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Review: THE BATMAN & SCOOBY-DOO MYSTERIES #1 — A Glove Story

Main Cover

You might think Batman, Scooby-Doo, and missing gloves is the setup to a bad joke, but it’s actually the start of a fun new mystery from DC Comics. Available now, The Batman & Scooby-Doo Mysteries #1 is written by Ivan Cohen and illustrated by Dario Brizuela. Colors and lettering were done by Franco Riesco and Saida Temofonte, respectively.

The Batman & Scooby-Doo Mysteries #1 opens the planned twelve-part limited series with a deceptively simple glove theft. Batman calls Mystery Inc. when he finds that someone broke into the Gotham Museum of Culture. Whoever broke in also stole the purple gloves off Batman’s Year One costume. The story gets wacky when Batman suggests time travel to catch the suspected thief in the act.

Who would have considered time travel in a story like this? Well, Ivan Cohen had the bright idea, and his writing capitalizes on other delightful hallmarks of Scooby-Doo and Batman. Each character has the chance to deliver quippy, idiosyncratic dialogue as we’d hear it in the cartoons.

Glove Story

Even Batman is funny, albeit in an ironic way, with the majority of his jokes relating to the Dark Knight’s true identity. Such tongue-in-cheek humor relies on dramatic irony and fans’ prior knowledge of the characters, but the story is still accessible to everyone.

Mystery Inc. and Batman
BATMAN MEETS WITH MYSTERY INC.

In keeping with Cohen’s nostalgic, referential writing, Brizuella’s art style borrows greatly from the Hanna-Barbera cartoon. It’s all soft lines, curves, and broad expressions. Brizuela also uses plenty of master shots and medium shots to punch up the jokey dialogue and lend an actual sense of space to the otherwise two-dimensional style.

Additionally, Riesco’s colors are equally cartoonish, carrying familiar bright, warm, and bold tones. Riesco also emphasizes purple, green, and orange in backgrounds to evoke the costumes of each Mystery Inc member. Moreover, Riesco managed to get Batman’s purple gloves to stand out among his panoply, seemingly using a particular shade not used elsewhere in the book. That subtle choice, in combination with Brizuella’s illustration, adds cinematic flair to the mystery.

From Joke to Joke

To the same degree, Temofonte’s lettering is at turn bold and cartoony with just enough SFX to sell the jokes. Yet no dialogue bubble or effect feels out of place or forced, for that matter. It all seamlessly flows from joke to joke to wacky encounter with the same pace as the original cartoon, thanks to Temofonte.

Thanks to a creative team with as much love for Mystery Inc. and Batman as the oldest fans, The Batman & Scooby-Doo Mysteries #1 serves up tons of fun. It may be the most heartwarming comic I’ve read so far this year. So, I will definitely be tuning in for the next eleven installments of the series.

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Review: MY LITTLE PONY/TRANSFORMERS 2 #1 Is Still Just As Magical

My Little Pony/Transformers

My Little Pony/Transformers 2 #1 out this week from IDW comics features the return of one of the most entertaining crossovers in recent years. The magic cast of My Little Pony teaming up with the galaxy-spanning cast of the Transformers series. This magical crossover is made possible thanks to James Asmus (writer), Jack Lawrence (pencil and inks), Luis Antonio Delgado (colors), Jake M. Wood (letter), Sam Maggs (writer), Casey W. Coller (pencils/inks), Joana LaFuente (colors) and Neil Uyetake (letter).

Summary

While using a modified Spacebridge to bring magic to Cybertron, the Decepticons end up unleashing a more powerful evil from Equestria than they ever could’ve imagined—looks like the only way out of this one is to team up!

