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Review: WEAPON H #4 – Nuthin’ But a Man-Thang

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Weapon H #4 written by Greg Pak, with pencils by Cory Smith, inks by Terry Pallot & Roberto Poggi, colors by Morry Hollowell & Chris Sotomayor, and letters by Joe Caramagna smashed onto our shelves this week with an incredibly drawn, action-packed, battle royal of destructive proportions. Was this nuthin’ but a Man-Thing for our Hulkverine? Let’s find out!

One, two, three, and to the four, this issue’s gettin’ spoiled so don’t read this anymore…. unless you want to know what happens of course. Cause you know I’m ‘bout to rip this up! Pass me the mic!

It took a couple pages for this creative team to get humming, but about a third of the way through, this sucker went nuclear. This issue turned into an action packed throwdown between our Hulkverine and Man-Thing that smashed right through a forest and blew that thing to kingdom come. Take a look at this splash page!

Review: weapon h issue 4

Cory Smith, Terry Pallot, and Roberto Poggi did a tremendous job on this page showing us the hulking nature of Man-Thing towering over Clayton. Often times a creature like this gets overshadowed by whomever it’s fighting and it becomes a throw away character. Technically, Weapon H will do just that by the end BUT this creative team took pride in their depiction of Man-Thing on this page and throughout the comic.

Next, look at the framing of Clayton’s hand at the bottom of the page. We watch him gradually turn into the Hulkverine through a close up of his hand. Notice the bright, almost toxic green color of the throbbing vein on his hand. Morry Hollowell & Chris Sotomayor do a fantastic job showing the reader the poisonous transformation into the cursed Hulkverine.

Review: Weapon H issue 4

We then see the battle rage on in what appears to be Man-Thing getting the upper hand on our Hulkverine. Greg Pak tells us that Roxxon further enhanced Man-Thing by combining his DNA with that of Groot, which helps the reader understand how this Man-Thing is a bit more challenging of a foe than it has been in the past for others.

Notice once more the immense size of both goliaths. Any Hulk is big and formidable but Smith, Pallot, Poggi, Hollowell, and Sotomayor do a fantastic job describing the size of these behemoths as well as the drastic deviation in color between the two characters to better distinguish the two throughout the fight. Next, look at the size of Hulkverine’s claws. Those bad boys put Wolverine’s claws to shame. They look like three katana swords on each hand. That’s nuts!

Review: Weapon H issue 4

For those that don’t remember part of Man-Thing’s power set, Pak reintroduces the reader to his touch too much. Anyone who knows fear will burn by his touch. Well, using weird robotic flying insects, Dario Agger is able to communicate to Weapon H that he knows Clayton (Weapon H) has a family and he will find them and hurt them if he has to in order to get the Hulkverine to come work him at Roxxon.

This page does a phenomenal job showing us the colors and lettering mixed together in such a way to get the point across of how angry Weapon H is truly getting BUT also the fear that he is beginning to feel for his family. Hulkverine’s mixed cocktail of memories and emotions are all in red. He even screams out in big, bold, red letters insinuating the fear that is taking over BUT also that the Hulkverine is doing more than burning up right now. He’s literally going to blow like a freakin’ volcano!

Review: Weapon H issue 4

Looking through this comic, the art team continues to drive home this issue. If fear burns at the touch of the Man-Thing, then consult your physician immediately!

Come on guys I had too at some point.

Just kidding. But, look at the size of this explosion! Weapon H went off like an atomic bomb. His fear and anger spewed out into a raging forest fire in which begins to desemate the surrounding areas. Police are trying to get locals to safety but somehow Weapon H’s wife tracked him down to this spot and literally threw herself into the fire.

I think Pak was stretching the connection between our hero and his love interest a bit too much here. His wife, who thought he was dead but somehow now doesn’t, tracked her husband down to a forest where they both shared a common meaningful memory to see if he’s still alive. Ok…. Then, she “happens” to show up during a forest fire and runs into it.

Really

I understand we need to push this relationship forward but let’s just say this seemed a bit FORCED. It’s actually so forced that on the next page his wife looks at him as the Hulkverine and knows it’s him by calling out to the beast she sees (in the middle of a forest fire mind you) and states his name. Yup….

Review: Weapon H

So, in order to save his wife, Weapon H throws his wife out of the forest and into a river. He then proceeds to put out the fire with a Hulk sized thunderclap, which also takes out Man-Thing and was awesome! Finally, Hulkverine gets shot in the back by 3 huge alien-looking grappling hooks and carried off by Roxxon helicopters.

