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STAR WARS NEWS WEEKLY SPIEL: Witwer Talks Maul, Shocking Clone Wars Secret, And TLJ Home Sales Pass Black Panther

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Breaking down Star Wars news from week 1 of September 2018. Because in a galaxy far, far, away — there’s never a dull moment.

It was an exciting Star Wars news week for fandom, with the cast of Episode IX hyping up fans, to a shocking Clone Wars secret revealed. Surprisingly, all the talk almost drowned out the coming release of Solo: A Star Wars story. But if the home sales from The Last Jedi are any indication, Solo might make up for its disappointing box-office numbers.

Our favorite piece of Star Wars news, however, was Sam Witwer’s interview on the Star Wars Show.

Witwer Saves Producers From Major Mishap In Solo

Sam Witwer is the talented voice of Darth Maul in Star Wars: The Clone Wars, Rebels, and Solo: A Star Wars Story. Other Star Wars voiceover works include Palpatine, The Son, and Starkiller. Witwer also happens to be a savant Star Wars trivia nerd.

As the former Schmoedown Star Wars Movie Trivia Champion of the world (Collider), Witwer used his knowledge to prevent a huge continuity error from taking place in Solo. A producer stated Darth Maul would be drawing his lightsaber in the scene. Witwer asked “which lightsaber?” To which the producer responded, “the double bladed one from The Phantom Menace.”

“And I’m like, alright, forgive me but he doesn’t have that one anymore.”

Breaking out his vast knowledge of the Sith Lord, Witwer suggested the option of either the Dark Saber or the Inquisitor Lightsaber. Eventually, the team chose the latter. Maybe, Witwer should also be included in the Star Wars story group too. Between him and Pablo Hidalgo, there’ll never be a beat missed.

Star Wars: The Last Jedi Crushes Home Blu-Ray and DVD Sales

Star Wars fandom proved once again this week that the outspoken voices of the inter-web and haters of the franchise are clearly in the minority. Clearing almost $100 million (not including digital) since its release, TLJ pushed past Black Panther to take the number one spot in DVD and Blu-ray combined sales.

Author Chuck Wendig announced the Star Wars news via Twitter this week. He also took a jab at all those who said TLJ box-office sales were a fluke.

Wendig is quite familiar with bullying and hate taking place on social media from supposed Star Wars fans. After writing a trilogy of Star Wars books (Aftermath series) tying together events from Return of the Jedi to The Force Awakens, he was blasted personally and professionally.

The Blu-ray and DVD sales of The Last Jedi prove it wasn’t the Star Wars movie to end the franchise. The money also serves as a tool to silence all the haters who have bullied Kelly Marie Tran, Kathleen Kennedy, and Rian Johnson. Nice work Star Wars fandom!

Clone Wars Writer Allegedly Reveals Order 66 Secret During Dragon Con

Celebrating its 10-year anniversary, Star Wars: The Clone Wars is seeing a huge revival. Head of Lucasfilm animation, Dave Filoni, surprised and shocked fans at SDCC with the announcement of its return in 2019. Alex Damon, of Star Wars Explained, renewed the excitement this week after tweeting a comment made by Henry Gilroy.

https://twitter.com/StarWarsExplain/status/1035606443339251713

Damon, who interviewed Gilroy during Dragon Con states, “According to Henry Gilroy, Wolffe likely carried out Order 66 and removed his chip afterward.”

For fans excited about the return of Star Wars: The Clone Wars, many are hoping this big reveal is explored in season 7. It also explains much about Wolffe’s attitude in Star Wars Rebels, and the tension between him and Kanan Jarrus.

Damon is releasing full coverage of the interview sometime this coming week on his YouTube channel Star Wars Explained.

Kathleen Kennedy Becomes First Woman To Receive Thalberg Award

Kathleen Kennedy and J.J Abrams making Star Wars News during Celebration 2017
Image via Zimbio

Tucked away under all the Clone Wars and Episode IX news, is Kathleen Kennedy becoming the first woman to ever receive the Irving G. Thalberg Memorial Award from the Academy.

According to Academy President John Bailey, the award presented to Kennedy and Frank Marshall is for producers “whose body of work reflects a consistently high quality of motion picture production.” Additional awards were given to publicist Marvin Levy, actress Cicely Tyson, and music composer Lalo Schifrin.

