Home Blog Page 520

Review: EXTERMINATION #4 Is Explosive, Tense And Ends On A Shocker

Monkeys Fighting Robots

Extermination #4 by Ed Brisson, Pepe Larraz, Ario Amandito, Dexter Vines, Erick Arciniega and Joe Sabino raises tension, action and shocks as it heads to next month’s final chapter of another classic X-Men saga.

AHAB, A MUTANT HUNTER FROM THE FUTURE, HAS COME TO THE PRESENT TO KILL THE TIME-DISPLACED X-MEN AND ANYONE WHO STANDS IN HIS WAY. LIKEWISE, A YOUNG CABLE KILLED HIS OLDER SELF AND HAS NOW CLAIMED ICEMAN, ANGEL AND BEAST.
WHILE PURSUING THE REMAINING TIME-DISPLACED X-MEN, AHAB REVEALS HIS CONTROL OVER SLEEPER MUTANT-HUNTING HOUNDS WITHIN THE X-MEN’S RANKS: OLD MAN LOGAN, RACHEL GREY, NIGHTCRAWLER AND SHATTERSTAR!INITIALLY, THE ORIGINAL FIVE X-MEN WERE SPLIT UP FOR THEIR PROTECTION…BUT WITH CYCLOPS INCAPACITATED BY HOUND NIGHTCRAWLER AND THE OTHER THREE CAPTURED, YOUNG JEAN AND X-FORCE DECIDED TO TAKE THE FIGHT TO YOUNG CABLE’S DOORSTEP!Extermination

Extermination #4
Written by: Ed Brisson
Layouts by: Pepe Larraz
Pencils by: Ario Amandito
Inks by: Dexter Vines
Colors by:  Erick Arciniega
Letters by: VC’s Joe Sabino

Writing

This issue was non-stop action from beginning to end, with an excellent sense of pacing. Brisson picks up right from the prior issue, unleashing a series of fantastic and energetic scenes that get you turning pages rapidly. This issue also brings the two parallel fights together, as X-Force, joined by…SPOILER ALERT…young Cable finally shows up on the deck of Searebro. Everyone is ready to face Ahab now.  It’s a great moment and one readers have been waiting for.

Brisson does throw in some great quieter moments though. Cannonball arriving at the X-Mansion and seeing the devastation has a nice amount of pathos to it. And the highlight of the issue has to be young Jean Grey’s ‘interrogation’ of the younger Cable, which is a turning point for both the story and the characters. This scene (the whole series really) almost serves as a meta-commentary on the often discussed X-Men time-travel themes that have always been a huge part of the mythos. It shows Brisson has both a fan’s and creator’s handle on these characters. The man is both. That’s who you want writing your X-Men comics.Extermination

With one issue left, this chapter ends on a violent and shocking cliffhanger. The implications, especially when you factor in what Cable revealed about the time-stream, could set the course for the upcoming Uncanny X-Men relaunch.

Art

All hands on this artistic deck did an amazing job. Larraz’ layouts are arresting and inviting. They come to life under Amandito’s kinetic pencils, Vines’ weighty inks and Arciniega’s eye-popping color palette. This comic looks great. And not just the big moments. The art team excels and giving pathos and drama to faces and reactions (you can find a perfect example right below).Extermination

Conclusion

If what we have been getting in Extermination is any indication of what we can expect from the X-Men books in the near future, then it’s a welcome return to form for Marvel’s Merry Mutants. Classic fans will enjoy this and new fans will be made.

 

Monkeys Fighting Robots Youtube

Teaser Poster For IT: CHAPTER TWO Keeps It Simple

Monkeys Fighting Robots

With it being Halloween, the good people at Warner Brothers decided to give us a spooky treat. The official teaser poster for IT: Chapter Two has hit the web.

We are a little less than a year away from the release of the highly-anticipated sequel. The film will see us return to the town of Derry, 27 years after the events of the first film. With a star-studded cast, IT: Chapter Two is shaping up to be another hit for WB. You can check out the poster below:

IT

The film stars Bill Skarsgård, James McAvoy, Jessica Chastain, Jay Ryan, Bill Hader, Isaiah Mustafa, James Ransone, and Andy Bean. Reprising their roles as the young Losers Club members are Jaeden Lieberher, Sophia Lillis, Jeremy Ray Taylor, Finn Wolfhard, Chosen Jacobs, Jack Dylan Grazer, and Wyatt Oleff.

It: Chapter Two will float into theaters on September 6, 2019.

