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Milestone Titles Now Available Digitally From DC Comics

Milestone Icon

We got the news at FanDome that the Milestone line would be rejoining the DC Comics family. Now, the first batch of titles — featuring Hardware and Icon — have been announced.

Here’s the official word:

DC Reveals First Wave of Milestone Collected Editions Available For Purchase Digitally

 Hardware: The Man in The Machine Available Now

 Icon: A Hero’s Welcome Available Tuesday, October 6

 Icon Vol. 2: The Mothership Connection Available Tuesday, October 13

More Titles to Follow Ahead of An All-New Static Shock Digital Comic Book Series, Scheduled for February 2021

Following the announcement on the Milestone panel at DC FanDome: Hall of Heroes, DC revealed today that for the first time ever, titles from the Milestone library are available for purchase now on digital platforms such as Comixology, Amazon Kindle, Apple and others.

Hardware: The Man in the Machine (2010)

Written by Dwayne McDuffie

Art by Denys Cowan and J.J. Birch

$12.99

On Sale now

This first-ever HARDWARE collection introduces inventor/engineer Curt Metcalf, who begins his adventures by breaking free of his employer, businessman Edwin Alva, who refused to share the profits from Metcalf’s many creations. Discovering that Alva is tied to organized crime and learning that no law enforcement agency would touch him, Metcalf created the high-tech Hardware armor that enabled him to take on his corrupt boss.

Icon: A Hero’s Welcome (1999)

Written by M.D. Bright and Dwayne McDuffie

Art by M.D. Bright

$12.99

On Sale October 6

The flagship character from Milestone Comics is back in this new printing of the classic title collecting ICON #1-8. This is the title that introduced Augustus Freeman, a successful lawyer who covertly uses his alien super-powers to help those in need. But when a teenaged girl from the streets convinces him to use his abilities to inspire his people and becomes his sidekick, Rocket, the affluent Augustus embraces his true destiny and becomes Icon, the hero of Dakota.

Icon Vol. 2: The Mothership Connection (2010)

Written by Dwayne McDuffie

Art by M.D. Bright and Mike Gustovich

$16.99

On Sale October 13

In 1869, the life pod of an adult alien crashed in the cotton fields of the South. Discovered by a slave woman, the extraterrestrial’s genetic structure was reconfigured, and he was transformed into an African American baby. Now, over a hundred and twenty years later, Augustus Freeman is a successful lawyer who covertly uses his alien super-powers to help those in need. But when a teenaged girl from the streets convinces him to use his abilities to inspire his people, the affluent Augustus embraces his true destiny and becomes Icon, the hero of Dakota.

More titles will be added between now and February 2021, when DC and Milestone debut an all-new Static Shock digital series. For the latest information on Milestone and the World’s Greatest Super Heroes, visit the website at www.dccomics.com and follow on social media @DCComics and @thedcnation.

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BOMB QUEEN: TRUMP CARD #2 – Let Outrage Roar

Bomb Queen: Trump Card #2 Cover

Bomb Queen: Trump Card #2 is this week’s release from Image Comics’ Shadowline Productions. Jimmie Robinson, as sole creative outlet, goes right into the social satire.

Recap

In the last issue, Bomb Queen decides to run against Donald Trump to be president after an encounter with White Knight. But she seems to be in a sticky situation over some Generation Z superheroes.

Bomb Queen: Trump Card #2 Outrage Rules

Bomb Queen: Trump Card #2 makes clever use of social satire in ways that attract the reader’s attention. In just the opening act, the Queen uses the attack on her to advertise her campaign. Outrage is the Queen’s primary weapon to get her point across. Whether it’s the way she dresses, the uncensored profanity on live TV, or showing Donald Trump up at his rally. Shock advertisement has a paradoxical way of working. Despite the risque subjects, as long as the audience has enough tolerance and the message stays on brand, the point gets across. It is a significant part of how Donald Trump won the 2016 election.

Along with this are constant references to the toxic sides of the comic industry. There are the little tidbits about the comic industry being dead, often in the form of memes. All despite sales data that display, they’re still in the millions even in the pandemic. Bomb Queen: Trump Card #2 shows that despite these projections, comics are very much alive. If you want a better example, the Queen had an orgy with followers of the campaign-that-shall-not-be-named who all end up dead at her feet. Whether anyone’s for or against her, it’s the Queen who wins.

