Superman has his ups and downs in terms of storytelling last month. First, we had the lackluster conclusion of the “Super Sons of Tomorrow” crossover. It was dark, bleak, and just flat out confusing. On the other end of the spectrum, we had the beautifully illustrated story of Superman giving cancer patients the greatest day trip ever. While that story put the biggest smile on my face, I do worry about the future of the Man of Steel. He has looked into his son’s future and has learned of its destruction. Will we see Superman his son away or teach him to be better?
**Some Spoilers Below**
Story:
On the anniversary of Krypton’s destruction, Clark takes Jon to the Fortress of Solitude for a history lesson. He explains to his son that, as long as they live, Krypton will live. Before the lesson concludes, however, Superman gets an interplanetary signal. In a far-off universe, a planet is on its last legs ready to implode like Krypton. Superman decides he will not let another race suffer Krypton’s fate and goes off to save them, with Superboy in tow. When the Man of Steel arrives, they are welcomed by the alien race before they tell the Kryptonians the truth: they WANT the planet to explode. The aliens see their death as the ultimate sacrifice to their god.
When I read this, I had the strangest feeling of deja vu. That’s when I realized that the Green Lanterns series had a near exact story less than four months ago! The only difference between that story and this one is that the Green Lanterns story was more character driven. Without that character-driven plot, this issue of Superman falls short. The beginning was interesting, with a humorous jab to the ‘Last Son of Krypton’ title, but after that, it’s just going through the motions the Lanterns did in October. This is the first half of a two-part story and unless it is able to find a way to make this connecting more to that Krypton lesson at the start, this story might be one to skip.
Art:
Doug Mahnke returns to illustrate this story and it really doesn’t fit a Superman story. I went into his art before in my review of Superman #33, but to elaborate, his style is too creepy. It causes our heroes facial expressions to come off as more villainous. There is a panel that has Superboy smile at his father and he looks like he’s being infected by Joker serum. The Superfamily should be friendlier to look at instead of creepy.
That being said, the back half of the story shows off what Mahnke is good at illustrating. When Superman refuses to leave the planet to its fate, the seahorse aliens turn on him. As silly as that sounds, Mahnke’s style makes them genuinely scary. They look like terrifying monsters to tear apart Superman, despite clearly being in the shape of a seahorse. When it comes to the villains and darker worlds of Superman, he does great. It’s only when Mahnke tries to draw something friendlier, it doesn’t work. I would love to see his work in a story like Black Dawn or something horror themed…just not on Superman.
Conclusion:
This issue was not my cup of tea. Despite an interesting opening, the story devolves into stories we’ve heard before. While the art can make the aliens creepy to fit the story, it does the same to Superman and Superboy. On its own, I cannot recommend this issue. Hopefully, the conclusion of this story will bring it back from the edge.
The penultimate episode of Star Trek: Discovery’s first season, The War Without, The War Within, showed the crew of the U.S.S. Discovery returning to their own universe after a four-episode interlude in the Mirror Universe, but a lot has changed since they left. In addition to the passage of nine months and massive gains for the Klingon Empire in the Klingon–Federation War, the Discovery’s commanding officer, Captain Gabriel Lorca, was revealed to be a Mirror Universe interloper in “Vaulting Ambition.”
Tying up loose ends with an ironic impalement, Emperor Georgiou killed Mirror-Lorca during his attempted rebellion in “What’s Past Is Prologue.” Gabriel Lorca of Star Trek’s “prime universe” is assumed to have died some time ago, shortly after the quantum inversion that brought Mirror-Lorca to the prime universe sent Lorca-Prime to the Mirror Universe.
This not only means that the Kelpien Commander Saru (Doug Jones) assumes the role of acting captain, it also means that the U.S.S. Discovery has never actually had a legitimate captain.
The War Without, The War Within – “Dad! Uncool!!”
