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6 Best SummerSlam Main Events From Each WWE Era

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SummerSlam Has Showcased Some Of The Best Moments In WWE History Throughout The Years!

As most WWE fans know, the history of the company is divided by eras. First there is the successful Rock ’n’ Wrestling Era in the 80’s. After that is the cartoony New Generation Era. This early 90’s era nearly killed the company and they were in desperate need of a change. This ushered in the memorable Attitude Era! Bringing the WWE to mainstream audiences, this was their biggest moment. But all good things come to an end and we bring in new guys with aggression; Ruthless Aggression as Vince McMahon dubbed this era. After those young faces started to become tired stars, WWE decided to become a bit more family-friendly again and that brings us to the polarizing PG Era in 2008. Lastly, we have the Reality Era, which is now finishing up as we enter WWE’s New Era.

Debuting in 1988, a constant throughout all these WWE years has been the August classic SummerSlam. Each summer, the company produces their second biggest show behind Wrestlemania. After Mania, we start building towards SummerSlam and this is mid-point for the WWE year.

This edition is a little different with the undercard filled with new titles and fresh faces but the main event is still the familiar names. Today, we will look back at the best SummerSlam main events through these previous WWE eras before we get to Brock Lesnar vs Randy Orton on August 21st.

Rock ‘n’ Wrestling Era (1984-1991):
SummerSlam

-Mega Powers vs. Mega Bucks (1988)

Nothing sums up the 80’s better than Macho Man and Hulk Hogan. The first main event in SummerSlam history makes the list because this marks the first time the two men wrestled as a tag team. Also, this showed that this event was the real deal.

New Generation Era (1992-1996):
SummerSlam

-Bret Hart vs British Bulldog (1992)

This early 90’s classic is probably one of the best wrestling matches ever. Taking place in the home country of British Bulldog, this is what people in wrestling call a “big fight feel”. It’s a shame the rest of the New Generation couldn’t be like this.

Attitude Era (1997-2001):
SummerSlam

-The Rock vs. Triple H vs. Kurt Angle (2000)

Who else encapsulates the Attitude Era more so than The Rock, HHH, and Kurt Angle! This era isn’t known for the best wrestling so seeing these talented men in the ring at the same time is a blessing for millennium wrestling.

Ruthless Agression Era (2002-2007):
SummerSlam

-The Rock vs. Brock Lesnar (2002)

A true passing of the torch moment. The Rock was the face of the previous era and Brock Lesnar was about to become a megastar. Rock was on his way out to Hollywood so he decided that it was time to give the title to a new star.

PG Era (2008-2012):
SummerSlam
-CM Punk vs. John Cena (2011)

CM Punk & John Cena are truly the faces of this era in wrestling. This match had to follow their 5-Star classic but it did a great job. Sadly, it’s tainted by a convoluted finish that permanently damaged the Summer of Punk.

Reality Era (2013-2015):
SummerSlam
-John Cena vs. Daniel Bryan (2013)

Another HHH special guest referee match but that doesn’t hurt the quality. Daniel Bryan was becoming the hottest thing in WWE and this match was making fans foam at the mouth. Ignore another horrible finish as the match itself is wonderful.

What is your favorite SummerSlam main event?

Don’t forget to let me know in the comments below!

SummerSlam

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New TV Spot For ‘Jack Reacher: Never Go Back’

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Paramount Pictures released a new teaser and poster for ‘Jack Reacher: Never Go Back’ Wednesday afternoon. This is 90s action at its best. The first film in 2012 had a global box office take of $218 million. With 2016 turning out to be a lame year for movies, look for the sequel to out-gross the original.

The film stars Tom Cruise, Cobie Smulders, Aldis Hodge, Danika Yarosh, Patrick Heusinger, Holt McCallany, and Robert Knepper.

Jack Reacher (Tom Cruise) returns with his particular brand of justice in the highly anticipated sequel JACK REACHER: NEVER GO BACK. Major Susan Turner (Cobie Smulders) is the Army Major who heads Reacher’s old investigative unit. She is arrested for Treason and knowing that she is innocent, Reacher must break her out of prison and uncover the truth behind a major government conspiracy in order to clear their names and save their lives. On the run as fugitives from the law, Reacher uncovers a potential secret from his past that could change his life forever. Based upon JACK REACHER: NEVER GO BACK, author Lee Child’s 18th novel in the best-selling Jack Reacher series, that has seen 100 million books sold worldwide.