Art

Jimmie Robinson pulls out all of the stops in his art duties. In the first few pages of Bomb Queen: Trump Card #2, he displays his main character’s vanity. From the way, she decorates her penthouse to advertising her own comics in the background of the news interview. But more importantly, he shows how the world around everyone turns. On a bus are advertisements with varying campaigns that go against one another. To anyone with a linear sense of good and evil like White Knight, they are hopelessly outmatched.

No better display of the above description is in the coloring and lettering. When Bomb Queen appears at the Trump Rally, she speaks about Trump bringing unity to a crowd of overwhelmingly white men who wave Confederate flags. Then she proceeds to praise Trump in a pose resembling the Nazi salute. It’s a display of having power over a man who got his strength from both overtly bureaucratic politics and memes. But now, with someone who can challenge him, Trump is at the Queen’s mercy.

Long Live Bomb Queen: Trump Card #2

Bomb Queen: Trump Card #2 is a display on why the Bomb Queen franchise is memorable. It’s self-awareness of what it’s satirizing means that it pays attention to the context of its subjects. On the surface, it’s just Bad Girl trash, yet that hasn’t stopped other Bad Girls like Lady Death from financial success. Neither does outrage hamper the likes of Trump or the earlier censored campaign. So why would Bomb Queen not satirize these aspects?

What do you all think? Despite everything in this review, is this just Trump or Bad Girl propaganda in disguise? Leave your thoughts in the comments.

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HELLBLAZER #10 Is The Soul-Searching Comic We Need Right Now

Hellblazer Spurrier DC Comics

Written by Simon Spurrier, with art by Matias Bergara, colors by Jordie Bellaire, and lettering by Aditya Bidikar, DC Comics’ John Constantine: Hellblazer #10 brings Constantine to account. This creative team takes Constantine, a character known for escaping unscathed from the hairiest of circumstances, and makes him feel the unforgiving pain of surviving. DC Comics’ Hellblazer continues to be the best title on the stands, helping readers digest some of the darkest parts of the current zeitgeist.

Writing

Spurrier understands the heart of John Constantine. He’s a man who is afraid of nothing except himself. Constantine has evaded death, mutilation, and capture over and over again, but at what cost? Spurrier suggests Constantine has forfeited his soul, arguably long before the start of Spurrier’s run. And so pitting Constantine against an older version of himself is the only thing that will put the fear of God in him. He must think, for the first time, about his effect on the world and wonder if he’s doing it any good.

Spurrier is the kind of writer you want to quote. Just put a snippet in to show people how brilliant his writing is. The problem is, there’s just too damn much to choose from. Spurrier rhapsodizes poetically about truth and illusion. Spurrier’s question is, are hallucinations and dreams any less real? Does it matter if Constantine sold his soul to a figment of his imagination if he willfully did it either way? Spurrier is continually pushing our concept of what’s real. So when Constantine faces the ghosts of his past, in a dream or not, it hits home. He’s still a bastard, even if the people telling him so aren’t real.

Hellblazer DC Comics Spurrier

Art

Bergara hones in on the danger of this issue. As characters are being stalked, Bergara creates pages of their brutal demise that take the same format each time. Three panels, stacked on top of each other, before the rest of the page is taken up by the image of their death. Bergara simulates the feeling of something approaching. The first of the three panels is smaller. The characters only just notice their followers. Then the next panel widens. The characters are doing something about the danger, taking charge. They’re aware the danger is closer. But then the third panel shrinks back. They think they’re in the clear. And finally, Bergara shows their bloody end, stretched out across the rest of the page.

This makes each of these pages terrifying. Each moment feels like one step closer to the danger. Bergara’s repetition of the process only adds to the terror. That third panel no longer fools us. The shrinking back isn’t the character in the clear; it’s their loss of focus. Bergara achieves these small moments of fear and destruction brilliantly. As Constantine looks out at the death he’s caused, those images loom over him. They’re cobbled together on some kind of cracked black screen that looks suspiciously like panels on a comic book page. Bergara is reminding us that these aren’t the first deaths John’s been responsible for. John’s list of sins is long, and it’s been innocuously recorded in years and years of comic book pages.