Review: Weapon H issue 4

The art and action were truly amazing and worth the price of admission. If you’ve come to this comic looking for a deep story or some type of spy thriller, you’ve come to the wrong place. If you want crazy monster of the week fight scenes with a detailed and talented art team showing you each epic blow by blow, then this is the comic for you.

Each issue so far has been one battle after another. Sometimes, I like my comics like my wrestling: knock out, drag out fights!  I don’t need an in-depth story within all my comics. Sometimes, I just want some action, adventure, explosions, and fighting. This comic has it in spades! Weapon H laid waste to Man-Thing like it was nothing and it looks like Hulkverine will be taking on Roxxon next. I guess we’ll have to wait until the next issue to find out.


Well, what did you guys think of Weapon H #4? Comment below or hit me up on Twitter @dispatchdcu

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Spoiler Review: KILL OR BE KILLED #20 Brings The Series To A Powerful End

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Kill or Be Killed #20 by Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser brings the series to an emotional, powerful and open-ended ending that highlights the many themes of this brilliant comic book.

The grand finale to KILL OR BE KILLED! Will Dylan find a way to live his secret life as a vigilante, or will he throw away the mask? And was there ever really a demon, or is he just crazy? And will he (or any of us) get out alive?Kill or Be Killed

Kill or Be Killed #20
Written by: Ed Brubaker
Art by: Sean Phillips
Colors by: Elizabeth Breitweiser

Published by: Image Comics

Warning: This review contains SPOILERS

Writing

Anyone who has read the work of Ed Brubaker knows the writer has an affinity and understanding of crime and noir that is nearly unparalleled in the comics medium. He is the modern master of crime comics. And with Kill or Be Killed Brubaker took the genre and ran it through a meta-lens that made the series as much about storytelling as it was about the story it was telling. Issue #20 is the final chapter and it works beautifully as a conclusion. Brubaker, ever the film lover, echoes Sunset Boulevard and finally reveals that Dylan has been a posthumous narrator all along.  Dylan is dead, struck down by the Russian gangsters he has been at war with since his first kills. So what we get is a brief “what if” scenario (another narrative trope) that feeds the reader’s need to see this series as a monthly superhero book. We get to see Dylan’s costume change. We see him standing proudly on rooftops, patrolling his city like a dutiful hero. We thrill at the joy of him shotgunning more pieces of shit. But that’s all it is, a fantasy, because as we learn Dylan’s actions led not to his transformation into a hero. The reality is much bleaker, yet no less moving and impactful. The fallout of Dylan’s actions is shown mostly in how they affect those in his orbit. Specifically in the passing of his obsession/mental illness to girlfriend Kira. It’s a bit of a cliffhanger ending that both leaves things open-ended but also firmly shuts the door on the book. It’s a narrative balancing act that is fragile and difficult to pull off and Brubaker does it wonderfully.

Art

Sean Phillips and Elizabeth Breitweiser are a perfect art team. Kill or Be Killed has always featured some breathtaking images, but this issue raises the bar. The snow scenes make you feel cold and confused, yet there is a delicate beauty to them that enhances the powerful writing. The use of stark white backgrounds and the occasional completely blacked out panel also creates a very cinematic death scene. Reading this book is like watching a movie and it’s fucking great.

Page layouts are also elegant and clean but still manage to feel handcrafted and tangible. As cinematic as it is, it’s still a comic book embracing all the techniques and tropes of the medium.

And of course, there is that gorgeous cover. The one that homages the classic ‘Spider-Man: No More!” from The Amazing Spider-Man #50 (which also came out in the summer. How’s that for meta!). 

Conclusion

Perhaps we haven’t seen the permanent end of Kill or Be Killed if the ending is an indication, but if we have then this has been an extremely satisfying journey. In just twenty issues Brubaker, Phillips, and Breitweiser have created a sequential art masterpiece that any fan of comics needs to read and own. Issue #20 is not only one of the best final issues you will ever read, it’s one of the best comics you will read this year.

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Did Tom Holland Leak The Title Of The Next SPIDER-MAN Movie?

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Spider-Man himself, Tom Holland, has gained a reputation for being a little too forthcoming about details surrounding various Marvel releases. Marvel even made light of this during the press tour for Avengers: Infinity War. One would think that after all of this, Holland would have learned to tone it down on social media and be just a smidge less forthcoming, but this is Holland we are talking about. Check this out.

