No studio knows how to make its audience cry quite like Pixar. The company’s latest film, Coco, is out this Thanksgiving and is directed by Lee Unkrich (Toy Story 2 & 3, Finding Nemo).
Coco is the story of Miguel (Anthony Gonzalez), a young boy who wishes to be a musician, something his family has a zero-tolerance policy of. During Día de Muertos, a Mexican holiday focused on remembering past family and friends, Miguel is transported to the Land of the Dead where he begins to unravel the secrets of his family history.
This entire film can be summed up in one word: beautiful. From the animation to the story to the music, there’s not an element that doesn’t stun.
Visually, Coco ranks among Finding Nemo and Wall-E as one of the most striking Pixar films. And, much like Nemo and Wall-E, this sense of wonder can be attributed to the animators transporting their audience to a whole new world. But whether it’s the Land of the Dead or regular Mexico, this world is vibrant explosion of color – think of it as the Thor: Ragnarok of Pixar in that sense. The color palette is full of oranges and blues that create this familiar and comforting experience for your eyes, plus about every other color imaginable that makes this film pop and feel special.
It’s actually astonishing at this point that the company continues to top themselves and make each new film look better than the last. This bodes well for next year’s Incredibles 2.
As mentioned, Coco is going to make you cry. The last 20-or-so minutes are just a straight tear fest. But it’s also going to warm your heart. This is a story about family, and the pitfalls and triumphs therein. The characters are compelling and real, and they draw you in instantly like only Pixar characters can.
There’s a lot to take away from this flick, for kids and adults both. First, there’s the accurate depiction of a foreign culture. Second, and more importantly, there’s the message about family. Coco is probably the perfect film to see over Thanksgiving, since families will be coming together to celebrate. It’s a poignant reminder about the importance of family, both current and ancestral. Hopefully it’ll inspire audiences – again, kids or adults – to talk to their elder family members and learn about where they come from.
If I have one qualm about this film – if it can even be called a qualm – it’s the runtime. Coco clocks in at an hour and forty-nine minutes, and there are maybe five to ten minutes that could have been shaved off. A few moments felt like the story was taking a step backwards instead of moving forward. But these moments are few and far between, and don’t take anything away from the movie as a whole.
Coco – The Bottom Line
Coco is the film to see this holiday weekend. Take the whole family – kids, parents, grandparents, aunts, uncles, and second cousins once removed. Everyone will find something to enjoy in it, even if it’s only the gorgeous visuals. Just be sure to bring tissues.
It looks like Disney is not the only company taking charge when it comes to acquiring 21st Century Fox. According to The Wall Street Journal, other suitors in the forms of Sony, Comcast, and Verizon have surfaced. Setting their eyes on Fox’s international assets, the U.K. based Sky-TV being one of them. Currently, Fox owns 39% of the pay-TV company and soon it will grow to 100% as they announced their pursual of full ownership.
An asset like Sky-TV and other Fox assets would benefit a company like Comcast which recently suffered its worse quarterly loss in three years. The launch of CBS All-Access, shows networks are looking to subsidize lower cable subscriptions with streaming options. But there is a huge hurdle facing Comcast. Since its acquisition of NBC Universal in 2011, antitrust people believe Comcast has not kept up their end of the bargain when it comes to the deal’s regulations.
This could lead to a potential hangup if they decide to take their intrigue further. Verizon and Sony are interesting because of Verizon’s recent acquisitions of Yahoo and AOL, and Sony’s launch of PlayStation Vue. By acquiring Fox’s assets, Verizon would further their grip on the digital market. Currently, its cellular subscribers stand at over 155 million making Verizon the biggest cellular service provider.
Sony, on the other hand, could utilize the Marvel properties to create new content for its streaming TV service. Which would fill the void Powers left after being canceled after two seasons. But do not rule out Disney. Though talks have broken off, for now, there are reports they are not completely dead according to CNBC. It is going to be interesting to see what reveals itself as the days progress.
Especially with AT&T’s October purchase of Time Warner for $85.4 billion being held up by a DOJ antitrust review (link). One that comes with anti-competitive concerns and a possible negative ruling that could ward off any potential Fox buyers because of those types of concerns.
