Home Blog Page 72

Project 365: One Comic Every Day, Week 1

comics
One Comic a Day - box of comics

Welcome to Project 365! The premise is simple: read one comic every day for the entire year. It seems like a simple task, but there is no way that I read 365 comics last year, even if you count the individual issues in collections. So, this year, I am committing myself to this reading challenge, in the hope that I can broaden my reading habits and fully engage with my hobby again.

The plan, therefore, will be to do a round up each week of the comics that I have read, along with my impression of and reasons for my choices. It’s very possible that I read more than one comic on a particular day and on these occasions I will pick one to include (but will probably keep a list of the others). I also encourage comments and recommendations, as it would be nice to know what other people are reading.

So, without further ado, Week 1 of my 365 comic challenge.

On the surface, a challenge like this should be fairly easy. However, 2022 saw me canceling the regular standing order I had with my local comic book shop. An ongoing order that had been in place for well over 10 years. There are a number of reasons why this happened, the most significant being finances. I just can’t afford to buy comics like I used to. When Marvel published their first Civil War event, I bought every single title which had the Civil War banner on it. Every single one. However, last year I was having to cancel some titles in order to pick up others. There was a one in, one out system in place that made monthly comic buying difficult and, often, unpleasant. So I swept the board clean. I even dropped Saga.

This challenge, then, might not be as easy as I first thought. But I have plenty of back issues to re-read and a determination to find exciting new things, so….

Classics Illustrated adaptation of A Christmas Carol

Comic number 1: Classics Illustrated No 15: A Christmas Carol.

I’ve read this for a purpose, one that will become apparent over the year (hopefully). Originally published in 1948 in America as number 53 in the series (the version I have is the 2009 UK reprint), it’s a retelling of the classic Dicken’s novella with art by Henry Keifer. It is not the best retelling of the tale, or even one of the better Classics Illustrated, but it is enjoyable and includes elements of Dicken’s original that are often forgotten. I didn’t read this for entertainment, but for research purposes, however it was a good comic to start this challenge and probably sets the tone of what’s to come. Expect more classics and historical titles than new releases in the coming weeks.

Death of Superman
Superman The Man of Steel #10 from DC’s Death of Superman collection

Comic number 2: Superman: The Man of Steel #10

For Christmas I treated myself to The Death of Superman hardback book. The Man of Steel #10 is the penultimate issue before the death mentioned in the title. As an all out action piece, it has interesting layouts, especially taking into account the issues that precede and follow it. With only two panels per page, there is a lot of detail in each panel, although, the narrative itself is pretty straight forward by this point: Doomsday and Superman go at it hammer and tongs. An historical event story that spread across all of the Superman titles and seeped into the rest of the DC Universe, it isn’t the most cerebral of stories, but it does pack an emotional punch, even after all these years.

And the scene where Doomsday knocks Supergirl out of shape, literally, has always stuck in my memory. I had no idea what was going on with Supergirl at the time and reading this when it came out led me straight into reading Supergirl. These days, I’d rather read Supergirl over Superman.

Oxygen
Oxygen issues 3 and 4 Credit Andrew Wildman

Comic number 3: Oxygen Episode Three (and Four)

Oxygen is a self published comic by one of my favorite artists: Andrew Wildman. Issue 4 came out late last year but I re-read number 3 before moving on to number 4. Issue 3, subtitled Yellow, was the point where I started to really grasp what was going on. The series follows a lone astronaut, stranded on a planet fraught with dangers. The comic is a surprisingly personal journey through a single life and reminds me, in style and tone, of Martin Vaugh-James’ The Cage. What do we leave behind? What detritus remains of our memories as we move on through life? Thought provoking and beautifully produced, I’m with Oxygen until the end.

The series is half way through and can be bought directly from Andrew Wildman’s website here. I highly recommend it.