Sorry for no announcements, but I love you guys ♥️

A post shared by ✌️ (@tomholland2013) on

Holland was appearing at ACE Comic-con when he filmed a post discussing how there wasn’t going to be an announcement today in regards to the title of the Spider-Man sequel. If fans pay attention to the video, in the last 15 seconds, he gives a glimpse of what the title will be. If you fast forward to end of the video, you’ll stumble upon it. So what is the title of the Spiderman sequel? Check out this photo. –

Spider-Man

Did Tom Holland do it again? If this video is to be believed, it appears the next film will be called Spider-Man: Far From Home. It’s entirely possible that Disney gave him that image so he could troll fans. Personally, the title sounds too good not to be the right one. It also ties into the rumored plotline involving Spider-Man traveling around the globe. What do you guys think?

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Review: GREEN LANTERNS #49 Sees Our Rookies Against The World

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The Rebel Run story of Green Lanterns may look pretty but has a few problems.

In the last issue of Green Lanterns, we found Jessica cruise on the run from the Green Lantern Corps. She had gone on a rampage and destroyed entire city block on an alien world. Jessica, having no memory of this, proceeds to evade the corps as she investigates what happened. She even has to leave her ring behind to throw the corps off her trail. When Jessica finds the alien she was with before her rampage, Simon appears to bring her in. Is this the end for our rookie Lanterns partnership?

green lanterns 49 cover

**Some Spoilers Below**

Story:

As if we were expecting Simon to betray Jessica, he fakes his attack. He reveals that he is on her side and is ready to help in her investigation. The pair finds the alien and persuades him to lead them to his boss. The boss turns out to have a device that turns anyone in the vicinity into crazed monsters. The Green Lanterns agree he has to be brought in and head out to stop him.

green lanterns 49 p1

This is one of those stories that feel need to have more than just two issues. It’s strange to say, but this issue felt fast and slow at the same time. There are so few action sequences it makes the issue feel long and tedious. However, at the same time, we rush so quickly to the end of the story, we barely get time to digest the answers. A prime example of this would be the device that caused Jessica’s rage. The device mentioned above isn’t revealed until the last three pages and is smashed immediately within two panels. This should be a huge revelation, but is passed off more like “so that’s how it happened.”

 

Two parts stand out from the rest in quality. The beginning has Simon reaffirm that he has Jessica’s back no matter what. It continues to show off the friendship that makes this series great. The other moment is at the end, where Jessica calls Hal Jordan out on his hunt for her. We know Hal was doing this for the right reasons, but it’s hilarious to see him told off by a rookie. While the issue itself may have fallen flat, those moments shined bright.

green lanterns 49 p2

Art:

The art for this issue was good. Not extraordinary, just good. Roge Antonio is the illustrator for the issue, and he does a decent job with it. Our heroes’ designs look good, especially with their powers, as do the aliens. Hi-Fi brings his skill to colors once again, making the constructs for our Green Lanterns stand out. The team does a good job livening up a story that fell flat with some good art.

 

Conclusion:

I was left disappointed with how this story’s end was handled. While the mystery of Jessica’s forced rage hooked me, the execution of the second half failed to keep me interested. It’s a shame to watch a story with so much potential to fall. Hopefully, the next arc will go above and beyond.

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Review: DOCTOR STRANGE #2 – Intergalactic Planetary

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After 73 days of incarceration, Doctor Strange performs a narrow escape with the help of his new friend Kanna and manages to hold off an intergalactic planetary war with shear emotional urgency.

Review: Doctor Strange #2 written by Mark Waid with art by Jesus Saiz

The story opens with a fantastic display of artwork. Jesus Saiz’s detail to the background of the buildings, as well as the size of the Grynda leader, help contribute so well in making Doctor Strange look so helplessly lost. Also, notice the physical action Mark Waid and Jesus Saiz use to show the readers how genuinely awful Stephens situation is: he’s cleaning the Grynda rulers feet. The same hands that were once used for surgery, healing, and magic are now doing one of the lowest forms of work known to man. This creative team truly paints the picture of desperation immediately as the story opens by drawing the reader into this world instantly.

And if that wasn’t enough, take a look at the next page. Jesus Saiz gives us another fantastic description of the tortures Doctor Strange endured during his 73 days of imprisonment and slavery with truly outstanding detail to each character. The reader can see the utter depression in Stephen’s shoulders and head as he’s escorted back to his cell. Heck, I felt like I could hear his agonizing screams in the last frame of the page as the needles are injected into his face!