My Little Pony/Transformers

Writing

The story picks up from the previous miniseries. Basically, the Decepticons invade Equestria in an attempt to obtain magic. Things escalate fast as the Autobots come to the aid of the ponies only for the evil King Sombra to be released. With his own magic, King Sombra brainwashes many individuals setting up this new miniseries. This use of brainwashing and odd pairings will result in odd pairs moving forward. It already looks like Shockwave and Starscream will be pairing up with some ponies and going on adventures. Ridiculous as ever but this is what makes it so entertaining.

The first of the crossover and it’s an interesting pair. Furious Arcee and Greenlight meeting up with Scootaloo’s aunts. The ladies find themselves teaming up to take down a new threat. The peak of this story is the discovery of Scootaloo and her new friends. It’s incredibly heartwarming.

My Little Pony/Transformers

Artwork

The art by Jack Lawrence in the first story “The Magic of Cybertron” has a nice whimsical style to it. The second story “A Real Mother” with art Casey W. Coller has a more defined look to it. Coller’s work results in a great one-page splash later in the issue.

The colorwork by Luis Antonio Delgado and Joana La Fuente adds different elements to their individual stories. With Delgado, the color helps to add to the mystical and scientific elements of the story. Meanwhile, La Fuente’s colorwork adds striking detail to each of the characters making them stand out even more.

My Little Pony/Transformers

The lettering by Jake M. Wood and Neil Uyetake brings a great auditory aspect to the issue. A special shoutout goes to Uyetake for perfectly recreating the sound of what a Transformers changing from is. It’s a sound effect you hear as soon as you read it.

Conclusion

My Little Pony/Transformers 2 #1 is more of what fans want. Various ponies teaming up with various Transformers for some hilarious stories. Hopefully, fans will give this miniseries just as much attention as they did the first one. If they do the publisher will take notice and a third miniseries could be on the horizon.

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Review: Fall In Love With THE MODERN FRANKENSTEIN #1

Modern Frankenstein

The Modern Frankenstein #1 out this week from Magna Comix is a reimagining of the classic story of Frankenstein. In a more familiar time, Dr. Frankenstein is a man pushing the boundaries of medicine, and his student Elizabeth finds him to be fascinating. This engrossing tale arrives thanks to Paul Cornell (writer), Emma Vieceli (pencils and inks), Pippa Bowland (color), and Simon Bowland (letterer).

Summary

Elizabeth Cleve is a brilliant young medical student, attracted to the waspish, charismatic surgeon James Frankenstein. He wants to further medical science… by all means necessary. So how far is Elizabeth prepared to go?

Frankenstein

Writing

The story of Frankenstein is a tale of a scientist who wishes to create life. In The Modern Frankenstein, the doctor is conducting experiments outside what many could call ethical. From a throwaway line, it is established the name Frankenstein is not common as if the classic novel doesn’t exist. Writer Paul Cornell makes it clear through world-building and events although this Frankenstein wishes to push the boundaries of science further, he is not with a soul. Many of the decisions he makes seem to weigh on him.

The character interactions help to make the issue so engrossing. The aspect of the romance introduced between Elizabeth and Dr. Frankenstein is palpable and not forced. You can feel Elizabeth falling in love with the good doctor. Respecting his dedication, his intelligence, and his compassion. Basically, you are shipping them by the end of the first issue.

Frankenstein

Artwork

The pencils and inks by Emma Vieceli offer great emotional depth to the characters. Elizabeth with her fascination with Dr. Frankenstein is shown to be observing him and his work with excessive curiosity. From the way she is drawn it is easy to tell Elizabeth has a distinct interest in her teacher without the story having to spell it out.

A fascinating aspect of the colorwork by Pippa Bowland comes off in a little detail. The most noticeable thing from page to page is the interesting color choice for Elizabeth’s eyes. A bright orange color is used, which seems to help establish Elizabeth as a character who is passionate and eager to learn all she can.

Frankenstein

The lettering by Simon Bowland adds a narrative flow to the issue. By following the word bubbles, it helps to give the reader a visual path from panel to panel. There also is a distinct amount of bolding through the issue. This seems to show Bowland helping to convey when the writer wants words to have an impact.