Shock SuspenStories #10
from Dark Horse Comics EC archive collection

Comic number 4: Shock SuspenStories #10

I love EC, and the EC Archives collections published by Dark Horse are a great way to read them. Some great writers and even greater artists worked on these comics, and you can guarantee there will be a gem of a story in each issue. For Shock Suspenstories #10, the diamond in the rough is The Sacrifice by Gaines, Feldstein and Kamen. It is an excellently paced murder mystery with a satisfying twist at the end. A sci-fi story and a horror-lite tale fill the pages of this issue with wonderful art but rather limp endings. The most intriguing story in this issue is …So Shall Ye Reap!, again written by Gaines and Feldstein (aren’t they all?) with art by Wally Wood. For a comic published in 1953, when anti-comics movements are taking America by storm, it is a very ballsy swipe at those people blaming comics for society’s woes. I’ve put this aside for later study.

Joe Fixir cover
Joe Fixit #1 Cover Credit: Marvel Comics

Comic number 5: Joe Fixit #1

A brand new comic!

I’m not much of a Marvel reader anymore, but I do enjoy Peter David’s early work on titles such as Spider-Man and The Hulk. And Q-Squared is one of my favorite Star Trek books.
Plus the Hulk punches the Kingpin.

‘Nuff said.

Star Trek #3 Cover Credit: IDW Publishing

Comic number 6: Star Trek #3 (2022)

As a big fan of Star Trek, I do tend to give a lot of the comic runs a go. I really enjoyed the recent Year 5 run with the original crew and have high hopes for the Strange New Worlds tie-in. IDW are putting out some great Star Trek content and this current run, featuring a mix of characters from the television series, is very exciting. With Benjamin Sisko captaining a star ship after being released from the Celestial Wormhole to track down a God Killer, it has adventure written all of it. So far, each issue has featured a number of recognizable faces and this third issue is no exception. With the arrival of Q to the mix, the narrative becomes quite ridiculous but definitely fun. It feels like a bit of a filler issue, but writers Collin Kelly and Jackson Lanzing are clearly enjoying playing in the Star Trek sandbox.

Where Monsters Lie #1 Cover Credit: Dark Horse Comics

Comic number 7: Where Monsters Lie #1

This is my first preview comic of the year. Due out on February 1st from Dark Horse Comics, this tale asks “Where do all the psychotic serial killers go after their killing spree has come to an end?” The answer: Wilmhurst. In this gated community run by a cold and clinical matriarch, the horror b-movie characters, slashers, and cannibal families can all feel safe while they take a little down time between murder sprees.

This first issue by Kyle Starks, with art by Piotr Kowalski, has its moments of slasher style horror, but for the most part is a whimsical comedy, a kind of serial killer sit-com. It’s not clear from this first issue what kind of story the mini-series will tell, whether it will lean more into the killer aspect or the comedy aspect, but this first issue definitely has enough going on to hook fans of either genre.

..

And so ends the first week of the year and a satisfying selection of comics already read. I think this mix of old classics, personal favorites, and brand new comics is going to be the shape of things to come. Hopefully, I will get the chance to look at a few previews to whet your appetite, and not re-read too many out of print, hard to find, back issues that no one can get their hands on if it seems appealing.

So, join me next week to see what seven comics have taken up my time. And why not add a comment below to let us know what you’ve been reading? Let’s share our love of the medium.

Monkeys Fighting Robots Youtube

Panel Breakdown: THE INVINCIBLE IRON MAN #1 – Tony Starks’ Fall From Grace

Panel Breakdown: THE INVINCIBLE IRON MAN #1 - Tony Starks' Fall From Grace

THE INVINCIBLE IRON MAN #1 hit your local comic book shop last month from Marvel Comics. The book is written by Gerry Duggan, with art by Juan Frigeri, Bryan Valenza drops the color, and you will read Joe Caramagna’s letter work.

In the Panel Breakdown, we look at the elements that raised the stakes in Tony Starks’ fall from grace.