Twenty-seven years after the horrific events of the summer of ’89, It (Bill Skarsgård) returns. The Losers’ Club fulfill their promises and return to Derry to put an end to the shape-shifting beast.

Monkeys Fighting Robots Youtube

TEASER TRAILER: Henry Cavill is Geralt Of Rivia In THE WITCHER

The Witcher is a video game known for its open world exploration, intense combat, and having a gritty, Game of Thrones-level storyline full of violence, betrayal, sex, and murder. Netflix is turning the game into a new series that premieres in 2019 and here’s our first look at the star, Henry Cavil, as the game’s protagonist Geralt of Rivia.

 

About The Witcher

Official Description: The Witcher follows the story of Geralt of Rivia, a witcher: a traveling monster hunter for hire, gifted with unnatural powers. Geralt navigates the treacherous world, surviving any way he can.

Polish writer Andrzej Sapkowski wrote The Witcher books which are heralded for their complex storyline. See, The Witcher isn’t your normal video game. It delves deep into the lore and world in which the story exists. It features all the same fun button-mashing of a video game, sure, but the level of immersion, due to the writing and voice acting, is unlike many other games out there. Will all this translate into an awesome series? Well, showrunner Lauren Schmidt Hissrich thinks so and so does Netflix who is investing a lot of money in this adventure. Plus, Netflix brought on Henry Cavill (Man of Steel, Batman v. Superman) to fill in the shoes of Geralt which is a great start.

 

The Witcher is certainly a great game to adapt as a series. The story is ripe with potential to tell long, epic stories about Geralt and any number of other characters. Medieval fantasy seems to be coming up too, with this show and the Amazon Lord of the Rings prequel in the works. However, I do have to say, Cavill looks weird AF in that Lucius Malfoy wig.

Are you a fan of The Witcher game?
Did this trailer get you excited for The Witcher on Netflix?
Leave your comments below!

Monkeys Fighting Robots Youtube

Grievous Drops In Battlefront 2: Ahsoka And Padme Coming Soon?

Monkeys Fighting Robots

In an effort to save Battlefront II from video game expiration, EA’s been stepping up to the plate with new heroes (Grievous), mechanic gameplay repairs, and updated graphics. They even fixed the terribly annoying sound glitch, in which the sound would abruptly shut off, requiring a restart to resolve the error.

Grievous Victory Pose Battlefront 2
Image via EA and Lucasfilm

Refusing to let Battlefront II become a shell of its former self, EA is at least finally putting some effort into the game. But is it too late? Battlefront II isn’t the best game out there, but with Grievous being added and mechanics being adjusted, it’s not exactly horrible either. Although, paying full price for it still isn’t recommended.

General Grievous And Future Heroes

Grievous Abilities Battlefront 2
Image via EA and Lucasfilm

Playing Grievous is exactly how most would expect it to be. He’s an op hero with the abilities: Unrelenting Advance, Thrust Surge, and Claw Rush. Grievous also has an alternative Battle-Damaged appearance which is available to unlock (for an additional in-game cost).

The lightsaber snatching General, however, isn’t the most powerful hero in Battlefront II. Players will still need to grind away by earning Star Cards for him, allowing the cyborg to reach his full potential.

In addition to the Grievous drop, Reddit user u/willcalderone0630 discovered music for a pair of possible new heroes.

Sound bites for Ahsoka and Padme in Battlefront 2
Image via EA, Lucasfilm, and Reddit user u/willcalderone0630

Ahsoka has long been a fan favorite amongst the Star Wars community. Being neither Jedi or Sith, she serves under no one, yet respects all. Likewise, Padme bucked against the trends, only doing what she felt was right and just.

The addition of Ahsoka and Padme to Battlefront II would certainly help in keeping the game alive.  Grievous is a great starting point, however, other Star Wars characters (besides clones) need to be added to maintain interest.

Grievous Rare Skin Battlefront 2
Image via EA and Lucasfilm

Are you excited about the General Grievous drop in Battlefront II? Have you had a chance to play him yet? Let us know in the comments and “May the Force be with you, always.”

Monkeys Fighting Robots Youtube

Review: DOOM PATROL #12 Rolls A D20 and Comes Up With A Critical Hit

Monkeys Fighting Robots

Doom Patrol #12 jumps into the fantasy genre and continues to explore issues about family as well as the power of storytelling itself in an issue that lovingly celebrates classic tabletop role-playing games.

