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Review: Food Fight in FLAVOR GIRLS #3

Out this week from Boom! Studios, Flavor Girls #3 by Loïc Locatelli-Kournwsky and colorist Eros de Santiago brings the first series barreling to a conclusion and answers the pressing question: what can a pineapple wand do in a fight? Having only recently come together as a complete unit, the Flavor Girls are forced to confront their first real test – one of the Agarthians’ four generals. Between Sara’s inexperience and Naoko’s ties to the villain, things promise to escalate quickly.

Flavor Girls team leader Naoko has been holding in a lot. The final issue of the miniseries starts with a look into her past, focusing on a lingering sense of survivor’s guilt she has after the death of her best friend. Those feelings dovetail into the present, where the Flavor Girls face off against alien general Troezen. A vain warlord who killed Naoko’s friend all those years ago. New member Sara manages to wield new powers during the brawl, but they might not be enough to ensure victory. An epilogue delves into the ranks of the mysterious Agarthians and the single human who’s chosen to help them. The final story is a short conclusion to the previous issue’s haunted house story. Naoko again faces her guilt, and the team adopts a new pet.

The Flavor Girls miniseries’ climax brings a more serious tone and a lot of life-or-death fighting. The first pages set the stage for the whole issue, starting with Naoko amid a vicious fight and transitioning to silent images of her tragic past. However, it’s not all doom-and-gloom. Sara’s inexperience brings a lot of comic relief, especially when she starts naming her attacks or takes short breaks from the battle to geek out over her new powers.

It’s a glimpse at the hierarchy of the Agarthians that makes for the most exciting moment of the issue. Until now, the aliens have mostly been portrayed as silent and enigmatic. But now, they don’t only have voices but strong, defined personalities. For example, Troezen is a vain Lord who lives for the approval of his peers, serving under King Monarkh, who comes off as a drunk, disinterested ruler. Other characters hint at infighting among Agartha’s higher ranks, and Monarkh gives a glimpse into his ultimate goals. It’s a big shift, but one that promises more involved villains who can inject personality into whatever fight they’re involved in. Assuming the Flavor Girls eventually return, it’s a choice that could give the series a lot more longevity.

Locatelli-Kournwsky gets to show off his action chops throughout the issue, and he manages to create exciting scenes that still show his more methodical approach to storytelling. Panel grids are used for more mundane or slower-paced scenes, while more frantic action gets similarly laid-out panels but with diagonal, sloping borders. It keeps the storytelling calm and controlled, but with a slightly off-kilter feeling that fits the desperate scramble, the climactic fight becomes. Panels-within-panels are also often used to either highlight an impact or show a cutaway reaction shot from one of the characters. These little tricks keep Locatelli-Kournwsky’s use of many small, strictly laid-out panels from feeling stiff or static. His use of manga-style motion lines that blur characters and backgrounds into arcs of motion also helps. However, the smaller panels keep these feeling like more contained moments than similar manga pages that might make an entire page into a flurry of motion. For all the choices taken to keep things exciting, it’s Clarity that’s king here.

Eros de Santiago and Locatelli-Kournwsky collaborate to bring their brightest palette yet, backgrounds fading away to be dominated by pinks, yellows, and blues. But the vibrancy of the early fight slowly gives way to menacing reds and blacks as things go south, culminating in the sickly reds and yellows used on the Agarthian’s planet.

The lettering retains its handwritten charm, though the more serious tone of the issue leaves less room for small doodles in the margins of speech bubbles. There are still loosely scribbled sound effects, from an excited “WOOOOO!” to a cat’s irritated “Maw!”

VERDICT

Flavor Girls #3 is an action-packed conclusion to the first story arc, which sets up many future plot points that are begging to be explored. Hopefully, this isn’t the last we see of the girls.

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Marvel Comics Exclusive Preview: JANE FOSTER & THE MIGHTY THOR #4

jane foster mighty thor marvel comics exclusive preview

JANE FOSTER & THE MIGHTY THOR #4 hits your local comic book store on September 21st, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive four-page preview for you!

