Home Blog Page 738

DC on CW Weekly Review – Crisis on Earth-X Crossover Spectacular

Monkeys Fighting Robots

This series is NORMALLY brief, semi-comedic review of the CW superhero shows. You can check out last week’s review post here. However, since last week was the CW’s second all-series crossover event, this review post is special. We’re treating “Crisis on Earth-X” like a film, and discussing all 4 episodes at once. BEWARE OF INCOMING SPOILERS!!

CW unites all its heroes once again for a full-network crossover. ‘CRISIS ON EARTH-X’ is the second occasion where the CW uses all four of its superhero programs to tell a single story. It’s tough to juggle all those characters, and not every hero got equal play. However, the event managed to get some great beats out of several key players – including saying goodbye to a major player. ‘CRISIS ON EARTH-X’ is nothing if not a fun excuse to get all the heroes together for a fight.

CW
from left: Candice Patton, Grant Gustin, Stephen Amell, Carlos Valdes, Melissa Benoist, and Tom Cavanagh (copyright CW)

The premise for the crossover is short and sweet – superheroes fighting alternate reality Nazis. While all the heroes get together for the Allen-West Wedding, the service is cut short by a gaggle of alt-reality villains. Led by an evil Supergirl and Green Arrow, along with Reverse-Flash, these Nazis want to take down all opposition. Our heroes need to take down the new Reich to protect the multiverse from their evil Nazi ways.

As a broad conflict, and as a way to bring everyone together, ‘CRISIS ON EARTH-X’ works well. It’s a fairly simple set-up, but there’s nothing wrong with superheroes punching Nazis. The focus on fighting their evil equals makes for exciting television, particularly with SUPERGIRL and ARROW. While the Nazi Kara-Oliver marriage is dull, and nearly asks the viewer to sympathize with the Archer Führer, seeing the Oliver vs Oliver/Kara vs Kara fights were exhilarating.

It was also great to see Iris West and Felicity Smoak get some action. As the brides of superheroes, these two don’t always get a lot of action. But ‘CRISIS ON EARTH-X’ gives them compelling action as well as an emotional core to the event. It’s especially good because the emotional notes get a bit old – Iris loves Barry, Felicity hates marriage, rinse & repeat. By giving the two non-heroes some action sequences – notably crawling through the vents DIE HARD style – it keeps everyone in the action for a solid superhero story.

Unfortunately, Flash gets the short end of the crossover stick. Obviously the Allen-West wedding is lovely, and makes for a heartwarming TV event. Beyond getting married, though, Barry doesn’t have a compelling storyline. Once the wedding gets crashed in Part 1, Barry’s just a masked face in the crowd. He doesn’t even get a fun evil doppleganger! The wedding is lovely, but it’s only a bookend for the event. It’s a shame that such a huge, emotional event gets cheated out of its full effect. THE FLASH was really left out of the juicier parts of the crossover.

Victor Garber
Victor Garber (copyright CW)

By far the biggest reveal of “Crisis on Earth-X” was the death of Martin Stein. It was reported in October that the older half of Firestorm would be departing DC’s LEGENDS OF TOMORROW. As a critic who knew the news, it was hard not to see the departure as predictable, almost formulaic television. As a viewer, Garber’s departure was touching, especially as his death was coupled with his fatherly relationship with Jefferson. Especially since the second biggest LEGENDS storyline was White Canary’s one-night stand with Alex Danvers, it was an important plot line.

There were also several fun cameos in the event. We got another appearance from Leonard “Leo” Snart, a.k.a. Captain Cold (Wentworth Miller). The Earth-X Snart played hero once more, this time along with his superhero husband Ray “The Ray” Terrill (Russell Tovey). We also got several twists on familiar SUPERGIRL characters, including Guardian, Winn, and even Red Tornado. We also got a crazy return of Tom Merlyn as Earth-X Prometheus, and even if it only lasted a few minutes, it was crazy to see him return to the CW. One of the biggest draws of these big events are the Easter eggs, and ‘CRISIS ON EARTH-X’ certainly delivered.

Overall, ‘CRISIS ON EARTH-X’ was a solid two hours of Nazi-fighting fun. The wedding didn’t really play out that much, but it was sweet to see it happen nonetheless. The various storylines weren’t all strong, but enough was that the event had a natural and exciting flow. Not to mention we got White Canary’s great one-liner to Alex, asking “how’s your butt?” ‘CRISIS ON EARTH-X’ is exactly what fans expected and deserved. The only question left is how they’ll rope in RIVERDALE come the crossover event next season.