Unfortunately, Captain Saru’s time in the big chair is short lived. The bridge crew is taken unawares by the surprise transport of a motley crew of Federation species. Their arrival heralds a second beam-in, that of Ambassador Sarek and Admiral Cornwell. Cornwell uses an authorization code to take control of the ship, and Sarek forcibly mind melds with the no-longer-acting Captain Saru.
Sarek learns of the crew’s amazing journey between realities, and Cornwell wastes no time in catching the bridge crew up on the events of the past nine months. The Klingons, it turns out, aren’t acting as a unified military force. Instead, the various houses stage random brutal attacks on Federation assets. But the true extent of the damage isn’t fully understood until Discovery visits the burning husk that once was Starbase 1. Previously home to tens of thousands of Federation citizens, it now houses around 250 Klingons from the House of D’Ghor.
The War Without, The War Within – “Take that, Dr. Marcus!”
There was a lot going on in this episode. The return to the prime universe, the destruction of Starbase 1, Lt. Tyler’s readjustment to ship life after having Voq’s personality de-conditioned out of his mind, and Stamets’s terraforming a moon in order to create a source of mycelial spores. This was a nice nod to Star Trek II: The Wrath of Khan in which Dr. Carol Marcus uses her invention the Genesis Project to terraform an inhospitable planet into a habitable one. Unfortunately, it goes horribly wrong … “KHAAAAAAN!!!”
The War Without, The War Within – “Saru, don’t accept any dinner invitations from Emperor Georgiou.”
One of the biggest shockers from the last episode was Burnham’s decision to save Emperor Georgiou and bring her back to the prime universe. Georgiou isn’t adjusting well to being locked up all the time, and to gain her freedom she offers Admiral Cornwell and Sarek a deal.
The Federation can’t make any headway in their war against the Klingons. Georgiou offers to put her knowledge of warfare to work, having obliterated the Klingon home world in her own universe.
Surprisingly, this negotiation goes a lot better than Tyler’s discussion with Burnham about the future of their relationship. Burnham discusses the benefits of being alone with Tyler, and in a rare moment of self-effacement during her blood-soaked life she reflects that she’s not yet where she needs to be to feel good about herself.
The War Without, The War Within – “Dr. What’s-his-face was a good man!”
There were a few charged discussions in this episode. Another tough one for Tyler was his talk with Stamets, although I was a bit surprised it wasn’t a lot worse. Sure, it got a bit heated, but I thought that Stamets showed a surprising amount of restraint. I know that Discovery the show, just like the ship, moves at faster-than-light speed most of the time, but the lack of emotional grief over Dr. Culber’s death is a bit off-putting. He wasn’t my favourite character, but I seem to care more about his loss than the majority of the crew.
The War Without, The War Within – “Cmdr. Saru, I’d love to have you for some calamari some time.”
Admiral Cornwell continues her streak of questionable command decisions when she introduces Discovery’s new commanding officer. Although Cornwell tells the crew that the woman commanding their vessel is Captain Georgiou whose survival was kept secret by the Federation, she is actually the deposed Emperor Georgiou, Kelpien connoisseur late of the Mirror Universe.
So, the fears I had last week are proven valid. The U.S.S. Discovery has indeed traded one impostor from the Mirror Universe acting as captain for another. Staging a surprise assault, Emperor Georgiou will lead the attack on Qo’noS that will take the Discovery within the caves of the Klingon home world, and based on the Emperor’s history as a strategist I’m sure this attack will be measured and proportional …
The War Without, The War Within – Final Thoughts
This episode provided a nice break after Discovery’s action-packed saga in the Mirror Universe. Beyond getting a chance to catch our breaths, viewers were also treated to another well-timed reference to Star Trek: Enterprise. Going all the way back to Enterprise’s series premiere “Broken Bow,” Cornwell, when talking about the impending mission to the Klingon home world, refers to Captain Archer’s mission aboard the U.S.S. Enterprise NX-01 to return the injured Klingon courier Klaang to his people. These Easter eggs are always fun to pick out, but my favourite one so far is definitely the list of most decorated Starfleet captains featuring Georgiou’s name alongside those of Captains April, Archer, Decker, and Pike. Now that’s an information-packed bonus.