A quest for adventurers level 16-20! Far beyond the mortal realms, the Reynolds family must overcome their familial challenges in order to claim Lucius’ rightful place as the ruler of the Daemonscape, a place of horror, conflict, and sorcery. It is filled with traps, beasts, difficult challenges, the Five Daemon-Lords of the Crystal Hells and Agantha, a demon trapped in the body of a dead squirrel.


Doom Patrol

Name: Doom Patrol
Level: 12 (Into the Daemonscape)
Alignment: Chaotic Good
Class: Young Animal
Dungeon Masters/Players: Gerard Way, Nick Derington, Jeremy Lambert, Dan McDaid, Tamra Bonvillain, Todd Klein and the reader.

Strength: +5
Dexterity: +5
Constitution: +5
Intelligence: +5
Wisdom: +5
Charisma: +5

Proficiencies: Masterful meta-narrative, magical 2-dimensional and sequential image manipulation, artisanal caligraphy skills and hypotonic color control.


Features, Feats, Equipment & Notes: Doom Patrol has saved reality and it’s many levels multiple times. Uniquely self-aware, Doom Patrol encourages reader participation in exciting new ways. On its latest adventure, the Doom Patrol journeys Into the Daemonscape and explores issues of self-identity and familial bond. As much a classic sword and sorcery story as it is a tale about finding one’s place, Doom Patrol #12 succeeds on both fronts.


Adventure Highlights:

Doom Patrol
The journey begins…
Doom Patrol
Spellcasting.
Doom Patrol
Heroes train…
Monkeys Fighting Robots Youtube

Review: BATMAN: SECRET FILES #1 Offers a Unique Look at the Character

Monkeys Fighting Robots

Batman: Secret Files #1 reintroduces DC’s Secret Files and Origins line, a series of one-shots that’s been dormant since 2010. The new entry offers up five tales by different creative teams, each exploring different aspects of Bruce Wayne’s character.

Vulnerability. Compassion. Fear. Cynicism. Self-loathing. Each of these and more are touched on in this short volume, giving us some unique perspectives on the Caped Crusader.

The Writing

These creative teams do a great job across the board of weaving brief, yet engrossing narratives. The stories throughout Batman: Secret Files allow us to explore sides of the character we rarely see. Each one is very different, yet compelling in its own way.

The first story for example, Tom King’s True Strength, effectively conveys Batman’s own insecurity and awareness of the limits of his power, despite being just three pages long. It’s concise, yet hard-hitting storytelling at its finest. Other stories like One by Cheryl Lynn Eaton force Bruce Wayne to confront what happens when Wayne Enterprises tech falls into the wrong hands. Batman also comes face-to-face with people who fall outside his usual protection, and how that impacts an entire community.

Those who favor stories that are more consciously-deconstructive of superhero tropes should find plenty to enjoy. However, more general fans of the character should be happy with Batman: Secret Files as well.

The Artwork

As with the writing, different teams of artists tackle the ink and color responsibilities in each of the five stories.

True Strength, with inks by Mikel Janin, is most reminiscent of contemporary Batman tales. The second story, The Nature of Fear, features a more psychedelic look to reflect the mood of the story. The inks by Jorge Fornes work together with Matt Wilson’s colors to lend the images an almost cel-shaded aesthetic.

It’s hard to say which artistic team behind Batman: Secret Files offers up the best work. Each is unique, and offers strengths that lend the individual story a special charm all its own.

Final Thoughts

Batman: Secret Files is a great collection of standalone Batman stories. I recommend it for both regular readers, as well as casual fans who are looking for something a bit outside the usual Batman body of work.

Monkeys Fighting Robots Youtube

FALCON-WINTER SOLDIER Series In The Works At Marvel

Monkeys Fighting Robots

The team-up fans have been waiting for is coming to fruition. According to Variety, a Falcon-Winter Soldier series is in the works at the Disney streaming service.

During the events of Captain America: Civil War, Sam Wilson, and Bucky Barnes were frenemies in the best possible way. The banter between Anthony Mackie and Sebastian Stan was off the charts, which led fans to begin to petition for a team-up of the two iconic characters. At the time, a movie featuring the two seemed too far-fetched, but with the streaming service now in play, a show appears a logical replacement.

Stan and Mackie first appeared in the Captain America movie trilogy before spinning off into the larger MCU. Funny enough, both characters met an untimely end at the end of Avengers: Infinity War, so as with most of the MCU, we will have to wait until Avengers 4 to understand how the universe will shape up.