Arrowverse

What did you think of the event? What episode did you think won the week? Let us know in the comments below!

Monkeys Fighting Robots Youtube

HERE AND NOW Trailer: Holly Hunter, Tim Robbins Headline HBO’s Latest Drama

Monkeys Fighting Robots

Here and Now, the new series from Alan Ball, starring Holly Hunter and Tim Robbins, looks to be angling for that Big Little Lies late-winter slot.

Thematically, it might have some similar things happening with Big Little Lies, but Here and Now also looks like it has a little bit of The Leftovers, and a little bit of Ball’s Six Feet Under in its DNA. Here’s a 50-second teaser to whet your appetite:

Here is a synopsis from The Playlist:

Starring the always great Holly Hunter and Tim Robbins, the series follows an ordinary multi-racial family — including a philosophy professor, his lawyer wife, their three adopted children from Somalia, Vietnam and Colombia, and their sole biological child — who are hiding deep secrets beneath a sunny exterior. Things change, however, when one of the children starts seeing things that others cannot. What it all means, well, you’ll just have to watch to find out.


This looks intriguing, but let’s just hope it doesn’t veer off into True Blood territory. At least wait until the third or fourth season to bring in the Bull Lady or whatever.

Here and Now will drop on HBO in February, around the same time Big Little Lies did last year. This is a trend worth supporting. Plus, any time Holly Hunter is on your screen you owe it to yourself to watch.

Monkeys Fighting Robots Youtube

JURASSIC WORLD: FALLEN KINGDOM Trailer Drops Thursday, Watch Teaser

Monkeys Fighting Robots

Universal Pictures released the first teaser for ‘Jurassic World: Fallen Kingdom’ Sunday night, with a full trailer hitting the internet on Thursday.

Watch the teaser below.

Expect a different feel with this film as J.A. Bayona helms the sequel. Bayona has worked on ‘Penny Dreadful’ and ‘A Monster Calls.’ A student of Steven Speilberg, Bayona’s most notable work is ‘The Impossible’ form 2012.

About the film:
With all of the wonder, adventure and thrills synonymous with one of the most popular and successful franchises in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaurs—along with new breeds more awe-inspiring and terrifying than ever before. Welcome to Jurassic World: Fallen Kingdom.

‘Jurassic World: Fallen Kingdom’ stars Chris Pratt, Bryce Dallas Howard, James Cromwell, Ted Levine, Justice Smith, Geraldine Chaplin, Daniella Pineda, Toby Jones, Rafe Spall, while BD Wong and Jeff Goldblum reprise their roles.

The film is written by Colin Trevorrow and Derek Connolly.

The dinosaurs return on June 22, 2018.


Are you excited for the sequel? Comment below.

Monkeys Fighting Robots Youtube

Zachary Levi Compares ‘Shazam!’ To Marvel’s Guardians Of The Galaxy

Monkeys Fighting Robots

While the world is still shaking after the news that Zachary Levi (Chuck) would star in DC Comics and David Sandberg’s Shazam! movie, the actor recently opened up about the project and shared a few of his hopes.

More – Disney Star Asher Angel Cast As Billy Batson In ‘Shazam!’

While appearing at the Heroes & Villains Fan Fest in San Jose, Zachary Levi revealed a few details about the Shazam! movies tone, stating that he hopes the character and the film will be for DC Comics what the Guardians of the Galaxy were for Marvel. The actor also touched on his excitement to join the DC Extended Universe and stand among heroes like Superman (Henry Cavill), Batman (Ben Affleck), and Wonder Woman (Gal Gadot).

Watch the interview below:

Directed by David Sandberg, Shazam! will be the next DC Comics film to enter production after James Wan’s Aquaman movie. The film stars Zachary Levi as the older incarnation of Billy Batson while Asher Angel will portray the younger version of the character.

Shazam! is currently scheduled for release on April 5, 2019!

Monkeys Fighting Robots Youtube

Review: THE WALKING DEAD ‘Time for After’ Eugene Marches Towards The Darkside

Monkeys Fighting Robots

Today’s episode reminded me of ‘Smallville.’ The CW show had a knack for producing very bland episodes but hooking you with the last five minutes with a cliff-hanger.

