MIRACLE #10.

Almost every DC Comic, cliffhanger, and plot twist released the week of  August 1, 2018, is going to get SPOILED ROTTEN!  Turn back now, unless you’re done reading for the week OR you simply just don’t care. Too read our full reviews click on the title of each issue.

Spoilers 12

FROM THE WEEK OF AUGUST 1, 2018

BATMAN #52

Bruce Wayne can’t understand how the GCPD managed to miss evidence in an autopsy, but Batman found it. Weird? So,  Bruce spends the issue trying to sway the jury to make Mr. Freeze not guilty. As the issue ends, readers find out that Bruce Wayne thinks Batman’s too vicious…

JUSTICE LEAGUE #5

The evil, cunning, and manipulative genius is back and getting the O.G.’s together again. After a trip one million years into the future to see statues in his name, Lex began to form the Legion of Doom starting with Sinestro and Gorilla Grodd. Luthor’s mission statement: Entropy and Doom!

MISTER MIRACLE #10

Scott plans a Birthday Party for Jake and tries to get advice from a cashier. After an issue full of pondering in a daze, Scott finally decides that he’ll “pretend” to give his son to Darkseid and try to kill his adopted daddy in the process.

ADVENTURES OF THE SUPER SONS #1

It’s the “Summer of Super” for Jon and Damian until they run into a “little” bit of trouble. From many light years away, Rex Luthor, Joker Jr, Kid Deadshot, Ice Princess, Shaggy Boy, and Brainiac 6 capture our two kid heroes with mummy wrap and gold kryptonite. How will they get out of his one?

GREEN ARROW #43

A new vigilante comes on the scene and drops Social Justice with Social Media. Too many “likes”  will get you killed!  Green Arrow and Black Canary arrive late to the Live Stream only to find Kabal Slade decapitated and news that the next person on the Civilian’s hit list is Oliver Queen.

GREEN LANTERNS #52

Eon and the Ravagers are battling the GL Corps above the Water Planet Penelo while the Guardians realize the Central Power Battery is not responding to them anymore. Yikes! So, Hal leaves his vacation early to help in the fight. As the issue ends, readers notice that the GL rings appear to be pinning Simon and Jessica against each other with fake news.

NIGHTWING #47

Mirage came to Bludhaven pretending to buy up condemned neighborhoods and rebuild them with new age, 3-D, Beta hologram technology. It interfaced with the citizens in an attempt to control the city, uploaded to Nightwing, tried to control him, and have him infect the Superhero community. The mastermind behind it all is a cyber tech-monster named Wyrm. It gets away through the web and heads for Gotham. The fun with Dick and Babs seems to be over for now.

DEATHSTROKE #34

Deathstroke uses his detective skills to track down Batman’s hideout to Wayne Manor. However, he still doesn’t put the pieces together that the Batman and Bruce Wayne are one and the same. Really? Luckily the lights go out, Bruce changes, and the two duke it out to a draw laying on the floor beaten, bloodied, and bruised. Can’t Deathstroke just be Damian’s Stepdad?

THE CURSE OF BRIMSTONE #5

Joe and Annie head to Marienbad West Virginia where they find the Children of the Corn led by some demonic child named Slackjaw. And no; his first name isn’t Cletus. How will they get out of this one without hurting the kids?


Well, that’s a wrap for this week. What books did you enjoy this week? Comment below or hit me up on Twitter @dispatchdcu. If you would like to read more of my reviews, click HERE!

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Interview: Ben Percy On NIGHTWING #47 And Where The Title Is Going Next

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This week sees the release of Nightwing #47, a pivotal issue which wraps up the current storyline while setting many things in place for the future of both Nightwing and his city of Bludhaven. Ben Percy, the writer who has been putting Dick Grayson through all these motions, was awesome enough to take a moment with us at Monkeys Fighting Robots and talk all things Nightwing!

Nightwing
Image courtesy of DC Comics / Black Nerd Problems

Ben first of all thanks for taking the time to talk to us here at Monkeys Fighting Robots.
Ben Percy: Thanks for helping make some noise about Nightwing.

