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Exclusive Interview: I, TONYA Producers Bryan Unkeless and Tom Ackerley

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I, Tonya starring Margot Robbie hits theaters nationwide on January 5. Monkeys Fighting Robots got a chance to sit down with the producers of the film, Bryan Unkeless, and Tom Ackerley to discuss how complicated it was to put together this dark emotional comedy.

Listen to the interview below:

MFR: What was your role as producer of I, Tonya?

Bryan Unkeless: As a producer, you’re dealing with the day to day issues and making sure that everything continues as smooth a course as possible. What was important for us as producers on this one was that the humor, and the energy, and the kind of outrageous spirit of the screenplay made its way up to the screen. Also, that some of the underlying ideas didn’t get diluted; the discussion about feminism, about class, about the media cycle. We want to make sure that made its way into the final product.

MFR: I, Tonya is being called a dark comedy, I think this is an injustice because this is an emotionally heavy film. What do you think?

Tom Ackerley: I think the tone of this movie is such a tightrope. And with Craig, we found the one in a million person that can walk that tightrope. It could very easily have gone off in either direction. And I think what we had that was so special with this movie and so honestly unique to movie making is between Bryan, myself, Margot, Steven the writer, and Craig, the director we all saw the movie in the same way. We never wanted to point the finger at these characters and the actors all understood that these characters were real people and the situations they find themselves in might be funny but ultimately it’s a real story we’re telling, and I think everyone understood that from the start.

MFR: I was blown away by how much abuse Margot Robbie took in the film as Tonya Harding, how hard is that on an actor?

Tom Ackerley: I think obviously Margot is the consummate professional and she comes at each scene being so well prepared and obviously we’re helped with the stunts and everything but we weren’t the kind of movie that could afford to spend hours perfecting those shots, and they really are as visceral and real as you see them. I think the challenge from Margot on this one, we had such a short shooting schedule she would have to jump from different emotions and different scenes instantly and I’ve never seen anyone do it the way she did it. I mean, in one day she would be ice skating, she would be playing 15-year-old Tony, she would be playing the forty-four-year-old Tony, and she would have to have these scenes of domestic violence all wrapped into one and take themselves through that journey. When you balance those different dialects and that different body and those different behavioral instincts, I think it must be such an emotional journey for her. And I think the way she did it as being the most prepared I think I’ve ever seen anyone be on the set and really come at every scene from an emotional grounding if that makes sense and it was a really remarkable thing to watch.

Bryan Unkeless
has 14 producing credits to his name including the Hunger Games franchise and most recently Netflix’s Bright, and if currently working on Bright 2.

Tom Ackerley has been a Second Unit Director and or Assistant Director on 13 films, and now has transitioned to the producer role.

Check out our review of the film: REVIEW: I, TONYA IS THE BIGGEST SURPRISE OF THE AWARDS SEASON


I, Tonya stars Margot Robbie, Allison Janney, Sebastian Stan, Julianne Nicholson, Paul Walter Hauser, and Bobby Cannavale. The film is direct by Craig Gillespie from Steven Rogers script.

About the film:
Based on the unbelievable, but true events, I, TONYA is a darkly comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill-conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding, a mustachioed Sebastian Stan as her impetuous ex-husband Jeff Gillooly, and a tour-de-force performance from Allison Janney as her acid-tongued mother, LaVona Golden, Craig Gillespie’s I, TONYA is an absurd, irreverent, and piercing portrayal of Harding’s life and career in all of its unchecked––and checkered––glory.

I, Tonya is in theaters now.

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Exclusive Preview: Etrigan Takes Ragman Under His Wing In RAGMAN Issue 4

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Ragman #4 hits stores on January 10th, and we have your first-look at the issue courtesy of DC Comics.

The issue is written by Ray Fawkes, with art by Inaki Miranda and Eva de la Cruz, letters by Josh Reed, and cover by Guillem March and Rain Beredo. It’s entitled “Cavalry” and is chapter four of this six-issue miniseries.

Rory Regan is a cult character dealing in the darker, magical side of the DC Universe. His suit of rags – aptly named the Suit of Souls – contains souls that Rory can hear and communicate with. This kind of twisted backstory makes him perfect for a team-up with fan-favorite Etrigan the Demon, who’s back again this month after appearing in December’s issue 3!

