Home Blog Page 480

Review – AVENGERS: WORLD TOUR

Monkeys Fighting Robots

Avengers volume two, “World Tour”, is out this Wednesday, and it’s a fun, thought-provoking read to keep you entertained while waiting for Avengers: Endgame to come out.

The paperback collects issues #7-12 of the series written by Jason Aaron. Artists include Sara Pichelli, Elisabetta D’Amico, Justin Ponsor, David Marquez, Ed McGuinness, Mark Morales, Cory Smith, Erick Arciniega, and others. Cory Petit letters the series.

“World Tour” opens with a one-shot story, a flashback to One Million B.C. Aaron, Pichelli, and company reveal the origin of the woolly mammoth-riding Ghost Rider first seen in Marvel Legacy #1. It’s a story with action and heart, and it’s a strong entrance to this collection. Readers immediately know that this is a grand-scale Avengers story. The tone is set.

The succeeding issues all tell a connecting story, but they also feel episodic. They can each be enjoyed on their own, which is great if you don’t have the time to sit down and read the whole paperback at once. The stories also strike a balance between light, fun superheroing and more thought-provoking, political storytelling.

“Light, fun superheroing” is the Avengers comic’s bread and butter. It’s what puts butts in the seats (or whatever the appropriate expression for comics would be). This team has real chemistry, both in and out of action. Whether it’s seeing Captain America mentor Ghost Rider, or watching Thor’s courtship of She-Hulk, readers will enjoy how this cast interacts. Aaron also has a few issues where he jumps around, bringing the audience on a tour of Avengers Mountain, or following Black Panther as he recruits various agents. It sounds basic, but “fun” really is the best way to describe these stories, and sometimes that’s all a superhero comic needs to be.

It’s not all fun, however. There’s also a lot of poignant, smart commentary here to sink your teeth into. First off, the Avengers are at odds with the United States government. Anytime you have tension between Captain America and America itself, it makes for a good story. Steve Rogers wears the flag, but he represents an ideal, not a government. Watching him tell the Pentagon that he doesn’t work for them is so satisfying. Black Panther also has some strong dialogue in the final issue here, speaking with international leaders and discussing how they need to come together for the betterment of the world. There are many lessons that readers can glean throughout “World Tour”.

Perhaps the most powerful and fulfilling subplot, though, is Namor’s. In fact, issue nine may be this collection’s high point. The Sub-Mariner is yet again sick and tired of how the surface world treats the sea. And, honestly, who can blame him? The Prince of Atlantis is such a compelling antagonist here because you can so vividly see where he’s coming from, especially in this issue’s closing pages where Aaron shows the pain that Namor is dealing with.

Side note: Justin Ponsor’s colors on this issue are magnificent. He utilizes blues heavily, obviously, because it takes place mostly underwater, but it creates an atmosphere and tone that’s unlike anything else in this collection.

If you’re jonesing for a fix of Earth’s Mightiest Heroes, pick up Avengers: World Tour this Wednesday.

Monkeys Fighting Robots Youtube

Review: THE GIRL IN THE BAY #2 Pushes The Boat Even Further

Monkeys Fighting Robots

Following the excellent first issue of The Girl In The Bay from Berger Books, the creative team do not give the reader time to relax. The quality and compelling nature of the first issue is continued throughout issue 2.

The Girl In The Bay beautifully marries together magical fantasy with gruesome horror. The Characters could have been stolen as easily from a 1930’s pulp noir novel as from the pages of The Sandman comic. What happens within this comic is surprising and under a less capable writer would quickly devolve into farce but luckily for the reader, J.M. DeMatteis is a master of his craft.

The Girl in the Bay #2 Credit: Dark Horse Comics

Writing/Story

50 years out of her time and face to face with an older version of herself, Katherine Satori thought her day couldn’t get any worse. But she was wrong, dead wrong.

Hugh Lansky thinks he may be losing his mind. Not because of the ectoplasmic, rag creature he talks to but because he’s just seen Katherine, a girl he believed he killed 50 years ago.

