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Oped: Doomsday Clock, Death Metal, and Narrative Consistency in Comics: Must There Be “Continuity”?
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Review: CATWOMAN #26 Is Going Back to Her Roots
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AfterShock Preview: Like, Share And Subscribe To The Grave In I BREATHED A BODY #1
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Review: THE SCUMBAG #1 Is Exactly What You Think It Is (Which Isn’t Exactly A Good Thing)
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REVIEW: GIDEON FALLS #26 Sets Its Characters on a Collision Course
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Review: WEREWOLF BY NIGHT #1 Needs More Horror
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RAI #8: Safe Spaces Can Be More Risky Than Danger Zones
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Kickstarter Preview: PEACEKEEPERS Is A Crime Drama Perfect For Fans Of FARGO & THE WIRE
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Interview: Ryan O’Sullivan Talks A DARK INTERLUDE, Unreliable Narrators, And More
Anthony Composto - EIC
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Review: DUNE HOUSE ATREIDES #1 The First Grain In A Massive Desert
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SONATA VOLUME 2: THE CITADEL – Progress Meets Futility
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Advance Review: TEENAGE MUTANT NINJA TURTLES: THE LAST RONIN (Spoiler Free)
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Exclusive Marvel Comics Preview: AMAZING SPIDER-MAN #50.LR – “LAST REMAINS”
Matthew Sardo
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Exclusive AfterShock Preview: “Happy” DEAD DAY #5
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DC Announcement: The Future Of DC FUTURE STATE Is Revealed
Gabriel Hernandez
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Review: THE AMAZING SPIDER-MAN #50 – A Monumental Reveal
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Review: 70’s Neon-Noir Psyche-Suckers In DRACULA, MOTHERF**KER!
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Review: The Team Is Off To The Races In SONIC THE HEDGEHOG #33
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Review: A Case Of Identity Crisis Arises In CAPTAIN AMERICA #24
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Review: ELFQUEST: STARGAZER’S HUNT #4 And The Bonds Of Family
Corey Patterson
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