About issue 4:
Having seen the horrors waiting to break into our world, Ragman decides to join forces with Etrigan in order to stop them. But as Etrigan takes Ragman under his wing, the souls of Rory’s friends grow wary, fearing there may be more to Etrigan’s actions. And when his attempts to stop the demons lead them to pursue a more personal target, Ragman must figure out whom to trust before all is lost!

Take a sneak peek at the first five pages of the issue right here:

Who’s your favorite horror character from DC Comics? Let us know in the comments!

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Hello Nurse! ANIMANIACS Find New Home at Hulu

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The Warner Brothers (and the Warner sister!) have found a new home with subscription on-demand service Hulu. In a statement today as reported by Entertainment Weekly, Hulu has announced that they have partnered with Amblin Entertainment and Warner Bros. Animation to revitalize the Animaniacs with a new series to be aired in 2020.

Animaniacs Theme Song

The Animaniacs follows Yakko, Wakko, and Dot Warner, who were locked in the iconic Warner Bros. water tower on the movie lot in Burbank, California, after wreaking havoc around the studio. They escape and mayhem ensues in their comical cartoon shorts. Other characters with their own little skits include Pinky and the Brain, Slappy Squirrel, Buttons and Mindy, and the Goodfeathers to name a few.

The show aired on Fox afternoons from 1993 to 1995 then was moved to The WB network through its end in 1998. The series aired 99 episodes and had one feature-length straight-to-video movie, Wakko’s Wish, which served as the series finale.

Wakko's Wish

This new venture is a first for Hulu, making this its first original series for families, and it will join Hulu’s vast library of family-friendly programs. “We cannot wait to work with Steven Spielberg and the entire Amblin and Warner Bros. teams to bring more sketches, catchphrases, songs, and laughs from the Animaniacs to kids and adults everywhere,” said Craig Erwich, Senior Vice President of Content at Hulu.

He continues, “Now one of the most beloved, inventive, and funny animated franchises in history, Animaniacs and its cast of witty characters can live on, on Hulu. This marks yet another big move for us as we continue our efforts to be the number one streaming destination for premium animated content.” Hulu will also have the entire Animaniacs library, including spin-off Pinky and the Brain and the entire Tiny Toons Adventures collection, as well. These will be exclusively available for streaming beginning today.

Animaniacs Aliens

I loved the Animaniacs, especially the sketches focusing on the Warners. My favorite was from Season 1, Episode 15, “Space Probed,” where the kids are abducted and they annoy the aliens aboard the spaceship. What was your favorite episode?

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Review: INSIDIOUS: THE LAST KEY Has Fewer Scares, More Character Moments and Worldbuilding

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Insidious: The Last Key is the fourth film in the Blumhouse franchise, and it’s definitely a step up from the last installment.

This chapter is again written by Leigh Whannell – he’s 4 for 4 on the saga – with Adam Robitel stepping into the director’s chair.

Right away, there’s a noticeable improvement as The Last Key‘s opening sequence is more tense, more interesting, and more memorable than anything that happened in Chapter 3. Whannell seems to have found a sweet spot with these scripts, focusing on the characters we’re familiar with instead of introducing a slew of new ones, and building on the mythology of The Further.

Lin Shaye returns as psychic demonologist Elise Reiner, and she’s by far the film’s strongest attribute. This is her movie; after three films as a supporting character, Elise finally takes the spotlight as we learn more about her past and her abilities. And it’s interesting for sure, especially for fan’s of the franchise that want to see a little worldbuilding.

insidious the last key

Unfortunately, Robitel’s direction is bland; there isn’t anything new to see for the horror genre. For a horror movie, The Last Key isn’t that scary. There are some tense moments, and quite a few cheap jump scares, but you’ll know what to expect by the third act and the suspense disappears.

This lack of suspense is also due to the fact that The Last Key is a prequel. The audience knows which characters aren’t in any danger, because they’ve seen them in the older Insidious flicks. But Whannell seems to have known this would happen, which is why he substituted some terror for stronger character moments and a more interesting story.