Coloring

Bellaire shows us when John is really in his comfort zone. Throughout this issue, hopping through dreams and dodging death, John is in reds and greys, and he’s mostly in his underpants. Bellaire makes John a victim of his surroundings. He isn’t red, the overarching horror in the sky is, and he’s covered in its light. He isn’t grey, the darkness of his past is, and its shadow surrounds him. But when do we see John looking at home? In the color schemes we’re used to. The yellows and oranges we associate with his powers and fashion sense.

It’s when he’s lighting a cigarette that he looks like himself, washed in the lighter’s glow. Or it’s when he’s grabbing a drink in a pub. John is a man of vices, Bellaire is telling us. Vices that he uses to escape the moment. It’s these things Constantine wants to drown in, rather than face the music. These vices, these distractions from his own soul, are where he finds his identity, and Bellaire’s familiar color scheme for these moments shows us that.

Lettering

In John Constantine: Hellblazer #10, Bidikar places some captions in boxes, and others in the blank space on the page. Bidikar makes these moments, words that have no borders, feel dangerous and uncontained. The feeling is that they aren’t from anywhere; they simply exist. As one character walks down an alleyway, she feels she’s being followed. It’s the familiar moments that get a text box. She’s been followed before; she recognizes when someone’s breathing and pace matches hers. But Bidikar makes the dangerous moments both unbound and more subtle by their lack of a text box. Those are the thoughts she has of her old traumas, sneaking their way back in. As she turns to face her stalker, the captions get another text box. This thought is a thought that is comfortable and emphasized. She is choosing to have this thought, not trying to pretend it isn’t there.

As she turns to face her attacker, “…wh… where’d y–” she says as she sees them disappear. Bidikar slaps a giant blam of a gunshot on the bottom of the page to create a kind of whiplash. We go from a small quieter moment that’s broken by a loud, violent one. The prominence of the “blam” on the page means we know this moment is coming. It’s impossible to miss, even peripherally. Bidikar wants us to know what’s coming, and give a damn anyway.

Hellblazer Spurrier DC Comics


DC Comics’ John Constantine: Hellblazer is easily the hardest cancellation to digest of DC Comics’ recent culling. This series rips apart the heart and soul of Constantine, so it can also rip into our own fears and ugliness. Pick up John Constantine: Hellblazer #10, out from DC Comics September 29th, at a comic shop near you. It’s the soul-searching comic we need right now.

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Review: The Boy Behind the Door Offers Nail biting Child Horror

The Boy Behind the Door is every parent’s worst nightmare, a film centered on two young boys caught in a dire situation. The film had its world premiere last night at Fantastic Fest, and it was a hit. It draws attention to child abduction, and sex trafficking, which is probably why landing a distributor might be an issue. However, this is a very relevant film that addresses a dark subject matter and is capped off by two stellar child performances.

This has been the year of timely films, and The Boy Behind the Door is at the top of that list. While logically flawed, the film packs a very important message about friendship and wants to be a statement against the heinous rings that exist around the world. The Boy Behind the Door is so relentless it might cause parents to keep a closer eye on their children. Directed and written by David Charbonier and Justin Powell, the film stars Lonnie Chavis, Ezra Dewey, Scott Michael Foster, and Kristin Bauer Van Straten. The Boy Behind the Door follows two best friends, Bobby (Chavis) and Kevin (Dewey), who are abducted during the day while playing. After being taken to a house, Bobby quickly escapes but returns to save his friend from the danger within.

Lonnie Chavis in The Boy Behind the Door

While very engaging from start to finish, this film rushes to its point and you don’t really get to know the two kids. Still, the predicament they are placed in will be enough to get audiences on their side. The villains in the film aren’t that fleshed out either, but they are child traffickers and that’s all that matters. The Boy Behind the Door does a terrific job of showing the strong bond between these two best friends because Bobby will not leave this house without Kevin. Most of the film is Bobby running around the house trying to dodge his captors, and this bridges into a few homages from other classics like The Shining. Usually, the bad decisions characters make are unforgivable, but these are two kids behaving just how two scared kids would behave in this horrific situation. Overall, this script is solid and the bond between Bobby and Kevin will keep everyone invested.