But after trying his best to remember any last bit of magic that could help him escape, the reader is introduced to his buddy for this space opera. Kanna, as he calls her, is an arcanologist (not a misprint). Kanna travels the galaxy looking for arcane objects. And to this world, as well as many across the universe, magic is a thing of the past and considered “arcane.”

This is the only part of the issue that felt forced and unnatural. So, on a planet of people that don’t use magic at all, the only two beings are somehow “magically” placed in the same cell together.

Maybe Mark Waid can clear this up later and we find out a deeper reasoning as the story unfolds? But for right now, it seemed forced to move the story forward and to quickly get our characters together. However, it does help the story progress much faster and lead to Stephen’s escape.

By the Moons of Oshtur, Mark Waid and Jesus Saiz did a fantastic job this issue giving Doctor Strange’s Intergalactic Space Journey a purpose while introducing to the reader a new type of techno-magic called Technomancy, which is a mix of technology and magic.

Kanna can replace aspects and parts of spells with technology in order to make them work. Mark Waid’s idea of technomancy connects the space exploration, magic, and technology together in such a creative way that makes this space odyssey seem so much more critical while giving the character of Doctor Strange a way to continue his magical heroism throughout the cosmos. Waid’s imagination is top notch in this issue.

Next, Kanna uses parts of Strange’s universal translator to create a technowand which helps them escape their cell. They track the Eye of Basphorus down that Kanna found, which is an ancient magical artifact that even Doctor Strange knows about, and make their way to her ship to flee the planet. But on the way, Stephen overheard some of the Grynda people say they’ll be working their way to Earth in order to take over that planet and explore the galaxy themselves. Feeling responsible for introducing this civilization to Earth, Stephen jumps from the spacecraft in midair and uses the Eye of Basphorus for one last ditch effort.

This page with Doctor Strange jumping from the ship to use the Eye was genuinely magical. Jesus Saiz mixes the dark reds of space with the bright light of Stephen’s spell to truly show the hope that our hero still has even after imprisonment, isolation, and in the emptiness of space. We should all be excited for the mystical awakening of what’s to come on this intergalactic planetary adventure Waid and Saiz have in store for us. There is no doubt this should be on your pull list. So, get your popcorn ready and hop on board now before this series takes off.

But who’s watching Doctor Strange from afar? If they knew he was in trouble, why didn’t they help me? Will they try to stir-fry him in their wok? Will Stephen’s knees start shakin’, and his fingers pop? Like a pinch on the neck from Mr. Spock? (BB circa 1998) I guess we’ll have to wait till next time.


Well, what did you guys think of Doctor Strange #2? Comment below or hit me up on Twitter @dispatchdcu

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‘MY HERO ACADEMIA’ Episode 50 Review: The End of the Beginning

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‘End of the Beginning, Beginning of the End’ is a transitional episode. The heroes and students need to reckon with the dynamic episode from last week. This episode is all about Toshinori, and how he reckons with losing the last of his abilities. How will the world, and specifically the school, feel about a depowered All Might? MY HERO ACADEMIA takes on this question with characters arguing, with mixed success.

The episode as a whole isn’t all that exciting or interesting. This episode is necessary, of course, as the characters reckon with losing All Might. The majority of the episode centers on Toshinori’s relationship with Midoriya, which is the heart of the series. A lot of the same beats are hit repeatedly, and while some of them are interesting, the episode feels slow. The episode has solid elements, but it feels like it’s missing an extra element.

The argument between Toshinori and Midoriya’s mother is definitely the strongest part of the episode. It’s smart to explore how the parents feel, especially when it comes to Midoriya. This episode provides a natural boiling point for her desire to pull Midoriya out of U.A. It also feels like such a real conflict, rooting the superhero elements in grounded emotion. The conversation is a bit overdrawn, but it strikes a strong balance between her desires to see Midoriya flourish.

My Hero Academia

Unfortunately, not all the other conversations in the episode are as fulfilling. We only get glimpses of how the other parents feel, with Bakugo and Jiro. It would’ve been fun to see other parents, or maybe a bit more with Bakugo. Likewise, getting only a glimpse of how Endeavor is dealing with All Might’s fall is a bummer. If the episode had more going on, perhaps these shorter scenes wouldn’t feel as quick. But because the meat of the episode is overlong and repetitive, it makes the other material feel rushed.

This episode definitely isn’t bad because it’s less dynamic than last week. However, it only touches on a few surface level beats while wrapping up the chapter of All Might. It will be interesting to see how MY HERO ACADEMIA continues now that it’s started the “beginning of the end.”