Heroes and Villains Fan Fest, the traveling convention, returned for its third-consecutive year in 2017 to Atlanta, Ga., one of just seven stops, including six in the U.S., one in London.
The guest list, like in previous events, did not include stars from fellow CW shows, ‘Supergirl’ and ‘The Flash’, though did have some from ‘Gotham’, ‘Legends of Tomorrow’ and ‘Agents of S.H.I.E.L.D.’. We didn’t make it to every panel, but below you will find a brief recap of the ones we were able to attend.
The two were reunited on ‘Arrow’ after previously starring together on ‘Spartacus’. The two touched on why they enjoy conventions, Manu stating that “Conventions bring it around full circle. We owe the fans and thank them for their support.”, while Katrina said, “I love seeing the same faces, cosplay and how vested the fans are.”. Bennett also pulled about 7-8 kids on stage and taught them the warrior dance native to his New Zealand, the ‘Haka’, and told fans he enjoys filming their because he’s allowed to do all his own stunts. Law left it up in the air whether her character, Nyssa al Ghul, is still alive, as she has yet to make an appearance over the first six episodes this season.
This panel was wild! Barrowman came out onstage in a trench coat and, when he pulled it off, revealed a rainbow-colored, zebra-styled romper. He then went on to a story about how he had diarrhea his first time in Atlanta, pulled over and left it on a street sign that read, ‘No Dumping’. He made two new announcements in that Malcolm Merlyn is definitely dead and no longer a part of the Arrowverse and that he is launching a comic book in conjunction with Legendary, called “Cursed”, which pins Celtic lore with a modern-day antihero. He closed his panel preaching the importance of the work he is doing, not just for the LGBTQ community, but for that of universal human rights as well.
This dude doesn’t just art, he performs. His panel was awesome as he painted Colossus to various heavy metal tunes, while slamming paint against the canvas. It is really something to see.
Though most of her panel was centered around having voiced ‘Mulan’, she did reveal that she does all of her own stunts on Agents of S.H.I.E.L.D. and, when asked what superpower she’d want if she could, said ‘the ability to heal’.
He has turned in one of the most-storied careers in the comicbook industry for both his art and writing. While he is mostly known for his work with Batman and, most recently, Deadman, he has also done Superman, Green Lantern and numerous projects ranging from X-Men to the Justice League. We caught up with him on Saturday at HVFF.
Is there a specific character or title that you have drawn or written that seems to stick with you?
NA: “I don’t really have a favorite person or team over another. Fans have attached me to Batman, but I don’t think I’m meant to be relegated to just one specific person or team. This is for the fans and I am no more a Batman artist than I am, Deadman, which I’m currently working on. I’d say that is my favorite character right now since I’m actively working on it. I can only do the best I can writing and drawing whatever title I’m working on. If a decade from now, or even a century from now, people remember my work, then that’s all I can ask for and it was worth it.”
Talk a little bit about the iconic Muhammad Ali vs. Superman cover. Any interesting history behind it?
NA: “The original cover has 172 people on it and it was based on the times when Ali was fighting. There are a lot of gangsters around the ring, as that was the primary money-making sport of the times, but a lot of famous people, strangely enough, didn’t want their faces on it. If you look closely at the cover, you will be able to spot numerous prominent Hollywood and sports stars around the ring, like John Wayne. The lawyers stalled the release of it many times, but we eventually got it out. I also did a version of the cover again for ESPN the Magazine, which featured 100 of the greatest athletes of the century, which included three horses as well, all of whom I plugged into the cover.”
When it is all said and done, what do you want people to take away from your body of work?
NA: “It is a business. It’s essentially money in my pocket. I do it to support my family, put the children in our family through college, help them pay for apartments, etc., but those are the things I care about. There are a number of goodwill ventures and science projects that I am working on outside of comics that I’d love to be remembered for, but I am happy that the fans enjoy my work, but we all need to be taking care of our families as well as treating each other better, all over the world.”
Last little tidbit: We managed to ask Stephen Amell on whether a third installment of the Teenage Mutant Ninja Turtles series is going to happen and he replied, “We’re trying.”
See below for some of our favorite Cosplayers from Day 1 at HVFF.
M. Night Shyamalan has posted an update on Glass, the follow up to both Unbreakable and Split. The director revealed that production lasts for one more week, and that Samuel L. Jackson has finished all his filming.