Conclusion

The Modern Frankenstein #1 is the start of something intriguing. A classic retelling with one of the main aspects being to focus on what it takes to love someone like Frankenstein, a doctor who is researching into areas of science most men would dare not trend. It will be no surprise when this series has many falling in love with it.

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Marvel Comics Exclusive Preview: AMERICA CHAVEZ: MADE IN USA #3

marvel comics america chavez made in the usa exclusive preview

AMERICA CHAVEZ: MADE IN USA #3 hits your local comic book store May 5th, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive preview for you.

About the issue:
WHERE’D YOU GO, AMERICA?

The face of America’s mysterious tormentor is revealed – and while whom America sees is shocking, to say the least, it’s what they say that will shake the foundations of everything she knows. And then? It’s just a matter of whether or not to believe them…

The issue is by writer Kalinda Vazquez and artist Carlos Gómez, with colors by Jesus Aburtov, and letters by Travis Lanham. The main cover is by Sara Pichelli and Tamra Bonvillain, and the variant is by Betsy Cola.

You can read our review of AMERICA CHAVEZ: MADE IN THE USA #1 right here on MFR!

Check out the AMERICA CHAVEZ: MADE IN USA #3 preview below:

marvel comics america chavez made in the usa exclusive preview

marvel comics america chavez made in the usa exclusive preview

marvel comics america chavez made in the usa exclusive preview

marvel comics america chavez made in the usa exclusive preview


Are you reading AMERICA CHAVEZ: MADE IN USA? Sound off in the comments!

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PHANTOM ON THE SCAN #2 – Read the first four pages!

Cullen Bunn's PHANTOM ON THE SCAN #2 - Read the first four pages!

PHANTOM ON THE SCAN #2 hits your local comic book shop on May 19, thanks to AfterShock Comics, Monkeys Fighting Robots has an exclusive four-page preview for our readers. The book is written by Cullen Bunn, with art and colors by Mark Torres, and you will read Dave Sharpe’s letter work.

About the issue:
A group of frightened psychics gather to learn how and why their gifts are killing them. What is the mystery that binds them together? What is the source of their powers? And how is the clandestine Trellux Institute involved? As they pursue the answers to these questions, they discover that they’re also being stalked by human killers – killers with powers of their own.

Enjoy the preview below.

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Review: CRITICAL ROLE: VOX MACHINA ORIGINS III #2 – Can The Party Work As A Team?

CRITICAL ROLE: VOX MACHINA ORIGINS III #2, available in comic book stores on Wednesday, April 28th, features the final battles in Vox Machina’s underground tournament. What first began as a simple means of gaining coin soon evolved into the perfect team building activity. But working together is easier said than done.

From the creative minds of Matt Mercer and the rest of the team at Critical Role comes a story full of characters who must learn how to fight for a common goal.

Story

Readers will remember Vox entering a slightly sketchy tournament of fighters last issue. This story picks up right after the combat begins, thrusting us into the action immediately.

With such a strong set of personalities and unique skillsets, it’s no wonder Vox’s cooperation in battle is horrendous. Their team is mighty, yes, but the complications that arise could cost them the championship.

Jody Houser’s script captures the essence of true team building. Despite having traveled together for some time now, Vox clearly has some work to do in terms of cooperation. But the progression of Vox from a disorganized group to a synergistic team throughout this story offers readers hope for their potential success.

Artwork

With the heavy focus on action in this issue, it was great having an assortment of talented artists. Olivia Samson’s penciling and ink work crafted dynamic characters with detailed muscles and joints, generating an effective sense of movement. Diana Sousa’s coloring helps them stand out with vibrant shades for our protagonists set against duller backgrounds. In addition, Ariana Maher’s lettering helps add to the panels’ energy by adding spiked outlines to the word balloons, referencing the announcer’s booming voice.

