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Review: MODERN MYTHOLOGY: THE HERO’S JOURNEY Updates Legendary Tales

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Created and edited by Caleb Palmquist of Endiku Studios, Modern Mythology: The Hero’s Journey retells classic hero myths set in the modern day. The anthology, which you can support on Kickstarter, collects 17 stories by 29 writers and artists from around the world. It also contains facts behind the myths, such as the cultural, historical, and storytelling traditions the tales come from. 

Modern Mythology Cover

Story

Seeing as the modern superhero is deeply rooted in the tales and mythologies of ancient Greece and Rome, it’s only fitting that a comic book is used to share new interpretations of these stories. 

The people behind the Modern Mythology anthology manage to do so, crafting unique tones, styles, perspectives, settings, and genres around well-known mythos. For example, the story The Hunter and the Lion is a super-heroic action tale involving the African trickster God Anansi; the epic poem Beowulf is updated as a science fiction shoot-out; and you’ll also find a story of Hercules as a Cryptozoologist taking down poachers in the African Plains.

One such standout is Theseus, written by Russell Nohelty and illustrations by Nicolas Touris. The infamous Greek myth is about the eponymous hero who ventured through a labyrinth to slay the monstrous Minotaur. In the Modern Mythology update, Nohelty turns the classic tale on its head, making Theseus a dispassionate hipster who’s much more content browsing his phone than saving the people from a monster. The language used is humorous and telling about aspects of modern culture.

Another great example of modernized mythology in this book is Samson, written by Darby Shelton and artwork by Dee Parsons. It’s an update of the biblical legend of a man with tremendous strength, whose powers were weakened when his lover Delilah cut his hair. Only in this version, it takes a tragic accident and a haircut to make Samson realize his true strength. It’s a captivating tale with a powerful message, and a wholly unique spin on the classic tale.

Modern Mythology Page
LionHunter_01

Art

The artwork in Modern Mythology is also a diverse display of style and visual storytelling. In Tristan, written and illustrated by Noah Mease, no dialogue is used to tell the update of the tragic romance. Instead, Mease uses a simple black and white style when depicting a young man eagerly waiting for a response to a sent text message. He then switches to a single-shade, inkblot style when the character imagines a potential future with the love of his life. The style is presented as if the inky tear of the person waiting for a response fell into water, and flowed and shifted into what he was envisioning.

Another example of great artwork in Modern Mythology is from Cuchulainn, written by Fallon Walker and illustration by Kirk McLaughlin. Walker offers a powerful story of a sniper at the end of The Troubles in Northern Ireland. But it’s McLaughlin’s artwork that makes this story truly captivating. He uses a shadowed and messy style to depict the conflict, reminiscent of the gritty noir artwork in Sin City. He adds a palette of dark browns and greys, like a dark cloud is hanging over each panel.

Conclusion

Modern Mythology: The Hero’s Journey is a wonderful showcase of diverse talents. It’s a love letter to the stories that inspired it.

You can reserve a copy of Modern Mythology: The Hero’s Journey by supporting it on Kickstarter, where you can also get exclusive artwork and other perks. You can also learn more about the project on its Facebook page, as well as on Endiku Studio’s website and Caleb Palmquist’s Patreon.

Which legendary hero would you like to see in Modern Mythology? Let us know in the comments!

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Review: BATTLEPUG #1 Is A Hysterical, Pug-filled Adventure

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Mike Norton’s popular comic is moving from the webcomic space into its own recurring series at Image Comics. Available on Wednesday, September 4, BATTLEPUG #1 stars the Kinmundian, the last survivor from a race of warrior who were brutally murdered by an overlord named Catwulf, and his Battlpug, a giant pug who serves as his trusty steed. This issue features the duo’s next adventure following the defeat of Catwulf in the webcomic. They’ve picked up some friends and are ready to travel world, most likely running into plenty of hysterical trouble along the way.

Story

The Kinmundian and the Battlepug embark upon their new journey with the mage Moll and her dogs named Mingo and Colfax. Moll has taken it upon herself to help the battle-worn warrior embrace his dormant beast mage power, a skill that will allow him to assume the abilities of the animal kingdom.

While exploring the group runs across the village of Ashkum, which is in desperate need of some saving. Their current leader, Jofel, rules the citizens with an iron fist through a sock puppet named Coufefe. While the absurdity is plenty entertaining, readers will almost certainly catch the reference to two of the world’s most powerful men: Donald Trump and Vladimir Putin.