In this second issue of The Girl In The Bay, J.M. DeMatteis ups the weird factor and adds layer after layer of creepy. From the opening scene with Hugh Lansky sat on a bench talking to his ‘imaginery’ friend to Katherine’s strange encounter with herself, the mystery is deepened and the threat level enhanced.

DeMatteis focuses the story on the hero and the villain, contrasting their plights as they try to come to terms with something beyond their understanding. The character work on Katherine is especially effective as the reader is forced, along with her, to face some extremely difficult situations. Add to this that she, and the reader, does not understand what is actually happening and this creates an uncomfortable atmosphere.

The Girl In The Bay takes some surprising turns and has changed in theme from the straight forward ‘girl out of time’ story from issue one. There are magical and other worldly elements controlling the action but their motives are yet to be seen.

Elements of the story are reminiscent of the 80’s movie Flight of the Navigator but with magic replacing the aliens. However, there is more of a horror genre slant to the comic and this is best reflected through the disturbing character of Hugh.

The Girl in the Bay #2 Credit: Dark Horse Comics

Art

Although the story is compelling, it is the art work which draws the reader into Katherine’s world. The natural and the supernatural sit side by side, separate but still occupying the same space. Take for example Hugh and his twisted alternative version; it is clear that they bare an uncanny resemblance but Corin Howell uses much heavier inked lines to define the ‘real’ Hugh while leaving out any black shadows and strong defining lines from his alter ego.

The coloring in The Girl In The Bay by James Devlin also helps to highlight the two states of being; the natural and the supernatural. By using strong coloring for the real world and a hazy, washed out coloring style for the supernatural elements, Devlin is able to make the two worlds easily distinguishable on the page.

These two art styles service a larger purpose for the narrative as they make the reader question Katherine’s existence. Throughout the entire comic she is depicted in striking colors, a pink blouse and bright blue jeans, and she stands out of each page she is on. She has an effect on the people, real or not, that she meets, dragging them into her version of the world; this leaves the reader with questions about who and what is real.

The Art work deepens the mystery of the story through some very clever visual signifiers. This is something that Clem Robins understands when it comes to his lettering. He uses different styles for his speech balloons depending on the character. And his emphasis on certain speech brings out the emotions of the character brilliantly.

Conclusion

The turn that The Girl In The Bay has taken may initially put some readers off. With the inclusion of more expressive, supernatural elements, it becomes easy to lose track of the central theme surrounding Katherine’s plight. However, DeMatteis is a strong writer and manages to push the characterisation more than the more ludicrous elements of the story.

Plus, each element of the Art work separates the different worlds enough so that the supernatural does not over shadow the natural world.

And through it all, Katherine’s story is heart-breaking and compelling. The reader is taken on an emotional rollercoaster as the central character tries to find some way to cope with her desperate situation.

The Girl In The Bay is a magnificent read with grotesque and wondrous characters. As the mystery surrounding Katherine increases so does the readers compulsion to keep reading. Once DeMatteis has his hook in you he will not let go.

Monkeys Fighting Robots Youtube

Mike Deodato Leaving Marvel Comics

Monkeys Fighting Robots

Mike Deodato Jr., a Marvel Comics mainstay, is leaving the publisher after the completion of his work on Savage Avengers in order to concentrate on new creator-owned books. The artist announced his decision via Twitter, saying he’d achieved his boyhood dream of being a Marvel artist, but that at age 56 the time has come for a new dream.

deodato marvel

Deodato added that he informed Marvel management of his plans last year, and that he got nothing but support.

deodato marvel

The artist ended his Twitter thread with the news that his farewell will be the recently announced series with writer Gerry Duggan. deodato marvel

deodato marvel

During the course of his long Marvel career, Deodato has illustrated a variety of characters. His reference to Marvel as “home” in his Tweets seems to indicate just how deep of a connection he developed during his time there.

What was your favorite of Deodato’s Marvel work? Will you follow him on his new creator-owned adventure? Let us know in the comments!

Monkeys Fighting Robots Youtube

INTERVIEW: Composer Carla Patullo On Making Music For PORNO

Monkeys Fighting Robots

South by Southwest, otherwise known as SXSW, is an upcoming film festival in Austin, Texas, and Porno is a new horror-comedy scored by Carla Patullo that’ll be premiering on March 9th, 2019.