Chavis and Dewey are incredible, these two actors are examples of the talent child actors can possess. They easily will draw you in with their cries and screams, as they beautifully bring Bobby and Kevin to life. The interactions they share are spectacular to watch and Chavis is giving it his all here as Bobby. He is our focus for most of the film, taking us on this thrilling cat and mouse adventure that resembles a twisted version of Home Alone. When you have two kids in peril, it may become too intense for some, but these two young stars are phenomenal in The Boy Behind the Door.

Lonnie Chavis as Bobby in The Boy Behind the Door

Charbonier and Powell have crafted a fast-paced thriller that should help bring attention to these real-world issues. These two snatch you up and refuse to let go till every hair on your back is raised. The ways they create fear out of these lingering shots of shadows and intimidating standoffs throughout the house is amazing. The Boy Behind the Door starts off very innocent and quickly becomes a nerve-racking ride that raises the tension with each passing moment. Anton Sanko’s score only adds to the danger lurking in the shadows for these two best friends, it accompanies the intense faceoffs wonderfully. Also, it needs to be said that this film’s message is made loud and clear, and it never comes off as exploitative.

The Boy Behind the Door follows familiar beats, copies a few scenes from better films, but still delivers an engaging adventure that brings attention to a growing issue that a lot of people aren’t concerned with. A heart-pounding thriller that deserves a theatrical release, but probably won’t get the recognition it deserves. A call to action that gets brought to life by two rising actors who deserve every bit of praise they are destined to get.

 

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AfterShock Announcement: The Scouts Take Over The Future In SCOUT’S HONOR #1

Scout's Honor #1, cover

AfterShock comics has announced a new series about a post-apocalyptic future where society follows an ancient Ranger Scout rule book. SCOUT’S HONOR #1, available to retailers on January 6th, 2021, is brought to you from multiple Ringo Award-nominated writer David Pepose (Spencer & Locke, Going to the Chapel, The O.Z.) and artist Luca Casalanguida.

Says AfterShock about the new series: “…in a harsh survivalist society that only allows men to serve, Kit has concealed her identity as a woman to pursue her calling as a Ranger Scout. But when she makes a shocking discovery dating back to the Ranger Scouts’ conception, Kit will be forced to reexamine everything she once believed,…”

You can check out a collection of images from the first issue and read the full AfterShock press release below.

Are you a fan of post-apocalyptic stories with a twist? let us know what you think in the Comments section, and please share this post on social media using the links below.

SCOUT’S HONOR #1 / $4.99 / 32 pages / Color / On sale 1.06.21

Writer: David Pepose

Artist: Luca Casalanguida

Colorist: Matt Milla

Letterer: Carlos M. Mangual

Cover: Andy Clarke w/ Jose Villarrubia

Incentive Cover: Brent Schoonover

Years after a nuclear apocalypse, a new society has risen from the ashes…and their bible is an old Ranger Scout manual.

A young Ranger Scout named Kit has endured the harsh survivalist upbringing needed to conquer the irradiated Colorado Badlands. But after discovering a terrible secret once lost to history, Kit must risk everything on a dangerous quest to uncover the truth behind the Ranger Scouts’ doctrine.

From multiple Ringo Award-nominated writer David Pepose (Spencer & Locke, Going to the Chapel, The O.Z.) and artist Luca Casalanguida (James Bond, Lost Soldiers) comes a post-apocalyptic coming-of-age tale that proves when all you know is a lie, a Scout’s Honor is the only way to move forward.

DAVID PEPOSE ON WHAT THE BOOK IS ABOUT AND WHY HE’S EXCITED FOR IT TO COME OUT:

“Scout’s Honor is about a post-apocalyptic cult rising from the ashes of a nuclear war… and their bible is an old Boy Scout manual. Our series follows Kit, a promising young trainee with a big secret — in a harsh survivalist society that only allows men to serve, Kit has concealed her identity as a woman to pursue her calling as a Ranger Scout. But when she makes a shocking discovery dating back to the Ranger Scouts’ conception, Kit will be forced to reexamine everything she once believed, as she struggles to survive both her fellow Ranger Scouts and the radioactive horrors of the Colorado Badlands.

