Valiant Entertainment

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Review: NINJAK #3 Feels a Little Uneven

Review: NINJAK #2: How Characters Play To The Comic Structure’s Strength

Review: X-O MANOWAR #5 – The Quiet Start of Something New

SHADOWMAN #4: Accepting The Madness Versus Basking In It

NINJAK #1: Evoking The Psychological Action Through Cartooning

SHADOWMAN #3: How To Make Parallels Throughout A Plot

THE VISITOR #6: A Bittersweet Uncertainty Follows

THE VISITOR #5: All Of The Answers Arrive With A Lynchpin

SHADOWMAN #2: Suckered In By A Thickening Plot

SAVAGE #4: Laughing With The Gauche, Laughing At The Mad

Review: SAVAGE #3: The Crazy and the Normal of Teenage Life

SHADOWMAN #1: An Action-Packed Start To The Mystery

Cullen Bunn Talks All Things SHADOWMAN With New Book On The Horizon

Matthew Sardo -

Review: SAVAGE #2: Why We Can’t Be More Like Real People

BLOODSHOT #11: Artist Pedro Andreo and Editor Lysa Hawkins Discuss The Political Timeliness

Matthew Sardo -

SAVAGE #1: The Most Natural Narrative Is Instinctive

Advance Review: BLOODSHOT #11 – Old Enemies, Familiar Concept, New Aesthetics

X-O Manowar #4: The Power Vacuum Tears Itself Open

X-O MANOWAR #3: The Compromising Compromises

BLOODSHOT Colorist ANDREW DALHOUSE Explains His Process

Matthew Sardo -