It’s anybody’s guess what the mission to Qo’noS will entail, especially given the confusing promotional trailer that aired after The War Without, The War Within. The half-naked gyrations of a number of albinos and the destruction of what looks like a planet are featured.
The War Without, The War Within – Admiral Crumb-well
We also see Burnham standing up to Cornwell, arguing that, though the odds are against them, the crew of the Discovery must stick to their Starfleet principles. It’ll be great if this philosophical discussion gets a chance to play out: these kinds of heady conversations are, so far, sorely lacking in this iteration of Star Trek. Also, based on Cornwell’s apparent bloodthirstiness and her willingness to install Mirror Universe counterparts of Starfleet officers in positions of military authority, maybe she’s actually Mirror-Cornwell. Revealing another commanding officer as an impostor from the Mirror Universe would seem a bit like scraping the bottom of the barrel, but at least it would explain Cornwell’s relatively crumby command performance so far.
The comics industry underwent a bit of a shakeup when Brian Michael Bendis made a move from Marvel to DC. Speculation arose immediately about what he’d be doing for Detective Comics. The answer revealed that Bendis would be managing several things, including Superman. Bendis talked about his connection to the last son of Krypton and why it’s such a dream to be able to write for him. As Bendis prepares to live out a dream, we dreamers here at Monkeys Fighting Robots pooled our collective talents to talk a little about what character we’d love to write for if ever given a chance.
ANTHONY COMPOSTO
Marvel: Nova (Richard Rider)
I’m a Long Island boy, and I always got a kick out of Richard Rider being from Long Island. He’s not a top tier character (yet), but he so deserves to be. Abnett and Lanning’s run on Nova showed me what an incredibly badass and complex character Rich is (the dude literally tore Annihilus’ guts out through his throat!), and I would kill to show that to a new generation of readers. My favorite stories are those that take a lower tier, cult character and makes them so great that it builds their fanbase tenfold. It shows the power of great writing, and it shows that the strength is more in the writer than the character. It’s a challenge. And Nova’s the kind of character where I could tell epic cosmic adventures OR smaller, more intimate stories on Earth. Long Island represent.
DC: Nightwing
Everyone wants to write Batman, but Nightwing is a much richer character. Whereas Bats is dark, brooding, and trusts no one, Nightwing is an actual human being. He’s friendly and lighthearted; he makes jokes. He gives writers a chance to have fun! Plus I would want to explore the complexities of his trust. Batman’s easy; he instinctively shuts people out. But Nightwing follows more of the “superhero ideal” in that he wants to see the good in everyone. That opens the door for conflicts and betrayals, and you can explore society in an interesting way. Superhero comics should teach lessons, and the one lesson that I would want to teach is to try and see the good in people, to open yourself up and be the change you want to see in the world. Nightwing affords that opportunity. Plus, you still get to play in the Batman sandbox with all the cool gadgets and villains (which is the real reason people want to write the Dark Knight).
The man was a highly-recognized and incredibly skilled surgeon till a car accident damaged the nerves in his hands, ending his career. Seeking treatment, he opted for the mystic arts and, over time, became the Sorcerer Supreme. Unreal. That alone is enough of a reason to want to write for this character, but it is what he does on a daily basis to keep our planet safe, like having to face world-shattering entities and villains, that is appealing. He has saved our realm countless times over while we’re walking our dogs and going about our daily routines.
DC Comics: Doctor Fate
Kent Nelson was the son of an archaeologist, taking on the craft as well. He turned in his greatest find, an ancient immortal, named Nabu, while exploring a pyramid in the Valley of Ur, in ancient Mesopotamia. He freed Nabu but accidentally killed his father in the process. Nabu took Nelson under his wing while molding him into Doctor Fate and gifting him his signature amulet, helmet, and cloak. What makes this character exciting to write about is how Fate runs in the family, as it has been extended to not only other family members but his wife as well. It’s a task that is seemingly passed on, which makes for great stories to tell, along with the fact that he is constantly doing battle with evil magical and mythical beings, all while also having served on the Justice League of America and Justice Society of America, among other affiliations.