Norton doesn’t pull any punches in this story; the entertaining allusions to our current political climate are right in your face. Jofel is a spitting image of the shirtless Putin meme popularized by outlets such as Saturday Night Live; the fact that the orange-haired Coufefe is fully controlled by the other only makes the allegory that much more hilarious.

The Kinmundian picks a fight with Jofel and chaos ensues. We see the overlord transform into a half-bear creature, showcasing the impressive beast mage abilities our hero has so coveted. Now the warrior, along with Battlepug, must liberate the town and discover the secret to his antagonist’s transformation.

Artwork

Norton and Allen Passalaqua’s penciling, inking, and coloring help give this issue all the mix of beauty and horror in classic adventure stories. One minute readers are treated to beautiful landscapes and the next they find themselves in the middle of a bloody battle between the Kinmundian and Jofel. In addition, the lettering work from Crank! gives these characters a relatable voice; the bolded words sprinkled throughout their dialogue features emotions of distress, panic, and joy as they interact with their world.

Comic Covers

Norton and Paassalaqua’s main comic book cover entices readers by featuring the heroic team of the Kinmundian and his Battlepug charging into battle. Chris Samnee and Matt Wilson’s variant cover depicts the duo in a similar position, but in a more realistic style to show us what a real giant pug would look like in our world.

Conclusion

BATTLEPUG #1 is an exiting story full of intrigue, hilarity, and thoughtfulness. It’s rare to see such a balance of these qualities, but Norton, Passalaqua, and team hit this one out of the park.

Did you enjoy the thinly-veiled allegories made throughout this story? Let us know in the comments below!

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Neal Adams’ BATMAN VS. RA’S AL GHUL #1 Feels Like a Relic Of The Past

Neal Adams' BATMAN VS. RA’S AL GHUL #1 Feels Like a Relic Of The Past
Neal Adams’ BATMAN VS. RA’S AL GHUL #1 from DC Comics train-wrecks into your local comic book store this week.

Batman vs. Ra’s al Ghul #1 opens with the most bat-shit insane page that will make you read on in absolute wonder; by the end, you’ll ask yourself, “What the hell did I just read.” But the crazy thing? You’ll enjoy every bit of the absurdity. Check out the original press release for Batman vs. Ra’s al Ghul here.

Adams is most known in the Batman world for his and Dennis O’Neil’s revitalization of the character in the ’70s and co-creation of Ra’s al Ghul. His more recent work with Superman and Batman has been hit or miss, as the reaction from readers at my local comic shop wasn’t very positive. These stories were looked down upon for just how insane, and utterly obscure Adams’ plot was, precisely the category Batman vs. Ra’s al Ghul falls under.

As with any character that’s been around 80 years, Batman has evolved with the times by changing his attitude and rhetoric, but Adams throws all of that evolution out the window for Batman vs. Ra’s al Ghul #1. Batman’s dialogue comes off awkwardly stiff like he’s stuck in the ’70s, and he’s constantly pissed off as he yells at people and repeatedly calls Ra’s a liar.

Batman’s dialogue isn’t the only one that suffers from an awkward stiffness, as other characters do too. Unfortunately, this feeling of weird 70’s writing isn’t limited to just that, as Adams has a newscast sprinkled throughout that feels like one of the most obvious exposition dumps. These newscast segments work great in some scenes, but in others, there is so much exposition that it would read better if it were on a recap page.

At moments Batman vs. Ra’s al Ghul #1 feels like a story Adams had planned for the ’70s and now has time to get to it. If you grew up with Adam’s Batman, you’ll probably love Batman vs. Ra’s al Ghul #1, but keep away if you’re a new-age Batman fan.

Adams’ art has been known and loved for the realism he puts into every aspect of his pencils, but he has slowly lost the beauty of his original work as the years have gone by. With his nearly 60 years of pencils in the industry, the last ten has seen Adams’ once-great pencil work become more of sketches.

His colors are great, making the pages feel like the story he is telling is gritty and dirty, but the sketch-filled pages feel like a new artist trying their best to recapture Adams’ art while failing. With many dialogue bubbles there are, Clem Robins’ lettering feels cluttered at times, while the issue is void of sound effects in some scenes and not others. Another weird instance is an editor’s note in a box with an asterisk (*) showcasing an extra bit of information. The only problem is there is no matching asterisk on the dialogue or anywhere else.