For the first 30-minutes of ‘Time for After’ storylines were just repeated, but once Eugene made the turn towards the Darkside the episode picked up the pace and got you excited for the midseason finale.

Notes on tonight’s episode:

• I am not sure Rick looks that tough in boxers.

• Eugene really is a Savior, and he knows how to make a scene very awkward. Kissing the ring on Negan?!

• Jadis is not as bad-ass as she lots.

• There was a cliffhanger, but it wasn’t Walking Dead worthy.

The bulk of ‘Time for After’ was a Eugene centric episode and that caused the episode to drag. Once the writers established, they were moving the plot forward with the story, did the episodes pacing and intensity increase. Spending the first five minutes and the last on Jadis and Rick proved to be annoying. Rick’s story arc could have been cut up into at least three parts, and that would have worked better in an hour-long show.

The mid-season finale is 90-minutes, and that means a ton of build up until the death of a leading character. Death is what moves the needle for ‘The Walking Dead,’ and it’s been a bit since the last significant death. Also, Ricks has been handing it to Negan since the begin of the season. It will be interesting to see how Negan responds and who gets killed off.

Overall, the episode is a tale of two halves. One half was slow and repetitive; the second half was energetic and rewarding.


What did you think of tonight’s episode? Comment below.

Monkeys Fighting Robots Youtube

Outlander: The Hunt for Red Ian – Thoughts on Season 3 So Far

Monkeys Fighting Robots

Because Outlander focuses so much of its plot on Claire and Jamie’s relationship, it was probably inevitable that their time together following their reunion slightly less than halfway through this season would be short lived. After all, the reunion is only worth watching if the separation has been sufficiently pronounced.

Having been parted by the span of an ocean and over 200 years of time, being on separate ships en route to the same location might not seem like a big deal, but Jamie and Claire simply won’t have it. Of course, they do have good reason to fear being parted. Bad things tend to happen to the Frasers and the people around them when they’re not within groping distance of each other. Their irrepressible love aside, though, we should consider Jamie and Claire’s reactions to being separated in context.

Outlander: Hangings, and Typhoid, and Ants…

Even a simple rendez-vous in Jamaica provides an opening for any number of dangers. And keep in mind, without modern conveniences like the rotary telephone and the Boeing 737, it was relatively common for friends and family to get separated for long stretches of time simply because of bad travel conditions — pirates, storms, and disease being all too common reasons for arriving late or, in many cases, not at all.

Luckily for the Frasers and the viewers like me who prefer them when they’re working together rather than apart, their separation after being reunited at the end of “Freedom & Whisky” didn’t last long. Separated at the end of episode 9, “The Doldrums,” they were together again by the end of episode 11, “Uncharted.”

Outlander: Redheads Reunited

As the teaser for next week’s episode reminded me, the episode following it will be the season finale, and although the teaser revealed that the Frasers will finally find young Ian, viewers still don’t yet know if they’ll get to see him home safe.

Because of Outlander’s producers’ penchant for cliffhangers, especially going into its season finales, one wonders if, like season 2, season 3’s finale will take place back in the 20th century, Brianna and Roger following the 200-year-old news of the time-crossed couple.

Outlander: Thoughts on Season 3

So far, this season, like previous ones, has been one of separation and reunion. But more than others, season three has given viewers a sense of how wide a focus this show is capable of presenting. Active narratives spanning two centuries and as many continents feature a cast of rotating characters who connect us to these different settings. Outlander, when it’s at its best, straddles the boundaries between science fiction, melodrama, and bodice-ripping fantasy but rarely showcases all three in a single episode. Instead, this show plays the long game, and asks fans of the book series to be patient while the creative team builds the world one story arc at a time.

What continues to surprise this viewer about Outlander is the show’s relatively consistent ability to execute ideas well. Although there have been some stinkers, like Claire roaming Scotland while singing a vaudeville version of “Boogie Woogie Bugle Boy” in the first season or the Cabin Boy-esque portrayal of Father Fogden in “Uncharted,” for the most part the creative team has proven that they understand the unique and sprawling world the show is a part of.

Monkeys Fighting Robots Youtube

Andy Serkis Says Snoke Is Stronger Than Darth Vader & Palpatine

Monkeys Fighting Robots

Going into Star Wars: The Last Jedi, Snoke is a big unknown. We’ve seen the Supreme Leader in the film’s marketing, but only in clips and short periods of time; we haven’t given Andy Serkis the time to shine, but that will certainly change when the movie releases. However, the actor talked to a magazine and shared some new details about Snoke.