The honorary Oscar encompasses all that Kennedy and Marshall have done together over the years. Movies like Bourne films, Seabiscuit, The Sixth Sense, and many more have been produced by their company. Of course, it also includes her work as president of Lucasfilm.

Additional Star Wars News

Billy Dee Williams posted a training day clip of him working out this week. The video shows Williams getting in shape for his role as Lando Calrissian in Episode IX.

https://twitter.com/realbdw/status/1036726309253046272?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwgr%5E373939313b636f6e74726f6c&ref_url=https%3A%2F%2Fwww.syfy.com%2Fsyfywire%2Fstar-wars-weekly-the-last-jedi-blows-away-black-panther-and-lando-is-back

Mark Hamill wishes fans a happy Labor Day while teasing his suspected new look for Episode IX.

Greg Grunberg is reprising his role as the resistance fighter Snap Wexley. Considered to be J.J. Abrams lucky rabbits’ foot, Grunberg’s character was absent from TLJ due to a secret mission.

Stay current on all Star Wars news related items with The Weekly Spiel, and throughout the week here on Monkeys Fighting Robots. Let us know in the comments what Star Wars news excited you the most this week. And what might have let you down? Until next time, “May the Force be with you, always.”

Sources: Twitter, EW, Star Wars Explained, and The Star Wars Show.

 

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Review: CEMETERY BEACH #1 Is Insane In All The Right Ways

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Cemetery Beach is a new high-octane action series by Warren Ellis and Jason Howard that’s just begging to be turned into an IMAX movie.

A hundred years ago, a secret off-world colony was established. Now, a scout is sent from Earth to do force recon and must escape.

The series begins – like many great, action stories – with an interrogation. Witty, casual dialogue masks the exposition dump, and immediately gives the reader an idea of what they’re in for. The writing is funny; the characters are likable; the story is interesting. Ellis and Howard hook the reader with the opening scene, and from there it’s a non-stop roller coaster to the end.

cemetery beach image comics warren ellis jason howard

The interrogation is actually kind of a parallel for the series as well, potentially. It starts off light and unassuming before descending into intense action. Everything isn’t what it seems up front. No one but the creators know where the series is going from here, but it’s Warren Ellis, so chances are this book isn’t just going to be a big action story with little substance. Again, everything isn’t what it seems up front.

That being said, the action in Cemetery Beach is incredible and it’s all on Jason Howard’s art. Truly, Ellis steps back and lets Howard do his thing. There is little to no dialogue when the action kicks in, and there aren’t even any sound effects. At one point, there are six consecutive silent pages, and they’re six of the issue’s best pages. All of the intensity is delivered through the art, and it’s one of the most fast-paced, exhilarating comics you’ll read anytime soon.

Howard’s color work, meanwhile, creates an otherworldly atmosphere, and a gritty one at that. He sets the tone for this issue, and in essence the series. It’s not clean; it’s raw and unbridled. People’s eyeballs pop out of their sockets and their teeth go flying. There’s no doubt that this comic is as enjoyable as it is mostly due to Jason Howard (no disrespect to Mr. Ellis, who is a master in his own right).

This team knows how to tell a compelling story and keep their readers coming back for more. By the end of Cemetery Beach #1, you’ll have about a thousand questions and be begging for issue two.

Cemetery Beach is what action comics should aspire to be like. It’s fun and exciting, and it leaves you wanting more. Don’t sleep on it.


Cemetery Beach #1 is in stores this Wendesday, September 12th.

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FanExpo in Toronto 2018 – Comicbooks and a Q&A with Cary Elwes

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FanExpo in Toronto
How did they get past security?

FanExpo in Toronto this year had much to offer a variety of fans. Cosplayers of all types were out in force, autograph booths were homes to stars of film and television, from both live-action and animated features. Artist alley displayed new and old work by up-and-coming and well-established artists of comicbooks, manga, and other pop-culture work.

As recent readers of my coverage will remember, I went to the FanExpo in Toronto with high hopes about finding a variety of Marvel back issues. Although I didn’t find a booth that had every issue of Spider-Man’s ’90s Clone Saga, I did find a few items I’ve been looking for for a long time.

I also attended a Q&A with Cary Elwes, star of The Princess Bride and Mel Brooks’s Robin Hood: Men in Tights who has also appeared in a number of movies and TV series, including Bram Stoker’s Dracula, Glory, Hot Shots!, and Psych. Fans of Stranger Things will be happy to learn that Mr. Elwes will be adding to his impressive CV by appearing in the next season of the nostalgia-fueled horror epic.