“1 week left of shooting #Glass. Yesterday was @SamuelLJackson last shot. Had to fight back tears. These are more than movies to me.”
1 week left of shooting #Glass. Yesterday was @SamuelLJackson last shot. Had to fight back tears. These are more than movies to me.
After how spectacular Split was, it’s fantastic to see Shyamalan passionate about this upcoming project. The director has a unique way of blending horror, suspense, and even comedy, and I can’t wait to see what he does with Glass.
“Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.”
Glass features James McAvoy, Anya Taylor-Joy, Bruce Willis, Samuel L. Jackson, Sarah Paulson, Spencer Treat Clark, Luke Kirby, Charlayne Woodard, Nina Wisner, Marisa Brown, and Charles W. Harris III.
The film is slated with a release date of January 18, 2019.
Eye-popping visuals, wonderful writing, and a powerful message make Coco fantastic.
Summary
Miguel Rivera (Anthony Gonzalez) is a twelve-year-old boy who dreams of accomplishing more than just being part of the family business. The Riveras have a growing shoemaking business started by their great-grandma Imelda after her husband abandoned them to become a musician (which leads to their family having a strong distaste for music). Rather than learn his family’s craft, Miguel continues to sneak away to play along with the music of Mexico’s most celebrated musician, Ernesto De La Cruz (Benjamin Bratt). While his family is beginning preparations for the Day Of The Dead, he comes across a torn picture of a man who could have a connection with the Rivera’s. What transpires next for Miguel is a whirlwind adventure full of vibrant colors, music, the afterlife, spirit animals, and a spirit named Héctor (Gael García Bernal) who is his only hope to go home.
What Worked
The color palette in Coco is fantastic. The scenes in Mexico are bright utilizing light oranges and varying shades of red. When we travel to the afterlife, the world is full of oranges that are vibrant and eye-popping.The use of these warm colors is perfectly in tune with the film’s theme, the importance of family.
Lee Unkrich and Jason Katz have constructed a narrative that will undoubtedly appeal to all ages. There are moments of pure frivolity that involve spirit animals and inept security guards in the afterlife. More importantly, Unkrich and Katz have managed to weave in the message of family and its importance in our lives.
The music was just lovely. Don’t be shocked if Disney-Pixar doesn’t start pushing the song “Remember Me” as we get further into awards season.
The way society in the afterlife is structure was perfect. Just like in the real world they have the haves and the have-nots. Members are striving to live their best life even though they have departed from the real world. Just like we have real fears, those on the other side are terrified of being forgotten which plays a central role in this film.
Bratt was the perfect person to voice the pivotal role of De La Cruz. Bratt was able to project the appropriate balance of bravado and sentiment which is crucial towards hammering home the film’s essential message.
While the runtime might seem a bit long, the pacing of the film was perfect.
Coco takes advantage of every opportunity to highlight the intricate layers of the Hispanic culture. One could even make an argument that this film celebrates how family-centric they are.
Rather than gloss by critical elements of the narrative, an appropriate amount of time is dedicated to making these things tangible.
What Didn’t Work
While the film is written well, at times, the film seemed to veer towards those familiar tropes found in most Disney-Pixar releases.
Overall
Coco reminds us once again of how great Pixar films can indeed be. While it’s not in the same class of a Toy Story or The Good Dinosaur (my personal favorite), this release is one of the best-animated releases of 2017. Instead of dragging your children to see an incredibly mediocre film like Justice League, invest in seeing a movie that is beautifully animated and well written.
In Warner Bros. latest addition to the DCEU, ‘Justice League,’ Ray Fisher plays Victor Stone, a.k.a. Cyborg. Though he first appeared ‘Batman v Superman: Dawn of Justice,’ it was the briefest of cameos. But in ‘Justice League’, Fisher plays Cyborg a complex character; he’s an unwilling creation who accepts his fate in order to become a hero, though he will forever struggle to maintain his humanity.
During the New York press tour for ‘Justice League,’ Fisher spoke with Monkeys Fighting Robots. Listen to (or read) our conversation below:
Listen to the complete interview below:
MFR: Ray, thank you for taking the time to speak with me tonight.
Ray Fisher:No problem. Thanks for having me, man.