Ben, this issue sees the ending of a pretty important arc to the title with. Without spoiling too much, how is the city of Bludhaven at the end of ‘The Bleeding Edge’ compared to the beginning?
BP: Bludhaven has gone from an impoverished, crime-riddled community with no real economic potential beyond its casinos…to a smart city. But a Faustian bargain comes with the tech investment. This company—Mirage—might be installing a hyperloop and installing 3D-printed buildings and delivering to every doorstop smart devices that are like VR-enhanced versions of Alexa…but this comes with a price. The price of surveillance. There are those involved with the development who have good intentions, but there are also those who wish to steal vulnerable data and use it to their advantage. The ending also teases that there is much more to come for both Bludhaven and Gotham. What can we expect to happen to two of the DCU’s most dangerous cities? Think of this as a prelude to a much larger story. Bludhaven is a beta experiment, one part of a much larger and more sophisticated plan involving the Dark Web.

Why did you choose to humanize Cloke by revealing such a tragic event for his ‘origin’?
BP: Over the past few issues I intentionally made people believe that Cloke was the bad guy. But he’s not. That was a fake out. He’s a tool of Wyrm—and thus a victim. He’s done terrible things, but we can empathize with his want for revenge. He gives you a taste of what’s to come. Wyrm knew Willem’s history—and was able to use that history to manipulate him. Advertisers do this every day as a result of your browsing habits. Blackmailers do this every day when they hack into photo stashes and hard drives. Who in the political, military, corporate or superhero world could be similarly compromised?

What about Dick Grayson/Nightwing. How have these events affected him and his relationship with his city?
BP: At the beginning of the arc, Grayson was exhausted by technology—the constant flash and buzz of social media and email and smartphone alerts—and so, of course, I hurled him into the center of a massive tech threat. He has teamed up with Batgirl—whose skill set is uniquely suited for this storyline—and has recognized that he must embrace and weaponize technology if he’s going to bring down these Dark Web architects.

And what set’s Dick/Nightwing apart from Bruce/Batman for you?
They’re both wounded men, but they’ve responded to their trauma differently. Dick’s defining feature is his optimism. Kicking ass is fun. Being a hero is a performance, an act of joy. You see his fist and then you see his smile behind it.

NIghtwing
Image courtesy of DC Comics / Black Nerd Problems

Have you always wanted to write Nightwing/Dick Grayson?
BP: Yes, but more generally, I’ve always wanted to be part of the Bat family. It’s where my dark sensibility belongs. I feel especially lucky to be working with such a great team. Carlos Mangual on letters, Nick Filardi on colors, the legendary Klaus Janson on inks. But I want to give a special shout-out to Chris Mooneyham. When I got the job, we talked about Batman: Year One and Daredevil: Born again as our ideal aesthetic for the series and he captures that perfectly. When I think about the Bat-books, I see grit and I see steam and I see broken glass and shadow-soaked alleys.

Barbara/Batgirl was a big part of this arc, especially this finale issue. What makes her such an important ally to Nightwing?
BP: I mentioned her skillset already—but beyond that, she and Dick make such a good pairing. I love the way they fit together emotionally, and I love the way they look together visually. Babs is going to be an essential part of my run on Nightwing.

Can you tease us as to who or what to expect next in Nightwing?
BP: It’s not that the Dark Web is going anywhere—that’s the central through-line of my run—but I think it’s important to give readers vacations. Constantly make things feel fresh. So the next two issues are an insane visual spectacle—about the greatest motorcycle race in the cosmos. This is very much a tribute to Grant Morrison, and you’ll see characters like Professor Pyg and Flamingo pop up. It’s…bananas. A fun- and adrenaline-fueled romp. After that, things are going to get scary. It will be October after all. I’m known for my horror novels. And we’re launching a Scarecrow storyline that will do a deep dive into fear and identity. And though I can’t say what exactly is going to happen to Nightwing…let’s just say issue 50 is going to be monumentally intense. It’s an anniversary issue, and we’re taking full advantage of it. Something big is coming. Something that is going to unsettle people greatly. Which is what a good horror story should do. After that journey, we’ll return to the central Dark Web story. Thanks to everyone for reading—I appreciate being trusted with the series and I promise to bring the epic.