Batman vs. Ra’s al Ghul vs. 2019 (Conclusion)

Even though Batman vs. Ra’s al Ghul #1 has stiff dialogue, unnecessarily in-your-face exposition, and a story that feels so weirdly obscure, you will find it hard to peel your eyes off the page. When everything comes together, the issue forms a fun train wreck that you can at least say was fun to watch read.

Memorable Quote: “What …The living hell is this?!” – Boston Brand (Deadman)

I agree; what the living hell did I just read?

Side Note: I think Adams loves Deadman, and that is perfect. Deadman is a fantastic and fun character that hasn’t been used much lately.

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LEGION OF SUPERHEROES: MILLENNIUM #1 Flings The Reader Into A Great Time-Spanning Epic

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DC Comics’ long-awaited return of Legion of Superheroes begins in a time-spanning epic in Legion of Superheroes: Millennium #1, out this week.

Make sure to pop on your Legion flight ring and fly over to your local comic shop as Brain Michael Bendis and team pave the way for the 31st-century heroes back to the comic shelves. Legion of Superheroes: Millennium #1 focuses on recently made immortal Thorn as she sees the DC Universe throughout the years; thus supposedly linking it all together. Thorn was recently reintroduced in the DC Universe Via Bendis’ Action Comics #1013, but her history isn’t needed to enjoy Legion of Superheroes: Millennium #1 as she herself doesn’t know what has happened.

Interior page by Jim Lee (pencils), Scott Williams (ink), Alex Sinclair (colors)

Legion of Plot

Even without the involvement of the Legion in its first issue (of two) Legion of Superheroes: Millennium #1 is a fun trip through four DC futures; with the fast-paced flow taking you from President Supergirl, Batman Beyond, Kamandi, and Tommy Tomorrow. Bendis stays in each time-frame just long enough to draw interest in it, while leaving much up for future exploration). The main plot being; Thorn has somehow become immortal, and she is trying to figure out the why, and how. Leaving Legion of Superheroes: Millennium #1 to play off as a mystery story.

Bendis leaves the reader as confused as Thorn throughout because he seems to be building up the plot, just to have something huge happen when she enters the Legion’s timeline. Each story stands its own, but Batman Beyond’s is one of the best; this is due to Terry’s and Thorn’s fun interactions. Legion of Superheroes: Millennium #1 lack of the Legion, just feels awkward; whereas Bendis could’ve gone with another name, or had the Legion make an appearance. One story beat that does appear is Bendis’ repeated dialogue, that occurs multiple times.

Interior page by Jim Lee (pencils), Scott Williams (ink), Alex Sinclair (colors)

Legion of Art

Having four timelines featured, Legion of Superheroes: Millennium #1 also has four teams of artists and colorists. DC starts the time-spanning epic with a bang as Jim Lee tackles pencils, Scott Williams on ink and Alex Sinclair on colors; the usual team-up with Lee. This iconic trio brought their A-game with dramatic emotions helping dialogue, and the ever famous action-packed double-page spread, which looks as beautiful and exciting as ever.

 

Jumping from President Supergirl to Batman Beyond is Dustin Nguyen on art and John Kalisz giving Gotham some colors. With a dark and gloomy coloring, Kalisz adds few neon colors to help stimulate the feel of the classic show. As there isn’t much city-scape, we aren’t treated to much colors, other than the bright red smoke and seedy background greys. As his story is half action, half dialogue, Ngyuen makes his panels fast-paced while keeping a constant flow that makes the time spent in this timeline pass by. As great as his pages are, it would have benefited from having a few more panels, as a way to help his fight scenes impact.

The creative team on Kamandi’s timeline is Andrea Sorrentino, and Dave Stewart on colors. The creators match perfectly with this timeline. It’s post-apocalyptic earth with Sorrentino’s art giving a dirty, grubby feeling as if all hope is lost and dead. Stewart’s coloring excels this feeling with red hot volcanic oceans and subdued bright colors that are mixed with grey/black.