Reacher hits theaters on October 21.

ack Reacher: Never Go Back

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Jensen Ackles Announces Twins On The Way Via Clever Facebook Photo

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Jensen Ackles announced on his facebook page this afternoon that his wife is having twins. This is interesting news considering that Supernatural, the show on which Ackles has been playing bad boy heartthrob Dean Winchester for 11 years, was just renewed for yet another “final” season.

So, is the double baby attack enough for Ackles to hang up the family business in favor of…family business?

Jensen Ackles babies

Most of the main cast of Supernatural has children now, including the “angelic” Misha Collins, who films youtube videos with his brood. However, the added pressure of having twins while still raising a toddler may be too much for Ackles to add to his plate. Both Ackles and co-star Jared Padalecki have discussed the stressors of balancing life and career, especially when their show films largely in Canada while both have family homes back in Texas. Ackles’ Texas roots are likely what inspired using cowboy boots for the announcement in the first place.

Now that the CW is widening its portfolio to include DC shows galore, maybe they won’t rely so heavily on Supernatural to carry the station.

Or maybe absolutely nothing will change and the kids will join the show in season thirty. How do you think this will affect the Winchesters?

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Now Antoine Fuqua Wants to Remake ‘Scarface’?

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I love Antoine Fuqua. I think he’s an incredibly underrated filmmaker, and even his poorer efforts are watchable and mostly entertaining. The Magnificent Seven looks terrific too.

But now, it seems Antoine Fuqua has caught the remake bug, and is interested in remaking Brian De Palma’s 1983 exercise in brilliant excess, Scarface… which was a remake of the 1932 Howard Hawks film. According to Deadline, Fuqua’s take on the story would march in line with the previous two incantations: immigrant arrives in America and climbs to the top of the criminal underworld, and so on and so forth. The Hawks version took place in Chicago, De Palma’s in the fluorescent-soaked hedonism of Miami; Fuqua’s will head out west and take place in contemporary Los Angeles.

The screenplay for this new Scarface is in its infant stages, with Straight Outta Compton‘s Jonathan Herman, Donnie Brasco‘s Paul Attanasio, and David Ayer working on the first draft.

Of course, we don’t need another Scarface, but the story at the center of both the Hawks film and the De Palma film have inched towards some form of universality over the years. It’s a tale as old as, say, a band of lawmen and outcasts (like, seven) uniting to fight on the behalf of helpless townsfolk. So, in that regard, it’s not the worst remake idea, and I can see why Fuqua would be sniffing around the project.

And no matter what, the finished product will be entertaining. Could be great, could be not so great, but it will definitely be watchable.

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Bangarang! The Lost Boys Reunite For the 25th Anniversary of ‘Hook’

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Apparently even the Lost Boys grew up. The website 22 Vision celebrated the 25th anniversary of Steven Spielberg’s Hook with a reunion photo shoot of the boys, who are certainly no longer “boys”. During the shoot, the cast reminisced and shared fond memories of working on the film. Their work with the late Robin Williams was a particularly hot topic.

A Project Two Years in the Making

According to Entertainment Tonight, it took almost two years to organize the reunion. Brian Pocrass, CEO/Producer for 22 Vision, explains his dedication to the project: “Hook is just one of those movies that people really grew up on. To get [the Lost Boys] together to remember Robin and celebrate this milestone is something that I loved being a part of.”

Dante Basco (Rufio), spoke about losing Williams: “I think for all of us [Robin’s death] was the death of our childhood…There’s sadness there, also there’s a lot of space to kinda celebrate one of the most legendary artists of our time.” Other cast members told ET he was “…as goofy as he was gentle”. Williams made sure each child was treated as an individual, and he “kept the set very alive”.hook reunion

22 Vision also shot reunion photos for the Little Rascals and School of Rock, among others. Their “Children of Horror” series, where kids dressed as classic horror film figures, was similarly successful.

Follow 22 Vision on Facebook for complete photo albums and other exclusive content.