Nightwing #47 is out now and available at your local comic shop. You can read our review here

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Marvel Comics Rapid 🔥🔥🔥 Recap For The Week Of August 1, 2018

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Space Sharks, massacres, Jyn Erso, Big Foot, and Thanos’ killer revealed all in this week’s MARVEL COMICS RAPID FIRE RECAP; as Black Bolt goes on a rampage in DEATH OF INHUMANS #2, the Infinity Watch is reformed in INFINITY WARS #1, and  Frank Castle becomes a baby daddy in COSMIC GHOST RIDER #2.

Almost every Marvel Comic, cliffhanger, and plot twist released the week of  August 1, 2018, is going to get SPOILED ROTTEN!  Turn back now, unless you’re done reading for the week OR you simply just don’t care. Too read our full reviews click on the title of each issue.

Spoiler 13

FROM THE WEEK OF AUGUST 1, 2018

Infinity Wars #1

Doctor Strange forms the Infinity Watch to take down Thanos and protect the universe from any threats interested in gathering all the stones. Meanwhile, Loki’s quest to find out who made him forget and alter his past had him bump into an alternate universes Loki Odinson who wields all Infinity stones and Mjolnir. Then, readers jump back to find out that the killer of Thanos was non-other than Gamora who stole the Power Stone and decapitated her dear old dad. There is no way this could get more nuts, right? Well, the issue ends with Gamora impaling Peter Quill!

Captain America #2

No one trusts Cap. It’s like everyone thinks he tried to take over the world or something… (sarcasm) Anyway, Steve is on a crusade to make a difference the American way, even though America wants nothing to do with him. But as the issue ends, readers see that Cap is heading to Wakanda and making deals with the Cosmic Cube on the side (I think).

Cosmic Ghost Rider #2

After a long talk with Galactus and Uatu the Watcher, Frank decides not to kill baby Thanos and raise him as his son. Yup! You read that right. Well, just as the issue ends, the new Guardians of the Galaxy featuring a duck Juggernaut, Jubilee, Cable, and some version of Rocket Raccoon come to put the kibosh on the Cosmic Ghost Rider’s fatherly plans.

Death of Inhumans #2

Black Bolt goes ape-poop crazy and annihilates the Kree at Hala. He screams the names of all that died at the hands of Vox in Arctilan. And yes, that means Lockjaw is dead too. Please take a moment of silence for the most fantastic pooch in the world.

At the end of the issue, that slippery devil Vox manages to pull a fast one on Black Bolt and slices his throat. We’ll have to wait until next issue to see if he lives.

Immortal Hulk #4

Walter Langkowski A.K.A. Sasquatch and Jacqueline McGee (a news reporter) go investigate another Hulk sighting at a bar in South Dakota. Somehow, Langkowski gets stabbed in the back and sent to the hospital in critical condition. While McGee waits for news on Walter, Banner shows up in disguise telling her to evacuate the building. Why? Well, as the sun goes down, readers see Langkowski change into a raging Sasquatch on the operating table. We are going to have a good old fashion South Dakota Hospital fight next issue!

Star Wars #52

While dodging Vader, Han shoots Threepio into Luke’s Star Ship to deliver a message to the Rebellion. Threepio tells them that the airlocks have a failsafe to open if something flies directly at them automatically. So, Luke tests the theory, opens the doors, and names his fighter team Rogue Squadron after Jyn Erso and their mission. Luke was always the more sensitive and emotional twin.


Well, that’s a wrap for this week. What books did you enjoy this week? Comment below or hit me up on Twitter @dispatchdcu. If you would like to read more of my reviews, click HERE!

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New VENOM Trailer Shows Off Venom’s Personality

One of Marvel’s most enigmatic, complex and badass characters comes to the big screen, starring Academy Award® nominated actor Tom Hardy as the lethal protector Venom.