Tommy Tomorrow’s future has the creative team of André Lima Araújo, and Jordie Bellaire. This is Araújo’s first DC work, which is a marvel to behold! Araújo’s feels akin to that of Moebius’ super-detailed science-fiction landscapes, while Bellaire’s colors paint a white-laced future that may think they’re clean, but aren’t. The real downside with this future is that it was the shortest of the four stories and would’ve been nice to see more of the great art.

Interior page by Jim Lee (pencils), Scott Williams (ink), Alex Sinclair (colors)

Legion of Lettering

With how great the art and flow is throughout the story Dave Sharpe’s lettering never hits these highs. Bendis is known for his love of heavy dialogue which shows with the heavy bubble usage, that in a few instances kills the momentum. With Legion of Superheroes: Millennium #1’s different timelines, the bubbles stay the same throughout, where if changed for the art style would have been an excellent bonus for the changing of times. The few sound effects Sharpe adds in are great for their scenes, but a few times were something should’ve made noise they don’t, which comes across awkward.

Legion of Conclusion

The time-spanning plot brought forth by the multi-handed team of creators in Legion of Superheroes: Millennium #1 is a fun and fast paced read, that just lacks what the title implies—The Legion of Superheroes. Although it seems the team will show up in the next issue, it would’ve behooved the title to include the Legion in some aspect. It is a nice change of pace to have the story play out in a mystery (as Bendis is good with those), with the reader feeling as lost as Thorn. Let’s hope she sticks around after this story, and DC doesn’t shelve her.

Each artists rendition of their appointed future works greatly in favor of the specific style of art, but falls short on page count. If Legion of Superheroes: Millennium #1 added a few more pages, it would’ve benefited each artist, with the ability to expand more on their timelines.

Memorable Quote: “You were like…Harley Quinn before Harley Quinn.” -President Supergirl

Rather harsh, yet hilarious Madam President!

Side Note: Legion of Superheroes: Millennium #1’s cover by Ryan Sook may be one of the most ingenious and visually appealing covers of the year!

Legion of Superheroes: Millennium #1 Cover by Ryan Sook
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SCOUT COMICS Announces New Series LAST STOP Coming This Fall

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The evergrowing indie publisher Scout Comics has announced another exciting title, Last Stop. Written by Trey Walker, with art by Hoyt Silva (Drink Champs, AOC and the Freshman Force, Shock Anthology), and letters by Micah Myers, Last Stop has a fascinating set up: When he’s diagnosed with a life-threatening disease, the world’s last Super is ready to die in peace, until an old nemesis and a new threat emerge!  But is there enough time? Sounds great right? Well here’s more information and some words from the creators!

Last Stop

Time is ticking for the world’s last superhero. Lincoln Adams (aka Unstoppable) must make peace with the changing world around him—can there truly be a place for him in a world without Supers? After learning he has a terminal disease, Lincoln sees an easy way out; however, the re-emergence of an old arch-nemesis and a new shadowy masked figure turn Lincoln’s plans of an easy passing on their head. Can Lincoln stop this new threat before the disease stops him? 

Writer Trey Walker had this to say:

From releasing it originally as a webcomic to successfully funding a Kickstarter edition of the graphic novel, the reception to LAST STOP over the past year and a half has been heartfelt and amazing! The real cherry on top, however, is that we now get to team up with Scout to share our story about a hero confronting his own looming mortality.

Artist Hoty Silva added:

Scout Comics is really pushing the envelope with the titles they are putting out and I couldn’t be happier to have them publishing LAST STOP. Is there a better home for creators than one crafted to pursue innovation and taking a chance on ideas that are outside of the box? I don’t think so!

Scout Comics Publisher and CCO, James Pruett also had something to say:

I’m excited to welcome Hoyt and Trey to the team. I’ve known Hoyt for years and we here at Scout are all very excited to bring LAST STOP into the Scout Family!

Last Stop #1 is now available for preorder via your local comic shop (Diamond Preview code SEP191956).


Scout Comics was founded to discover, develop, and support content creators in addition to helping translate their projects to different platforms and mediums. The label has had several breakout hits recently, including Gutt Ghost, Long Lost, The Mall, Midnight Sky and Stabbity Bunny. To learn more about Scout Comics, please visit us on our Facebook Group: “The Official Scout HQ” or go to our website at www.ScoutComics.com. 

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Review: SOMETHING IS KILLING THE CHILDREN #1 – Glorious Gore

best comic books of 2019 boom studios something is killing the children

Out this week from Boom! Studios, Something is Killing the Children, and it’s not just killing them, it is tearing them the @#$% apart.