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Here’s a Creepy Sneak Peek at ‘The Exorcist’ TV Series

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The Exorcist, like many film properties these days, is getting the Tv treatment. And now, we have a first glimpse/promo sneak peek thing to take a look at. The cast looks interesting, namely Geena Davis taking over in the Ellen Burstyn role, and the action moves from D.C. to Chicago.

We also get executive producer Jeremy Slater talking about the project, and the impact of the William Friedkin movie. Take a look:

https://youtu.be/CPq411a1LkU

The Exorcist will hit FOX this fall, around the same time their abhorrent-looking Lethal Weapon adaptation should vomit all over America. This, in comparison, looks miles better than that awful abomination.

I appreciate Slater talking up the film, and the motivations, and the desire to generate scares. And it could be possible on FOX, but the fact t’s on the Network is going to make things difficult. I just can’t imagine we get a crucifix masturbation scene anywhere in there. Also, was that Alan Ruck I saw?

The Exorcist pilot will debut September 23.

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Review: ‘All-Star Batman’ #1: Road Trip

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The “All-Star” moniker is both a blessing and a curse. With All-Star Superman, Morrison and Quietly managed to transcend the traditional conceptions of Clark Kent and create a modern classic. On the other hand, with the former All-Star Batman and Robin the Boy Wonder, Lee and Miller created an embarrassment to the medium. This latest book quickly turned into one of the most hyped titles to come from the DC Rebirth project. How could it not be? Scott Synder is one of the architects behind the great modern Batman run. At this point, Synder could claim to be the Dark Knight himself and people would buy into it. Thankfully, the extensive creative team of All-Star Batman ensure that the title lives up its potential.

This time around the main story focuses on a much discussed road-trip wherein a lucid message from Harvey Dent compels Batman to take Two-Face across the country and deliver him to an unspecified location. Bruce’s reasoning is as much as mystery to his allies as it is the readership, though it’s hinted that the trip may allow Dent to resurface full-time. Two-Face, to make things interesting, puts out a bounty on the Bat to ensure that they never reach this mysterious end-goal. Villains clash like a scene from Rat Race as the secrets that others would rather remain hidden are threatened. The nature of secrets is that they can have a corrupting power over us, and, as one twist demonstrates, those closest to us can be fundamentally changed by them. All-Star Batman is the tragic story of a man trying to help a friend lost within himself as the world slowly turns against him.

John Romita Jr., one of my artist crushes, does a superb job in illustrating the imposing figure of Batman. Romita’s Batman is a powerful and intimidating presence with a seemingly inhuman speed for a man of his size. The infamous “deadline style” is in full effect, but that doesn’t take away from the emotion that each panel conveys. Indeed, the dynamic setting of this comics allows for Batman to be placed in unique situations which provide a fascinating visual comedy to the story. This is contrasted with the horrifying visage of Two-Face.

Following the main feature, a back-up switches perspective to Duke Thomas, the not-Robin, as he engrossing himself in Batman’s training. It’s short and sweet like a serialised British comic, but it offers our first real glimpse into how Duke views his new partnership with Batman. Duke is struggling to come to terms with what he wants from their relationship. This instruction gives him the opportunity to be a hero, but it could also lead him down darker paths if he lets it. Leading to the central question this issue presents, “why you?” Synder goes to great lengths to emphasis that Duke is different from the Robins of the past, but whether that is a good thing remains to be seen.

The always wonderful Declan Shalvey provides the interior artwork for this backup, which is highly reminiscence of his Moon Knight work were it to be inverted. Shalvey, like the Caped Crusader, is the master of shadows and silhouettes. Yet, it is made more effective thanks to the fantastic colouring of Jodie Bellaire which commands your respect. This striking imagery, those piercing white eyes, show that one of the super-stars of the Irish creative scene is more than up to the task ahead.

Loaded with heart-wrenching twists and stunning visuals, this all-star creative team demonstrate that standalone books can be just as compelling as their continuity heavy cousins. All-Star Batman is the comic you need and the one you deserve.

A review copy was kindly provided by the publisher.

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The All-Female Cast Of ‘Ocean’s 8’ Announced

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The all-female cast of ‘Ocean’s 8’ starts production in October, and according to Deadline, Warner Bros. has cast seven of the eight leads.