Having been working on this story for over a year now, I’m excited for the world to finally get to meet Kit, and to discover the world of Scout’s Honor. This isn’t just a post-apocalyptic action story — it’s a story about losing your religion, and about having to find your way back through the wilderness. It’s a story about the blindspots of history, and about confronting the ugly truths of our past that lurk beneath the shadows. And that’s not even touching upon the incredible artwork by Luca Casalanguida, Matt Milla and Carlos Mangual, who have made the Colorado Badlands a beautiful but harrowing place for even the toughest of Ranger Scouts. I truly believe that Kit is a heroine for our era, and I can’t wait for readers to follow her dangerous journey in the pages of Scout’s Honor.”

DAVID PEPOSE ON SOME OF HIS INSPIRATIONS BEHIND CREATING THE BOOK:

“The best way for me to describe Scout’s Honor is like Fallout meets Mulan meets The Handmaid’s Tale… but there are tons of other influences that found its way into the book, as well. Video games like The Last of Us and Horizon Zero Dawn were also crucial inspirations for fleshing out this dangerous post-apocalyptic world, while TV shows and movies like The Path and The Hunger Games really spoke to this dystopian society, and the feeling of rediscovery when you learn your entire life might be a lie. And that’s not even including real-world inspirations, like the disillusionment felt by many after the sexual abuse stories coming from the Catholic Church, down to my own spiritual and political awakening as a Jewish writer originally raised in the conservative Midwest.

But ultimately, my biggest inspiration behind the series was watching my two younger brothers serve as Boy Scouts — from their uniforms to their manuals to their bylaws, the Boy Scouts as an organization has this kind of pageantry and regulations that can often feel religious. The idea of history being like a game of telephone felt like some exciting narrative territory to explore, and the idea of the Boy Scout ethos mutating into this hypermasculine survivalist cult felt eerily plausible given the state of the world today. Whether it takes weeks or hundreds of years, eventually the truth will come out — and having to reorient yourself in the face of these startling revelations can be challenging and painful. Thankfully for Kit, the most important Ranger

Scout law is to always be prepared…”

DAVID PEPOSE ON WHAT HIS EARLIER CREATOR-OWNED EXPERIENCES TOUGHT HIM THAT HE WAS ABLE TO APPLY TO THIS BOOK:

“Books like Spencer & Locke, Going to the Chapel, and The O.Z. have taught me that no matter how crazy your high-concepts are, it doesn’t matter one bit unless you’ve got a universal human core at the heart of your story, some emotional anchor that people can access to get invested in your story. If you boil it all down, I truly believe that storytelling is the art of making complete strangers give a damn — and I think in the case of Scout’s Honor, we can all relate to having the rug pulled out from under us, that we find ourselves believing in things that maybe aren’t as constant or enduring as we once thought.

Whereas much of my previous work follows characters digging themselves out of the wreckage of longstanding heartache, Kit’s journey in Scout’s Honor is dealing with the immediate aftermath of trauma, and trying to make sense of it and move forward. There’s a sense of catharsis that comes from exploring trauma that really resonates with readers, because we all have painful experiences that we’re looking to transcend and move past. In that regard, Scout’s Honor really fits in nicely with my previous work, while still being unique thanks to Kit’s distinctive struggles with her life in Ranger Scout society.”

DAVID PEPOSE ON IF HIS TIME AT DC COMICS HELPED HIM BECOME A SUCCESSFUL FREELANCE WRITER:

“Absolutely — it took me three years to get my internship at DC Comics, and it was worth every phone call. (Laughs) It’s easy as a reader to overlook the various elements that go into making a comic — people might know a writer or an artist’s names, but not many readers know who’s inking or coloring or lettering a book, let alone knowing who’s editing or working on production, let alone departments like marketing or publicity or creative services. My time at DC was an amazing experience because it really made me put a face to every aspect of the comics-making process. To be honest, it really was an eye-opening experience that made me truly realize that you could make comics as a career — and absolutely lit the fire under me to pursue that dream long-term.

I’m also lucky because DC was my first experience of interacting with comics editors, including Mike Marts, who would wind up becoming my terrific editor on Scout’s Honor alongside the equally incredible Christina Harrington. I learned so much about the editorial process, which was invaluable towards getting my own comics off the ground — everything from finding reference art, to learning how scripts are paced and formatted, to providing notes on thumbnails, colors, and lettering, I learned

during my time at DC. It really was the perfect boot camp for my comics career.”