The frights and fun of Porno wouldn’t happen without the work of composer Carla Patullo. The “White Widow” is a musician-turned-composer (and sometimes director) who’s been busy building a filmography that includes several upcoming films. Carla’s music is vibrant, ethereal, sometimes haunting, and so often mesmerizing. It’s a mix of her influences blending together into something familiar but new.

PopAxiom got stuck in the White Widow’s web to speak with her about making rock music, composing, and scoring Porno.

carla patullo-porno-film-horror
Carla Patullo with Porno director Keola Racela. Photo courtesy of Impact24 PR

Getting In Tune

Carla’s musical career started with singing and piano and evolved from there “I started writing songs. I had a band. I started touring with Sandra Bernhard.”

Though capable of playing many instruments, Carla says “My vocals are my primary instrument.”

Carla didn’t have her sights set on working in the film industry, but her talent as a songwriter started to merge the two worlds “I wrote a few songs that got onto TV shows. And the more that happened, the more I thought about visuals.”

Carla created a concept album that earned her the nickname of White Widow. And it was there that the connection to film made itself secure “I hooked up with these animators out in Brooklyn for that concept album I did. That really drew me into working with visuals.”

Carla put her rock career on pause “So, I moved out to L.A. to start working with filmmakers,” and, naturally, she got into Porno.

About Porno

Our talk with Carla started with a lot of laughs. As the interviewer, I did my due diligence and researched Carla’s new film Porno. Of course, Google searches came up with some very different results “I have a lot of files on my computer labeled Porno.” And my search history looks a lot more interesting.

Porno is a horror-comedy from director Keola Racela that focuses on several teens in a small Christian town who work at a movie theater and uncover demonic secrets hidden within. Having mentioned that her vocals are her primary instrument, Carla relates to how that helped make the music in Porno “My vocals got to play a big part of the demon/succubus thing in the film.”

Carla was honored as Composer Fellow for the Sundance Film Music and Sound Design Lab. Through Sundance, she was paired with Keola for the making of Porno. What was it like working with him? “Keola is really into music. And he’s an editor. So it was easy tapping into his rhythm.”

What was it like working on Porno compared to her previous work? “On a lot of projects you just hit the ground running. But we got to talk a lot about music. What soundtracks we liked. It’s great to be able to have that time to understand each other.”

Music For Porno

Carla and Keola started their musical discussions as big fans of the same composer “… we both love Jerry Goldsmith.”

If you’re not familiar with Goldsmith, get to Google immediately after this interview. But some hit soundtracks from Goldsmith include Total Recall (1992), a lot of Star Trek, and Mulan “We both had different favorite Jerry Goldsmith scores. But it was a cool starting point.”

Most movies have a temp track “A lot of composers don’t like temp music. But in this case, it was so great. Keola really knew what he wanted and did so much work to get that across.”

As for some of the musical influences on the Porno soundtrack “Alien from [guess who] Jerry Goldsmith. The Omen soundtrack. The Witch. Phillip Glass.”

Wrapping Up

How does Carla connect with projects from one to the next? “I just took a trip through Big Sur and cleansed my palette.”

About hiking and other palette cleansers, she adds “How you start the next project doesn’t immediately mean ‘bam!’ get to the computer and start writing. Give yourself time to think about it.”

When asked about influences from the world of composing, Carla responds with “I really like Laurie Anderson. What she does is amazing. I love so many, it’s so hard. I love Desplat, Morricone … Danny Elfman, Thomas Newman.”

Up next for Carla? “I’m working on Lotte: The Shadow Behind the Silhouette. It’s a film about animation pioneer Lotte Reiniger.”

Thanks to Carla Patullo and Impact24 PR for making this interview possible.

Monkeys Fighting Robots Youtube

COSMIC GHOST RIDER DESTROYS MARVEL HISTORY…And Your Dignity

Monkeys Fighting Robots

The hotter than hot brainchild of Donny Cates gets a silly comedy book. COSMIC GHOST RIDER DESTROYS MARVEL HISTORY #1 puts Cosmic Ghost Rider in the hands of writers Paul Scheer and Nick Giovannetti.

cosmic ghost rider marvel history

***SPOILERS LIE AHEAD***

 

The Cosmic Spirit of Vengeance, Frank Castle, pays a visit to the past before his family is murdered. He pretends to be Frank’s Uncle Fredo and begins telling fake superhero stories to his son once Mrs. Castle anoints him as babysitter.