About THE INVINCIBLE IRON MAN #1:
IT ALL ENDS!
Tony Stark, the genius-billionaire-playboy-philanthropist, has lost everything: his wealth? fame? his friends. But Stark doesn’t realize he still has so much more to lose, especially when the assassins start to come for him! It’s the beginning of the end, as the Golden Avenger must fight for his life and find out what it really means to hit rock bottom. Join Gerry Duggan (X-MEN) and Juan Frigeri (AVENGERS) as they take Iron Man to the darkest corners of the Marvel Universe yet!

Did you pick up the first issue?

Monkeys Fighting Robots Youtube

Celebrating Stan Lee’s 100th Birthday With DAREDEVIL #43 (1968)

Celebrating Stan Lee's 100th Birthday With DAREDEVIL #43

December 28th would have been Stan Lee’s 100th birthday, so it just made sense to talk about one of his books in the Panel Breakdown. So this week, we look at DAREDEVIL #43 from 1968 and the elements that made it a classic.

DAREDEVIL #43 was written by Stan Lee, with art by Gene Colan, Vince Colleta dropped the inks, and you will read Artie Simek’s letter work.

Monkeys Fighting Robots Youtube

Marvel Comics Exclusive Preview: DARK WEB: MS. MARVEL #2

marvel comics exclusive preview dark web ms marvel

DARK WEB: MS. MARVEL #2 hits your local comic book store on January 11th, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive four-page preview for you!

About the issue:
Caught in the explosive events unfolding across New York – including a face-to-face confrontation with Chasm himself – Kamala Khan finds herself teleported to Limbo, the domain of the Goblin Queen Madelyne Pryor! As the city descends into chaos that threatens everything and everyone Kamala holds dear, she’s left with no choice but to call on Miles Morales for a helping hand!

The issue is by writer Sabir Pirzada and artist Francesco Mortarino, with colors by Dono Sánchez-Almara & Fernando Sifuentes, and letters by Ariana Maher. The main cover is by Marco Checchetto and Matthew Wilson.

Check out the DARK WEB: MS. MARVEL #2 preview below:

marvel comics exclusive preview dark web ms marvel

marvel comics exclusive preview dark web ms marvel

marvel comics exclusive preview dark web ms marvel

marvel comics exclusive preview dark web ms marvel

marvel comics exclusive preview dark web ms marvel


Are you following Marvel’s DARK WEB event? Sound off in the comments!

Monkeys Fighting Robots Youtube

SCARLET WITCH #1 Is A Fresh Start With Tons Of Mystery

SCARLET WITCH #1 Is A Fresh Start With Tons Of Mystery

SCARLET WITCH #1 hits your local comic book shop today from Marvel Comics. The series is written by Steve Orlando, with art by Sara Pichelli, Elisabetta D’Amico is the inking assistant, Matthew Wilson drops the colors, and you will read Cory Petit’s letter work.

Orlando hits the ground running, setting up the series with mystery and intrigue. The final page is sure to make the Reddit boards crazy with theories and possibilities. But the concept of “The Last Door” emotionally ties the book to the reader. “When someone has nowhere else to go, they open The Last Door,” says Wanda. We all struggle with personal demons, and “The Last Door” magnifies hope. As Peter Parker was once a relatable character we could all see in ourselves, Wanda might come at the perfect time when everyone’s mental health could use a boost.

Pichelli’s art and Orlando’s story give the book an Edgar Allen Poe / Charlotte Brontë feel. A dark romance novel full of emotion and fear. The emotional spectrum can be felt through Pichelli’s art. She uses tight panels, so there is no mistaking what the characters are feeling. The action sequences are used sparingly, building tension as the reader waits for Wanda to erupt. Wilson’s color palette elevates the emotion on everyone’s face and provides a balance between the calm and intense moments of the story.