Conclusion

CRITICAL ROLE: VOX MACHINA ORIGINS III #2 is an exciting installment to this fan favorite series. We hope to see more team dynamics play out in future issues.

Do you want to see Vox compete in more tournaments? Let us know in the comments below!

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Review: SHADECRAFT #2 – The Shadowy Ties That Bind

SHADECRAFT #2 hits comic book stores on Wednesday, April 28th, diving deeper into the mystery of the shadows plaguing Zadie Chu. Readers will remember the teenager encountered these living constructs in the woods last issue, almost succumbing to them if not for her brother Ricky. Now that he’s become a shadow himself, the duo will need to investigate the weird happenings and find a way to get him back to his body.

Story

After the craziness of last issue’s escapades, Zadie finds herself waking up at home the next morning. She literally falls out of bed thinking the shadows attacked her. Fortunately (or unfortunately), it turns out to be her parents. And they’re letting her know she’s grounded.

Her parents are surprised to see Zadie is fine with her punishment. But readers will know how anxious she is to spend more time with her brother, desperately searching for a way to solve the shadow mystery.

It is here where readers finally get some answers regarding Ricky’s coma. Readers bear witness to a flashback of a car wreck, leaving Zadie’s brother in his comatose state. A truck with it headlights turned off causes him to swerve and crash into a tree.

Connecting over their shared trauma—Ricky’s physical hurt and Zadie’s emotional pain—draws these two together like metal and a magnet.

What proceeds is a deeper development of Zadie and Ricky’s estranged relationship. Writer Joe Henderson shows what it looks like for two siblings to recognize what moments they’ve missed together. It’s sad, but offers a glimmer of hope via their budding relationship building.

Artwork

The illustrations within this issue captured the essence of the typical high school experience for an outcast. Lee Garbett’s penciling and ink work does a brilliant job of highlighting Zadie’s feelings of distress amongst her peers and crush, Josh. Antonio Fabela’s coloring fills her face out with varying shades of red to emphasize her embarrassment. Simon Bowland’s lettering also did a great job of showcasing the ebb and flow of the story’s drama, alternating between panels with many word balloons and those with much fewer.

Conclusion

SHADECRAFT #2 expands this new universe with the perfect balance of mystery and drama. We’re excited to see what develops in Zadie and Ricky’s relationship going forward.

What connection do you think Zadie has to the menacing shadows? Let us know in the comments below!

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Review: AMAZING SPIDER-MAN: CURSE OF THE MAN-THING #1

Amazing Spider-Man: Curse of the Man-Thing Cover

Amazing Spider-Man: Curse of the Man-Thing #1 from Marvel Comics comes to comic stores on April 28. Writer Steve Orlando continues the journey of protagonist Ted Sallis through Spider-Man and his rogue, The Lizard. Artist Marco Failla with assistance from Minkyu Jung, put the atmospheric tensions between the two main settings in juxtaposition. That feeling enhances with the coloring by Guru-eFX, and letterer Clayton Cowles gives weight to every conversation in the issue.

Amazing Spider-Man: Curse of the Man-Thing Plot

Spider-Man Curse of the Man-Thing main conflictOrlando’s creative decisions in Spider-Man: Curse of the Man-Thing are insightful. The inclusion of Curt Conners (The Lizard) fits well with his and Ted Sallis’ Florida eco-horror origins. But what really brings these two and Spider-Man together is Ted’s arc with his monstrous side, Man-Thing.

What makes Ted interesting is how he fumbles for a solution he believes he can’t find. So he’s trying to find people who can put an end to his misery. But while Lizard and Spider-Man aren’t the people he’s looking for, Man-Thing knows that they’re the people Ted needs. It’s a clever reference to all of the progress Lizard and Spider-Man have made. All that’s left is for Ted and the Man-Thing to come to an understanding for the final act.