Many assumed that one of these actors would eventually take over the mantle of Captain America for Chris Evans. That could still be the case, although, it may be further down the line as this series will likely take some time to develop.

Along with the announcement, Variety reports that Empire writer Malcolm Spellman has been tapped to write the series, which joins Scarlet Witch and Loki as current MCU shows in development at the service.

Marvel Studios president Kevin Feige is set to oversee these series which will bring MCU characters to the small screen. They will run somewhere around six to eight episodes and have larger budgets than their Netflix counterparts. The actors who have portrayed the characters in the movies are expected to return to reprise their roles.

Are you excited for a Falcon and Winter Soldier series? Let us know in the comments below!

Monkeys Fighting Robots Youtube

HEROES IN CRISIS #2 – Confessions Of The Trinity

Monkeys Fighting Robots

Tom King’s PTSD masterpiece marches on with Heroes In Crisis #2. There’s a heavy emotional weight to DC’s latest event story.

Heroes In Crisis 2 cvr

***SPOILERS LIE AHEAD***

 

Booster Gold and Harley Quinn go their separate ways to spread confusion across the land about who killed everybody at Sanctuary. Booster is in denial while Harley flirts with a little bit of suicide? Tom King turns up the gravity and emotion for Heroes In Crisis, but not by diving too deep into the dark.

As far as plot devices go, these confessional tapes might be one of the best we’ve seen in a long time. It’s been used in superhero comics in the vein of reality tv, but never like this. Tom King and Clay Mann have used every one of these to peel back the surface of these characters and show us something different.

The intimacy of these confessions are unnerving. These moments really are like nothing else we’ve seen in superhero comics all this time. Batman’s turn to face the camera is easily the most striking so far.

The simple fact that Batman was even at Sanctuary is a huge revelation. Then to actually have him open up about his surrogate sons over the years, watching them die, it’s an emotional moment that will be etched into the brain of every DC fan for years to come.

Giving us a peak at the fragility Batman is capable of after all makes the other moments of weakness hit even harder. His refusal to let go of the case he can’t solve goes from being an act of stubborness to a desperate attempt at getting a “win” for someone on the edge.

One thing that Heroes In Crisis suffers from is a constant throughout most DC books that feature Harley Quinn. Out of sheer convenience to the plot, Harley can outsmart the trinity of Batman, Superman, and Wonder Woman. The three greatest superheroes in all of DC continuity and she bends them over a barrel with her unmatched superpower of crazy!

Having her be a central character to this story meant there was an inevitability to one of these scenarios. We just have to accept it and move on, like we’ve grown accustomed to in other DC works. That being said, it’s satisfying to see her use the Lasso of Truth on Batman.

Tom King decided to use Wonder Woman’s confessional to strengthen her character rather than expose a weakness. Her moment firmly solidifies everything we know and love about Diana, the strongest female hero there ever was. She’s better than all of us and King has no shyness about reminding the reader.

Booster’s handling of the situation is a show of great characterization. He’s in denial but it makes for some great comedy bits. His interaction with Flash is wonderful, as is the steadily declining percentage in which he is confident that his actions reflect “what Batman would do.”

The Flash and Booster Bold scene has a lot of development at lightning fast speed (duh). Clay Mann’s motion for Flash during their fight/talk is stupendous. The timing and layouts for the scene in which Barry learns of Wally’s fate, checks for himself, and confronts Booster is exactly what we read comic books for.

Just like Heroes In Crisis #1, Clay Mann puts on an absolutely stunning show. There’s a huge serving of diverse emotions on display that are spot-on. He uses a lot of facial expressions you don’t tend to see often in comics, but see in your every day life.

The final confession we see is Superman himself. We got all three of the trinity in this issue, but Clark was the biggest surprise. Who would’ve expected him to be the reluctant one? Batman bares his soul and Superman is the one worried that this could get out. King laid these three confessionals out perfectly and will catch readers off guard.

All in all, Heroes In Crisis #2 is another strong showing of emotional comic book crafting. There’s not a lot of action, but there’s no shortage of memorable scenes either. The pace may challenge more impatient readers, but we all knew what we were getting into.

There are a few minor annoyances but the sentiment is still there in full force. Heroes In Crisis is still very much a mystery that we’re to solve along with the characters. It’s going to be a journey with plenty of emotional bumps and memorable moments.