FanExpo in Toronto
Christmas in August

But, since my main reason for attending the FanExpo in Toronto was so that I could find rare back issues, let’s get back to the comicbooks and discuss Cary Elwes later.

FanExpo in Toronto: The Multi-Titled Machine Man

Although I did find Machine Man (Vol. 1) #19 at one of the many-aisled booths I had the pleasure of perusing, I had to put the sought-after issue back in the bins when I saw the price. Exhibiting only the smallest amount of self-control, I made up an excuse that the pages were too yellowed for the price and returned the issue to its rightful spot.

Machine Man (Vol. 1) represents the robotic hero’s second try at a title all his own, having first appeared as the central character in issues 8–10 of 2001: A Space Odyssey. Much like issue #10 of 2001: A Space Odyssey, Machine Man #19 was fated to be the serial’s final issue. You can’t keep a good robot down though. Machine Man returned three years later in a four-part mini-series, also named Machine Man — I’m looking for #4 if anyone has a lead on it.

FanExpo in Toronto
Selfie time for Slender Man

FanExpo in Toronto: Picking up Power Pack #27

Collecting multi-title crossovers can bring you pretty far away from your regular pull list. Part of 1986’s “Mutant Massacre” story-line, looking for this issue always made me feel like a bit of a creep. Even though Power Pack was written by the great Louise Simonson, that the Power Pack are a group of children superheroes, some in tights, makes me uncomfortable, and I always wonder if I’m attracting stares when I leaf through the Power Pack section of the bins. So, happy to avoid such questioning glances in the future, I was glad to find the issue I was looking for, which happens to include a meeting between Wolverine and Sabretooth! The cover is entertaining at least: it features a typically enraged Sabretooth about to tear into a fair-haired member of the juvenile team. Ah, the ’80s…

FanExpo in Toronto: The Vision and the Scarlet Witch

FanExpo in Toronto
As you’ll notice, none of them are wearing high heels

My sought-after issues from the ’80s were well represented at the booths I attended. In addition to Power Pack #27 and Machine Man #19, I also found issues I was missing for The Vision and the Scarlet Witch, a 12-issue mini-series that ran from ’85–’86. Although I don’t want to offer any spoilers, a cover reveals that the Scarlet Witch is pregnant with the Vision’s baby…somehow.

Covers also reveal an appearance by the purple-suited Magneto. It’s always stressful when your father-in-law has no fashion sense, and is also a murderous tyrant.

FanExpo in Toronto
Cosplayers playin’ cos.

FanExpo in Toronto: The Epic Find

My most cherished find from the recent FanExpo in Toronto was 1985’s Epic Illustrated #2634. Comprising an unfinished story about Galactus entitled “The Last Galactus Story,” by John Byrne and Terry Austin, the only issue that I couldn’t find was #31. Issues of Epic Illustrated are very difficult to find since they’re magazines rather than comicbooks. Publication of magazines in the ’80s must have involved smaller runs than comicbooks because there seem to be less and less in shops every year.

Whatever the reason, I found nearly all of the magazine issues I was looking for in addition to several of the comicbooks I was looking for. And, I got them at a discount! I felt good. I wandered the exhibition halls looking for artists to talk to but couldn’t find any I recognized — a serious problem when you’re currently reading comicbooks from nearly 60 years ago.

John Byrne was in attendance, but he was always away from his booth when I walked by, probably getting grilled by another member of the pop-culture press. Having little success finding artists and celebrities to talk to, and excited to cross items off of my list, I hopped on the subway and to a friend’s house.

FanExpo in Toronto
Boxes! So many boxes!

FanExpo in Toronto: Confronting Epic Loss

When I arrived, I realized that my treasured issues of Epic Illustrated were gone! I insisted that my friend check his bags but, finding only his things, I figured I must have accidentally left them at the booth I bought them from! What a fool I was!

A frantic subway trip later, I arrived back at the closing convention centre. Using my Monkeys Fighting Robots press pass like a force field, I surged through four increasingly skeptical security checkpoints while mumbling “I forgot something inside…”

FanExpo in Toronto: An Epic Convention Miracle

Optimism waned as I saw the closed comicbook booths, but as I rounded the corner I saw the Comics Age booth, where I had purchased the issues of Epic Illustrated, closed but still staffed by the people I had bought from earlier in the day. I interrupted their closing routine. I was happy to learn that the staff remembered me and had even set my forgotten purchase aside.