About the issue:
Asgard’s defenses have been breached, its warriors battered and still more legions are unleashed against them! The chaos and destruction seem to be fueling some great, dark power…but to what end? Before she can find what lurks in the shadows and save the Golden Realm, Jane Foster must first save Thor!

The issue is by writer Torunn Grønbekk and artist Michael Dowling, with colors by Jesus Aburtov, and letters by Joe Sabino. The main cover is by Ryan Stegman, JP Mayer, and Romulo Fajardo Jr.

Check out the JANE FOSTER & THE MIGHTY THOR #4 preview below:

jane foster mighty thor marvel comics exclusive preview

jane foster mighty thor marvel comics exclusive preview

jane foster mighty thor marvel comics exclusive preview

jane foster mighty thor marvel comics exclusive preview

jane foster mighty thor marvel comics exclusive preview

jane foster mighty thor marvel comics exclusive preview


Are you reading JANE FOSTER & THE MIGHTY THOR? Sound off in the comments!

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Read The First 4 Pages Of DOGS OF LONDON #5

DOGS OF LONDON #5

DOGS OF LONDON #5 hist your local comic book hop on September 28, but thanks to AfterShock, Monkeys Fighting Robots has an exclusive four-page preview for our reads. The issue is written by Peter Milligan, with art by Artecida, Valentina Bianconi drops the colors, and you will read Rob Steen’s letter work. In addition, Andy Clarke and Jose Villarrubia worked on the cover.

About the issue:
Sir Frank Babbs is finally reunited with the childhood friends he thought he’d killed and buried long ago. But who’s going to end up top dog? Will Frank find out the real reason why Danny Vince killed his beloved Audrey? Can The Dogs forgive Danny for what he did to them? In the fifth and final issue of DOGS OF LONDON, there’s the romance of young love. A dark old family secret. A right old tear-up between a lot of old men who should know better. And an unexpected declaration of love. Woof woof!

Enjoy the preview below.

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Alison Wonderland & Z2 Comics Announce LONER

The acclaimed, Billboard-peaking singer/songwriter/producer charts her journey from isolation to enlightenment in this sister project to last May’s album.

 

AVAILABLE TO PRE-ORDER NOW

LOS ANGELES, CA— Z2 Comics and singer/songwriter/producer Alison Wonderland have announced a new graphic novel, LONER. Z2 Comics co-founder Sridhar Reddy is co-writing the book alongside Wonderland; MinomiyabiAlex HeywoodKelsey RamsayBRÄO, and Taylan Kurtulus all provide interior art, with Alex Heywood on cover art.

The project expands on the themes of isolation and redemption that punctuated Wonderland’s third full-length album of the same name, released last May. After enduring cataclysmic life shifts, Wonderland felt a deep lull that coincided with the global pandemic, ultimately allowing the musician to reflect and find empowerment throughout the following months.

The LONER graphic novel witnesses the acclaimed DJ and musician channel those themes into a dimension-spanning, psychedelic personal journey of creation and loss. The project explores the waves of panic, grief, and forgiveness that come with the highs and lows of making something beautiful. Ranging from real-life conflicts of bullying and anxiety, to otherworldly sci-fi dealing with metaphysical monsters, LONER also features a fully-playable fantasy RPG module complete with character sheets and map.

“At Z2 we’ve always felt the best stories, no matter how fantastical or out there they may be, have to always come from a place of genuine truth,” explains co-writer Sridhar Reddy. “Working with Alison on this project was a gift to the creative team because, like her music, she was truthful and open to the story she wanted to tell. It’s very much her emotional journey, and we count ourselves fortunate to be on this ride with her.”

Z2 Comics and Alison Wonderland present LONER in both softcover and hardcover formats. Deluxe editions include a hand-signed edition of the book, four prints, a limited edition CD of the album with exclusive art, and custom pair of Crocs shoewear. LONER will release in winter 2023.