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Franchise Opportunities: The MISSION: IMPOSSIBLE Series Needs An Endgame

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It’s amazing how far an unforgettable theme song and a vague premise will take you. In the case of Mission: Impossible, the franchise has followed the exploits of the IMF — that’s Impossible Mission Force, by the way (yes, really) — from the 1960s television series all the way into a 1996 film adaptation that is still spawning sequels more than 20 years later. And the truly shocking part is that this film franchise is perhaps the strongest it’s ever been.

How else to explain why the forthcoming Mission: Impossible — Fallout is breaking series tradition and delivering a straight continuation of the previous entry, complete with the same director and much of the same supporting cast? For its first four entries, the series took great joy in its ability to hop from one distinctive directorial style to the next. While the visions of Brian De Palma, John Woo, J.J. Abrams and Brad Bird all contributed something critical to the Mission: Impossible mythos — okay, maybe not Woo’s film, universally considered the weakest installment — Christopher McQuarrie appears to have nailed the M:I formula of espionage thrills, death-defying stunts and character-driven drama like no other filmmaker thus far. And with him back for Fallout, there’s little reason to think the sixth impossible mission will disappoint fans of 2015’s Mission: Impossible — Rogue Nation.

Although Fallout has yet to even arrive in theaters, some media outlets are already speculating about the development of a seventh Mission: Impossible film. These reports are largely based on some brief, fairly nebulous comments by Simon Pegg, in which the actor — who has been a franchise regular since Mission: Impossible 3 — proclaims that the series “shows no signs of slowing down” and “never say never,” etc. Basically, Pegg downplays the question, leaving it open-ended regarding whether or not he or anyone else involved in Fallout has seriously discussed what they may or may not have planned for the future of the franchise. However, while Paramount is likely waiting to see how well Fallout performs before committing to another film, the discussion of a seventh film does raise a worthwhile question: how many of these things do we really want anyway?

mission impossible fallout

The idea of interminable sequels is clearly floating in the air, seeing as Mission: Impossible is on a hot streak. The last two films, Rogue Nation and Mission: Impossible — Ghost Protocol, are easily the best of the bunch, receiving solid box office and strong reactions from fans and critics alike. But this series isn’t Star Wars or the Marvel Cinematic Universe. There isn’t a deep well of material to draw from or endless characters onto whom the focus can shift. From day one, this has been Ethan Hunt’s story, and Tom Cruise has become so inextricable from the role and this franchise that it’s nearly impossible to imagine someone slipping in to take over for him, as Jeremy Renner was once rumored to do.

To date, Cruise has done an incredible job anchoring these films. Each time out, he has turned in committed performances and has proven his devotion to the series through his willingness to perform many of the stunts himself. Ethan Hunt has become an increasingly physically demanding role, and Cruise — now in his mid-50s — can only continue operating on this level for so long. Then again, stars like Liam Neeson, Sylvester Stallone and Arnold Schwarzenegger are still headlining action films in their late 60s and early 70s. So perhaps Hunt can live on with Cruise merely conceding his ability to do as many of the stunts himself in the future. Even so, the narrative may run out of energy before the star does.

Unlike the James Bond films, the Mission: Impossible movies don’t naturally lend themselves to an easy recast, and more importantly, the last few have made great strides in continuity. The first three entries are more or less standalone spy adventures, with little or no characters or story elements connecting them (aside from Ving Rhames’ Luther). Yet, the more recent films have felt like they’re building an even more complex world for Hunt to inhabit, one that becomes richer with each film. Moreover, the Mission: Impossible franchise feels like it is building to some climax, with a vibe of “it’s all been leading up to this” especially coming strong out of the Fallout marketing.

Mission: Impossible - Fallout
Image via Paramount Pictures

At some point, Ethan’s story needs to come to a close, and considering the amount of effort that Cruise and his directors have put into the series, it deserves to be wrapped up in epic fashion. Likely, that means retiring (for good this time) and riding off into the sunset with wife Julia (Michelle Monaghan) after dismantling a corrupt IMF or passing it off to some new hotshot agent to be the de facto point man going forward. Whatever the case may be, the point is that the Mission: Impossible films now have a natural progression to them, and the filmmakers should be planning ahead to how they can best end Ethan’s story. A sixth film? Sure. A seventh? Great. An eighth, ninth, tenth? Eh, not so fast.