DAVID PEPOSE ON ADVICE HE HAS FOR FOLKS THAT WANT TO GET STARTED MAKING COMICS:

“Start small, and get your reps in. When I was first dipping my toes in the world of making comics, I wrote a short script every day for 90 days. But here’s the big secret — they don’t have to be good, let alone published. The most important thing is you will learn something from every script you finish. They say you have to write 100,000 terrible words in order to get to the gold, and I think aspiring creators owe it to themselves to train as hard as they can by themselves before trying to start the marathon of creating a miniseries.

The other critical piece of advice I like to remember? Dessert first — while a reader consumes your story in chronological order, that doesn’t mean you have to build it that way. Writing is supposed to be fun, so write the stuff that speaks to you first — the worst-case scenario is you’ll find out quickly you didn’t have much to work with, but I’ve always found that once you start to pick up momentum, the rest of the story will start to click together in fun and unexpected ways.

And lastly, the other thing I want people to know is that if you want to make a comic, you can make a comic — this is a process that anyone can pick up with enough time, patience, and self-discipline. As someone who grew up in an area with few creative role models, I can tell you firsthand that so many people deprive themselves of a creative career simply because they didn’t give themselves permission to think of themselves as creators. So if you have a dream to make comics, go for it — and start today. Take it from me — the only regret in my career is that I didn’t make the leap years ago.”

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Kickstarter Spotlight: THE TRAP By Lance Briggs, Kyle Higgins, And Danilo Beyruth

Monday morning, former Chicago Bears linebacker Lance Briggs announced the Kickstarter for his passion project The Trap, a 120-page sci-fi graphic novel.

The creative team on the project includes Briggs, writer Kyle Higgins, artist Danilo Beyruth, colorist by Tamra Bonvillain, lettering by Hassan Otsmane-Elhaou, and Book Design by Sasha Head.

Kickstarter Spotlight: THE TRAP By Lance Briggs, Kyle Higgins, And Danilo Beyruth

About the book:
In THE TRAP, Jaylen Robinson is a rising sports star from a not-so-great part of the galaxy: Earth. He’s worked hard his whole life. Everyone’s saying that Jaylen is the Next Big Thing for the interstellar sport of the future: surfriding. The future is his. This is his chance. Until it’s not.

Check out the Kickstarter Campaign here: https://www.kickstarter.com/projects/457252441/the-trap-presented-by-nfl-star-lance-briggs-and-kyle-higgins

Why Monkeys Fighting Robots is excited about The Trap:
• Chicago Sci-Fi, Nuff said!
• Danilo Beyruth’s style works well with an urban, punk, futuristic story.
• Lance Briggs’ statement below, the raw emotion and heart can’t help but endear readers

Briggs’ gives an inside intimate look at the meaning of The Trap:

Before I played professional football, my life was very different.

I grew up in Sacramento, CA during the 1980s and 1990s, with my mother and two older sisters. But while many people hear “Sacramento” and associate it with a place of power and decision making in the state of California, the reality— for many of its residents— is anything but.

Our family struggled no differently than most in the south area. There were times when the pantry was bare and the fridge was empty. Days or weeks without power. Waking up to cold showers before school.

For those of us who came of age in an environment like this, we have a simple name for it: The Trap. Put simply, the name translates to a community that has been failed by its governing bodies. The Trap is both a neighborhood and a resulting way of life— a system designed to keep you from succeeding.

Living in an environment like this comes with an inherent sense of hopelessness. It feels like no one cares about you, like you have no voice, because when you try to use your voice it’s met by common refrains like ”just work harder,” or “comply with the police and you won’t get hurt.” But the truth is far more bleak, made up of liquor stores on every corner, drugs at every turn, constant police stereotyping, shootings, siblings in the house suffering from addiction and eviction notices because your brother stole everything your mother had.

In The Trap, there are very few ways to make money. As a result, residents resort to selling drugs or gang life, which leads to jail time, which then leads to even fewer job prospects. And so, the cycle repeats.

Fortunately for me, I was able to escape. A path towards professional football and a mother who refused to let me fall through the cracks helped me to stay focused. In no small order, both saved my life.

But I am the exception rather than the rule.