 

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Review: HITOMI #1 – Sake and Vengeance

From writer HS Tak (Redshift, Boy-1) and artist Isabella Mazzanti comes a tale of vengeance from Feudal Japan in Hitomi #1. With colors by Valentina Napolitano and lettering from Rob Jones, this first issue blends the approach of Japanese folktales with that of modern storytelling techniques to create a comic that offers great social commentary while also being deeply compelling and entertaining. With a sharp script and stunning artwork, this is yet another must-read first issue out of the Image stable.

“In Feudal Era Japan a drifter with no prospects begins training in secret under Yasuke a once-famous displaced disgraced warrior as she struggles to find her place in a society entrenched in discrimination and violence.”

Writing & Plot

HS Tak combines the style of Japanese legend with that of Western comic style conventions with his script for Hitomi #1. He takes elements from modern revenge tales and combines them with the stylistic dialogue approach of Kurosawa-esque Japanese to English localization and familiar genre tropes to make something that still feels unique. Tak’s protagonist is a young drifter with designs on taking revenge against the samurai who killed her parents. This samurai we learn is Yasuke – the legendary African sword-bearer who served under Oda Nobunaga. As this chapter continues and we see more of the two characters’ respective lives, we learn this tale is more complicated than either realize. Aside from this comic’s excellent premise and outstanding dialogue sensibilities – with Tak combining modern dialogue with what feels like period-correct flowing prose to great effect – this comic’s greatest accomplishment is its needed commentary. The western world has an ignorant tendency to romanticize the samurai as honorable warriors. This perspective ignores the harm this ruling class had upon the lower working classes of Feudal Japan. From drafting poor farmers into meaningless wars to doling out absurd punishments for minor non-offenses, the samurai were in truth far from the dignified legends we often think of them as. Numerous manga over the years have demonstrated this fact, such a Lone Wolf and Cub, Inoue’s Vagabond, and Hiroaki Samura’s Blade of the ImmortalHitomi is a notable rarity in Western comics – and other mediums – in how it shows the injustices perpetrated by many samurai. These elements, combined with a fiery and immediately likeable young protagonist and complex plot development, make this one of the most engaging first issues of 2022.

Art Direction

Hitomi #1’s Feudal setting and expressive cast of characters are captured beautifully by the pencils of Isabella Mazzanti and Valentina Napolitano’s coloring. Their combined style creates a comic intentionally reminiscent of an old emakimono scroll painting. Mazzanti’s attention to detail with her approach to 16th Century Japanese architecture, art, and clothing, makes this comic feel timeless. Her sequencing is also stellar, with the whole issue feeling well-balanced and expertly paced. Every other page has a spread or panel that is worthy of being in a gallery – or at least as a desktop background. Napolitano’s flat-style colors bring home the 16th century feel of this comic, with her tones having that scroll-printed appearance that makes this issue like nothing else on shelves today. The lettering from Rob Jones has a classical hand drawn look that matches the comic perfectly. His SFX work has a very distinct approach as well, with a sort of minimalist but noticeable punctuation of sound in each panel where he uses it. Overall, Hitomi #1 is a stunning comic book and an excellent representation of traditional Japanese styled art in a Western comic.

Verdict

Hitomi #1 is a compelling and thoughtful Western take on a tale of vengeance in Feudal Japan. HS Tak’s script blends classical genre sensibilities and blends them with modern style as well as great commentary to craft a story that is smart and massively engaging. The visuals from Isabella Mazzanti and Valentina Napolitano make for a beautiful rendition of classical Japanese artwork and modern sequential direction and expressiveness. This is one of the best debut issues of the year so far, so grab it when it hits shelves on October 12th!