Monkeys Fighting Robots Youtube

David Gordon Green: From Art-House to HALLOWEEN

Monkeys Fighting Robots

I hate to write about film theories, nobody cares about, or seems to anyway. Still, I do find some enjoyment in said theories, so let’s keep this going, shall we?

So, because two critics have already posted their thoughts on the Halloween reboot on this site, and because it seems like no one is interested in my thoughts are, I suggested I cover it from the art-house perspective. After all, David Gordon Green got his directorial career started with character driven art house films, and moved up the ladder, well after a couple of days of soul searching and figuring it out, I have a way to connect his art house debut, the 2000 film George Washington, and the 2018 Halloween, the answer may surprise you.

You ever get the strange feeling, you’re watching a Terrence Malick film, even though you’re not?

So, about our director, David Gordon Green. First-off he is a great director, when he’s allowed to write the scripts for the films he directs, this may sound like a cop-out, but it isn’t. The problem is Hollywood doesn’t really want him to write screenplays and considering the film I watched to compare Halloween (2018) to, I understand their concern. You’ll see what I’m talking about when I get into my attempted plot synopsis of George Washington.

This is a frankly bizarre film about an African-American kid named George, who wears a helmet, because of a birth defect. After a murder is accidentally committed, we follow George as he tries to be a proverbial superhero for the small North Carolina town he resides in. If you’re lost, I don’t blame you. This is one of those films with what I call a magic eye plot, you can find said plot if you look at exactly the right direction to find it. Still there is a unique directorial style, and a vision on display, which is frankly interesting. I never felt bored with the picture, due to said directorial vision.

Regardless of my jokes, this is a beautiful looking film, and it’s worth recommending for shot composition alone.

By contrast, Halloween (2018) was relatively straightforward, which is okay, because nobody really wants to see a Terrence Malick inspired horror film, (although I’d love to see somebody try). Still I was straining my brain trying to figure out similarities: there are only a few I know of, both plots involve murder, and both films have great performances by actors you wouldn’t expect, and both have a story arc of character redemption.

So aside from these comparisons, I feel both films involve a theory posited by my favorite filmmaker Martin Scorsese, in his 1995 BFI documentary: A Personal Journey with Martin Scorsese Through American Movies. I cannot remember which episode he talked about this theory, however, I remember the contents, and I think they apply to our subject. Scorsese was talking about the late King Vidor, and how in the studio system he would make a populist film, which sold a lot of tickets. He would then go make a personal project, which wouldn’t sell a lot of tickets, but would fulfill a creative urge. Scorsese’s exact words were: “one for the studio, and one for yourself.” Scorsese himself is no stranger himself to this theory. For every The Color of Money, Cape Fear, or Shutter Island, he’s made a Last Temptation of Christ, Gangs of New York, or Silence.

I love this irony, the man who directed this shot, would later direct stoner comedies, seriously.

Green’s filmography is legitimately bizarre. His first four films were of a uniquely directorial vision (he wrote and directed all four of those of films, mind you) then decided to make two films for the studio, and then switched, between those two extremes, with varying quality. The consensus being when Green is making his art house films, they’re significantly better than his commercial films.

Still it does show promise, he can at least have a directorial vision, even if it’s to make terrible comedies. In a way there’s something admirable about this, yet I can’t tell you why.

Monkeys Fighting Robots Youtube

‘Chilling Adventures Of Sabrina’ Review: A Dark And Creepy Adaptation

Monkeys Fighting Robots

In the latest episode of Kieran’s Movie Space, Kieran reviews Netflix’s spooky new series, Chilling Adventures of Sabrina. Will fans be happy with the latest version of Sabrina? Is this Buffy The Vampire Slayer for a new generation? Listen to the spoiler-free review below!

More – ‘The Haunting Of Hill House’ Review: A Terrifying & Beautiful Horror Series

If you like what you hear, it would be awesome if you hit the like/subscribe buttons and drop a comment in the appropriate section.

Listen to the review below:

[embedyt] https://www.youtube.com/watch?v=ai6wEfNJxx8[/embedyt]



What is Chilling Adventures Of Sabrina?

Magic and mischief collide as half-human, half-witch Sabrina navigates between two worlds: mortal teen life and her family’s legacy, the Church of Night.

What Is Kieran’s Movie Space?

Kieran’s Movie Space is an insightful, fun and reliable new podcast for fans of all things cinema. Host Kieran McLean delivers in-depth reviews of the latest movie releases, from small indie movies to massive blockbusters. New episodes weekly…or whenever I feel like posting.

Monkeys Fighting Robots Youtube