VENOM hits theaters October 5.

[embedyt] https://www.youtube.com/watch?v=xLCn88bfW1o[/embedyt]

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Review: GUNDAM BUILD DIVERS Episode 17

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After taking a week off, Gundam Build Divers is back and offers an episode focused more on Yukki and Sarah. Will the series benefit from an episode devoted entirely to these two characters?

Summary

Jealous of Riku’s growing power, Yuki sets off on a mission to try and enhance his abilities.

Review

SPOILER WARNING

Well it finally happened. Sarah’s overwhelming cuteness stopped being entertaining to watch. Why did it take so long for this vapid support character who only talks in sweetness and encouraging speeches to become annoying? It’s probably due to the fact this is a reduced cast episode. This means Sarah is on display for more of the episode and not even employing every adorable antic she has at her disposal is able to keep her appealing for an entire episode. This isn’t the early 2000s where moe characters run rampant anymore. The world has learned its lesson for those chaotic years. For the most part at least.

The episode does offer more of a reveal on what Sarah can do. More evidence is brought forth to showcase she has power to mess with the system. Though this has been hinted at before, this episode takes the time to show just how destructive her power is on a grand scale. Her interference causes two enemies to fuse together into a monster of impressive power. If this power were to fall into the wrong hands it would lead to catastrophic danger. Or at least a climactic ending to this series.

Luckily it appears as if the next episode will have Sarah regulated to once again being a supporting character. She’s cute and all but cuteness will only get you so far in a Gundam series. For some characters, it has even resulted in their death. Just ask Elpeo Ple.

Gundam Build Divers is streaming on the GundamInfo YouTube Channel.

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Review: SUCCESSION Episode Eight And Nine Is When The Stewie Hits The Fan

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A couple of things became crystal clear after last night’s episode of Succession.

For starters, don’t miss an episode because it puts you way behind (I was at the beach last week with my family). More importantly, a war is brewing inside the Roy family, and stakes are only everything Logan (Brian Cox) worked so hard to build. What’s striking is how Jesse Armstong, Adam Mckay, and the team of writers working on Succession built up such an apparent conflict with a stunning amount of simplicity which wasn’t intrusive to the overall narrative in season one. Fans thought the boardroom vote was the pivotal moment in the season and it was for an entirely different reason than was immediately obvious.

Alan Ruck, Jeremy Strong, Kieran Culkin and Nicholas Braun, photo credit: Peter Kramer/HBO

Kendall’s (Jeremy Strong) defeat during the vote of no-confidence and subsequent humiliation was created by the Roy family’s worst enemy, another Logan. Who better to take down the old man than one of his offspring? At first, the initial season of Succession seemed to be about the fall and rise of a great tyrant when in reality it’s a twisted retelling of Julius Ceasar.

Instead of “Beware The Ides Of March” it’s now “Beware Tom and Shiv’s Wedding”. Armstrong and Mckay are both at the helm of the final episode of the season and with good reason. This is what we’ve been building up to. If this journey has already involved urinating in a business office and doing lines of cocaine in an underground party, there’s no telling what’s going to occur during the finale.

Matthew Macfadyen and Sarah Snook, photo credit: Peter Kramer/HBO

So where did this start to become clear? Well, it began during Tom’s (Matthew Macfadyen) bachelor party when Stewie (Arian Moayed) pulls Kendall (Long) aside and tells him Sandy (Larry Pine) is at the party and wants to talk. Through the course of the conversation, it’s revealed that Stewie and Sandy are a team and it was all part of a ploy to get on the Waystar board. Sandy wants to buy Kendall out which he initially resists.

After a deal falls through for the former temporary CEO, he then approaches Sandy with the idea of a hostile takeover. Kendall has nothing to lose at this point and whatever empathy he had for the family died when his father humiliated him, and his brother didn’t cast the deciding vote to oust his father as CEO.