MFR: Ray, you’re going back to your hometown for a special screening of ‘Justice League.’ What are the emotions going to be like in the theater?
Ray Fisher:It’s hard for me to calculate it at this point. I feel like emotions are going to be running high in the best way possible. There’s going to be a lot of family there, a lot of teachers who inspired me, and a lot of people who believed and given me nothing but encouraging words up to this point. So I think it’ll be a feeling of fulfillment given that the wheel is sort of coming full circle because it is also the movie theater I used to work at when I was a teenager. It’s hard for me to predict what it will be, but I’m sure it will be overwhelming.
MFR: It was announced in April 2014, that you were cast as Cyborg. Do you feel like you just completed a marathon?
Ray Fisher:I do. In a strange way, there’s a lot of downside between all of these things but when you up to do this kind of film, particularly one that has the option for sequels. You’re signing up for a marathon even if they happened back to back to back to back. You know it’s been a process, and it’s been about three years now since being cast to this coming to life. I’m a long game player in general. I don’t mind the wait as long as it’s something I’m passionate about.
MFR: Cyborg is a complex character, how did you prepare for this battle between man and machine?
Ray Fisher:Well I think it’s about finding balance and it’s just like any other sort of adverse situation just human beings go through. Cyborg is a true underdog in that he’s had his entire life upended. He’s had his mother taken away. He had his body taken away. He’s had the life he once knew completely removed from him. I think the technology is just a metaphor for that. I think the technology is a metaphor for the human spirit and the ability to overcome. So with the preparation of it all, I was sent all the comic books that ever existed about the character from the 1980s up through the New 52 Justice League where cyborg becomes a founding member. So as far as like material goes and being able to craft the character I had tons, I had plenty of things to go with.
[As for] the physical side of it, obviously Zack Snyder, our directoris known for making sure that his heroes look the part. So I ended up putting on about 30 pounds of muscle to portray Victor Stone prior to his accident when he was still a college football player at Gotham City University. It was a process, but it was one that I actually really liked the discipline of it.
MFR: You get to say Cyborg’s catchphrase ‘Booyah’ at the end of the film. Did you want to say it sooner in the movie?
Ray Fisher: No spoilers here, but the catchphrase in and of itself is only specific to the cartoon show. It’s actually not comic canon. There’s an ongoing conversation of, “How much should you use from the comics? How much you use from the cartoon? How much do you use of the character in general?”
I don’t particularly have as much of an emotional attachment to the catchphrase as other people do. It’s interesting being able to pull those moments where you see Victor come out of the more technical side of himself and we are able to see that growth.
MFR: The Teen Titans show from early 2000 is very iconic and as soon as you said it the theater erupted in applause. There’s a lot of fans that grew up with this character, and it was amazing to see the response in the theater.
Ray Fisher:It’s awesome to hear. And my first interaction with Cyborg was from the Teen Titans cartoon in 2000. It wasn’t until I got the role that I actually was able to delve into the comic book side and his actual origin and see that it was a much different character than what was portrayed in the show. I think they touch a little bit in the show about his particular struggles with being half man half machine. But in the comics, they go much much much deeper, and they ask some pretty hard questions to answer as to what it means to be human.
MFR: Is there a scene in ‘Justice League’ where you’re like, “I nailed that!”
Ray Fisher:Nah, I actually don’t like watching myself, funny enough. I don’t like watching myself in things I get hyper-critical of myself and the work I’m involved in general. So my thing, I’m always looking at it, “OK, well this could have been better. I could do better than this next time.” Like making adjustments and trying to continue to craft. The things that resonate with people and the audience members it varies, and that’s one of the beautiful things. Somebody may say, “Oh I mean I really really love that scene.” And you may go, “Huh, I didn’t think I did particularly well but appreciate you saying so.” It’s art, so it’s all relative.
MFR: When you take a superhero role like Cyborg, do you think about the impact you will have on the younger generations?
Ray Fisher:I don’t think it was something I thought of overtly. I think that was something it was a mix of things. For me, this is something that I just enjoy in general. This is something that I’ve loved as a kid, and it’s something that I love as an adult. So it’s the personal and professional coming together in that way. It just so happens that the character in and of itself can inspire people of color who feel under-represented in film, it can inspire people who are differently abled. Cyborg is an amputee and has these highly advanced cybernetic prosthetics. I think playing the character to the fullest to make sure that he maintains a certain level of dignity and integrity with respect to the portrayal. I think it affects people in a way that I couldn’t even fully comprehend. You hope that people are inspired by the work that you do and that people get the message that you’re trying to put across. I don’t think I could fully iterate the impact.