The Mission: Impossible franchise has evolved past the point of being a series of disconnected missions and, from M:I 3 on, has truly zeroed in on Hunt’s personal story as the ongoing narrative thread. In keeping with that, its supporting cast has largely stuck in the last few films. Monaghan, Pegg, Rhames (of course) and now Rogue Nation‘s Rebecca Ferguson are all firmly established as important figures in Ethan’s life. This makes it more difficult for subsequent films to merely shake Ethan off and follow a new hero. Of course, even when Cruise decides he’s ready to stop dangling off of mountains, planes and other high altitudes, Paramount will almost certainly dust off the property and likely just reboot it eventually. In today’s day and age, that’s probably inevitable.

Yet, Cruise and the entire M:I team have the chance now to set up the beginning of the end. By the looks of it, Fallout may very well be doing just that. Hopefully, this is the case, as no film series (well, except for the endlessly refreshed Bond) can go on forever. Ethan’s story must be finite, lest it either end without a proper resolution or continues to the point that fans have all but lost interest. Cruise clearly takes pride in the work he’s done in this series and as this character. The mission now, should Cruise and company choose to accept it? To ensure that the Mission: Impossible franchise manages to go out on top, its legacy intact. Oh, yeah, this message will self-destruct in five seconds.


Agree or disagree with my thoughts? Comment below to let me know or chat movies with me on Twitter @crookedtable!

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10 Lost Anime Which Need The VOLTRON Treatment: An Anime Abstract

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After the overwhelming success of the Netflix original series, Voltron: Legendary Defender, the importance of a show having a good revival has become apparent. There are a plethora of animes which came to America but didn’t get enough attention and could garnish a new fanbase with the help of a revival series. This list only covers anime from the 1980s which would benefit from Netflix taking the time to give them a new show with updated animation and dynamic storytelling. These are in no particular order of importance. Instead any of these should would benefit from a little more love and attention.

10. Hello Kitty

Hello Kitty

Sure there have been a lot of Hello Kitty shows over the years but few of them became best sellers in America. A new series in the vein of My Little Pony: Friendship is Magic with more defined characters teaching important lessons to children along with incredible animation would be a hit. Considering how it will help the sales of Hello Kitty merchandise in American, someone needs to get Sanrio on the phone right now.

9. Galaxy Express 999/Captain Harlock

Though these series didn’t leave much of impact, there is a great history behind both of them. These two titles both came from creator Leiji Matsumoto and are part of a shared universe of the creator’s own design. With so much mythology to pull from, a new series exploring a large universe deep characters all with their individual motivations would make for incredible binge watching. As Netflix helped to premiere the CGI remake of this series a few years ago, they are already aware of the franchise and its existence so it shouldn’t be so hard to get a new series produced.

8. Ulysses 31

Ulysses 31

The space adventure series featuring a intergalactic version of the Odyssey is prominently featured in many “Best of 1980s Cartoon Openings” lists on YouTube. A new series retelling the journey of Ulysses works to find the Kingdom Of Hades would be a great watch with updated animation. Maybe if it does come to pass a full box set release of the original series will finally be released in America. As a bonus, check out the opening below.

[embedyt] https://www.youtube.com/watch?v=Ev1aBt-_Zs4[/embedyt]

7. Starblazers

Starblazers

The American Adaptation of the Space Battleship Yamato series along with Robotech helped to lead fans to anime in the early 80s. There has been talk for a lot of years of a live action adaptation of the series being produced but unfortunately it seems the film is in a developmental limbo. A new series would help to gain new fans and could hopefully get the film moving as well.

6. Ronin Warriors

Ronin Warriors

This series about a team of armored teens fighting against an evil entity was a forgotten hit. It debuted as a summer replacement show and was used on Sci-Fi channel’s animation block in the infant days of the channel’s creation. Sadly, the follow up sequels weren’t very good at all. Still, there is plenty of mythology between the original show and the OVAs to create a show with fresh animation.

5. Kimba The White Lion

Kimba

There has been talks for years about if The Lion King is a rip off of this series by “The Godfather of Manga” Osamu Tezuka. A new series which featured a story based on other stories from franchise could help to make it to be more distinctive in nature. There was a time this series was an essential series for fans of animation who didn’t even know it was anime and with the help of Netflix it could be once more.

4. Patlabor

Patlabor

Patlabor may have a soft spot for mecha fans thanks to its amusing buddy cop with giant robots TV series and the surprisingly dramatic movies but most people only know it for being featured in a KMFDM music video (featured below). A new series allowing for a smoother transition between the comedy and drama elements would easily garnish a new audience. If it’s successful a full release of the manga in America may be a possibility.