Starry-eyed, I retrieved the seven issues. I thanked anyone who would listen, including one of the security guards, and returned to my friend’s house triumphant.

FanExpo in Toronto: Cary Elwes on Cary Elwes

Mr. Elwes presented well during the Q&A, sharing stories about working on The Princess Bride, one about working with Andre the Giant, one about learning to fence alongside Mandy Patinkin, and one about taking direction from Rob Reiner on how to properly kiss Robin Wright.

He also talked briefly about working on The Riverman, and the difficult task of portraying serial killer Ted Bundy. Describing the process as disturbing, he said that he’d probably avoid portraying serial killers in the future.

Some Q&As can become monotonous or awkward quickly, but Cary Elwes managed the event well, even pulling out impressions of Rob Reiner, Andre the Giant, and Mel Brooks for effect. His was the final Q&A of the convention, and, although it wasn’t overly revealing or personal, it was interesting and fun, a great topper to an excellent weekend. I look forward to finding out what they have planned for FanExpo Canada 2019!

FanExpo in Toronto
“Please, stop calling me Westley.”
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‘MY HERO ACADEMIA’ Episode 60 Review: “A Talk About Your Quirk”

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MY HERO ACADEMIA hits another milestone with unrelenting action and tension. Rivalries are stoked and stakes are raised for the young heroes. Even though the Provisional Hero License Exam ends, this episode doesn’t lose any momentum. MY HERO ACADEMIA clearly knows how to keep viewers enticed. This episode proves the show has a mastery over its world.

The end of the Provisional Hero License Exam brings about some serious change for the series. As expected, not every 1-A student passed – what’s surprising is the two who failed. Katsuki Bakugo and Shoto Todoroki not passing is a great twist to end the Exam arc on. Toga impersonating Camie was totally unexpected, and the reveal was well done. Ending the episode on Bakugo challenging Izuku Midoriya to a fight was a stellar cliffhanger to end a solid entry on. MY HERO ACADEMIA packs a lot into one block, but it’s all great in its own way.

The theme tying this episode together is rivalries. MY HERO ACADEMIA has several pairs of enemies, and this episode utilizes them well. Midoriya’s rivalry with Bakugo is, in many ways, a backbone of the show. This episode explores how that feud has evolved – particularly for Bakugo – and it’s fantastic. The conversation between All Might and All For One is also strong. While the villain’s “you’re just like me” bit is a tired trope, the two powerhouses have an intriguing argument, highlighting their history. Even Todoroki and Inasa Yoarashi get a nice beat, following their mid-exam fight. These various interpersonal conflicts fuel an excellent episode.

Throwing Midoriya from one fight to the next is great. Not only does the action continue, but it’s another landmark for Midoriya’s development. This episode mostly highlights Bakugo’s evolution, but Midoriya has clearly grown as well. Midoriya sees his license as a testament to how he’s matured. Now, a jealous Bakugo is testing that maturity. In many ways, this challenge is as big a test as the License Exam. Whether Midoriya fights Bakugo or not will prove how much he has – or has not – grown.

CHECK OUT LAST WEEK’S REVIEW HERE

MY HERO ACADEMIA uses this episode to prove how much the series still has in store. All the young heroes are still growing, as are the threats against them. “A Talk About Your Quirk” touches on so much of the show’s universe, but it’s all handled nicely. There is a lot of resolution, but there is also no shortage of conflict. MY HERO ACADEMIA crafts a strong episode with a large scope.

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Matthew McConaughey Chats Up WHITE BOY RICK At TIFF

Matthew McConaughey was at the Toronto International Film Festival Friday night and spoke to the media before the screening of his latest film White Boy Rick.

About the film:
Set in 1980s Detroit at the height of the crack epidemic and the War on Drugs, WHITE BOY RICK is based on the moving true story of a blue-collar father and his teenage son, Rick Wershe Jr., who became an undercover police informant and later a drug dealer, before he was abandoned by his handlers and sentenced to life in prison.

Matthew McConaughey Chats Up WHITE BOY RICK At TIFF
Matthew McConaughey stars as Richard Wershe Sr. in Columbia Pictures’ and Studio 8’s WHITE BOY RICK.