MFR: Have you had conversations about how the machine part of Cyborg will evolve in future films?
Ray Fisher:Yeah, that’s an ongoing conversation. What I will say is that Cyborg is comprised of the most sophisticated technology in the universe. I mean, the mother box technology, there’s nothing more advanced or more powerful. As you’ve seen in the film, he has powers that are evolving as he’s trying to deal with his particular circumstances. That’s a process that will continue as he becomes more familiar with his technology and more familiar with himself. There are some powers that we express from the comics and some that we don’t touch upon that are really popular that I’m looking forward to exploring in the future. It’s just a matter of how it all fits into the story we’re trying to tell.
MFR: I feel like you just gave one of the nerdiest answers to your superhero character.
Ray Fisher:You think so? I geek out about this stuff, and I’ve been trying to differentiate my geekdoms and all that. I grew up loving these characters; I grew up playing video games more than anyone else I really knew. This to me is like it’s second nature at this point.
MFR: One thing I don’t understand is why the Hollywood media is coming after Ben Affleck when it comes to Batman. No other franchise takes this much abuse. Why do you think that is?
Ray Fisher:I have no idea. I mean it’s really not on me to try to explain what people’s motivations are. I think media, in general, is a specific beast. At the end of the day, I think people have to sell stories. I don’t know if there’s a specific agenda with respect to that. I don’t necessarily; I don’t keep up with those kinds of things. I guess it just depends on who you’re dealing with. For every negative voice that you hear, there are ten positive voices who may not be so loud with respect to that. For me personally, I just try to focus on the positive.
MFR: Let’s end on a positive note. Of the cast and crew, who made you laugh the most during filming?
Ray Fisher:It would probably be a toss-up between Jason and Ezra, but everybody. It’s so strange; we’ve got so many different personalities coming together. Everybody’s got their own sensibilities with respect to comedic sensibilities. I mean, I laughed about at probably everything. It’s just, it’s uncanny. You’re going to work every day, and you’re dressing up and playing make believe that your superhero. That in of itself is a pretty laughable thing. But there’s just a certain amount of joy that Zack and Debbie Snyder has brought to the whole process. They made it very clear from the outset, “Hey, listen we’re making a superhero movie.” It’s a labor of love first and foremost. Hopefully, it inspires people, but it’s fun. It should be fun.
MFR: Ray, thank you for your time and best of luck with ‘Justice League.’
Ray Fisher:I appreciate it. Thank you. Thank you.
What did you think of Ray Fisher’s comments? Sound off in the comment section below.
The Pokemon Company is teaming with Legendary Entertainment to create a live-action Detective Pikachu film, and they’ve found their lead actor.
Justice Smith, who had a part in Paper Towns but saw his breakout performance in The Get Down, has been cast in the motion picture. Nicole Perlman and Alex Hirsch are penning the script, with Rob Letterman set to direct.
Detective Pikachu is a video game that saw a Japanese release in early 2016, but has yet to be released worldwide. Pokemon as a franchise has been around since 1996, where it got its start as a card game. The property then launched an immensely popular anime series, followed by the hit video game.
Are you looking forward to Detective Pikachu? Comment below, let us know.
There is no denying that most of us a superhero from the bad-boy Wolverine, to the ageless spirit and all-around good guy Superman, all have captured our imagination from an early age and still appeal to the older generation too.
It’s really no wonder then that superhero slots are just as popular as the blockbuster movies and TV series. With a full library of fantastic video and progressive slots to choose from, you can source your favorite slots as you try online bingo at SwankyBingo.com, as they provide their players with a comprehensive range of slots, casino games, and of course bingo.
One of the most popular progressive slots is still The Dark Knight brought to your screens by Microgaming. Being able to relive the experience of the movie appeals to many players. With its high definition movie footage during gameplay like Batman dropping from the sky and the Joker throwing explosives this slot really does get you totally immersed.