James Tynion IV, known for his great work on Detective Comics and for being the chosen one to fill in for Scott Snyder in his stories, presents one hell of an opening chapter to his newest release. I have never read a horror title from Tynion, but I will be reading every single one from this day forward. Frightening someone and achieving terror in writing is admittedly a challenging task and done with ease here. Something is Killing the Children is suspenseful, surprising, shocking, terrifying, and drenched in blood.

I’m reading this on labor day with Tom Petty playing through my computer speakers, and I was so entrenched in the story, the music just became a sound barrier. A coworker was able to walk up behind me and make me jump out of my chair by only saying my name. When that happened, I knew I had found an enthralling horror title that people need to be reading.

Werther Dell’edera is an entirely new and unknown artist to me, but the work in this issue is incredible. Together with Miquel Muerto, this team provides an atmosphere of anxiety, distrust, and gloom. From the dark blues and purples of a TV lit sleepover to the bright yet shadowed interrogation room, the story exists in a haze. Avoiding bright colors is paramount to a horror story. The most vivid colors should always be reserved for the blood and gore, and Something is Killing the Children nails it.

AndWorld Design takes care of the lettering and brings a subtlety to the table that works exceptionally well. The lettering designs add an extra attitude to the noises they portray. It appears as if the letter produces the noise without needing to read the word it makes.

Something is Killing the Children began to garner attention when the cover art for the first issue was released. Any new title that gets names like Jae Lee and Jenny Frison to contribute variant covers, deserves at least a look, and SiKtC is a title that promises to deliver on the hype.

I want to keep this review short and sweet and without spoilers because this book is so great and deserves the privilege of unveiling details itself. If you are a horror fan, buy this book. If it’s sold out, reserve a 2nd or 3rd or 4th print. Tynion IV and Dell’edera have created a story destined for the big screen, and I can’t wait to see it in a theater.

What did you think of Something is Killing the Children? Let us know in the comments below.

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EVERYTHING #1: Why You’ll Never Look at a Mall the Same Way

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EVERYTHING #1, coming out this Wednesday from Dark Horse Comics, is an amusing twist on consumerism and the dangers of mega malls.

Just what everybody needs; a disturbing mall owner in their lives.

***SPOILER***

Everything #1 is the start to an all-new series that’ll make readers question everything they thought they knew and loved about mega malls. Or perhaps not. Any employee stuck working in a mall will gladly tell you that it’s never as perfect as it seems.

This series is so retro in so many ways and eerie and disturbing in others. It makes for an oddly brilliant combination – one that we’ve seen work in a few other famous instances. Though there’s a good chance that none of the others were quite as vibrant as Everything is proving to be.

A disturbingly peppy hiring ad.

Everything #1 starts off on an alarming note. But on the bright side, it’s sure to catch the reader’s attention. And once caught, it holds onto it with both hands. Christopher Cantwell certainly knows how to write an introduction. From there, the series takes no time to introduce three completely different leading characters.

Lori is a unique soul. She’s depressive and a bit of a downer – the sort of person you tend to avoid at work when possible. Rick is from out of town, and he also has his issues. Including a potential phobia of insects that may or may not be real. And finally, Remo. He’s a teenager desperate for a job, and quite possibly a way out as well.

You’ll notice that this list isn’t including the woman who owns the mall. And that’s because we still don’t know where she stands. There’s a good chance that she’s not even human. And only time will reveal the truth of this whole situation.

That’s…quite a way to start a series.

The artwork for this series is exactly as bright as the cover hints at – there’s a lot of bold shapes and colors, with scenes that bounce back and forth between the mundane and incredibly intense. It’s a solid balance, though one clearly designed to disorient the readers.

I.N.J. Culbard is the artist behind the series. Their style is unique, and since they’re the only artist on the project, that gave it a certain sense of cohesion. Considering how intentionally disjointed other elements are, this was a good call.

Steve Wands provided the lettering for this issue, and the attention to detail shows with the font choices and placements. In many ways, the font made the issue have that retro feel they were looking for.

Everything #1 was a strong yet odd start to a new series. The creative team worked hard at grabbing the reader’s attention – while also leaving us in the dark as much as possible. It’s an interesting balance, one that leaves readers with more questions than answers. But that’s not a bad thing.