Logan aka James Howlett aka Wolverine has always been a favorite character of mine (my first comic memory was reading the Spider-Man vs. Wolverine one-shot by James Owsley and Mark Bright). So if given a chance, I always wanted to write Wolverine. But lately, it is one particular version of “Ol’ Canucklehead” that has attracted my attention, and that is Old Man Logan. Old Man Logan was created by Mark Millar and Steve McNiven in the pages of Wolverine but was given life in his own title by Jeff Lemire recently. What I love about this version of Wolverine is the attitude. This is a Logan well past his prime, having seen much more than the ALREADY weathered younger man we all know. More akin to an aging western gunfighter or lone wolf ronin, Old Man Logan has enough pathos to fill issue after issue and his age would also allow you to tell some great flashback and parallel narrative tales. He is a man out of time twice over. I’m already getting ideas!
DC: The Spectre
One of DC’s ‘cult’ characters, resurrected policeman Jim Corrigan/The Spectre has always fascinated me. Created during The Golden Age, and a big part of the JSA, Spectre has been used sporadically over the years in various degrees. To me what makes him special is the unique combination of the supernatural and the grounded the character brings. He is not only a streetwise cop but is also the freakin’ Judgement of God himself. This duality would open up the doors to tell stories on both a huge, magical epic scale and even ‘Law and Order’ style police procedurals. Think about it; you could have entire arcs about the DCU’s crazy magic world and then do a flashback about Corrigan, as a human, working a case. Plus the character is one of the coolest looking in DC with a great color scheme and costume.
I love a good anthology and so Marvel’s What If … comics were right up my alley. Like a comic book Twilight Zone, What If … were random stories of alternate timelines and the after effects. Like an omnipotent Rod Serling, Uatu the Watcher narrated every issue. What a fascinating character is Uatu? A race of super-beings who, lead by Uatu’s father, tragically helped another civilization annihilate itself. Ashamed, Uatu exiled himself to a distant part of the multiverse where he’d watch a place called Earth. It’s there that Uatu sees the same pattern of destruction facing the future of mankind and, posing as a human, begins to investigate the cause of humanity’s collapsing destiny; a mystery that will reach across multiple Earths.
DC: Martian Manhunter
All my life I’ve had a fascination with space and Mars (I’m @RMartian on Twitter). Martian Manhunter was always an interesting character, like Superman, he’s a complete fish-out-of-water. The origins of a character like Martian Manhunter are also murky and mysterious too. He’s far less defined than Superman, Batman, or Wonder Woman, leaving the door open to play around with a lot of interesting science fiction ideas. Taking the original premise, Manhunter is brought to Earth by a human experiment in a middle of a great war happening on Mars. With no way back, Manhunter goes into hiding, but his heroic nature makes it difficult for him to refrain from helping those in need while also looking for a way back home. Soon Manhunter discovers the fate of his people when White Martians arrive to kill the last Green Martian.
After years of being a fan of the character, I believe I could do great justice to DarkHawk from Marvel Comics. After his comic was canceled, the character was used in different storylines and revealed to be part of an intergalactic guild of assassins and was designed as a countermeasure against the Phoenix Force. With the same guild now becoming an obstacle for the Guardians of the Galaxy, it’s time DarkHawk was once again allowed to spread his wings and become a part of the Marvel Universe. My ideal story would involve him working to cast off the role he was designed for by finding a new candidate for the Phoenix Force and having to protect them from evil.