The only problem comes from how awkward some of the transitions to Ted Sallis can get. For example, Spider-Man’s journey to Ted’s plot doesn’t feel organic; it’s random happenstance. This makes Spider-Man and series villain Harrower feel more like plot elements than actual characters.

Art

Between Failla and Jung, they give Spider-Man: Curse of the Man-Thing atmospheric tension. The use of two-page spreads and dynamic panel layouts present a strong sense of an urgent emergency. If that didn’t tell the reader how dire the situation is, characters scrambling about from Guru-eFX’s bright fires might. As for the inner turmoil by Ted, the dark and practically empty world of Man-Thing’s subconscious says it all. Ted is directionless and feels like he is in a purgatorial state. His green and brown clothing practically matches with the swampy landscape.

If all of the details in the above paragraph weren’t enough, the conversations by VC’s Cowles bring more weight. The bigger open spaces fill with word balloons that bring narrative urgency to Spider-Man: Curse of the Man-Thing. From Ted, these words feel like a confession of his sins. On the other hand, Lizard and Spider-Man express feelings of empathy that share Ted’s woes. They have an idea of his plight, which allows them to connect to Ted.

Try Spider-Man: Curse of the Man-Thing

Spider-Man: Curse of the Man-Thing is a decent follow-up to the last chapter. Ted Sallis’ plight allows him to meet with people who can show him a better way forward. The art perfectly displays the joint conflict between outer and inner turmoil. Now all that’s left is to see it to the end.

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Building a New Life in BLACK WIDOW #6

Marvel’s BLACK WIDOW #6, available now, is about to throw the brokenhearted super-spy back into the thick of things as she works to build a new life for herself. Or rather, a new cover. A balance must be found, and she has an ally willing to help.

Annnd she’s already in a fight! Who’s surprised?

Last we saw, Natasha Romanoff had been through hell and back. Not literally (that’s Hellcat’s territory), but it certainly feels that way. Natasha had a family – a wonderful husband and a beautiful baby boy, but only for just a brief moment.

That’s all gone now. She had to send them away for their own safety. She is Black Widow, after all. And that means that they could never be safe, not while still being in her life. While it is for the best, the decision still hurts.

That is where Black Widow #6 picks up – with Black Widow setting new roots in San Francisco, with the help of the one and only Yelena Belova. Okay, she might end up bringing more complications with her, but sometimes it’s good to have friends around, no matter what sort of mess they bring with them.

That guy is having a bad day, but then again, he started the fight.

Writing

Over the last few months, Black Widow’s life has been turned upside down. Now, in Black Widow #6, we’re about to see her prepare to take on the world. Or at least the city – to start with. Written by Kelly Thompson, this is already proving to be a creative twist of events.

This issue uses different storytelling methods to obfuscate what Natasha is up to, all while developing a compelling narrative for readers to follow. It starts with a fair bit of action – in true Black Widow fashion – but it doesn’t take long for us to dive beneath that surface.

The flashbacks included within this issue help set the scene and properly explain what is going on here. Though there are still many questions left to be answered, though I’m sure those will come with time.

The character interactions are an absolute highlight in this issue, hovering between tense and humorous, depending on what was happening. Though interestingly enough, it isn’t Yelena who is stealing the show, well, not at the moment.

Yeah, while she didn’t start the fight, she’s clearly capable of finishing it.

Artwork

Black Widow #6 continues the trend of providing brilliant scenes for Natasha to shine in. Naturally, that means that her fights take center stage, showing all of the clever ways one woman can take on her enemies.

Rafael de Latorre’s artwork is perfect for the plot unfolding here. Natasha looks conflicted and hurt – while still giving fans that tougher character we all know and love. Her fight scenes as memorable as we could have hoped – if not more so. And, of course, there’s one fight in particular that will make her story stand out among the rest. It feels like a tradition at this point.

Jordie Bellaire’s colors enhance those scenes even further. The use of bold and vibrant reds adds so much to the combat. Plus, there’s an obvious connection to the character herself here. The monochromatic backdrops help to make the forefront and characters pop all the more – while still being interesting.