Harriet Walter and Sarah Snook, photo credit: Colin Hutton/HBO

We then pivot to last night’s episode which unfolded at Eastnor Castle (the site of Tom and Shiv’s wedding). Preparations are underway for the ceremony, and it’s becoming more and more evident that Shiv might have a little something going on with her fellow campaign manager. She, of course, denies it but even her mother (played brilliantly by Harriet Walter) recognizes this marriage is doomed. Tom’s even on to her, but she manages to weasel her way out of it. Shiv has other things on her mind pertaining the future of her presidential candidate. Using some company secrets which she heard from Tom to her advantage, she manages to create a truce between the liberal candidate she’s working for and her father.

Succession
Brian Cox, photo credit: Colin Hutton/HBO

Word begins to seep out about the impending hostile takeover of Waystar and the timeline is bumped up to Shiv’s wedding weekend setting up for an explosive finale.

Peter Friedman, J. Smith Cameron and Jeremy Strong, photo credit: Colin Hutton/HBO

What do I think is going to occur? Kendall coming out on top seems too neat of a finale. Somehow Stewie is going to end up screwing him in the end, and I’d be floored if Logan doesn’t have a meltdown when he’s notified of the takeover.

 

 

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Screwing Up A Sure Thing: DOUBLE DARE 2018 Review

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Double Dare is back but is it a welcomed return? Nostalgia is a tricky thing to talk about. Everyone’s childhood is different, and as a result, it can be hard to rationalize your feelings on something. As an adult, it may not be as good as you remember. I’ve always found the way to counteract nostalgia is to keep everything objective. To this end, I’ll review this show as it were any other show.

Why am I saying all this? Well, just recently Nickelodeon premiered its much-hyped revival of Double Dare, and you better believe I have a strong feeling about it.

I never saw the original when it first aired. However, I was able to catch reruns on the departed Nick GAS network, when I was growing up. So, I did grow up on the series, just not in the way you’d expect (this explains why whenever I see someone going as a team from Legends of the Hidden Temple, I smile to myself).

Double Dare (2018) title
Can this succeed? Did you read the title of this review?

So why did I bring up nostalgia in the opening paragraph? Well, whenever I see people praise this new revival, I wonder if the reviewers were paid off. They seemed so blinded by so much nostalgia; they were already hailing the revival before it came out. As a result, I’ll be gentle, where I can. After watching five or six episodes, I was ready for proverbial blood. A final note, at specific points I’ll compare the original and the revival. Is this fair to do? Not really, however, if Nickelodeon spent the money to build a modern replica of the set, hired the original host, and brought back the composer to remix the themes, then it’s not a question of fairness anymore. It’s more of a foregone conclusion.

The Positives

The set design is downright impressive, updating the original design, and even keeping the eggcrate numbers (although they’re now digital). I also love how both the main set and the obstacle course are organized in the studio. Marc Summers is a delight, and it always makes me happy to see him on TV. Even Edd Kalehoff was brought back in to revise his original music, and the music’s still as catchy as ever. The obstacle course keeps a lot of the classic charm, with the giant pool, the giant nose, and the sundae slide, all making return appearances.

Marc Summers as announcer on Double Dare (2018)
Unironically, one of the best parts of this revival

Minor Problems

First, technical quibbles, these are minor, but minor problems add up, and next thing you know you’re being chased by a giant snowball. Notably, the sound effects are the not the originals. This seems minor, yet when they put all the effort in doing a semi-recreation of the original show, for Nick not to use the original sound effects is sacrilege. Why is the end of round sound effect now (what Desus & Mero called) a “Wild dance horn?” For all I know when I hear the sound effect, I’m thinking Nagisa (or “Thugisa”) from 50% Off is near. I shouldn’t be thinking this while watching a game show! Also, the “challenge cleared” sound effect is different and nowhere near memorable as the original. There also wasn’t a sound effect for a correct answer and money entering the team’s bank in the original which gets to be grating in the revival.

The second major technical quibble: Why is there a giant vertical screen behind the host podium? The video wall is entirely superfluous, only telling us when a team dares, and the 30-second clock for physical challenges. There’s no reason they could have gone with the digital time clock descending from the roof, and a solid wall, instead of a monitor. From a presentation standpoint, it’s distracting with the vertical monitor going through its animation behind the host.