There’s also a surprising amount of humor in the script. And not like campy humor, but honest-to-god jokes. This might create a tonal issue for some people, but it balanced out the horror and made the tense moments all the more tense. (I also knew about the humor going into the movie thanks to James Wan, so it maybe that made it easier to swallow.)

Insidious: The Last Key is a fine horror flick. It has an interesting plot and some fun character moments, which are usually lacking from the genre, but it could have beefed up the terror a bit more. It’s still worth the watch if you’re a horror fan, and especially if you’re a fan of the franchise looking to go deeper into The Further.

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GAME OF THRONES Season 8 Confirmed For 2019

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Season 7 of HBO’s hit series Game of Thrones was firing on all cylinders. It brought twists, turns and of course, memorable character deaths. When Season 7 concluded in August of last year it was still unknown when Season 8 would premiere. Some believed it would drop towards the tail-end of 2018 but we now have confirmation that fans of the series will have to wait until 2019 for the shows return.

The news comes via HBO’s PR team, who announced it via Twitter:

It was announced prior to the release of Season 7 that the Game of Thrones would conclude with Season 8. The final season will have 6 episodes, one less than the previous season and 4 less than the first 6. That was due to the fast nature of the story, which was apparent throughout Season 7.

Production on the final season began in October and is expected to run into the middle of 2018.

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DC Films Finds A New Leader In ‘IT’ Executive Producer Walter Hamada

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DC Films brings Walter Hamada on board to “Kevin Feige” the DC film-verse into something more cohesive that’ll bring in those Avengers dollars once and for all. According to a report from Variety, Hamada will replace John Berg as the head of all films involving the DC comic book characters. Additionally, Hamada will oversee “other types of comic book movies.” What that means is unclear.

“Walter is creative, resourceful, and committed to excellence, and will bring those qualities to his oversight of our superhero films.”
– Toby Emmerich, President and Chief Content Officer at Warner Bros.

One thing is certain and that is that DC is determined to improve the product. So, no matter where you are on the geekdom spectrum, whether you’re a Marvel fan who trashes DC movies or a DC fan desperately holding onto the idea that Warner Bros. is doing a good job, a move to improve the films is a welcome one.

The move splits up Berg and Geoff Johns who will stay on as Chief Creative Officer for all things DC comics. Johns continues to manage the CW universe of DC characters and comic book universe as well. But according to the report, Emmerich says “I’m confident Walter and Geoff, working with our filmmaking partners, will deliver films that will resonate with both broad global audiences as well as DC fanboys and fangirls.”

For those who aren’t familiar with Hamada, here’s a quick list of some of the movies he’s helped bring to the big screen:

• IT (2017)
• The Conjuring, plus all sequels and spinoffs
• Lights Out
• 47 Ronin (OH NOES!)
• Final Destination 5
• A Nightmare on Elm Street (2010)

What does this move by Warner Brothers mean for you? Are you a Marvel fan hoping DC rights the ship or a DC fan hoping things just get even better? Leave your thoughts in the comments below!

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Funko Unveils ‘Chewbacca with AT-ST POP! Deluxe!’

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That’s right, Funko has a super-awesome POP! Deluxe! of Chewbacca in an AT-ST from the final battle scene on Endor in 1983’s Star Wars: Episode VI – Return of the Jedi on the way!

The toy captures a great moment in the film as Chewie is learning to navigate the Walker from right behind the steering wheel, shooting everything in sight, as two Ewoks play the part of annoying back-seat drivers, all while the three of them, in turn, save the day for Leia and Han.

[embedyt] https://www.youtube.com/watch?v=XDwXglOI5jA[/embedyt]

You might remember Family Guy having done the scene as part of its Star Wars spoof-series as well, where Peter plays the role of Han, Louise is Leia and Brian is Chewie.

[embedyt] https://www.youtube.com/watch?v=zxeeqaWQx6k[/embedyt]

Funko has been giving the Original Star Wars Trilogy a lot of love lately, having previously released its ‘Star Wars: Movie Moments’ sets from Star Wars: Episode IV – A New Hope, back in November of 2017.

The ‘Chewbacca with AT-ST POP! Deluxe!’ figure will hit shelves sometime in March. It will retail for $27.99 and you can pre-order it right now at Entertainment Earth and Amazon.