[embedyt] https://www.youtube.com/watch?v=wy6Y3jTWY90[/embedyt]

3. Battle Of The Planets

Gatchaman

The series with a multitude of names. Originally Science Ninja Team Gatchaman, this series also was distributed as G-Force, Eagle Riders, and of course Battle of the Planets. Focusing on a team of five who have the power to fly and possessing specialty weapons, the team fought against aliens trying to take over the Earth. A new series would help the series to regain its popularity and might even get an American produced live action series back on track.

2. Lensman

Lensman

Many don’t remember this anime film from the old Sci-Fi channel saturday anime movie block. It was a film based on a series of novels by Edward Elmer Smith, an author nicknamed the father of space opera. Obviously not all of the material from six novels made it into the film so if it did get a new Netflix series, the story would get the adaptation it rightfully deserved. Also, the original movie might finally get a Blu-Ray release here in America.

1. Robotech

Robotech

Sure, there have been attempts over the years (even a new comic series by Titan Comics) to revive Robotech, but none of these have garnished a new audience. Instead it might just be easier to start over again with a new series. Maybe through a complete retelling of the original story and by helping to tie in the different elements which came from harsley editing three into one continuous story, the plot holes would be fixed and this series would once again get the attention it deserves.


Which lost anime do you think deserves a revival? Leave a comment below and let us know.

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Review: Daredevil #604- Enter the Dragon

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The Kingpin of Queens returns while Matt Murdock gets help from an ancient Order of Dragons all in this week’s issue of Daredevil.

Review: Daredevil #604 written by Charles Soule with art by Mike Henderson

He’s baaaaaaack! Kingpin, the Mayor of NYC who took about 30 arrows to the chest, returns at the end of this issue of Daredevil with one heck of a splash page.

Now, I know Fisk still has that fresh hospital gown glow but don’t let that take away from the shear size and stature of the Kingpin. There is barely space in the door frame for him to squeeze through. He’s freakin’ HUGE! Mike Henderson, Matt Milla, and Clayton Cowles work so well together on this splash page to show the urgency of the situation with Kingpin and the strategical placement of the letters at the top corner of the page to draw the reader towards this mountain of a man standing before them. If this creative team hasn’t shown us how menacing a foe Wilson Fisk is, then I don’t know who will.

However that said, I was not as impressed with this issue as I have been in the past. The impression the readers perceived in the last two issues was that the green smog was poisonous and deadly. Now out of nowhere, we see Father Jordan enter the issue to exorcise this smog from Matt Murdock like he’s possessed by a demon!

This concept was hard to connect and felt like a stretch. Matt even states later that he didn’t know Father Jordan was involved in the ancient Order of Dragons nor did he know of its existence. So, why go in this direction?

But as it turns out, this Ordo Draconum has been around since 1408 fighting vampires, zombies, Nazi demons, and Fjord Queens. Don’t get me wrong, I think the idea is smart and it’s something very intriguing. But, it felt misplaced and thrown into a story to push something that’s never been there before. Wrong time. Wrong place.

Next, we get another great page of art putting Daredevil front and center. This shows a hero that is able to swing from building to building just as fast as a Catholic, jetpack flying, ancient militia led by a priest. Never thought I’d ever say that phrase in my life! Milla and Cowles work well together on this page making the red from Daredevil pop out at the reader and the green from the smog wrap around him leaving the panel wide open to give it the full effect. Cowles moves most of the lettering to the bottom of the page with Father Jordan as to not take away from the true hero of this story. Excellent work team!

The next part of the story seemed even more out of character. Daredevil is shown using a broadsword. He even has an internal monologue about why it’s ok for him to use a sword to fight the Hand. Again, is Daredevil becoming a medieval knight when he gets his “Fresh Start”? Is he using swords and working with ancient Dragon Orders now? This all just seems like it’s coming from left field and I’m having a hard time catching the fly ball. Why is any of the ancient order needed in this arc at all? Couldn’t Soule have Daredevil figure a way out of this on his own? Maybe he gets some help from the Defenders instead?

The issue ends with Daredevil and the Order surrounded by hundreds of Hand ninjas. It turns out it was a trap. Here again, Henderson shined showing us a view of the crowd of Hand ninjas from afar. We get to see just how many ninjas Daredevil and the Order will have to fight. Cowles does a fantastic job spacing out his letters and distinguishing internal monologue from actual discussion leaving this page wide open for Henderson to help the reader see the utter crap-tastic trouble Daredevil is in with hundreds of flaming arrows flying his way. Sometimes, less is more. Great job Cowles!