White Boy Rick is directed by Yann Demange from a screenplay from Andy Weiss and Logan & Noah Miller. The film stars Matthew McConaughey, Richie Merritt, Bel Powley, Jennifer Jason Leigh, Brian Tyree Henry, Rory Cochrane, RJ Cyler, Jonathan Majors, Eddie Marsan, Bruce Dern, and Piper Laurie.

White Boy Rick hits theaters September 14.

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Review: King And Kubert’s ‘Up In The Sky’ Soars In SUPERMAN 100-PAGE GIANT #3

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Tom King and Andy Kubert team up to bring a brand-new, multi-part Superman story within the pages of SUPERMAN 100-PAGE GIANT #3, out this weekend.Superman

Superman 100-Page Giant #3
‘Up In the Sky’ Part 1
Written by: Tom King
Art by: Andy Kubert
Inks by: Sandra Hope
Colors by: Brad Anderson

When a child is abducted by aliens from Gotham City, the Man of Steel must travel across the galaxy to save her!

Story

“Up in The Sky” is not a complicated Superman story or setup. Tom King, a writer whose stories are usually dense and thick, has taken it down a notch and written an easily accessible story that can be picked up by just about anyone. You will find many of the classic Man of Steel tropes present; everything from Perry White’s classic “Great Ceaser’s Ghost” catchphrase, to Clark and Pa Kent having a heart to heart on the farm. What elevates this story from mere filler and repetition is the affection and attention to detail that King always brings to his work; the flair in the dialog, the perfect use of a supporting cast, and of course the grounding of everything in simple and relatable emotions.

However, this is just part 1 of 12.  We readers have to wait and see if King is able to carry this narrative and mystery forward and tell a longer tale. But if his track record with long arcs is any indication, we should fine.

Superman

Art

Andy Kubert is a legend. His work here is solid and rooted in a more classic, almost 90’s era DC style. It’s a look that fits the tone of the story. When you add in Sandra Hope’s inks and Brad Anderson’s colors, it becomes a total package. It’s the kind of comic book art that is easy to read, yet no less dynamic. It’s still great to look at, but the layouts and panels are ‘simple’ and easy to pick up for someone who may not have a veteran’s grasp of comic language and structure.Superman

Conclusion

The goal of these DC 100-Page Giants is to create new and easily accessible stories for the ‘casual’ comic book reader (among reprinted material). “Up In the Sky” succeeds there. It delivers a good story that will entertain hardcore DCU fans, as well as the average reader.

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REVIEW: NEXT GEN From Netflix Takes Swing At Pixar’s Animated Title Belt

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Next Gen is a beautiful, computer-animated film from Netflix that is a direct challenge to the uber-powers of Pixar that combines slick animation, top-notch storytelling, and a bit of a punk rock attitude.

The opening minute or two is a brilliant sleight-of-hand choice by directors Kevin R. Adams and Joe Ksander. It all starts like a saccharine family cartoon and gives the sense this is going to be a Pixar clone before it switches gear with a pop-punk track from composers Alexis and Sam. From then on, this story takes on a life of its own that feels very Pixar but certainly has it’s own unique attitude. If Pixar’s main competitor is Dreamworks, then Netflix with Next Gen nestles into a sliver of space somewhere between the two.

“One in every home!”

As the story goes, young, sweet Mai grows up to be an angsty, rebellious teenager who wants nothing to do with all the robots that have infested the world. In Next Gen, just about everything is a robot, reminiscent of Futurama. Hairbrushes, cars, refrigerators, and toothbrushes are all robots, maniacally trying to do their best job whether humans like it or not. Mai doesn’t like it at all, while her mother, Molly (Constance Wu) loves all the tech.

It’s an interesting juxtaposition to the current typical paradigm that kids are lost in tech and parents can’t connect. It seems, in this world, tech-obsessed millennials grew up to be tech-obsessed adults (arguably, today’s Gen Xers, too), and their children want nothing to do with it. Well, Mai, anyway. Most other kids love it all too which further disconnects our feisty hero from those around her.

As we get to know Mai, we come to meet Justin Pin (Jason Sudeikis) a Steve Jobs-like tech giant who produces the Q-Bot, a two-foot-tall AI assistant that everyone has; like the cellphone of this future world. Pin unveils the latest Q-Bot and gives one to every audience member at the keynote. Later, Pin declares he wants “One in every home.” Pin says this to Dr. Tanner Rice (David Cross) the designer of the Q-Bot (“The Woz” to Pin’s Steve Jobs). The context in which Pin delivers this line makes a big difference to the story moving forward.