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How the Series is Wrapping Up in GIANT DAYS #54

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GIANT DAYS #54 is out this Wednesday from Boom! Box is the second to last issue in the beloved series, and the nostalgia is real with this one.

This cover captures everything about the impending graduation.

***SPOILERS***

It’s hard to believe that Giant Days #54 is the second to last issue in the series. But it is the sad truth. The series is not intended to run past the 55th issue – but at least fans are getting a chance to say goodbye, as all of the storylines are properly wrapped up.

Daisy and Esther’s graduation day is upon us, with Suzie stuck in school for a couple more years (thanks to her choice in degrees). That means the series must finish. The series wouldn’t be the same if our chaotic girls’ tales continued through their adulthood – though it would surely be entertaining.

One of the last of these will be seeing for the series…

John Allison wrote the second to the final issue in this delightful escape from reality. And he has done his best to give fans a genuine chance to say goodbye. While our leading ladies were the focus, some of the secondary characters we know and love made their appearances as well. Everyone from parents (and grandparents) to Ed and McGraw, it’s bittersweet but certainly better than not seeing everyone one last time.

Of course, this series wouldn’t be the same without a few extra moments of drama and interpersonal issues are thrown into the mix – nothing else goes perfectly for these girls. But they always make it work. Their quirks shined through in this issue, for this exact reason.

The conclusion of this issue was an interesting choice – there’s a slight jump in the future, which is unexpected. Many fans thought the series would be over upon the graduation. But it would seem that there’s one last story for us to see.

Esther is acting (and packing) just as expected.

The artwork in Giant Days #54 felt exactly as it should have. The iconic style stayed the same, while also showing us some minor character changes – all hints towards the future these three (and others) face.

There were a lot of characters to portray in this issue, and not much time to fit them all in. But they somehow managed to make it work. Even if not everybody had a whole lot of screen time, so to speak. That’s where the artwork had to work hard – showing us what couldn’t be spoken. In this element, in particular, the artwork stood out.

Max Sarin provided the lines for all of the artwork mentioned above, with Whitney Cogar providing the iconic color palette we all know and love. Jim Campbell provided the lettering for this issue, which was also extremely iconic to the series.

We’ve got to give Daisy the win on that debate.

It’s sad to think that the series has only one issue left now. It leaves us wondering, what will the next series be? Will there ever be anything that feels quite like Giant Days?

The series will be concluded in Giant Days: As Time Goes By #1. So make sure not to miss it!

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How Our Girls Can Recover From Anything in HARLEY QUINN & POISON IVY #1

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HARLEY QUINN & POISON IVY #1 is the start of a new series from DC Comics, hitting the shelves this Wednesday. This miniseries will follow our dynamic duo as they create more chaos for themselves.

Yep. This looks about as chaotic as expected.

***SPOILERS***

Harley Quinn and Poison Ivy are back together for their own miniseries – one that’s set to last for six issues. These events directly follow what happened to Poison Ivy (and Harley) during Heroes in Crisis. So there will be spoilers for that event. Consider yourself warned (assuming you’ve been able to spend any time online lately and miss spoilers for that series).

Harley Quinn & Poison Ivy #1 brings us back to a fan favorite pair; only things aren’t quite the same. Ivy is changed, and she’s struggling to deal with those changes. And we all know that Harley would do anything for Ivy, but what happens when there’s nothing she can do to help?

The title for this first issue has perhaps the most appropriate name ever, ‘Pushing Daisies.’ We know that not all fans received some aspects of the whole Heroes in Crisis plot too well, so it is refreshing to see some fun being made of it.

A split page cover! Scroll down to see the other half.

Jody Houser took the reigns for this new plot, and she did a great job weaving multiple arcs and premises together. This issue had to go through a lot – covering the past (see above), touching upon the current DC event, and of course, giving us a little bit of our favorite couple.

That’s a lot to balance out, but this issue managed to do so. And it had some fun in the process – because our girls are nothing if not chaotically humorous. Though one could argue that this issue had a slightly darker tone than usual, given the circumstances, this is understandable.

This plot looks like it’s going to be touching upon some of the more fascinating sides of Ivy’s character. Parts that are frequently overlooked and ignored (or at least, not shown as often as her fans would like). For that reason alone, this series is going to be one worth watching.