The reality is, that few people really understand how easily their lives could have gone a different direction had they simply been born in a different situation— environments, after all, breed influence. When you grow up in The Trap, you do what you have to and become who you have to be, purely to survive.

I’ve spent the last several years, post-retirement, wondering how we give context to issues that too many people disregard, because they don’t apply to them? If you’ve never lived this life, how could you possibly understand it? How do we show people that the lives of the economically and marginally oppressed are just as valid as their own?

It’s time more people understood what THE TRAP really means.

The Trap will be presented in an oversized, deluxe format hardcover (8 ¾ x 11 ⅝ ).

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Review: SHANG-CHI #1 Explodes With Fun!

Shang-Chi #1, cover

“Well, that was fun!” – Me after reading SHANG-CHI #1

And I don’t know what else you really need to know about the new series from MARVEL featuring their greatest martial arts hero. Sure, I could go into how it’s the first monthly Shang-Chi has had since the 80s (not counting the various one-shots and minis he’s had since.) And yeah, I could spotlight how the book is written by Gene Luen Yang, who’s won awards and acclaim for his works “American Born Chinese” and “Superman Smashes the Klan.” And of course, I could point out that this is the first time Shang-Chi has had an Asian creative team at the helm of his book. Maybe that’s why the character is presented in a way that feels so authentic and contemporary while reconciling his problematic past. Take this exchange that happens after Shang-Chi is reunited with his former nemesis/turned partner/turned romantic interest Special Agent Leiko Wu:

“Shang, no offense, but your English sounds like a fortune cookie. It’s hard to take. You’ve been in the West for quite a while now. You know the language. Why do you talk like that?” – Leiko Wu

“I’ve found that if I slow my cadence and use ‘wise words’, Westerners look at me, rather than past me, when I speak.” – Shang- Chi

And with that, Yang is able to give greater depth to a characteristic that could be (and is) viewed as stereotypical.

Yang’s script crackles with clever dialogue, quick pacing, and good humor. I don’t want to give away any spoilers, except to say that the story not only has plenty of action, hearty chuckles, and a touch of romance, but also a cameo from my favorite giant lizard outside of Godzilla.

“You’re not telling us all that much!” – You, the reader of this review.

Well, allow me to quote the advance press from the Marvel PR folks: Written by award-winning writer Gene Luen Yang and drawn by artists Dike Ruan and Philip Tan, Shang-Chi’s new era will expand his mythos like never before by introducing the Five Weapons Society. Founded by Shang-Chi’s corrupt father, Zheng Zu, these elite warriors have acted as secret protectors of China for centuries, but when Sister Hammer makes a vicious grab for power, the group is thrown into chaos, and Shang-Chi is dragged back into a world he thought he left behind… Shang-Chi’s deep connection with the Five Weapons Society will forge a new destiny for the former Avenger, forever altering both his past and his future.

And that about sums it up. The book is full of action, intrigue, and family drama.

Oh, but they left out one crucial thing…

This book is fun!

SHANG-CHI #1 from Marvel Comics hits your local comic book shop on September 30, the book is written by Gene Luen Yang, with art by Dike Ruan and Philip Tan, Sebastian Cheng drops the color, and you will read Travis Lanham’s letter work. Shang-Chi was created by Steve Englehart and Jim Starlin, the character first appeared in Special Marvel Edition #15 (December 1973).


Are you planning to pick up SHANG-CHI #1 this week? Comment below with your thoughts.

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Review: THE SWERVE Delivers Unsettling Mental Breakdown

Watching someone spiral out of control can make you uncomfortable, and that’s exactly what The Serve intends to do. This is a slow-paced depiction of a woman having her world crumble day by day. A story centered around basic human needs being ignored and the consequences that can arise as a result. The Swerve is a nail-biting look at someone’s existence being eradicated.

This film takes its time allowing you to grow sympathetic towards the lead character, Holly. Everything around her seems normal, but inside she is progressively losing her sanity. Psychological thrillers set out to play with your mind, but The Swerve plays with your emotions as well. Directed and written by Dean Kapsalis, The film stars Azura Skye, Bryce Pinkham, Ashley Bell, and Zach Rand. The Swerve follows Holly (Skye), a caring mother, and teacher who finds herself going through a mental breakdown, as everyone in her life continues to act like she doesn’t exist. Her family ignores her, her husband is cheating on her, and her sister is the cherry on top of her negative home life. Eventually, Holly finds comfort in one of her students, and her issues just become worse.