 

 

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Review: The Titans Stand Divided With Tim Drake in TEEN TITANS #15

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This is the third part of a crossover between Super Sons, Teen Titans, and Superman. If you haven’t read the review for part two, click here.

Despite it being a new year, we still have some arcs from 2017 we have to wrap up. One example is the crossover between Super Sons, Teen Titans, and Superman: “Super Sons of Tomorrow”. A future version of Tim Drake, introduced in Detective Comics, has resurfaced to kill Jon Kent. In the future, the son of Superman would enter a conflict with the adult Damian Wayne, causing him to literally explode and kill millions. In his pursuit to kill the Boy of Steel, he comes to blows with Batman, Superman, and finally the Teen Titans. Drake allows Raven to show his memories to the Titans and Jon, but the trauma causes Jon to prematurely explode. As the dust settles, it’s revealed someone is following Drake: The Titans of Tomorrow. What is their role in all of this? Will they assist Tim Drake in killing a child or stop him before it’s too late?

Titans Divided

**Some Spoilers Below**

Story:

After the explosion at Titans Tower, Damian finds Superboy flung into the ocean and picks him up. Their plan is to head to the Fortress of Solitude and get Superman’s help against the Future Tim Drake. Drake, however, has a couple of ideas as well. First, to hide from the Titans of Tomorrow, he creates a new suit and takes up the identity of Savior. Second, he goes to convince the Titans to help take down Jon.

The questions left from the last issue are answered here, but there are a few inconsistencies with the plot. First off, the Titans willingly go with a guy who attacked them. Granted, it’s only two members, but that still doesn’t seem right, especially when one is a telepath. It’s clear that Savior wants to kill Jon, so why is helping him even up for debate? This conflict between the Titans feels forced for another story arc down the road. Second, the source of the explosion is revealed to be the Super Solar Flare power from the end of the New 52 run of Superman. The powers from an entirely different Superman are now within Jon but not his father? There are a few other inconsistencies that might not seem big on their own, but together bring the issue and the story down.

Art:

The art of this issue walks a line in terms of quality. There are times where the art is fantastic and other times where it feels awkward. An example of this awkwardness is character’s facial expressions, especially on Jon. There is a conversation between him and Damian and you can tell that he’s going through a lot through the dialogue. Problem is Jon doesn’t show any emotion from it. The boy learns he’s going to kill millions and betray the Titans, but his face is neutral. Maybe the artists were trying to have a more genuine feeling to this, but considering how the last issue had a more cartoonish look, it’s jarring.

The fantastic parts of the issue come in the form of the future character designs. The colors and pencil work mesh perfectly to create fantastic looking heroes. Even the look of Savior stands out amongst the rest of the art. His suit looks to be a homage to Red Robin, Future Damian Wayne, and a little Flashpoint Batman. There is fantastic looking art throughout, you just need to look past the awkward parts.

Conclusion:

As we inch closer and closer to the finale, we are left with inconsistencies that pull the issue down. It’s as if there is a story there, but more time needed to be put in to flesh out the story. The art can be awkward, but there are some amazing pieces littered throughout. Overall, it might be best to borrow this from a friend than buying it.

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Review: I, TONYA Is The Biggest Surprise Of The Awards Season

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Craig Gillespie’s I, Tonya defies conventional wisdom. The idea of a feature film centered around the incident which dominated headlines during the 1994 Winter Olympics seems insane. What more could a movie add? Mix in the idea of casting Margot Robbie in the title role, and you have the makings of a cinematic bomb. However, a funny thing happened on the way to the theater. Rather than focusing on a retelling of the scandal, Gillespie’s film focuses on telling this tale from many perspectives (Harding, her mother, Jeff Gillooly, and his buddy Shawn Eckardt), each of them having their version of these events. Screenwriter Steven Rogers uses several interviews which were highly contradictory to craft a narrative which breaks the 4th wall and paints Harding in a sympathetic light. Mix in performances from the entire cast which were dynamite and I, Tonya amounts to the biggest surprise of awards season.  