The cast includes Sandra Bullock, Cate Blanchett, Anne Hathaway, Rihanna, Helena Bonham Carter, Mindy Kaling and Awkwafina. Gary Ross will direct ‘Oceans 8.’

Bullock plays the ex-con sister of George Clooney’s Danny Ocean in a film in which she assembles a team of thieves to steal a necklace from the Met Ball in order to frame a duplicitous gallery owner. Blanchett plays her right-hand woman.

Expect plenty of cameos from the original cast. No release date was announced for ‘Ocean’s 8.’

Just in case you didn’t know who Awkwafina was.

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Tom Hiddleston Joins Instagram, Reveals Loki’s New Look for “Ragnarok”

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Everyone’s favorite trickster Loki is finally on Instagram. Tom Hiddleston posted his first photo yesterday on his shiny new Instagram account. In the photo, he’s in costume for Thor: Ragnarok, the third in the series.

Tom Hiddleston Instagram
Who showed him how filters work?

What Tom Hiddleston’s Insta has to do with Taylor Swift

Some folks guess that this new account is proof of Swift’s influence on Hiddleston. Others, noting that he is not following her, argue that they’re unrelated. In fairness, Swift isn’t following him yet, either. We’re much more looking forward to further behind the scenes photos from Ragnarok than any Hiddle-Swift pics.

Hiddleston was already active on his Twitter account, which he uses largely as a promotional tool. However, he’s hooked the two profiles together, which is how a lot of fans found his instagram so quickly.

Welcome to Instagram, Tom!

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Review: ‘The Flintstones’ #2 Is A Noble Yet Flawed Satire

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The Flintstones #1 was a genuine delight to read, because it’s so different than anything else on the market. It’s a dark, satirical look at modern culture through the lens of the famous Stone Age family. It nods to the original series with puns and character dynamics, but it also has a twisted sense of humor. I recommend it to anyone looking for a different type of comic book.

So, how does the second issue expand on the concept, characters, and story? First, it doesn’t have the element of surprise on its side. So, audiences now know what to expect from the upcoming issues. Second, it’s still finding its footing on what it wants to satirize.

The issue centers around The Flintstones trying to adapt to the changing times with the right appliances. The issue focuses on all those cute animals that help around the house, an octopus dishwasher, a rabbit neck pillow, a goat lawnmower etc. Fred is trying to be a good provider for his family by getting the latest new stuff. He even takes a side job selling vitamins to try and pay for everything, which becomes more of a hassle.

There are some great jokes and ideas that really put this issue over the top. For example, have you ever wondered what happens to an animal appliance after you’ve returned it? Another great moment is watching how Fred and Barney sell their vitamins.

But the comic has a hard time focusing on what to comment on. If it were just about the daily hassles of common appliances, that would be enough for a full issue. But we also get a weird subplot about their religious leaders trying to find a new God for the people to worship, which just ends in a pretty obvious punchline.

I don’t want to spoil any of the jokes here, so here’s the town of Bedrock in all of its punniness.

The comic does struggle with tone. There’s a sense that this wants to be as clever and subtle as The Simpsons. But it’s use of hyperbole, and dark humor finds itself gravitating toward Family Guy. The comic is still new, and so writer Mark Russell has time to experiment, but he definitely needs to find the proper voice for the series.

What makes this comic enjoyable to read, however, is how Russell portrays Fred Flintstone. From his TV days, Fred was one of the archetypes of the loveable screw up father. He’d make mistakes, but eventually learn his lesson until the next episode. Fred was not a very developed character. But, in this comic he feels much more vulnerable and honest, which makes us more empathetic toward his struggle. He does want to provide for his family, and he does want to be the best he can be, but he has limits that feel real. Fred Flintstone has become a character that I feel a genuine connection to as a reader, and I want to see more of him. In fact all the characters are written well, even when they only have a few lines.

Steve Pugh’s artwork stuns with a detailed cartoon style that’s reminiscent of the show. It allows for the shocking brutality of this world stand out. The animals in particular were all fun to look at with great designs. The “powergoat” in particular got a great chuckle out of me.

The Flintstones continues to be a funny book with great moments and jokes. I have confidence that it will eventually find its footing and create a more consistent satire. DC Comics deserves a commendation for putting faith in a dark, unique, and funny series.

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