“I hate robots!”

During the keynote, Mai gets in a bit of trouble and during a chase stumbles upon Dr. Tanner’s secret laboratory where Project 77, a prototype robot, is housed. Mai interacts with Project 77 but quickly runs away since she doesn’t like robots to begin with. However, Mai leaves behind her backpack which Project 77 now wants to return at all costs. And the intro to Project 77 as a character, the AI’s determination and, um, onboard skillset is fantastic.

There’s no doubt that Netflix’s run at original films has been a years-long streak of hits and misses. However, that’s in part due to growing pains. Here, Netflix has scored a big win, not only visually but narratively. The film’s characters are instantly memorable because, in part, they lovingly borrow from great films from before (what story doesn’t?), but they also do the work early on to establish their world, it’s culture, people, and the robots in it.

“…Next Gen delivers.”

Next Gen is a tightly put together film from start to finish, with no forced jokes or constant barrage of humor that appears in a lot of movies of this ilk (and even too many live-action films). Additionally, Next Gen doesn’t seem entirely aimed at children but teenagers with continuous bleeps of profanity and even the death of a non-robot. Still, none of it happens gratuitously. Next Gen stays within the realm of family-friendly animated fare.

The film also ends with a spectacular battle sequence that’s as over-the-top and explosion-y as any action film fan could want. To be fair, it might be a bit long for some, but if you’re hooked into the story by that point, you’ll likely find some tears jerked out of your eye-holes while all the eye-candy is happening.

It’s easy to recommend Next Gen to just about anyone. The animations are exquisite; on the level of the best stuff out there. The pacing is about as good as it gets as the movie feels wonderfully balanced with no suddenly sluggish points for some unnecessary side story or rushed story points. Mai’s emotional journey is as fun to watch as are all the action spectacles that Next Gen joyfully delivers. Next Gen is the kind of film that Netflix certainly needs more of and the kind of film that will keep them on top of the streaming service mountain.

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Review: Marvel’s IRON FIST Season 2

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Marvel’s Iron Fist hits Netflix Friday and as we binge watch the show Monkeys Fighting Robots will live-blog each episodes review.

The Fury of Iron Fist – S02E01

Review: IRON FIST Season 2 'The Fury of Iron Fist'
Marvel’s Iron Fist

Marvel’s Iron Fist Season two hits Netflix Friday, and the first episode ‘The Fury of Iron Fist’ brings a refreshing new tone to the series as the drama moves from the boardroom to the streets of Chinatown.

‘The Fury of Iron Fist’ has excitement, with two major action sequences and a few quick spurts of hand to hand combat. The cinematography is what stood out most about the episode, with most of it filmed at night. There’s a gritty dampness to the scene selection, giving a feel of evil creeping into the city. The last few minutes of the episode had no dialogue and relied on the cinematography to convey the emotion, and it does. You will be compelled to watch the next episode.

The plot of the episode is straightforward and sets up the series well. The weight of the world is about to be dumped on Danny Rand, and it is up to the Iron Fist to dig himself out. Danny’s relationship with Collen evolves well to where you feel for the couple and want to see them succeed. As soon as you see Ward Meachum, you can’t stand him. It will be interesting to see what his story arc is for the season. Joy, on the other hand, is at the beginning of her origin story and the path she takes will be exciting to watch.

Review: IRON FIST Season 2 'The Fury of Iron Fist'
Marvel’s Iron Fist

Finn Jones finally feels comfortable as Danny and the Iron Fist, and his surfer delivery fits the character. Jessica Henwick (Colleen) seems to have the most compelling on-screen presence, and Tom Pelphrey (Ward) has the ability to steal the show. The cast has grown in the acting craft since the first season.

The only issue is with Davos; it is hard to find him intimidating. The Steel Serpent needs to become pure evil and strike fear in the hearts of men. Sacha Dhawan is a good actor, but the size difference between Jones ruins all the tension. All the praise I gave the cinematography crew above, they need to work on finding a better angle when Davos and Danny are on screen together.

Overall, now that the show is past the origin the series will improve immensely. Season two can get to the good stuff like the Iron Fist battling it out, and the viewer can sit back and enjoy the binge.