VC’s Cory Petit is the artist responsible for the lettering, and they are perfection. There’s a real sense of motion and impact here. No, that doesn’t do it justice. You can practically feel the cracking of fists on flesh, or the snapping of bones, thanks to the lettering. It’s a harsh reminder of how dangerous Black Widow is.

A quick flashback to remind everyone of the trauma she’s working through.

Conclusion

Black Widow #6 quickly proves that the intensity delivered in the first plot arc is far from over. This is going to be a series worth following, for fans old and new. In the meantime, it’s going to be fun guessing how things unfold from here.

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Doom Awaits in ONCE & FUTURE #18

Image Comics’ ONCE & FUTURE #18, available now, is about to wrap up the current plot arc in the most dramatic of ways – with a hint of impending doom. To be fair, that is par for the course as far as this series is concerned. What with legends of old coming to life to terrorize the people of Britain.

A dramatic statement for this variant cover of Once & Future #18.

It’s hard to believe that it has officially been 18 issues since Duncan was beautifully naive of the dangers around him. Now, he’s faced off against certain death on more than one occasion. Though nothing will challenge him like the next plot arc, from the looks of things.

Once & Future #18 wraps up the current plot arc, with Duncan, Bridgette, and Rose running through the Otherworld and trying to save the day. Again. It’s become a bit of a routine for them, which is perhaps the reason why it isn’t as shocking as it should be.

Now it’s time to see how the creative team for Once & Future (Gillen, Mora, Bonvillain, and Dukeshire) will manage to up the ante this time. The world is already darker and more intense than we could have ever imagined. At least, I certainly hadn’t been expecting to see a twisted version of King Arthur all those issues ago…

A fight is brewing in Once & Future #18.

Writing

Hands down, Once & Future #18 is the most complex addition to this tale so far. Once again, Kieron Gillen is weaving a complicated and disturbing web. It’s what makes this series so successful – and just a little bit terrifying.

Needless to say, there’s quite a lot going on within this issue. At this point, the number of players on the board is quite large and getting larger by the day. That may not sound like a problem, but when each one of them has their own goals and is hoping to manipulate the legends of old…well, things get deadly.

It’s still fascinating to see how the real world and the Otherworld interact with one another. In fact, that intrigue has raised considerable, now that we’ve seen mortals cross that barrier. Gillen didn’t stop there, however. Now there’s a level of politics in this horror fantasy, and in a way that frightens me more than anything else he could have included.

All things considered, this was an excellent wrap-up for the current plot arc. It should be more than enough to get people returning when the next issue drops – in August. So not too much longer to wait.

Dragons, monsters, and humans clash in Once & Future #18.

Artwork

Once & Future #18 is a visually dramatic issue, to say the least. Think about all of the art and drama from the last 17 issues, and then combine that into one. That’s what it feels like when reading the latest installment.

Dan Mora’s art style is perfect for this series as a whole and for the specific events that unfold here. The sense of movement and drama adds tension, and the particular way that Mora draws magic is so captivating. It makes for a series of dynamic pages.

Admittedly, Tamra Bonvillain’s colors work hard to make those pages feel all the more vibrant. Her colors have taken this series to an all-new level, and that’s no exception here. The first five pages, in particular, are pretty remarkable, as are the color palettes of a specific character (you’ll know the one when you read it).

Ed Dukeshire’s lettering helps to seal the deal, so to speak. You can really feel the sinister nature of the characters – human and monster alike. More importantly, the lettering flows so smoothly, even when there’s so much happening within a panel.

A mother does what she must to protect her son/monster. Well…one of her sons.

Conclusion

Once & Future #18 is a memorable and dramatic conclusion to the latest plot arc in this series. I still can’t believe that once again they have managed to up the ante, but that is exactly what was done here. Now to wait a few months and see what happens next.

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