Petit’s letter work compliments the action and keeps the story in its proper lane of storytelling. This isn’t a blockbuster movie, heavy on CGI and special effects. SCARLET WITCH #1 is an emotional story with action, not the other way around.

SCARLET WITCH #1 is a must-buy, and I’m excited for the next issue.

About SCARLET WITCH #1:
THE SCARLET WITCH RETURNS! There is a door that appears only to those who need it most, who have no one else in the world to turn to. On the other side of this door is the witchcraft shop. Friend or foe, human or otherwise—if your need is great and your hope is gone, there you will meet the SCARLET WITCH! Wanda Maximoff is familiar with hitting rock bottom—and now that she’s finally found peace, she’s pledged all her power to help others who are languishing at their lowest. But when a woman falls through Wanda’s door with a terrifying story of a town gone mad, the Scarlet Witch will have to muster her wits and chaos magic to deal with an insidious threat! Comic powerhouses Steve Orlando (MARAUDERS; Midnighter) and Sara Pichelli (ULTIMATE SPIDER-MAN; SPIDER-MEN) join forces to open a groundbreaking new chapter in the Scarlet Witch’s history!

Enjoy a five-page preview below.

Monkeys Fighting Robots Youtube

REVIEW: MURDERWORLD SPIDER-MAN #1 Is Web Slinging Fun

Murderworld Avengers opened up a world of madness for people trying to get rich quickly. Unfortunately, this didn’t pan out too well for many of the contestants. For those who survived, the journey and battle were not close to being over. This week gives us Murderworld Spider-Man from the same writing duo of Jim Zub and Ray Fawkes. Joining them for this issue are Farid Karami on pencils, Chris Sotomayor on colors, and Cory Petit on letters.

WRITING

With this entry into the Murderworld saga, Zub and Fawkes use everyone’s favorite web slingers instead of the Avengers. My one gripe about the writing is that we don’t really get enough of the spiders. Similar to the Avengers in the last issue, the big Marvel characters only appear on a few pages and then disappear. What Zub and Fawkes do well is they continue to develop new characters in the story. Last issue the main character was shockingly killed off, this issue they build up some of the side characters from Murderworld Avengers. Eden Abraha was used last issue, but for Murderworld Spider-Man, she is our point of view character. Zub and Fawkes build Eden up through some flashback pages. She was an MMA fighter who took things too far. This issue also introduces us to a couple of new characters who also have some good potential to become relevant later in the series. As always, Zub and Fawkes write Arcade brilliantly. The make him funny and sadistic, but you can’t help but like him. Murderworld Spider-Man is a fun issue that doesn’t let the reader feel safe as characters are picked off one by one. Another great showing for Zub and Fawkes.

ART

The pencils are done by Farid Karami for this issue. Karami’s pencils are very clear and easy to go panel to panel with. Action sequences look awesome as the survivors try to take down an A.I. Miles Morales. One of the things Karami needed to nail was the facial expressions on Arcade. He’s a character that is very excitable and visually makes a lot of different looks. Karami succeeds in giving us several looks for Arcade as he is thinking seriously at one point to smiling with glee as contestants die off at the hands of his spiders. Karami also does good work establishing the layouts of new areas. As the survivors move on, they enter a blizzard. Karami paints a gorgeous snowy backdrop with covered mountains in the background. The pencils stepped up to the plate to make this issue more enjoyable and easy on the eyes.

The colors are handled by Chris Sotomayor. An issue like this uses several different background colors as our contestants travel through the unknown. Sotomayor will use a darker blue with light whites as the survivors travel through a winter landscape. Earlier in the issue, skies were clear and blue as they were attacked by Spider-Man and his crew. The pages where the Spider-Man crew arrive are colored vibrantly by Sotomayor. The red from Spider-Woman is just the right tone, and Sotomayor also gives us excellent shading as well.