DC: Azrael
The product of an ancient assassin program, Azrael did what many only dream of by filling in for Batman. During his time as the Dark Knight, Azrael created an iconic suit of armor, became defeated Bane, but unfortunately went off the deep in the process. When a new series launched, Azrael was left to redeem himself from his past mistakes and move forward to prove he was worthy of being a part of the extended Batman family. The original Azrael, Jean Paul Valley hasn’t made an appearance in the Rebirth universe and this needs to be rectified. Yes, he did die and even was a Black Lantern for a time but the DC is filled with ways of resurrecting the dead. If I was able to bring him back, I’d have him work to fight against the Court of Owls, who would be working to resurrect the assassin creation program which made Azrael in hopes of creating a being which could bring Gotham under their control.
The official twitter account for Tom Hardy’s upcoming Venom movie just revealed the first official poster for the film. The poster, which forms the iconic (and creepy) face of the title character, teases the imminent release of the first official trailer.
Marvel Entertainment and Netflix have released the first official trailer for Marvel’s Jessica Jones season two, giving us a first look at how life is treating Jessica after the events of season one and Marvel’s The Defenders.
The trailer emphasises on Jessica’s continued struggle to get over what Kilgrave did to her, both mentally and physically. It also looks like the super-powered private investigator will be delving into her past, to find out what happened to her parents and how she got her powers. Finally, the trailer also teases the return of David Tennant’s beloved but creepy villain Kilgrave, although we don’t actually get to see his face.
Check out the trailer below:
Jessica Jones is back as New York City’s tough-as-nails private investigator. Although this time, the case is even more personal than ever before. Fueled by a myriad of questions and lies, she will do whatever it takes to uncover the truth.
The Walking Dead #176 handles the previous issue’s cliffhanger and lets it stew for 22 tense pages, building a taut emotional ride that begs for more pages.
If you have not read issue 175 there will be spoilers ahead, you have been warned.
The New World Order begins in issue 175, introducing a vast civilization of 50,000 survivors which drastically changes the power dynamics of the story. The gut-punch at the end of the issue comes when Michonne finds out her daughter Elodie is still alive. It’s a development that will forever alter the arc of a character that has been part of the series since issue 19.
What Robert Kirkman does in issue 176 is let the reader simmer through the entire issue, with the hopes of distracting you from the underbelly of the Commonwealth. This issue is like going to the DMV, but you can’t see the tellers are cutting people’s fingers off at the front of the line. As a fan of The Walking Dead, you’ve become accustomed to major characters getting killed off and you don’t trust any new people; Kirkman plays off this fear to build tension and redirect your gaze. Before the final four pages of the issue, you might want to tear up the book in frustration. But hold on for the final reveal, where Kirkman lays significant seeds of doubt about the Commonwealths intentions; it had me crawling over each panel looking for clues.
Charlie Adlard’s character designs for the Commonwealth work well as they are a drastic departure from Michonne’s group of riffraff. Adlard also builds the emotional weight in each panel with Michonne’s eyes meeting the eyes of others. Back-and-forth conversations are entrancing, and the black and white coloring helps to keep your attention on the story at hand. Color would take away from the emotional impact; the lack of color simplifies your thought process in all the right ways.
Kirkman knows how to pace a comic book series, and 176 is a perfect second issue of a six-part arc. He answers the primary question from part one and adds additional questions to pore over moving forward. Part three should introduce the conflict, and then we are off and running with the two-part finale.
About THE WALKING DEAD #176:
Story: Robert Kirkman
Art: Charlie Adlard, Stefano Gaudiano, Cliff Rathburn
Cover: Charlie Adlard, Dave Stewart
“NEW WORLD ORDER,” Part Two An audience with a different kind of Governor.
20th Century Fox dropped truth bombs Wednesday morning with the release of a new Deadpool 2 featuring the introduction of Cable with all the Deadpool humor you’ve grown to know and love.
Watch the trailer below:
About the film: After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor – finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover.
Deadpool 2 is directed by David Leitch, from a script by Rhett Reese and Paul Wernick, and stars Ryan Reynolds, Zazie Beetz, Morena Baccarin, T.J. Miller, Josh Brolin, Brianna Hildebrand, Stefan Kapicic, and Leslie Uggams.