Soule’s run overall has been amazing. We got Fisk as Mayor, and the hammer dropped on all vigilantes. That was interesting. Then, we saw Mayor Fisk ask Matt Murdock to be his Deputy Mayor, which was again hilariously jaw-dropping and put me on the edge of my seat. Soule ups it a notch by literally impaling Fisk with approximately 30 arrows from the Hand making Matt Murdock the new flippin’ Mayor! Again, Soule kept hitting home run after home run. But right now, I feel like the story is struggling a bit. I feel like he’s backed himself into a corner and is trying to escape creatively.

The premise of the order is fine, but it’s the placement that felt off to me. Would I read a book about the Order of Dragons? Yes, but not in the middle of THIS story. Maybe it’s because Soule was hitting too many grand salamis that now his base hits feel like outs? My hope is that bringing Biggie back (Kingpin) will help wrap up this story well.


What did think of Daredevil #604? Comment below or hit me up on Twitter @dispatchdcu.

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Interview: LUKE CAGE Star Gabrielle Dennis Confirms Nightshade For Season 3

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Monkeys Fighting Robots chatted with Gabrielle Dennis who plays Tilda Dillard (daughter of Mariah Dillard) in Netflix’s Luke Cage. Dennis confirmed to us- who the villain for season 3 will be, her character’s motivation, whether season 2 makes up for season 1, Tilda’s journey, what the focus of season 2 truly is, and what it’s like to work with the great Alfre Woodard, who plays Mariah Dillard.

Luke Cage
Alfre Woodard and Gabrielle Dennis

 

At the end of the second season of Luke Cage, Tilda changes her name. The name Tilda Johnson is a pretty big deal in the Marvel Universe, Is Nightshade making an appearance in season 3?

Dennis: That’s definitely what we are hoping. At the end of the third season, we get a sense of a head nod that the direction that they will be going in. I haven’t. I mean we aren’t in Season 3 yet… I haven’t spoken to Cheo about that next phase.

That to me as an audience member… that’s like … OH Snap … that’s where we are headed in season 3, and I can’t wait to get to season 3 and find out how close to the comic she will be. How … will she be extremely vicious .. will she be an ally .. who will she attach herself to .. is it going to be Luke Cage, Bushmaster, or go out on her own? Will it be Shades? There are so many ways this character can go. That’s what makes it so exciting .. when we get to episode 13 your just like… AHHHH! No, I need more!

That what’s so exciting because it’s a great cliffhanger they leave it on and they don’t mention Nightshade in connection with my name. We have seen her handling Nightshade. She knows where to get the Nightshade. She’s so well versed on how powerful Nightshade is as she’s seen it first hand. So now the wheels are turning, and she’s wondering .. what can I do with this?

Why did Tilda kill her mother? 

Dennis: She had to go for the better good. She was a cancer. She was not going to stop. Too many people were dying it just got to a point where crossed that line and embraced being a stoke or the last stoke standing in all its ugliness. She had to go it was time to be an end to that legacy and that darkness.

Does this season totally make up for some of the issues which plagued Luke Cage’s first season?

Dennis: Yeah, I feel like it totally makes up .. it exceeds expectations, anyone who thought .. I know there was a lot of controversy surrounding the villain situation … umm … I feel like we make up for it in spades this season.

How Would You Describe Tilda’s Journey This Season? 

Dennis: Tilda’s Journey is that she starts off as this fish out of water … she’s trying to make a good name for herself in Harlem by healing people.

Then she quickly finds herself in the middle of this drama going on in Harlem that’s centered around anything Mariah Dillard related. She’s right in the line of fire. Through that journey of discovering who she is and who her mother really is and how dark she is and how much she really wants that crown and what she will do to get it. Tilda is faced with a decision. Tilda finds out that she has more power than she realizes. She’s in a position where she can affect change. Maybe put things back in balance. I think this a woman who discovers this power she didn’t know she had and deciding what to do with it.

Would you say that Luke Cage’s second season centers around whether or not it’s okay to the wrong thing for the right reason? 

Dennis: Yeah, I think many of the characters in this season struggle with that fine line. A lot of the characters struggle with … for the greater good .. what should I do to solve these issues?

What is it’s like being in a majority of your scenes with Alfre Woodard? 

Dennis: It’s a freaking godsend. Words can’t even express .. there’s nothing that can really prepare you. You’re just excited! There’s a combination of excitement and intimidation at first but when you get in their, and the words come to life … everything melds into place. I think she and I were a great pairing.

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