The letters by Cory Petit are good. As the spiders attack, Petit uses several well-placed “THWIP” effects. These are in the upper left-hand corner of the page, and allows the action be seen. Word balloons are placed in the perfect spot so they don’t interfere with the pencils. Petit makes effective use of sound effects as well. A “CRUNCH” is placed in between a contestant’s feet as he is yanked up by a spider web. Petit is easily one of the better letterers in the comic book industry. His work continues to evole and engage readers.

CONCLUSION

Much like this issue before it, Murderworld Spider-Man is a fun and entertaining issue. Jim Zub and Ray Fawkes continue to make this series an enjoyable one. No one knows what will happen next, and that’s the most exciting thing about this book. Murderworld Spider-Man is available at a comic shop near you!

Monkeys Fighting Robots Youtube

The Best Movies About Gambling and Poker

The Best Movies About Gambling and Poker

One thing that is almost always guaranteed in gambling and poker movies is tension. This is because writers use these elements to create high-stakes situations. So, the idea behind these gambling movies is to create a gripping story with a lot of excitement and drama and even serve as the basis for a good comedy. 

Of course, when you watch movies about casinos, you are also taking a risk. You don’t know whether your two-hour investment will be worth it. So, the goal of this post is to help you mitigate that risk. If you love casino games and poker in movies, keep on reading. Here are some of the best gambling movies you should watch. 

Lock, Stock and Two Smoking Barrels

Guy Ritchie has a unique style in cinematography. For some genres, this style really works, while in others, it can feel out of place. Luckily, Lock, Stock, and Two Smoking Barrels is one of the best movies in general, and you should definitely watch it. Gambling doesn’t take a central stage, but it definitely has an impact on the plot. There are underground betting and poker games, and characters suffer consequences for throwing in their lot with these mobsters. 

Of course, today’s gambling scene is drastically different. Due to regulations and money laundering laws, it’s more difficult to organize gambling hubs in the underbelly of a big town. Gamers are a lot safer when they play at the best online casinos. They can even use electronic checks to make deposits directly from their bank account. There is a guide to use echeck in online casinos that helps new players who want to use this payment processor. It’s a great option for a deposit, especially if you don’t have an account with other digital payments service providers. 

Croupier

The Best Movies About Gambling and Poker

This is a great drama about financial struggles and stress that comes from interacting with others who also experience financial problems. Clive Owen plays a character who is desperate to get his hands on some extra cash. He starts working as a croupier, and since he is good with numbers he becomes really good at what he does. However, this job also takes a toll on his personal life, mainly because people aren’t that good at handling losses.

This is why all of the best online casinos heavily advise their players to gamble responsibly. A smart player should always use everything he has to his advantage but never bet with money he or she cannot afford to lose. This is why you should claim the best casino bonus Canadahas to offer and basically gamble risk-free. Some of these promotions require you to sign up or use a specific payment processor, but most of them come with wagering requirements. Make sure to read those terms before opting in because most of these are tailored toward fans of slots.  

Rounders 

If you are a big fan of poker, then for you Rounders is probably the best poker movie out there. It is filled with tense scenes, but it also has some great life lessons. It’s a story about a card-playing genius that manages to emerge victorious  That’s basically the main reason why some people dislike Rounders, it in a way sends a positive message about winning at the poker table. Other than that it is overall a great movie. 

It says that you need to do what you were meant to do, and those who are lucky enough life are able to discover their true purpose. It also has another great quote that you can shear sheep multiple times, but you can skin it only once. It’s definitely a philosophy for professional poker players who find themselves playing against the newbies.

The Card Counter

Saying that this is just a movie about gambling wouldn’t do it justice. It’s a great story about a man haunted by his past, and how the US treats its veterans. This is where a parallel with casinos can be drawn. It’s this promise of excitement and luxury, but for many, it ends up being a life of loneliness and struggle. Army recruits with promises of greatness and doing service to their countries. However, many veterans become scared by the atrocities, and they are left to pick up their pieces. 

