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Monkeys Fighting Robots
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Review: Firestarter offers a dull flame in new adaptation
Eric Trigg
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INTERVIEW: HEAVY METAL DRUMMER’S Kiefer Findlow & Emiliano Plissken
Manuel Gomez
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Review: EVERYTHING EVERYWHERE ALL AT ONCE is a Multiverse Spanning Masterpiece
Kieran Freemantle
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Review: Doctor Strange 2 is Sam Raimi’s MCU Horror Film
Eric Trigg
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INTERVIEW: Composer Philip White Scores Tyler Perry’s A Madea Homecoming
Ruben Diaz
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INTERVIEW: Cinematographer Christopher Rejano And The Colors Of NIGHT’S END
Ruben Diaz
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Review: THE UNBEARABLE WEIGHT OF MASSIVE TALENT is the Best Bromance Movie since HOT FUZZ
Kieran Freemantle
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INTERVIEW: Sound Designer Udit Duseja And The Experimental Documentary All Light Everywhere
Ruben Diaz
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Review: AMBULANCE is a wild and nauseating experience
Eric Trigg
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Review: Fantastic Beasts 3 Restores Magic To The Wizarding World
Eric Trigg
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INTERVIEW: Composer Paul Koch Scores Action Film A DAY TO DIE
Ruben Diaz
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INTERVIEW: Composer Phillip White Scores Tyler Perry’s A Madea Homecoming
Ruben Diaz
-
INTERVIEW: Producer Daemon Hillin Torments Viewers In Horror Film THE LONG NIGHT
Ruben Diaz
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Review: THE CELLAR Terrifies Then Crashes Its Concept
Eric Trigg
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INTERVIEW: Production Designer P. Erik Carlson And The Journey From MEMENTO To QUEENS
Ruben Diaz
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Review: THE BATMAN Revives The Dark Knight With Cinematic Gold
Eric Trigg
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INTERVIEW: Cinematographer John Orphan Talks Horror Film STOKER HILLS
Ruben Diaz
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Review: MARRY ME Shines Thanks To Chemistry Between Its Leads
Eric Trigg
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INTERVIEW: Cinematographer Matt S. Bell Discusses THE REQUIN
Ruben Diaz
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Review: DEATH ON THE NILE Coasts Through It’s Murder Mystery
Eric Trigg
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