Double Dare (2018) video screen
Why do we need a giant video screen?

Second minor problem is the physical challenges and the obstacle course. Some of the new physical challenges introduced lean too much on toilet humor. I’m not saying the original didn’t have these challenges because some of them did. Most of the challenges involved wrapping people up in life-size burrito wraps, throwing pizzas into boxes from long distances, and hitting targets. You know real challenges requiring a certain amount of thought, creative vision, and effort put into them. Double Dare (2018) seems to lack these qualities.

I’ll gladly take this type of physical challenge… (Yes, they are throwing ping pong balls at flypaper)
A new physical challenge from Double Dare (2018)
…over this type of Physical Challenge.

In the obstacle course, the producers added something foolish: The Mount St. Double Dare. This incline rope climb with “top” spewing smoke and presented as a “final” (i.e., permanent) obstacle. The idea of a “final/permanent” obstacle is not a bad one. Yet the only time I saw it in action, it didn’t look appealing. Am I saying a “final” obstacle should be the Aggro Crag from Guts? No, (although that would be awesome) it’s just for a final obstacle, it’s quite lame. Here’s a thought: a final co-op obstacle, where the two team members must work as one to grab the flag, I can’t tell you what it would look like; it’s just a thought.

Double Dare (2018) Mt St Double Dare
A new obstacle, and the colossally awful “Mt. St. Double Dare”

A Missing Corollary

The previous paragraphs explained a painfully obvious flaw in this revival, yet it’s led me to a theory Nathan Rabin posited when he was on The A.V. Club and writing My Year of Flops. In the entry about Ishtar, he talked about “the Curse of Bigness.” The danger of throwing too much money and production design into projects, traditionally made on the cheap; i.e., comedies. While I found Rabin’s theory to be correct, I felt he was missing a corollary effect and didn’t apply it to television. This is my little contribution.

To explain this, let’s talk about another 80s icon: David Letterman. I always found Letterman to be at his funniest when he under a limited budget. This explains why I feel Late Night with David Letterman holds up better than Late Show. Creativity increases as the budget decreases. The inverse holds true as well.

Double Dare Original Paper Airplanes
You see this? This is ingenious and required innovation.

You can apply this theory to Double Dare. Watch an episode when the show was in Philadelphia (from 1986-through part of 1989), and the innovation is on full display. Physical challenges involving paper airplanes, balancing cans on stomachs, and impromptu theme days like Miami Vice day, or 3-D day (without any 3-D) are all present. These are all creative (and brilliant) ideas coming about with a limited budget and time.

When the show moved to Orlando (from 1989 to 1993, 2000) a lot of the impromptu creativity was lost. Those psychical challenges went from paper airplanes and ping-pong balls to over-sized props which seemed convoluted and impossible to recreate at home (unless your dad was a special effects builder). Was the show still good? Obviously, yes! However, some of the charm was lost, and you would be surprised how much you can miss charm, if it’s not there. Double Dare (2018) [now filmed at the CBS Studio Center in L.A.] has made things larger, and significantly worse.

The Host

Finally, there is the host: Liza Koshy. She is atrocious. I am not joking; she embodies some of the worst traits of lousy game show hosts. She tries too hard to be funny, wants to join in on the action, mugs for the camera, and appears she wants the show to be about her.

Allow me to explain to you what I feel a great game show host should be: a great host is in effect a straight-man. The host sets up the contestants, is seemingly interested in the contestants and the game itself and runs a tight ship (or appears to anyway). While it is possible for a host to be funny, I find the only type of comedy that seems to work (from years of watching game shows) for hosting is sarcasm/snide remarks. Why? It all goes back to the straight man theory. They set everything up, and if they do get a shot at a joke, they make it as snide and sarcastic as possible. There’s a reason straight-men burn cooler than anyone else in comedy. They set up other people to be funny.

Where am I going with this? Simple. A great host can make a good show great; a bad host can make a great show atrocious. Guess which one Koshy is.