Conclusion

These were some of the best casino movies that you should watch. Hopefully, you will get inspired to give some of them a try, after reading through the descriptions. Of course, there are many other titles out there, like 21,  Mississippi Grind,  Owning Mahowny, and Molly’s Game. So, if you have already seen the ones listed here, try giving one of these a shot. 

Mila Roy is a digital marketing expert with years of experience in the iGaming industry. She works as a content strategist, and she loves blogging about tips and tricks for new gambling enthusiasts. In her free time, Mila likes to relax by camping in state parks or watching thriller movies. 

Monkeys Fighting Robots Youtube

Exclusive Preview: FANTASTIC FOUR #3 – Read The First 4 Pages

Exclusive Preview: FANTASTIC FOUR #3

FANTASTIC FOUR #3 hits your local comic book store on January 4, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive four-page preview for our readers. The book is written by Ryan North, with art by Iban Coello, Jesus Aburtov drops the color, and you will read Joe Caramagna’s letter work. In addition, Alex Ross created the beautiful cover.

About FANTASTIC FOUR #3:
The Human Torch is alone in New York, trying to survive in a city that hates and fears—well, mostly him specifically. There’s just one thing for Johnny to do: Adopt an all-new secret identity and take an all-new job nobody else wants! But when things at work heat up, Johnny discovers that while you can forget the past, that doesn’t mean it’ll stay buried…and he has to decide if there’re certain things that the Human Torch can’t let himself do! Also! In this issue, Johnny Storm fights a tornado!

LEGACY #696

Enjoy the preview below.

1

Monkeys Fighting Robots Youtube

Retrospective: HAWKEYE is a Fun if Minor Offering From the MCU

marvel studios hawkeye disney+ clink barton kate bishop

Clint Barton, AKA Hawkeye, is one of the MCU’s founding Avengers, and the most grounded member of the superhero project. Last year, he finally received his first solo project and took on a young protégé in the Disney+ series Hawkeye.

Kate Bishop (Hailee Steinfeld) is a young woman who became inspired to take up archery after seeing Hawkeye fight in the Battle of New York. When Kate comes back to New York for Christmas, she suspects her mum’s fiancé is up to no good, leading her to an underground auction. Clint also happens to be in New York with his kids for a family trip. Kate’s actions force Clint to confront his past when he had acted as the murderous vigilante Ronin during The Blip.

Hawkeye was the fourth live-action Marvel series made for Disney+, and the most grounded so far. It aimed to be a series that looked at street-level crime instead of multiverse-level threats. Most of the series took place in New York City. This focus on crime, gangsters, and New York made Hawkeye more akin to the Netflix Marvel series like Daredevil or Jessica Jones, but with the MCU treatment. This meant the series had a grittier story yet was filled with jokes.

Hawkeye had an excellent opening. It opened with a prologue where Kate and her mother (Vera Farmiga) survived the Battle for New York and Kate saw Hawkeye in action. It felt cinematic; it felt like the opening to Batman vs. Superman: Dawn of Justice where a major event from a previous movie was shown from a different perspective. The animated title sequence showed Kate training in archery, fencing, and marital arts, which quickly showed she was skilled but lacked experience. She made mistakes and got hit when fighting the Tracksuit Mafia.

Clint had the biggest emotional storyline in the series. He was suffering from the impact of The Blip and the events of Avengers: Endgame. During The Blip, Clint lost his family and he became a bloodthirsty vigilante, whilst in Avengers: Endgame he saw Natasha sacrifice herself so The Avengers could acquire the Soul Stone. All these events have taken a toll on the man because he suffered from trauma and guilt. These events also had ramifications for Clint because there were characters who (rightly or wrongly) wanted revenge.
The series had some terrific moments, but the third episode, “Echoes”, was arguably the strongest. That episode opened with Maya Lopez’s (Alaqua Cox) backstory. This prologue showed Maya’s loving relationship with her father and how she developed her martial arts skills. It was effective storytelling that showed how dangerous Maya was, whilst also evoking sympathy. The episode had the best action sequence in the series. This was the car chase which was the most inventive because of the way it was shot and the implementation of Hawkeye’s signature trick arrows.