Of course, there is also the chance to win up to 4,000,000 coins on any max bet spin which in itself draws a lot of players in.
The Incredible Hulk slots game by Playtech is another goody if you are a lover of the big green guy with the amazing stretching pants we have come to enjoy. Not only is this game thoroughly entertaining it also has some massive play-outs. If you land 5 nuclear hazard signs you will get 4000x your line bet. Not only can you win numerous re-spins but there are other ways you can boost your winnings even further.
Superman cannot be left out when talking about superhero themed slots, and the Superman online slot by Cryptologic won’t disappoint. This 5-reel, 50 pay line game is packed with all the characters we have come to love like Lois Lane, Lex Luthor and of course Superman himself, who is activated by the bonus bet button. If you trigger the Save The World feature where Kryptonite ends the game but captures Lex Luthor it will pay 100x your triggering bet.
Last but not least on this list of Superhero slots is Spiderman: Attack of the Green Goblin baby Playtech. This superb slot will suit the comic lovers out there, and when Spidey springs into view and perched on the side of the slot reels the whole feel of the game makes you want to come back to it time and time again. With several bonuses features to trigger this is not a cheap attempt at a comic book theme, it really does work in all areas.
Over its first six episodes, Marvel’s The Punisherhas been a show that uses emotions more than guns. It has been both unexpecting and something that works very well. Sure the opening scenes of the series start off by showing Frank Castle (Jon Bernthal) being Frank Castle. But its writing afterward has an awareness about it.
It knows it cannot get by on bullets, bloodshed, and revenge alone. It has to carry some kind of weight. Which it does well by utilizing PTSD and making its characters vulnerable both inside and outside of it. Everyone has something to lose and is fighting a battle which they are currently losing.
Not only does this give most of the characters purpose, and makes me as a viewer care about them, it creates a thread that connects them all. A dynamic in The Punisher that has quickly become one of my favorites for a multitude of reasons is the one involving Frank and Micro (Ebon Moss-Bachrach). Not only is their banter fun, but it often leads to past tensions re-surfacing.
Every falling out ends with a move by one of them to keep the other in check. Reminding viewers these two people are not really partners. They are two people using each other as a resource to get what they want. But the show is not perfect and at times feels like two completely different shows.
It is all because of one arc involving a new original character. A government agent named Dinah Mandani (Amber Rose Revah). Her scenes take away the gritty and grounded theme of the show and turn it into a procedural with pristine settings mixed with a commercial for Ford (if you have watched the show you will understand). Also in terms of dialogue, she is saying nothing but uninteresting exposition.
My point is if you are going to add Karen Page (Deborah Ann Woll) to the mix, as the show does, why have Dinah in the show at all? Karen is a great investigative reporter who aids Frank early on in the show, so why not fully utilize her and further show what she can do? Especially when the main plot involves an investigation into the United States government and its military. Also, one of the earlier episodes actually involves Karen pushing her editor on why he did not publish an article related to the main plot.
What also does not help Dinah is every scene that follows hers easily could have fit in place of hers. Both from an editing and storytelling standpoint. She and her arc just come off as filler just so each episode can have an hour runtime. Which is sad because she’s not really a bad character, it is just she and her partner are unnecessary.
Overall The Punisher thankfully has not had an early season lull like other Marvel shows on Netflix. Every episode so far does a great job of building and keeping tension. The main villain again is lacking, but the sooner I realized the show is more about mental illness and bonds, the more the villain does not matter too me.
Also, thank God this show knows how to properly utilize flashbacks *cough* Arrow *cough*. I look forward to binge-watching the rest!
Disney and Pixar released the first trailer to Brad Bird’s ‘Incredibles 2’ Saturday morning. The studio also released a new poster and image from the film.
About ‘Incredibles 2’ Everyone’s favorite family of superheroes is back in “Incredibles 2” – but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transition for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again—which is easier said than done, even when they’re all Incredible.
Watch the trailer below.
Back in 2004, the first ‘Incredibles’ grossed more than $633 million worldwide and won an Academy Award for best-animated feature film.
‘Incredibles 2’ features the voice talents of Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner, and Samuel L. Jackson. Bird return’s to direct the sequel.
‘Incredibles 2’ busts into theaters on June 15, 2018.
Are you excited about the sequel? Sound off in the comments below.
