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Monkeys Fighting Robots
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INTERVIEW: Composer Gabe Sokoloff And Diverse Music Of Waffles And Mochi’s Restaurant On Netflix
Ruben Diaz
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Retrospective: HAWKEYE is a Fun if Minor Offering From the MCU
Kieran Freemantle
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INTERVIEW: Composer Juan Carlos Enriquez On Creating Music For Peacock’s ’Til Jail Do Us Part
Ruben Diaz
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INTERVIEW: Emmy-Winning Makeup Artist Raven Discusses Her Journey Through Drag
Ruben Diaz
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INTERVIEW: Costume Designer Chrisi Karvonides And The Look Of The Mysterious Benedict Society On Disney+
Ruben Diaz
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INTERVIEW: Production Designer Cynthia Charette And The Mysterious Benedict Society on Disney+
Ruben Diaz
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Bite-Size Horror Gem: PRIMAL – PLAGUE OF MADNESS
Justin Munday
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Review: SANDITON SEASON TWO Offers Consistent Regency Entertainment
Kieran Freemantle
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SHE-HULK: ATTORNEY AT LAW – A Conversation About Season One
Matthew Sardo
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INTERVIEW: Costume Designer Rafaella Rabinovich Made The Perfect Costumes For Netflix’s The Imperfects
Ruben Diaz
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RICK AND MORTY SEASON 5 Ranked
Kieran Freemantle
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INTERVIEW: Re-Recording Mixer Karol Urban Discusses HBO’s Made For Love
Ruben Diaz
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INTERVIEW: Production Designer Marek Dobrowolski Talks The Walking Dead & More
Ruben Diaz
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Review: DERRY GIRLS SEASON 3 is a Fitting End to a Great Irish Series
Kieran Freemantle
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INTERVIEW: Composer Philip White Scores Tyler Perry’s A Madea Homecoming
Ruben Diaz
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Review: DOCTOR WHO FLUX Has a Couple of Great Episodes to Lift a Mediocre Season
Kieran Freemantle
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INTERVIEW: Director Paul Trillo And The Super Bowl’s OVERSHARING MOM
Ruben Diaz
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INTERVIEW: Composer Phillip White Scores Tyler Perry’s A Madea Homecoming
Ruben Diaz
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INTERVIEW: Production Designer P. Erik Carlson And The Journey From MEMENTO To QUEENS
Ruben Diaz
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INTERVIEW: Kids Imagine Nation Creates Educational Musical Theatre Magic
Ruben Diaz
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