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Read The First 7 Pages Of EARTHDIVERS #1 From Stephen Graham Jones

EARTHDIVERS #1

EARTHDIVERS #1 hits your local comic book store on October 5, but thanks to IDW Publishing, Monkeys Fighting Robots has a seven-page preview for our readers. The book is written by Stephen Graham Jones, with art by Davide Gianfelice, Joana Lafuente drops the colors, and you will read Steve Wands’ letter work. The main cover is by Rafael Albuquerque, with variant covers by Maria Wolf, Aaron Campbell, and Christian Ward.

About EARTHDIVERS #1:
The year is 2112, and it’s the apocalypse exactly as expected: rivers receding, oceans rising, civilization crumbling. Humanity has given up hope, except for a group of Indigenous outcasts who have discovered a time travel portal in a cave in the desert and figured out where everything took a turn for the worst: America. Convinced that the only way to save the world is to rewrite its past, they send one of their own—a reluctant linguist named Tad—on a bloody, one-way mission to 1492 to kill Christopher Columbus before he reaches the so-called New World. But there are steep costs to disrupting the timeline, and taking down an icon isn’t an easy task for an academic with no tactical training and only a wavering moral compass to guide him. As the horror of the task ahead unfolds and Tad’s commitment is tested, his actions could trigger a devastating new fate for his friends and the future.

Enjoy the preview below.

STEPHEN GRAHAM JONES:
Stephen Graham Jones is the New York Times bestselling author of nearly thirty novels and collections, and there are some novellas and comic books in there as well. Most recent are The Only Good Indians and My Heart is a Chainsaw. Up next are Earthdivers and Don’t Fear the Reaper. Stephen lives and teaches in Boulder, Colorado.

DAVIDE GIANFELICE:
Comic book artist, illustrator, and visualizer working for such important publishers as Marvel, DC Comics, IDW, Dark Horse, Skybound, Image, Sergio Bonelli Editore, and more.

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Review: A Young Fighter Enters the Fray in KAYA #1

What will one young girl do to protect her brother?

Image Comics’ newest adventure is about to begin in Kaya #1. Written and illustrated by Wes Craig (Deadly Class), this is the story of a young girl named Kaya, her magical arm, and a quest to safeguard her little brother.

Decisions must be made if they want to survive in this world.

If you’re still lamenting the conclusion of Deadly Class, then I have some good news for you. The mind behind the series, Wes Craig, has been working on a new project for some time now, and it’s finally ready for the public. That new project is Kaya. The series promises to be one part fantasy and one part struggling for survival, portraying the lengths one girl will go to fulfill her vow.

Kaya #1 kicks off the series with an oversized issue, giving readers plenty of time to get used to this new world. It’s a grim world, but it’s exactly what we’re looking for right now. And don’t forget to look out for that Jack Kirby-inspired variant cover; it’s incredible.

The little prince is hungry.

Writing

There is something so incredibly exciting about diving into a new series. It’s like picking up a bundle of endless potential. Of course, the fact that this series happens to come from somebody with so much industry experience makes it all the more exciting.

Kaya #1 is an intriguing introduction to the series, throwing readers right into the middle of Kaya’s plight. It takes a little time for the story to unfold, mostly through bits and pieces, but it’s more than enough to get the full picture (side note: there was a sneak preview to Kaya that tells more of this backstory).

Perhaps the most interesting decision thus far is Wes Craig’s choice of narrator. The guiding voice of this story is not the title character, Kaya, but rather her younger brother. This fact has some potential implications, but it is too soon to start down that road of theory-crafting.

Just one issue in, and it’s already clear how difficult this adventure will get. This is a desolate and dry world, devastated by enemies and their actions. Yet, despite this somber setting, there’s a spark of hope. This spark grows stronger, eventually leaving us with a promise for something more. It should be enough to get most readers coming back for more.

They say there are two sides to every dispute.

Artwork

The artwork in Kaya #1 is worth writing home about. Craig’s style is in full force here, with descriptive characters, vibrant colors, and punctuated lettering. It all adds to the world’s atmosphere.