First, Serkis claims Snoke has intentions different than that of the First Order:

“There’s a frailty and a damage to Snoke. His face is cleaved in, scars across his mouth, contorted body. But without giving too much away, he is strong. He is the dark end of the Force. He’s the leader of the First Order, but he has his own agenda. He’s a cruel manipulator.”

Then, Serkis is asked if Snoke his more powerful than Darth Vader and Emperor Palpatine. His reponse is below, and it may surprise you:

“Oh, without question. He has limitless resources, let’s put it that way.”

Are you looking forward to Snoke in The Last Jedi? Start a conversation with us in the comments below.

The film hits theaters on December 15.

Monkeys Fighting Robots Youtube

Forged In Death: Why Tony Stark Should Die In AVENGERS: INFINITY WAR

Monkeys Fighting Robots

Writer Isaac Asimov once said “Life is pleasant.  Death is peaceful.  It’s the transition that’s troublesome”.  Ever since its release, the trailer for Avengers:  Infinity War has caused people to get out their pins and red string and connect team members to one central theme.  Death.

In Marvel’s 1991 limited series The Infinity Gauntlet (which the upcoming movie is based on), a lot of Avengers die.  However, it’s one death not at the left hand of Thanos that makes the most sense for the movie adaptation.  Anthony Edward Stark.  One of the team’s founders, and the man who Nick Fury first recruited in the Marvel Cinematic Universe.

Related:  Watch The ‘Avengers: Infinity War’ Trailer; Your Head Might Explode

Infinity War

As shown above, Stark is beheaded in the comic series by Terraxia, whom Thanos created to make Death jealous.  Though his death happened off-panel, seeing blood drip from Iron Man’s helmet is something that would carry a certain weight in the cinematic universe.  Not only because of Tony being the team’s first member.  But because he and his actions in the movies are tethered.

Both to other team members and as we saw in Avengers:  Age of Ultron, and Captain America:  Civil War, Stark is at the center of major recent events in the cinematic universe.  Ultron happened because of him, the Sokovia Accords were because of him.  Captain America is an enemy of the state because of him.  But what about Cap?

Infinity War

Could this be the last we see of Steve Rogers?  Yes, Chris Evans‘ original contract with Marvel is over. But he recently extended it for one more film because as Evans said, “They (Marvel) wanted to make the third and fourth Avengers films a two-parter”.  Despite Marvel deciding to not go that route and give the two movies their own individual stories, Evans still has to do one more movie.

As does Robert Downey Jr., but it is unknown how big of roles their characters will play in the still untitled Avengers movie in 2019.  Though killing off Cap would allow Marvel to pass the title of Captain America to Bucky (Sebastian Stan), killing off Stark allows Marvel to do more.  It allows them to show how his death affects those close to him like War Machine (Don Cheadle), Cap, and especially Spider-Man (Tom Holland).  Peter Parker views Tony as a mentor and father-figure after his biological one abandoned him.

 

Infinity War

Tony equipped Peter with new suits, and he also taught him how to be more, beyond the spandex.  Seeing Peter become emotional and possibly vengeful after he sees his mentor killed by Thanos in Infinity War would give the audience a way to relate to he and other superhuman characters on a more human level, and root for them even more.  Plus Tony’s death would bring the relationship between Steve Rogers and Stark full-circle.

Imagine seeing Cap, War Machine, and Spidey fueled on raw emotion triple teaming Thanos into oblivion.  Imagine how pumped that would get you as an audience member.  But here is where Tony’s possible death could lose that emotional impact.  The time stone.

Infinity War

For those who might not know.  The time stone is contained in Doctor Strange’s Eye of Agamotto.  By possibly reviving Tony with it via turning back time, it would signal that Marvel has little faith in its other characters when it comes to carrying the MCU forward.

Robert Downey Jr. and Iron Man have been a part of the cinematic universe since 2008.  Marvel has had enough success since then where risk is not only a must right now, it is a need.  They pulled off the Avengers.  It’s time to allow Black Panther (Chadwick Boseman), Spider-Man, and newcomer Captain Marvel (Brie Larson) to carry the load.  Plus in the nearly ten years only two heroes (Yondu, who is really an anti-hero, and Quicksilver) have died in the MCU.