Ivy’s redesign is looking good in the other half of this split cover.

The artwork in this issue was bright, despite the slightly darker tones. It had fun when it could, but also went all out in showing the organic and flora whenever possible. So it indeed was perfect for a plot revolving around Ivy and the woman she cares about more than anything.

Adriana Melo was the lead artist, with Mark Morales doing the inks. Together they created a striking template. Here bold lines met organic in a way that’ll make readers stop and appreciate their work.

Hi-Fi’s colors perfectly supported the lines – they tended towards bold when possible, and even the duller colors seem to have so much life and vibrancy to them. This fit both of our leading ladies very well. Finally, Gabrielle Downie provided the lines – and the little extra touches she threw in really brought it all together.

harley quinn poison ivy dc comics review
A quick rundown of what’s been happening to our girls.

Harley Quinn & Poison Ivy #1 is an exciting start to this miniseries, and there’s no doubt that the next five issues are going to be a hectic ride. That’s what this pair is best known for, after all. The somber elements were appreciated, as were the pure Harley moments that balanced them out. Now we just need to see where this plot is going to lead us. Any theories?

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AMAZING SPIDER-MAN: GOING BIG #1 – Welcome Back To The 90s

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This week Marvel throws you into a web-filled time machine back to the 90s for a handful of Spidey stories. AMAZING SPIDER-MAN: GOING BIG #1 is a serving of the Good, the Bad, and the Ugly of 90s Spider-Man comics.

ASM GOING BIG 1 CVR

***SPOILERS LIE AHEAD***

 

If you’re a longtime Spider-Man reader, you may recognize the creative forces being sold to you with this special issue. If not, this should be a fun exercise in what your favorite web-slinger was like during the 90s.

First up we have veterans Gerry Conway and Mark Bagley on their very first collaboration. Both have many years with the character separately, it’s kind of crazy that this is the first time they’ve worked together.

“Field Of Fire” is by far the best story of the bunch in both plot and art. We’ve been seeing a lot of Mark Bagley’s Spider-Man work lately (Spider-Man: Life StoryVenom) and he’s still got it. This is probably some of his best work on a web-head book out of the past few years.

SO 90’S THAT IT HURTS

There’s a fluidity to the layouts that serves the story well and delivers us a Spider-Man that we’re all familiar with. Conway’s script is great, taking full advantage of the shorter format telling a self-contained story to completion. The “mystery” of who the sniper is could be solved by a coma patient in the first bit of dialogue–but it doesn’t make it any less fun.

Our second story is an ultra-short tale written by Ralph Macchio and Todd Nauck on art. Poor Ralph Macchio and his comic book writing aspirations, he’s been given a few short story opportunities for Marvel recently and none of them have struck a chord at all.

“Life Lessons” is a forgettable and boring three-page story that we’ve all read a thousand times before. Macchio seems to do fine as an editor, but his writing credits are lackluster at best. Maybe he doesn’t have anything to say with these characters or maybe he’s not given enough rope. Either way, this is the weakest of the bunch for AMAZING SPIDER-MAN: GOING BIG #1.

The third and final story is the big draw, longtime Spidey creator Erik Larsen returns to tell a quick story about Spider-Man and Nightshade (long forgotten Spidey villain)–also a bit with Pete and MJ’s attempt to see a movie.

NO NOT MAN-WOLF, THE OTHER WEREWOLF BASED SPIDEY VILLAIN WE ALL KNOW AND LOVE

Larsen’s art hasn’t changed much, Laura Martin’s coloring gives it a bit of new life. Mostly, this another forgettable exercise in nostalgia. It’s quite jarring sometimes when a book striving to look like the 90s is telling a modern day story. This would be a great example of that.

Spidey looks just like he did all those years ago, but Nightshade and her werewolf cronies look awful. Larsen’s Spider-Man dialogue attempts to immediately tap into the attitude of way back when but it doesn’t translate well. Rather than be our lovable cornball attempting humor at the worst possible time, Peter comes off as an annoying Deadpool-ripoff.

AMAZING SPIDER-MAN: GOING BIG #1 isn’t all bad, but it definitely goes downhill drastically after the first story by Conway and Bagley. This is a one-shot issue that leaves you with nothing in the end unless the only Spider-Man you’ve ever cared for was the 90s.

Especially considering this is a $4.99 book, you’re better off avoiding this one.

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