The deserts of Craig’s world appear as infernos, because of Jordan Wordie’s colors, with flaming sunsets and nothing but sand for miles. The heat and dryness practically wave off the pages. One thing is clear – this would not be a fun place to visit.

The consistent setting allowed the characters to take center stage, primarily Kaya. Her design is bold, pulling eyes to her every time she appears. In stark contrast is her brother – his appearance tells a different story.

Many details help bring the artwork (and the story) together. The lettering by Tom Napolitano did wonders to bring many of these details to life—everything from the complaints of a hungry child to the ripping of a net.

Trouble added to more trouble.

Conclusion

Kaya #1 is a solid start to the series. It promises us a story that will be full of danger, determination, and change. In other words, this is the perfect story to dive into right now. Kaya #1 hits your local comic book shop on October 5.

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James Kochalka’s DRAGON PUNCHER PUNCHES BACK – Read The First Five Pages

James Kochalka's DRAGON PUNCHER PUNCHES BACK - Read The First Five Pages

James Kochalka’s Dragon Puncher (Book 3): Dragon Puncher Punches Back hits your local book store on September 20, but thanks to Top Shelf Productions, Monkeys Fighting Robots has a five-page preview for our readers.

About the book:
The world’s cutest book series about a cat who punches stuff just got even cuter, because this time the dragon is a big cute baby one! Dragon Puncher’s human sidekick Spoony has got his fuzzy monster pajamas and a new and improved extra-long spoon, so he’s ready for anything. But Dragon Puncher mistakes a big ball of yarn for an evil dragon, which attracts the attention of a real dragon. Still, it doesn’t matter who started it. If you punch Dragon Puncher then Dragon Puncher punches back!

Enjoy the preview below.


About James Kochalka:
James Kochalka is, without question, one of the most unique and prolific alternative cartoonists working in America today. His comics have been published internationally by nearly everyone from the smallest alternative publishers to some of the largest publishing houses on earth; He’s recorded several music albums under the name James Kochalka Superstar (in 2016, his Song “Britney’s Silver Can” was named one of the 10 greatest songs of the year by Rolling Stone); and he’s developed animated cartoons for Nickelodeon and Cartoon Hangover. He is the first official Cartoonist Laureate of the state of Vermont, appointed in 2011. Among his best-known works are the Monkey vs. Robot series, the beloved children’s series Johnny Boo, Dragon Puncher, Glork Patrol, and Banana Fox, and his magnum opus, the 14-year span of daily diary comics known as American Elf.


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Dark Horse Exclusive: GROO: GODS AGAINST GROO Caps Off The Wanderer’s “God Trilogy”

dark horse exclusive groo gods against groo sergio aragones

Monkeys Fighting Robots is excited to announce that Eisner Award-winning creators Sergio Aragonés and Mark Evanier are teaming up once again to conclude the epic storyline of Groo and the gods in GROO: GODS AGAINST GROO, beginning this December from Dark Horse Comics.

The new series will cap off the saga that began in GROO: FRAY OF THE GODS and continued with GROO: PLAY OF THE GODS. Evanier and Aragonés will co-write the series, with Aragonés working as penciller and inker. The two will be joined by Carrie Strachan on colors, and Stan Sakai on letters.

About GODS AGAINST GROO:
The bumbling barbarian Groo has made quite a name for himself, traveling the land and cleaving a path of destruction and cheese dip. He is either so greatly feared or favored wherever he goes, Groo’s earthly reputation causes a Groo deity to arise in the heavens! While Earthbound Groo hungers, his Divine Groo alter ego unleashes chaos! Plus, Sergio’s legendary back cover Rufferto strips return!

dark horse exclusive groo gods against groo sergio aragonesGROO: GODS AGAINST GROO #1 (of 4) will hit your local comic book store on December 21st, and is available for pre-order starting this week.