Florence Pugh reprised her role as Yelena Belova for the series. She was a great presence and a scene-stealer like she was in Black Widow. She was hired as an assassin and had a personal grudge against Clint since she believed Clint was responsible for Natasha’s death. Whilst she had a serious mission, she was also hilarious and made the Marvel style of humor work.

Hawkeye was generally an entertaining series, but it was not without issue. First and foremost, the story felt overly extended. This was particularly evident during the second episode where the characters took a detour to a LARPing event in Central Park. It felt like the showrunners were trying to justify the six-episode run. The events of the series take place over the course of a few days which made it feel like Hawkeye could have been a film instead

Hawkeye’s action sequences felt the most televisual so far. Most of the fight scenes happened in locations like a hotel wine cellar, a warehouse, and a rooftop. It felt more like an Arrowverse show than the Marvel Cinematic Universe. The action was well executed, but it’s a departure from the big set pieces seen in other MCU projects.

Hawkeye was bogged down by the tonal shifts. Characters like Clint and Maya had emotional baggage and they were dealing with their trauma, then Kate and Yelena were cracking jokes constantly. The humor was at times cringey and didn’t fit the crime story.

Hawkeye is a breezy watch. It make for a fun festive series to watch around the holidays, and it showed the ground level of the MCU. However, it was overall inconsequential in the canon of the MCU.

Monkeys Fighting Robots Youtube

INTERVIEW: Composer Juan Carlos Enriquez On Creating Music For Peacock’s ’Til Jail Do Us Part

juan carlos-composer-interview

The Peacock Original series ‘Til Jail Do Us Part stars Kate del Castillo (La Reina del Sur), Roselyn Sanchez (Fantasy Island), Jeirmarie Osorio (Jane the Virgin), and Sylvia Saenz (Bambalina) as four wives dealing with the repercussions of their criminal husbands. Juan Carlos Enriquez created the charming, energetic, and versatile soundscapes that permeate the eight-episode first season.

Angela (Kate del Castillo), Sofia (Roselyn Sanchez), Esmeralda (Jeimy Osorio), and Viri (Sylvia Saenz) are all married to four men who handle illicit business in and around Miami, Florida. They’re big-time mobsters serving a criminal organization run by Suazo (Rodrigo Murray). When money goes missing and the husbands are put behind bars, the wives come under assault and must band together to survive. The problem is these women don’t like each other, making for one fun dramedy.

PopAxiom spoke with Juan about his road to becoming a composer and creating the music for ‘Til Jail Do Us Part.

Learned

Juan originates from Guadalajara, Jalisco, Mexico, “the land of tequila and mariachis,” he says. “Guadalajara is a very musical city. There are mariachis and street musicians everywhere. It’s also the home of the Jalisco State Philharmonic. So I used to go watch the philharmonic as a kid with my family.”

One of Juan’s great-aunts was a classical pianist and taught him as a child, which served as his introduction to playing music. “I got bored with the exercises and started to wander off on my own, getting into bass and guitar. Doing my own thing with music always grabbed my attention as a kid,” he reflects.

By the time high school came around, Juan was playing in rock bands for fun. “At that time, I learned about this career called film scoring, and there were composers like Hans Zimmer and John Williams. There was a whole world in the US of people making music for a living and working on amazing movies, so that grabbed my attention. Combined with seeing orchestras play classical pop concerts with film scores, that ignited something in me to learn everything I could about the craft.”

