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Dark Horse
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Review: NORSE MYTHOLOGY #5 – The Heartbreaking Tale of Fenrir
David Weber
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The Quest is Over in STRANGER THINGS AND DUNGEON & DRAGONS #4
Cat Wyatt
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Review: Nothing Good Ever Lasts In CRITICAL ROLE: VOX MACHINA ORIGINS III #1
Corey Patterson
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Review: Taking Teenage Angst Seriously in BLACK HAMMER: VISIONS #1
Zac Owens
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FEAR CASE #1: Setting Up A Thriller Series’ Tragic Cycle
Jake Palermo
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Review: BARBALIEN: RED PLANET #3 Begins Finding Its Balance
Zac Owens
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Folklore & Personal Tales Combine in CRIMSON FLOWER #1
Cat Wyatt
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Review: COLONEL WEIRD: COSMAGOG #3 and Weird’s Frustration
Zac Owens
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A Satisfying Conclusion In STRANGER THINGS: SCIENCE CAMP #4
Cat Wyatt
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Review: CYBERPUNK 2077: TRAUMA TEAM #4—Ego and Id
Elizabeth Buck
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Review: BARBALIEN: RED PLANET #2 Gains Passion, Loses Subtlety
Zac Owens
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Review: NORSE MYTHOLOGY #3 – The Consequences of Mischief
David Weber
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Review: TRUE LIVES OF THE FABULOUS KILLJOYS: NATIONAL ANTHEM #3 Is Almost Too Smart and Bombastic For Its Own Good
Justin Munday
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Review: THE ORVILLE #4: HEROES PART 2 OF 2 – The Price Of Becoming A Hero
Corey Patterson
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Review: Nonchalance In HELLBOY AND THE BPRD: HER FATAL HOUR
Zac Owens
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Interview: Artist Tiernen Trevallion Talks HELLBOY AND THE BPRD: HER FATAL HOUR
Zac Owens
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Review: COLONEL WEIRD: COSMAGOG #2 Shows Our Inner Child
Zac Owens
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Advance Review: THE WITCHER: FADING MEMORIES #1 A Masterful Video Game Tie-In
Jonathan Brown
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Coping in STRANGER THINGS AND DUNGEONS & DRAGONS #2
Cat Wyatt
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Review: YOU LOOK LIKE DEATH #3 Keeps The Weird, Loses Direction
Zac Owens
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