As I had mentioned earlier, let’s get to comparisons. Summers got what I talked about two paragraphs ago, on the original show. He understood the quasi-straight-man routine required for game show host, as he had experiences with the creative side of game shows (fun fact: he wrote for a 1970s revival of Truth or Consequences, and the short-lived Jay Wolpert game show Hit Man). For me, Summers was to Double Dare, what Gene Rayburn was to Match Game; indispensable, and if anyone were to try to fill those shoes, it would be an impossible feat.

The Original, The Best
You would be crazy to replace him with someone else as host, right?

By contrast, Koshy doesn’t seem to get it. She’s not getting that no one is here to watch you do your stand up schtick when you’re hosting a game show. What people want you to do when hosting a game show: Focus on the game and try not to force in jokes, stay neutral (she gets involved with the kids/contestants, which corrupts the process of fair play.) If you can get them to laugh, good for you, however you need to find the perfect comedic time to do so. Here, she’s seconds off, and it kills all comedic tension. She gets better at hosting in some episodes, then immediately gets worse in others, so you can add inconsistency to the mix as well.

Part of me is wondering where they found someone who couldn’t host a game show to save their life. I did some research and found out she was a “YouTube celebrity” (My soul died a little writing that), which makes perfect sense, because [the joke here was funny but has been taken out because it could offend the universe. We apologize for this oversight. – The Management.] If the roles were reversed and Koshy was the announcer and Summers was the host, this probably would not be an issue. If you need proof take the episode that aired July 27th, when Koshy was fighting a sore throat, and Summers took over hosting in the second round, and the obstacle course. Summers immediately turned the show around, and the show became instantly watchable.

The "New host" of Double Dare (2018)
Apparently, Nickelodeon is crazy to think this would work.

Final Thoughts

I wanted to like this new remake of a classic. The set looks nice, Summers is excellent, and it’s nice to see some of the original obstacles. Unfortunately, the miscalculations that occurred (an awful host, annoying sound effects, and the large stage) are too great to overcome.

New episodes of Double Dare (2018) air at 8 pm weekdays, on Nickelodeon.

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Review: ATTACK ON TITAN: Season 3 Episode 39

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The third season of Attack On Titan doesn’t slow down with the second episode. Instead, a perfect mixture of action, drama, and tension are all on display.

Summary

Levi pushes himself to the limit to save Eren and Historia from his former mentor, Kenny.

Review

It almost feels like the purpose of this episode was to make up for the lack of Captain Levi action from the second season. Done nursing his injured leg, Levi finds himself having to face off against his former mentor, Kenny. This ghost from his past has come with a group with the sole purpose of kidnapping Eren and Historia and killing anyone who gets in their way. The action is intense and Levi showcases again why he is one of the best men to ever wear a Three-Dimensional Maneuvering Gear.

After the intense battle with with Levi and Kenny’s force, the drama takes center stage. The scout team has to come to terms with the difficulty of fighting humans. This helps to showcase the amount of disconnect each of the members put themselves in. They were trained to fight Titans, monsters whose sole intent was to eat them. Their new opponents are humans, people who could have had lives and feelings. This is hard for many in the team to accept, especially Erwin.

Also, it should be noted, the ending for the new season finally debuts. Turns out, LInked Horizon was on tap for the season after all, they were just going to be the ones to supply the ending. It’s a very emotionally sweet and uplifting song which translates to “Daybreak Requiem.” Its quality is far beyond the creepy melody of the second season ending.

Great drama and intense action help to make this series keep from getting dull. Hopefully the balance can continue as their seems to be a political conspiracy on the horizon.

Attack On Titan is streaming on Crunchyroll and VRV.

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Franchise Opportunities: Why Rebecca Ferguson Should Inherit Mission: Impossible

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Considering the franchise-best box office that Mission: Impossible — Fallout earned in its opening weekend (not to mention all the critical praise, including my own), it’s unlikely that Paramount or Tom Cruise are angling to wrap up the series anytime soon. And why should they? Against all odds, the Mission: Impossible franchise appears to be getting only better with age, and at least for the time being, Cruise seems perfectly capable of continuing to perform the death-defying stunts that are part and parcel of Ethan Hunt’s lifestyle.