Juan attended Berklee College of Music in Boston to study composing for film and television. “I moved to LA and worked for nine years, going from project to project as an assistant composer, additional composer, or additional arranger. It was there that I learned the craft and about the industry.”

juan carlos-interview-peacock

About ’Til Jail Do Us Part

“I was recommended to the producers of ‘Til Jail Do Us Part to be considered for another show which I didn’t get,” he laughs, explaining his connection to the Peacock series. “But they were impressed enough with the work that they invited me to demo for ‘Til Jail. So there was a process of demoing, proposing my main title idea, and a few scenes based on the script. Then, thankfully, they chose me.”

Juan had the scripts for the first three episodes to guide him during a short window to create new music. “They gave me a week to work on the demo. I also had meetings with the production designer and sound people to get a general idea of the show’s aesthetic and how they wanted to be different from other shows set in Miami with a Latin story.”

“I tried to distill all that, like a good tequila, into a thirty-second main title and then five scenes imagining what the edits would be,” he continues. “I was happy that they loved it. The main titles never changed; they were just recorded live. A few of the scenes stayed too.”

Productions always need more time. “Once I was brought on, it was like, ‘Here’s the schedule because we’re running and have to deliver by these dates.’ The usual post-production process.”

While explaining the process, he says that he worked on more scenes based on the rough edits. “They sent me scattered scenes, and I’d send stuff back for review. After a few passes, we got the tone of the show. Then, once the final edits were in place, I did a pass to make it all more cohesive.”

Juan explained how he tried to make ‘Til Jail Do Us Part different from other shows set in South Florida by noting, “a lot of times, you see that shot of Ocean Drive, and it’s electronic music. I went differently because of the characters and the aesthetic. It’s slightly more retro, with an a-temporal vibe to make it more unique and colorful. It’s not a drama; it’s a dramedy, so I could be playful with it.”

Play It

Juan Carlos’ process depends on style. ”When you work on a certain instrument, something different comes out of you. It’s not the same composing on a piano as on a guitar. So, each style evokes a different method of approach,” he explains.

On ‘Til Jail, he says, “I started on the piano to see if I could get the main theme happening. Then I started orchestrating from there, adding percussion and guitar. The main title was the root of the style because it worked well. I wanted the main title to be a melody throughout the show so that the music appears in different variations when the main characters work together. As the season evolves, it gets more intense too, so I was able to add more instruments.”

“I’m very hands-on and like to play the instruments to see what comes out,” he shares. “You never know; it’s like a stream of consciousness writing. Some composers are effective at programming the music, working the notes directly into the computer. For some styles, it works. For me, it works to play it myself.”

Wrapping Up

As a kid in Mexico, Juan reveals what kind of movies he was exposed to. “You get the blockbusters. I had no idea about the indie world until I went to college. In Mexico, you get Bruce Wills and Keanu Reeves. So, I grew up with Hollywood blockbusters and animations, which I love. They have a special place in my heart.”

“I love the composer Harry Gregson-Williams, an English composer who did the soundtracks for Narnia and Shrek. Also, amazing thriller movies like Spy Game and The Equalizer. I love his style of blending orchestra with electronics.” Like every musician, his influences come from a wide range of sources. “Being Mexican, I was exposed to many composers from Latin America like Jose Pablo Moncayo.” His style, he says, is “a mix of classical Mexican composers and Hollywood blockbusters.”

Juan wants to work on bigger action movies or thrillers. He’s thankful to have worked on projects like Furious 7 and Narcos. “I got my feet wet, and I want more.”

‘Til Jail Do Us Part is available now on Peacock. Juan also scored the Netflix mini-series The Secret of the Greco Family. It’s set in the 80s in Mexico and is based on a true story about a rich Mexican family that starts having financial trouble. To keep up with the Joneses, they start kidnapping their kids’ friends to ask for ransom. It’s based on a true story that happened in Argentina.

There is more to come from Juan Carlos.

Is ‘Til Jail Do Us Part on your watch list?

Thanks to Juan Carlos Enriquez and Impact24 PR
for making this interview possible.

Find more interviews from Ruben R. Diaz!

Monkeys Fighting Robots Youtube