This is the first time we’ve had a Cosmic Ghost Rider of any sort written by anyone other than Donny Cates. Scheer and Giovannetti take the comedic route as Marvel tries to squeeze some more coin out of their hottest new character.

Cosmic Ghost Rider Destroys Marvel History #1 tries to tap into the silliness and free-wielding continuity fun that Marvel has in the past with the various “Marvel Character Destroys The Marvel Universe.” This new take on the niche is problematic right out of the gate.

This isn’t a rewriting of Marvel’s continuity with a Cosmic Ghost Riding twist, it’s Frank narrating a series of Fantastic Four stories with himself inserted to tell really poor jokes. The narration of the entire issue is written as if the reader is an eight year old boy–it wears out its welcome very quickly.

Enlisting comedians to write comic book stories has worked wonders in the past. Almost every time Scott Aukerman’s name is attached to a comic, it’s worth a read. The same cannot be said about this issue filled with cheap punchlines and a flimsy premise.

Scheer and Giovannetti don’t fit this character as well as their previous work on Deadpool. There’s nothing gained from inserting Frank into these historical FF moments. Each tale is crafted to hold our hand and walk us into an eye-roll inducing joke, one after another.

Cosmic Ghost Rider Destroys Marvel History is such an unfunny chore that by the time they attempt to explore Frank’s emotional state during this painful charade, it feels pointless to even acknowledge. A single panel of Frank shedding a tear as his son gets him another beer is the best they could do to make this anything more than an unfunny joke book?

The premise of the book says that Frank is rewriting Marvel history, but what we get in this issue is Frank simply bullsh*tting his son with tall tales. This makes the finale, with Uatu showing up, all the more puzzling and uninspired.

The only element of this issue that could possibly entertain you is the artwork. Penciler Gerardo Sandoval, inker Victor Nava and colorist Antonio Fabela do their best to liven up this uninspired cash grab. Sandoval does a fine job revisiting some of the more memorable scenes in Fantastic Four history. Cosmic Ghost Rider is such a great design that it’s near impossible to make him unappealing (despite the story really trying to make you hate him).

There’s an appealing 90’s tinge to the Ghost Rider action, particularly his transformations. This style lends a hand to our main character but has the reverse effect on his son who is the focal point of the issue’s weakest visual moments.

If you’re a fan of Donny Cates’ Frank Castle stories you would do well to stay away from this one. It provides nothing for fans of Marvel history, Cosmic Ghost Rider, or comedy. Cosmic Ghost Rider Destroys Marvel History #1 is unfortunately a major dud.

Cates designed a very specific and sarcastic tone for this character, which leaves room for plenty of humor. The problem is that this creative team completely misread that tone and wrote a watered down version of their previous Deadpool work with some history thrown in.

Monkeys Fighting Robots Youtube

Exclusive DC Comics Preview: SUICIDE SQUAD BLACK FILES #5

Monkeys Fighting Robots

Suicide Squad Black Files #5 hits your local comic book store on March 6, but thanks to DC Comics, Monkeys Fighting Robots has an exclusive five-page preview for you.

The book is written by Mike W. Barr, with art by Philippe Briones, colors by Gabe Eltaeb, with Dave Sharpe’s letters. Will Conrad and Pete Pantazi worked on the cover.

About the issue:
Katana’s spirit is still trapped in the body of the evil Eve—and now she must combat the schemes of Kobra with the Suicide Squad and Halo in hot pursuit! But will Halo recognize the real Katana in time? Plus, back from the dead and behind the eight ball, the magic users of Suicide Squad Black return to Earth, and the situation is worse than ever before. Sebastian Faust is on the cusp of eliminating all magic and has possessed Deadshot, Harley Quinn, Captain Boomerang and Killer Croc to do his bidding. Waller has to pull out all the stops to save the world and avoid losing both her teams. Not everyone will make it out alive.