The City’s Not for Burning – S02E02

Review: IRON FIST Season 2 'The City's Not for Burning'
Marvel’s Iron Fist

Episode Two of Season Two of Marvel’s Iron Fist gives every fan of the character the money shot we so deserve. Danny Rand is wearing the Iron Fist mask in the battle versus Davos for the right to fight the dragon Shou-Lao. That sentence alone should give you goosebumps.

The battle is through flashbacks throughout the episode which gives ‘The City’s Not for Burning’ a quick pace as tension builds. The struggle to save Chinatown continues which is a million times more interesting than the boardroom drama of Season One. All the chess pieces are in play, and we are just waiting for the reveal.

Again, the cinematography is what shines so far in the season. The darker setting, whether at night or the use of a cloudy day give the series a better feel. It helps to suck the viewer into the episode.

The fault in the episode and possibly the season is the development or origin story of Mary Walker (Alice Eve). The show is having a hard time capturing her dissociative identity disorder. Mary has the potential to breakout star of season two, but through two episodes it’s slow going.

The arrow is still pointing up, and there is no need to stop binging now.

This Deadly Secret – S02E03

Review: Marvel's IRON FIST Season 2
Marvel’s Iron Fist

Each episode gets better and better, with episode three the most impressive so far. Ward is the best asshole money can buy, and Colleen continues to be a dominant force on the show. Mary is still not the strongest aspect of the season, but her plot thread starts to come into focus.

The commitment to the dark cinematography helps cover all the goofiness of a superhero show and dramatically changes the feel. Season 2 is not bright and cheer; deep emotional conflicts are at war.

As mentioned in the review of the first episode, Tom Pelphrey has a chance to steal the show, and he did in ‘This Deadly Secret.’ Pelphrey’s explosive behavior at the AA meeting is brilliant. Speaking of meetings, Jessica Henwick cuts through the bullshit at the dinner party with Davos, Joy, Danny, and Colleen. Henwick is what keeps the show on its toes and exciting for the viewer.

The arrow continues to trend up as the binge continues.

Target: Iron Fist – S02E04

The season slows down a bit with ‘Target: Iron Fist.’ Davos and Joy visit Mary and Mary’s plot thread is explained. Misty Knight also pops in to progress the plot as well. Mary’s story arc should have had a better reveal and added a bit of horror as she bounced through her multiple personalities. Not developing Typhoid Mary properly was a missed opportunity for the series.

The final scene of the episode, while fascinating and somewhat part of the comic book mythos looked like something out of The Craft. The set design was weak and could have some refinements.

‘Target: Iron Fist’ was necessary to move the plot along, but did no favors for the season.

The arrow has peaked for the moment, hopefully, episode five rebounds.

Heart of the Dragon – S02E05

‘Heart of the Dragon’ is the perfect mid-point of the season episode as it resets the season and starts the path to the finale. There needs to be highs and lows in a season, but the beats need to be appropriately played to keep the audience involved. The first three episodes come blazing out of the gate; now we are in the calm before the storm.

Also, the conversation in the episode had weight and carried emotion. Davos becomes an empathetic character to a certain extent. His motivations are revealed, and they come from a place that is understandable.

The Misty and Colleen relationship is developing nicely over three seasons so far. They are compelling enough characters to where their own series would get attention. Sidenote, I’m not sure if I’m shipping Misty and Ward yet, but that was an interesting exchange, and I wasn’t expecting that type of response from Misty. Stay tuned to see if love blossoms.

The arrow is holding steady, but some action needs to show up soon as the crowd is getting restless.

The Dragon Dies at Dawn – S02E06

‘The Dragon Dies at Dawn’ was a very artistic episode with the opening scene straight from a Spike Lee film. The camera angles were also very dramatically different coming from a low perspective. The main character also takes a back seat to the drama which gives others a chance to shine.

Colleen and Misty versus the Crane Sisters is the best fight so far in the season. The shot location and the combatants involved worked very well. A tattoo shop in a warehouse creates a playground of opportunity visually. As mentioned earlier Colleen and Misty’s relationship continues to evolve into a buddy cop film with each complementing the other perfectly.

Mary Walker is finally developing into a complex character with significant flaws. Instead of being used as a plot device for the first half the season, Alice Eve now feels like part of the cast.

With a mild cliff-hanger, ‘The Dragon Dies at Dawn’ gets the arrow moving north again. With four episodes left, it’s going to be a wild ride to the finish.