Infinity War

Killing off Tony and hopefully not a supporting character like Falcon (Anthony Mackie has not been confirmed for 2019’s Avengers movie) in Infinity War, is also a way for Marvel to not be seen as “cheap” by taking the easy way out.  Avengers:  Infinity War opens on May 4th, and is the 18th movie from Marvel Studios, it’s time for one main character (or more) to die and stay dead.  Death is peaceful, but the transition does not need to be troublesome.

 

Monkeys Fighting Robots Youtube

KILL OR BE KILLED #14 And Its Staying Power

Monkeys Fighting Robots

The stunning noir series Kill Or Be Killed closes out a chapter, taking us into rockier terrain. Now that Dylan has a firm grasp on one aspect of his life, and the satisfaction of a job well done, he loses his grip on another.

***SPOILERS LIE AHEAD***

We’ve done so much growing along with Dylan in these fourteen issues. Every minor accomplishment he achieves is a major victory for him and the reader. It’s almost impossible to feel satisfaction when he stands up to his asshole roommate.

You know how good he feels when he closes that door in Mason’s face because you’ve felt it before in your own life during some small victory of your own.

Our connection to Dylan also means the blows that he takes are that much more devastating. To think, after all the mental obstacles he overcame, his sanity may still be in question is a bombshell when it hits.

Ed Brubaker is at the height of his powers, which is saying a lot given his accomplishments. It’s amazing how much time we spend in Dylan’s head without him ever getting stale or predictable.

The visual style is picturesque in the best possible way. New York is a living, breathing part of every page. On every panel, you can hear cars beeping and people shuffling.

Sean Phillips draws people as well as he does landscapes. Every character model and expression tells a story that doesn’t even require Brubaker’s words. These aren’t Hollywood comic book models either, they are real people with real wear to them.

Elizabeth Breitweiser does exceptional work with even a dirtier, grittier pallet of color. The city only provides so many vibrant colors in a nighttime landscape and drenched in murder.

Dylan’s eye color gets darker the closer he gets to standing up to Mason. They start out green, get closer to brown, then damn near black by the time he speaks his mind. These little details make Kill Or Be Killed a splendid repeat read.

The black background behind Dylan as he confronts the Russian mob boss one-on-one sends shivers down your spine. This entire scene is built upon how easy it was, you can’t help but wait for it all to fall apart. The panels of Dylan with nothing but darkness behind him both raise the suspense and show how stone-cold of a master killer he’s become.

All the comic book tricks are on full, tasteful display in Kill Or Be Killed. The lettering of Kira’s dialogue slowly wiping away as Dylan drifts out of listening to her. That devastating final page reveal. It’s a glorious example of top-tier comic book creation and story telling.

Kill Or Be Killed has some monumental staying power. It’s now been consistently stunning and dynamic for fourteen issues. The killer creative team shows no signs of stopping as we follow Dylan into another dark place.

Brubaker, Phillips, and Breitweiser clearly weren’t satisfied with their handful of Eisner nominations. If they don’t clean up on awards next year, it’ll be a real shame. Every comic book fan should be reading this series.

Monkeys Fighting Robots Youtube

20th Century Fox To Adapt Detective Series GOLDIE VANCE

Monkeys Fighting Robots

20th Century Fox has purchased the rights to BOOM! Studios’ detective series Goldie Vance.  But the news does not stop there, as Rashida Jones has signed onto the project as writer and director.  While Kerry Washington will serve as producer.  “Goldie is exactly the kind of fearless, curious and funny heroine we need right now,” said Jones.

In June, 20th Century Fox acquired a minority stake in the comics publisher. Other BOOM! properties in production at Fox include the supernatural thriller The Empty Man and Mouse Guard among a few others.  Goldie Vance was created by Writer Hope Larson (A Wrinkle In Time, DC’s Batgirl) and Artist Brittney Williams (Patsy Walker).   

Related – 20th Century Fox to Adapt ‘Mega Man’ For The Big Screen

Goldie Vance

Labeled as a cross between Nancy Drew and Eloise, Goldie Vance centers around its 16-year-old title character.  Who aspires to be a detective for a Miami-based resort, but things in her life become challenging when she uncovers an international crime ring.  No release date for the film has been announced.

Monkeys Fighting Robots Youtube