Check out the preview below:

Exclusive DC Preview SUICIDE SQUAD BLACK FILES #5

Exclusive DC Preview SUICIDE SQUAD BLACK FILES #5

Exclusive DC Preview SUICIDE SQUAD BLACK FILES #5

Exclusive DC Preview SUICIDE SQUAD BLACK FILES #5

Exclusive DC Preview SUICIDE SQUAD BLACK FILES #5

Exclusive DC Preview SUICIDE SQUAD BLACK FILES #5

Exclusive DC Preview SUICIDE SQUAD BLACK FILES #5


Are you reading Suicide Squad Black Files, what do you think of the mini-series so far? Comment below with your thoughts.

Monkeys Fighting Robots Youtube

Brian Hibbs at ComicsPRO: Falling Sales and Too Much Product

Monkeys Fighting Robots

More comics news has come out of the annual ComicsPRO (Professional Retailer Organization) gathering that took place February 21-23. Brian Hibbs of San Francisco’s Comix Experience may not be a name familiar to most fans, but he is certainly well known in the comics industry. Back in 2002, Hibbs brought a class action lawsuit against Marvel over their refusal to accept returns on comics that shipped late or had creative team changes announced after the period when retailers could alter their orders; Hibbs’s action led to direct changes in the Diamond ordering system.

hibbs comicspro

In 2018, Hibbs wrote a scathing open letter to the publisher about their steep Comixology discounts on collected editions.

This year, Hibbs is in the news again after his “state of the industry” speech at ComicsPRO. He spoke, as usual, passionately and without pulling punches. Here are some selected highlights of the talk that has rippled far beyond the North Carolina hotel where it was presented:

“National sales are very poor – there are comics in the national top 100 that aren’t even selling twenty thousand copies.  A significant number of stores have closed — perhaps as many as 10% of outlets.”

“First and foremost, a lot of that blame for that lies with the very people in this room. Honestly, publishers and creators will only do what they think they can get away with.”

“We have, as I see it, two major problems at the publisher level: one of content, and one of the amount of product.   In terms of content, while I think that we’re at a golden age of comics right now, with more amazing material being published than ever before, the base level of quality of our core periodical product… is at a near-historical nadir.”

“Content is, of course, the thing we retailers can impact the least.  ‘Make better comics’ has long been a battle cry, but its out of our direct wheelhouse.  Perhaps the cry should be to ‘Make better EDITORS’?”

“Publishers are treating the customers as ‘super fans’ who are bottomless ATM machines.  But every working retailer in this room can tell you that this doesn’t match the reality of our customers: the people who want (or even can afford) this endless barrage of material clumping down the pipeline is narrowing and hollowing out month after month, and is soon going to hit a number that is probably not sustainable for any of us.”

Next, Hibbs called out an upcoming Marvel event in particular:

“Want a clear and current example of Marvel’s preposterous ‘flood the zone’ strategy?  War of the Realms is supposed to be their major… project in 2019, but in the first month alone they’re asking us to buy into TWO issues of the series being released with no sales data, as well as FOUR different tie-in-mini-series.  All six of these comics (which are built around a six issue storyline) will require final orders from us before we’ve sold a single comic to an actual reader.  Is there anyone in this room thinks that this is good? That this is sustainable?”

war of the realms russell dauterman

“It isn’t just Marvel, of course; this rot and weakness penetrates down to the smallest publishers too: Zenescope and Dynamite and Archie and Action Lab, to name just a few, all seem utterly incapable of producing comics without 2-5 covers apiece, while organizations like Avatar and Boundless and American Mythology appear to have strategies utterly pinned on releasing up-priced variants of the same material for multiple months forward.  None of these models are sustainable, none of them increase the number of READERS by even one.”

Whew — and those highlights offer just a taste of the overall presentation! You can read the text of his entire speech here.

This wasn’t the only news from ComicsPRO, of course. After some of DC Co-Publisher Dan DiDio’s comments to retailers were misreported and misconstrued, DiDio went on Facebook to address one hot topic in particular.