A Jazz-Age Noir That Takes a Look at Racism and Racial Identity
Set during the Harlem Renaissance, writer Mat Johnson (Hellblazer: Papa Midnite, Right State) weaves a tale of racism, murder, and intrigue in Incognegro: Renaissance. The first issue sets up what promises to be an engrossing mystery. The art by Warren Pleece is crisp and draws the reader into the roaring twenties.
What elevates Incognegro: Renaissance above a typical noir mystery is Johnson’s witty dialogue and the examination of race issues. The first issue looks at cultural appropriation in the form of Arna Van Horn, a white author who exploits rising interest in black culture by examining Harlem like he was on safari.
Protagonist Zane Pinchback is a young, light-skinned African-American reporter recently moved to New York from Mississippi. When a black writer is found dead at an interracial party celebrating the release of Van Horn’s new book, Zane finds that the police are more worried about keeping the white guests from being upset than they are about the fact that a man has died. Despite indications that this was not a suicide, the cops are not willing to investigate. Zane ends up doing something he’d sworn not to: go “incognegro” (pass as a white man), in order to get to the bottom of things. Though he considers the idea of “passing” a betrayal of who he is, he knows it will be easier to investigate if people think he is white.
As sad as it is to say, race relations 100 years after the setting of this story are so little improved that this book feels timely. Stories that make us think and consider other points of view are the best stories, and if this first issue is any indication, this is one of those stories.
From the Publisher:
After a black writer is found dead at a scandalous interracial party in 1920s New York, Harlem’s cub reporter Zane Pinchback is the only one determined to solve the murder. Zane must go ”incognegro” for the first time–using his light appearance to pass as a white man–to find the true killer, in this prequel miniseries to the critically acclaimed Vertigo graphic novel, now available in a special new 10th Anniversary Edition.
With a cryptic manuscript as his only clue, and a mysterious and beautiful woman as the murder’s only witness, Zane finds himself on the hunt through the dark and dangerous streets of ”roaring twenties” Harlem in search for justice.
A page-turning thriller of racial divide, Incognegro: Renaissance explores segregation, secrets, and self-image as our race-bending protagonist penetrates a world where he feels stranger than ever before.
The marketing behind Deadpool 2 has begun to ramp up, and if we’ve learned anything from the previous film, it’s guaranteed to be creative. We’ve already had a taste of what could be in store with the first teaser trailer. Check that out here!
However, nothing compares to this brand new poster that Ryan Reynolds tweeted out earlier today.
Yes, that’s Wade Wilson with an homage to Flashdance. Here’s another look at the poster.
If this is what they are coming up with in February, there’s no telling what the marketing will be as we get closer to May 18th.
Deadpool 2 is directed by David Leitchstarring Ryan Reynolds as Deadpool, Brianna Hildebrand as Negasonic Teenage Warhead, Leslie Uggams as Blind Al, Stefan Kapičić as the voice of Colossus, Zazie Beetz as Domino, and Josh Brolin as Cable.
David Benioff and D.B. Weiss, creators of Game of Thrones, will write and produce a new series of Star Wars films.
According to Starwars.com, this new series will be completely seperate from both the mainline series of movies, along with the trilogy that Rian Johnson will be directing. Kathleen Kennedy, president of Lucasfilm, had this to say regarding Benioff and Weiss taking over the new series of Star Wars films:
“David and Dan are some of the best storytellers working today. Their command of complex characters, depth of story and richness of mythology will break new ground and boldly push Star Wars in ways I find incredibly exciting.”
Work on this new Star Wars project will begin after Game of Thrones ends its run. Season 8, the confirmed final season, will debut in 2019.
Are you looking forward to what Benioff and Weiss bring to Star Wars? With so much lore to pick and choose from, are there any particular stories you’d like to see tackled? Comment below, let us know.