I, Tonya

Rogers’s writing should be considered one of the best efforts of the 2017/18 Awards Season. He seamlessly mixes in varying perspectives on the events surrounding the incident but also manages to mix in Harding’s background story as well. Doing this created sympathy for a person who has received none over the years. If anything, we learned that the vilified former Olympian didn’t have much of a chance.The skating world saw her as nothing more than “white trash” in a sport for “upper class” individuals. If Rogers isn’t rewarded for his efforts with an Oscar nomination in a few weeks, then the process is incredibly flawed. The same could be said about the performances of Margot Robbie and Allison Janney.

At first, Robbie being cast as Harding seemed like a colossal mistake. No amount of makeup could transform her into the former Olympian. However, the Australian actress didn’t rely on heavy prosthetics to turn in the performance of her career. She was able to capture the essence of the disgraced ice skating champion. Rather than fall into the same trap that Jim Carrey did in Man From The Moon, Robbie was projecting her character on screen rather than impersonating her. We could see Tonya’s heart shatter everytime someone doubted her. When the judge banned Harding from the one thing which defined her life, we were destroyed as well. It’s not because audiences were okay with what happened before the 1994 Olympics, Robbie’s performance brought that emotion out in all of us. It’s a shame that in a year where Sally Hawkins (Shape Of Water) and Frances McDormand (Three Billboards Outside Ebbing, MO) are equally fantastic that she has to compete with them in the category of Best Actress but at the very least she should get an Oscar nomination too. Allison Janney is a different discussion altogether.

The Academy should just give Janney the Oscar for Best Supporting Actress now and save themselves some time during the ceremony. Janney plays Lavona Golden (Harding’s mother) with such reckless intensity that she in many ways steals the show from her castmates. Her performance was reminiscent of Robin Williams in Good Will Hunting. While Matt Damon was great in the film, Williams brought something out Damon that hadn’t been seen before. Janney had the same effect on I, Tonya. When an actress loses herself in a role the way she did, how can Janney not be the odds-on favorite to win an Oscar?

If anything I, Tonya is another lesson on how walking in with preconceived ideas can be a bad thing. What appeared to be just a collection of bad ideas and a rehash of events surrounding the 1994 Winter Olympics, in reality, is one best films of the year. Often critics are guilty of judging something before the opening credits even roll, much like the skating judges did to Harding before she stepped on to the ice.

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Chicks Rule! Female-Led Films Top 2017 Box Office

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It’s clear that 2017 was the year of the woman, especially in the motion picture industry. According to The Guardian, for the first time in almost 60 years, the top-grossing films of 2017 featured female lead characters.

Star Wars: The Last Jedi beat out Disney’s Beauty and the Beast on the last day of 2017, according to box office estimates. Wonder Woman came in third for the year. The last time three female-strong movies landed at the top of the box office list was in 1958 with South Pacific, Auntie Mame, and Cat on a Hot Tin Roof.

Rey on Ahch-To

While Star Wars: The Last Jedi has an ensemble cast, the story centers around Daisy Ridley’s Rey, Carrie Fisher’s General Leia Organa, and Laura Dern’s Vice Admiral Holdo. “This film gives us women working side by side, women in technical positions, and of course women learning the ways of The Force,” documentary film-maker Annalise Ophelian told The Guardian. The space opera has taken in over $533.1 million domestically in 2017 alone.

Belle in town

In a remake of the 1991 animated classic, Emma Watson portrays Belle in the live-action adaptation of Disney’s Beauty and the Beast.  “[Belle] is absolutely a Disney princess, but she’s not a passive character – she’s in charge of her own destiny,” Watson told Vanity Fair. This film took in $504 million during its theatrical release in early 2017.

Wonder Woman

Patty Jenkins’ Wonder Woman is currently the highest grossing live-action movie ever directed by a woman, and it raked in $412.6 million. Elise Jost of Moviepilot says of Gal Gadot’s interpretation of Wonder Woman, she “absolutely nails the character’s unwaveringly positive outlook on life. She’s a force of nature who believes in the greater good; her conviction that she’s meant to save the world is stronger than her bullet-deflecting shield. She’s genuine; she’s fun, she’s the warm source of energy at the heart of the movie.”

Who are some of your favorite powerful female movie characters? Comment below.

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