Looking at Hibbs’s speech from a fan perspective, do you agree with him about the amount of product and variants driving away customers? Do you buy less than you used to? Leave us a comment!

Monkeys Fighting Robots Youtube

Review: DETECTIVE COMICS #999 is Everything Great About Batman

Monkeys Fighting Robots

In case you weren’t aware, one of DC’s flagship titles is about to hit a milestone (after all, it’s where the name “DC” comes from). So, how can Detective Comics #999 setup such an important event?

The Price You Pay (not to be confused with the similarly-titled Batman/The Flash crossover), reveals the culprit behind the string of attacks on Bruce’s friends and family. It’s an unexpected twist, and one that could leave some readers feeling disappointed, even emotionally manipulated. But, what writer Peter J. Tomasi does here easily outweighs that complaint, providing a touching culmination to the story, and a brilliant setup to the milestone issue #1000.

The Writing

This isn’t the first (or even the hundred-and-first) time we’ve seen a creator delve into what makes Batman tick. Trying to reduce the Dark Knight to his core components is basically part-for-the-course in comics over the last three decades. However, it’s rarely done with as much heart, or as much love for the character, as in Detective Comics #999.

Tomasi asks simple questions: what makes someone want to dress up like a bat and fight crime? Why does Bruce Wayne subject himself to the physical and psychological torture that comes with being Batman? Why pay the cost to wear the cowl?

Well, as Bruce himself explains, “that cost doesn’t weigh as heavily as it would if I didn’t wear the cowl.”

With Detective Comics #999, Tomasi expertly sums up everything that makes Batman a beloved, timeless character. It’s not the outfit, the cool gadgets, or the vehicles, nor the dark themes. It’s Bruce Wayne’s unconquerable drive to create a world where a child doesn’t find himself standing in an alley, alone, after his parents are murdered. Bruce’s mission isn’t a quest for revenge, but rather, a mission to ensure that no one else has to experience the trauma he’s endured.

It’s ultimately Bruce Wayne’s optimism that makes him great. And above all, that’s what comes through in Detective Comics #999.

The Artwork

Doug Mahnke’s artwork shines in this issue. He finds excellent ways to transition seamlessly from intense action to more meditative moments, giving the book a full, cohesive feel. He paces the work brilliantly, arraying action sequences in tight, dynamic, and fast-paced panels, while slower moments get more space.

There are great details throughout Detective Comics #999 that drive home the poignancy of the writing. The black void of a grave, objects flying through a room, the facial expressions…it’s a testament to the artist’s skill.

The colors on this issue are well-detailed, accentuating the quality of the line work. It’s a great-looking book all around.

Final Thoughts

Detective Comics #999 was a fantastic way to close-out this era in the character’s legacy. The book encapsulates the best of Batman’s 80-year history, while setting us up for what comes next. Highly recommended.

Monkeys Fighting Robots Youtube

Review: FREEDOM FIGHTERS #3 Sees the Origin of Black Condor

Monkeys Fighting Robots

The Freedom Fighters continues to soar

 

Welcome to Earth X, where the Nazis have won. In America, the Nazis killed the Freedom Fighters and sent Uncle Sam running in the ’60s. This victory becomes a national holiday for decades, and the Reich stands unopposed. In the modern day, however, a new version of the Freedom Fighters make a big debut. After destroying a Nazi museum and giant robot, the team flies off, leaving pamphlets of the American Dream behind. Their plan is to have the people believe in it enough to bring Uncle Sam back. Will they succeed or will the Nazis have a plan of their own?

Freedom Fighters 3 cover

**Some Spoilers Below**

Story:

After their big return, the Freedom Fighters already have a new plan. The plan is to have Black Condor fly towards a Nazi aircraft carrier with a device that will allow the hacker, Cache, to hack into it. Before the plan begins, however, Black Condor is left hacking the cameras to observe Detroit. The African Americans there are used as factory workers, which turns out to be this Black Condor’s origin. After Phantom Lady pulls him out of his sad reminiscing, Condor goes off to complete the plan. This leads to an epic aerial battle between Black Condor and the Nazi Air Force.