Praise for the Groo and the gods saga:
This fray is fraught with fights, fancy, and fun. Aragonés and his collaborators have created another masterpiece guaranteed to please readers of all ages. Highest possible recommendation.” – SciFi Pulse

Groo is a beloved and wonderful character and Sergio’s work bringing his adventures to life over the years will never stop being excellent.” –PopCult HQ

Groo’s as good as it’s ever been.” —Slings and Arrows


Are you excited for the upcoming GROO series? Sound off in the comments!

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REVIEW: BLOODSHOT UNLEASHED #1 Is Bloody Good Fun

Bloodshot Unleashed #1 hits your local comic book shop on September 21 from Valiant Entertainment. Bloodshot was created in 1992 by Kevin VanHook, Don Perlin, and Bob Layton when Valiant comics burst onto the scene. He was instantly one of Valiant’s most popular characters and, to date, the only one to get a live-action movie. However, after several successful runs with various writers, Bloodshot needed a fresh start. Enter Bloodshot Unleashed. With writer Deniz Camp taking over, we get another installment to the Bloodshot mythos. Jon Davis-Hunt is the artist. Jordie Bellaire lays down the colors, and Hassan Otsmane-Elhaou does the lettering.

WRITING

Deniz Camp brings his take on Bloodshot with this new series. This version works because it deals with Bloodshot overcoming his PTSD. Camp tells this story through two different points in Bloodshot’s life; the past and the present. In the past, Bloodshot is suicidal with no purpose. As we move to the present, Camp gives us the Bloodshot we’ve all come to know. He’s back to being the killing machine taking down villains. Camp almost makes it seem like we’re dealing with two different characters. Past Bloodshot is destroyed by his guilt over the loss of his family. He can’t move past this, understandably, and it consumes him. Present Bloodshot is a man with a mission again. He’s deadly and ready to fight. Camp gives us a good story that feels fresh for the character. It will be interesting to see where things go from here.

ART

Jon Davis-Hunt handles the pencils in this issue. What stands out with the pencils in this issue is the number of panels used per page. Davis-Hunt gives us several pages with multiple little panels. These are effective for conveying the surroundings of a character. For example, in one section, we see bodies and blood as Bloodshot scans an area. As a reader, it feels like we’re seeing what Bloodshot sees; quick glances at the destruction that has been happening. Davis-Hunt also has many graphic panels in this issue. Seeing someone get shot in half and then re-congeal is always cool. Davis-Hunt gets the opportunity to draw a ton of gruesome panels, and he knocks it out of the park.

The colors by Jordie Bellaire are amazing, as always. Bellaire used a darker color palette for the panels in the past. This could signify a darker time in Bloodshot’s life. The walls are dark red; the sky is also darker. When we move into the present, Bellaire colors the sky lighter. The present is definitely a better time in Bloodshot’s life, and the colors reflect that. Bellaire colors him with more energy in his face as Bellaire lights up the page as bright yellow explosions rip across an abandoned city. This shouldn’t be a shock, but Bellaire is one of the best colorists in the comics industry. She consistently brings her A game to every book she touches. Bloodshot Unleashed #1 is another example of this.

The letters by Hassan Otsmane-Elhaou are integral to the story. Otsmane-Elhaou uses big clear letters to signify the past and present. These are also transparent, so we can see the panel. Otsmane-Elhaou makes great use of sound effects. As Bloodshot battles a foe in the streets of an abandoned city, we get a “THKK” as Bloodshot throws a grenade. A masterfully lettered panel has an establishing panel of a house split in two. As a gunshot goes off, Otsmane-Elhaou uses the “BANG” to bridge the gap between the broken house.

CONCLUSION

Bloodshot Unleashed packs enough action and emotion to make Michael Bay jealous. Deniz Camp writes a compelling first issue that gives readers a relatable and compassionate hero. The art delivers and makes looking at this issue an absolute delight. Again, Bloodshot Unleashed #1 hits your local comic book shop on September 21.

 

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