Morning of the Mindstorm – S02E07

The season starts to lose steam with episode seven, but the artist opening works well to introduce the coming depression. A drunk Ward is probably the best Ward. The video message from Mary to Walker was a unique angle on the character. Davos and Joy are not very good villains. The part of the first few episodes was Danny and Colleen’s relationship, but that looks to be heading south.

Citadel on the Edge of Vengeance – S02E08

Why does Danny need to train? Isn’t he the Immortal Iron Fist and he trained half his lifetime to become a kung fu master. This does not make any sense.

The supporting cast shines in this episode, with the highlight being the Ward / Mary team up as crazy meets crazier. Speaking of crazy, Joy has a death wish, and Davos thinks he’s a priest in the Temple of Doom.

Sidenote – K’un-Lun would not get a good Yelp review as its savior doesn’t know what he’s supposed to do, and the runner-up wants to kill everyone. Where is Mr. Kesuke Miyagi when you need him? Also, Danny picking training over his relationship with Colleen doesn’t make sense, especially when you can give Luke Cage or Jessica Jones a call.

The plot twist with Colleen is great and adds a new dimension to the mythos of the Iron Fist.

War Without End – S02E09

Colleen and Misty need their own show, and after this episode, it makes more sense than ever. With the reveal of Colleen’s backstory, she becomes a major player in the Netflix MCU. The white fist could look better special effects wise, but will just keep moving forward.

Davos continues to be a weak villain, he comes off like a spoiled brat, but what he did to Joy was surprising, dramatic, and it looked like the showrunners were going to be bold. For a show about martial arts, they don’t want to push the envelope with how it’s filmed. Daredevil set the bar high with hand to hand combat scenes, and Iron Fist doesn’t measure up.

The death of BB was shocking and sad. You don’t realize how attached you get to a little hood-rat till they’re gone.

A Duel of Iron – S02E10

Two Iron Fists battling it out, and Danny takes on Walker. The Mary / Walker dynamic is where the show drops the ball. Mary has three personalities, and we never get to see the savage one. What were the showrunners waiting for? You might never get another season! Plus, if Danny can barely beat Walker, then he is awful at kung fu, and K’un-Lun made a horrible choice.

The special effects in the finale are inferior and viewers should expect better.

Ward’s story arc was the best of season two, and Danny and him road tripping across Asia would be a perfect season three. The final scene is fascinating for Iron Fist nerds and gives us hope.


After you binge watch the show come back and give us your thoughts in the comment section below.

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IRON FIST Season 2 Post-Credits Teaser Details

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As you binge-watch Season 2 of Iron Fist on Netflix today make sure to stay for the post-credits scene after episode 10 as Daredevil has a confession for you.

“I once believed that justice could be found in a court of law, and in the light of day. But I was fooling myself. Darkness only responds to darkness. And the truth is, I’d rather die as the devil than live as Matt Murdock.”

Matt Murdock, all bloody and in the black suit is sitting in a confessional talking to someone. It is a very quick scene and doesn’t add to Season 2 of Iron Fist, but it does get you excited for Season 3 of Daredevil.

Iron Fist Daredevil post-credits

It’s funny; I always forget how much I love Charlie Cox as Daredevil during the season breaks, but as soon as hits the scene all the emotions from the previous seasons come rushing back.

Daredevil returns to Netflix in October. You can see him and Iron Fist fight alongside each other in Marvel’s Defenders.


Are you excited for Daredevil Season 3 on Netflix? Comment below.

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Hollywood Legend Burt Reynolds Passes Away At Age 82

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Burt Reynolds, known for his iconic roles in The Longest Yard and Smokey and the Bandit, has passed away at age 82.

The actor reportedly went into cardiac arrest at a hospital in Florida Thursday night. His family was by his side at the time of his passing.

Reynolds made a name for himself in 1972 with his performance in Deliverance. He went on to become one of the biggest names in Hollywood starring in numerous hits throughout the 70s and 80s. In 1997, he was nominated for an Oscar for his role in the Mark Wahlberg led Boogie Nights.

The coming months were going to bring the icon to the forefront once again. In December, his movie, Defining Moments, is set to release. He was also currently filming Once Upon a Time in Hollywood alongside Brad Pitt and Leanardo DiCaprio.

What was your favorite Burt Reynolds performance? Let us know in the comments below.

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