Freedom Fighters 3 p1

This issue has the same epic battles and cool heroes we’ve seen in the last two issues and added precisely what it needed: depth. My biggest worry going into this series is that the Freedom Fighters wouldn’t get fleshed out well. Those fears have begun to fade as we learn the background of not just Black Condor but the Phantom Lady as well. Both of their origins are very different from one another, and it makes the team feel more realistic because of it. I hope we’ll be getting more of this team background; it makes the series just that more interesting.

Art:

The art team does a fantastic job of bringing the world of the Freedom Fighters to life. Eddy Barrows’ illustrations are able to bring epic action and generally creepy imagery. The origin of Black Condor is something that has burnt itself into my mind because of the art. The colorwork and inks take the book to the next level. The darker colors and inks make this book feel like a war epic. Add that to the bright colors of the American flag, and we have one great looking book.

Freedom Fighters 3p2

Conclusion:

 This book is excellent. The story has finally gotten that depth it needs to balance the kickass action. The art is top notch and fits the world entirely. The Freedom Fighters continues to surprise me, and I highly recommend it.

Monkeys Fighting Robots Youtube

Why You Should Be Reading MR. & MRS. X

Monkeys Fighting Robots

The first volume of Mr. & Mrs. X, “Love and Marriage”, is out this week from Marvel Comics, chronicling the new adventures of X-Men Rogue and Gambit as a married couple.

Mr. & Mrs. X picks up after Rogue and Gambit’s wedding in X-Men Gold. Like, immediately after. While on their honeymoon in space, the couple is called to action and thrown into the middle of Shi’ar royal family drama. Also, Deadpool pops in for a couple of issues.

“Love and Marriage” collects issues 1-6 of the series, all written by Kelly Thompson. Oscar Bazaldua and Frank D’Armata did the art and colors for the first five issues, while David Lopez and Nayoung Kim worked on issue six. Joe Sabino lettered the series, with the exception of issue two, which Travis Lanham lettered.

This is the definition of a character-driven story. There’s plenty of action and intrigue, but that’s not what drives the book. Rogue and Gambit drive it, both as individuals and as a couple. Despite this being a space adventure, Thompson has written a very grounded and relatable story about relationships. The two lead X-Men have palpable chemistry. Their dialogue and the way they bounce off one another feels like a real relationship (a real relationship, with love, and friction, and sexual tension all interwoven, and not a “made for TV” relationship). It’s fun to read. These characters are likable. And they’ve had such a complicated relationship for so long, that this story will pay off especially well for fans who have been following this duo for years.

Mr. & Mrs. X marvel comics x-men

On top of the great relationship content, Thompson also peels back some layers on Rogue and Gambit as individuals. She digs into their fears and their desires. The two are vulnerable at times (which again circles back to the relationship stuff, because one of the scariest things about being in love is letting your guard down). All of this just helps to make the characters feel more real and relatable, building on the reader’s connection to them.

Bazaldua and D’Armata’s art through the first five issues is the perfect blend between action and comedy. The fight sequences are just what you would expect from an X-Men title, and the colors are surreal, which is what you want from a cosmic story. It creates this otherworldly tone. But then the facial expressions deliver so much feeling and humor that you remember this is a comic about the people first and the action second. Lopez and Kim then pick up the baton for a one-off story in issue six, and it feels like something completely new compared to the rest of the collection (in a good way). Their story is based around an engagement party in Gambit and Rogue’s apartment, so it trades the cosmic vibe for something more traditional. This is perhaps the strongest story in the set, because it focuses solely on the heart of the book: the couple’s relationship.

The biggest downside to this volume of Mr. & Mrs. X is that the pacing feels somewhat erratic. The story feels rushed at times. But again, the plot itself isn’t the crux of this comic; it’s the characters. So it’s understandable that the team would maybe tell a quick and simple story in order to focus more on the character moments. Still, if you’re a reader that prefers story to character, this may put you off.

Bottom line: if you love funny and heartfelt stories about couples who bicker and banter, but who ultimately have each other’s backs no matter what, you need to be reading Mr. & Mrs. X.


You can buy MR. & MRS. X Volume 1: “Love and Marriage” at your local comic shop.

Monkeys Fighting Robots Youtube