Azura Skye as Holly in The Swerve

There aren’t enough words that can speak to how emotionally draining this film can be at times. Kapsalis has effectively written a distressing film that will stick with you once it’s over. The characters aren’t developed outside of Holly, but they all factor into her pending demise and they don’t even notice. The Swerve opens with Holly being startled by a rat in her house as if to show how simple the smallest inconvenience can spark so much change in her. As mentioned, Holly is a mother, as well as a teacher, but her children don’t seem to care too much about her. However, a student in her class, Paul (Rand), has a crush on her. Their relationship is inappropriate and odd, but Holly finds comfort in this because of how unavailable her husband seems. Kapsalis’ screenplay definitely is a near-perfect depiction of a slow descent into madness.

Skye’s portrayal of Holly is what will have viewers glued to the screen. She is so powerful in this role and takes you on a brutal journey through every emotion Holly feels. Also, the chemistry between her and Rand helps amplify their inappropriate relationship. Skye has been in numerous projects in the past, but her performance here is career-defining. Between Kapsalis’ direction and Skye’s performance, the film forces you to feel for this woman’s unfortunate situation. Rand is great in his role as Paul, and while their relationship is inappropriate. It’s important to remember that Paul is the only character in this film who makes Holly feel alive.

Bryce Pinkham and Azura Skye in The Swerve

Kapsalis’ takes you on a slow burn that features a chilling score by Mark Korven. It adds to the distressing nature of the film and heightens the mental downfall of Holly. Also, the score contributes to the atmosphere established in the film. Kapsalis has made an impression with this outing because he does a great job establishing the film’s sad nature and slowly making it darker, as Holly spirals to her endpoint. The cinematography on display was great as well, so from a technical standpoint, The Swerve is a homerun.

The Swerve is a dark look at a woman’s mental instability slowing consuming her existence. It’s carried mostly by a strong career-defining performance by Skye, but it is an effective debut feature from Kapsalis. This will certainly be a hit for anyone who has suffered from mental illness, domestic abuse, or severe depression. The Swerve highlights how important it is to pay attention to the emotions of others.

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Preview: BATMAN: THREE JOKERS #2 – The Joker’s Nuclear Family

Preview: BATMAN: THREE JOKERS #2

BATMAN: THREE JOKERS #2 comes out this week, but thanks to DC Comics, Monkeys Fighting Robots has a three-page preview for our readers.

About the book:
As Batman and Batgirl follow an unexpected thread linking the three Jokers with someone from the Dark Knight’s past, Red Hood dives headfirst into trouble and finds himself struggling to stay afloat without the aid of his allies.
Batman: Three Jokers continues its trajectory as the ultimate examination of The Joker and his never-ending conflict with Batman. Prepare yourselves for the second chapter of one of the most terrifying and personal mysteries Batman has ever faced!

BATMAN: THREE JOKERS #2 is by writer Geoff Johns, artist Jason Fabok, with Brad Anderson’s colors, and Rob Leigh’s letters.

What did you think of the first issue? Comment below with your thoughts.

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7-Page Preview: KING IN BLACK #1 – Venom’s Definitive Chapter…

KING IN BLACK #1 (OF 5)

King In Black #1 hits your local comic book store on December 2, but thanks to Marvel Comics, Monkeys Fighting Robots has a seven-page preview for our readers.

The book is written by Donny Cates, with art by Ryan Stegman, JP Mayer drops the inks, Frank Martin handled colors, and you will read Clayton Cowles’ letter work.

About King In Black #1:
DARKNESS REIGNS!
After a campaign across the galaxy, Knull’s death march arrives at Earth and, worse yet, he hasn’t come alone! With an army of hundreds of thousands of symbiote dragons at his command, the King in Black is a force unlike any Earth’s heroes have ever faced. EDDIE BROCK, A.K.A. VENOM, has seen firsthand the chaos that even one of Knull’s symbiotic monsters can wreak – will he survive an encounter with the God of the Abyss himself?


How excited are you for King In Black #1? Comment below with your thoughts.

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