However, as much as fans and Cruise himself may want to keep the series going indefinitely, the ravages of time are bound to force a conclusion one way or another. Whether that happens as the result of a creative choice, because Cruise is no longer up for the physical demands of these films or due to declining box office totals, the Mission: Impossible series — at least in its current state — can’t go on forever. That said, the series go very well continue by embracing one of its key supporting players and essentially becoming its own spinoff series. Here’s why Rebecca Ferguson should take over when the time is right.

Rebecca Ferguson deserves her own franchise

Rebecca Ferguson in Mission: Impossible

While Ving Rhames, Simon Pegg and company have longer histories with the Mission: Impossible series, none of those actors nor their characters are really suited to lead the franchise after Cruise’s departure. However, Ferguson has the blend of charisma, vulnerability and strength that makes hers a compelling character we would follow anywhere. Not only does the actress have the acting chops to humanize the films in the face of all the insane action, she has also demonstrated a commitment to the fight choreography and physicality required to play Ilsa Faust, even if she has yet to risk life and limb like Cruise insists on doing. In short, get this actress her own franchise ASAP.

Ilsa Faust is a total badass

Rebecca Ferguson in Mission: Impossible — Rogue Nation

When Ilsa Faust was introduced in Mission: Impossible — Rogue Nation, it was under the most mysterious of circumstances. However, as we soon learned, she is an elite member of MI6 and, by all accounts, equal in experience and training to Ethan himself. They face off numerous times, and with each encounter, Ilsa either bests Ethan or comes close to it. So, while she would need to come under the employ of the U.S. government, it’s not out of the realm of possibility for her to become naturalized as a U.S. citizen so that she can join the IMF.

She is already an integral part of the series

Rebecca Ferguson and Tom Cruise in Mission: Impossible — Rogue Nation

Even though she’s only appeared in two films, Ferguson has left an indelible mark on the series. As the only leading female in more than one film, her role in Fallout breaks the streak of revolving-door leading ladies that has seen the likes of Thandie Newton, Maggie Q and Paula Patton exit the series just as soon as they’d entered. But Ilsa is different. In short order, she’s established a close personal relationship with Ethan himself as well as neatly played off of Luther (Rhames), Benji (Pegg) and other members of the ensemble. Presumably, for Ilsa to take over as the point woman of the IMF, Ethan would either retire or be killed off, and graduating Ilsa into his spot would keep Cruise a part of the series at least in spirit.

More female-led studio representation

Rebecca Ferguson in Mission: Impossible — Fallout

As alluded to above, the Mission: Impossible series hasn’t always been kind to its leading ladies, treating them more as motivators for Ethan than anything else. Yet, Christopher McQuarrie — writer/director of both Rogue Nation and Fallout — has created a character that is up to par with Ethan on multiple levels. Concurrently, the studio system is finally starting to realize that female-led franchises can turn an impressive profit simply by tapping into the underserved market that makes up roughly half the population. If the runaway success of films like Wonder Woman and Ocean’s 8 is any indication, Mission: Impossible may be positioned to lean into this trend as well, allowing for more female representation onscreen (and perhaps behind the camera).

Fallout sets her up for more adventures

Rebecca Ferguson in Mission: Impossible — Fallout

No matter how much business sense it might make to move Ferguson/Ilsa to the forefront of Mission: Impossible, it just wouldn’t work if the narrative of Fallout had written the character into a corner. Thankfully, this isn’t the case (no spoilers!), as McQuarrie leaves the door wide open for the character to continue as a supporting player or even advance into a more central role in the inevitable Mission: Impossible 7. At this point, it remains to be seen where the series will go and if McQuarrie will stay on for at least one more installment. But we’d like to think that Paramount has signed Ferguson on for more films, allowing McQuarrie or his successor to develop this fascinating character even further in subsequent adventures.


Agree or disagree with my thoughts? Comment below to let me know or chat movies with me on Twitter @crookedtable!

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