In a bizarre development, even for 2017’s lofty standards, it seems Quentin Tarantino and JJ Abrams are working on a Star Trek movie together. At least in some sort of capacity.
According to the story from Deadline, Tarantino pitched an idea to Abrams, who is busy working on Star Wars Episode IX. Not to mention the fact that QT is working on his ninth film, the one about 1969 but not specifically Charles Manson, at Sony. These dudes are all over the place, but still apparently have time to pitch an idea strong enough that a writer’s room is being put together to try and make this concept a reality.
Who knows if this will ever go beyond mere spitballing and brainstorming late nights in writer’s rooms. Quentin Tarantino and JJ Abrams working on a Star Trek story together feels like a mismatch made in heaven. Abrams can bring his Spielbergian sense of wonder back to the table, and Tarantino can inject some life into the words and the actions. The two almost teamed up many years ago for a Speed Racer film, but that wound up in the lap of the Wachowski’s.
Think of this pairing as sort of the milquetoast version of Tony Scott and Quentin Tarantino’s partnership on True Romance.
Stay tuned for details on this story, and to see if any of your other Mad Libs come true.
In the days leading up to the release of Star Wars Episode VIII: The Last Jedi, we take a step into the larger world of Star Wars by examining the novels, games, comics, albums, TV series and audio dramas that have fed our imaginations over the years. Some of these you may be aware of and some you won’t, but regardless we hope that you seek out some of these works and give them the appreciation they deserve. May the Force be with you.
Nearly two years ago in movie theaters far, far away Star Wars returned to our screens with Episode VII: The Force Awakens. Loyal Monkeys Fighting Robots readers will remember we ran a series of articles in the lead up to the film’s release highlighting some of gems in the wider Star Wars canon. Now in anticipation of Episode VII: The Last Jedi, it is our pleasure to bring you The 12 Days of Star Wars 2017. We begin our retrospective on all things with a look at a modern video-game classic in The Force Unleashed.
The Republic has fallen. The Jedi are no more. The Dark Side shrouds everything. There is only one law: the Empire. This time period between Episodes III and IV is known to fans across the world as “The Dark Times”. First mentioned by Tatooine’s resident crazy old wizard: Ben Kenobi, this era of the Star Wars franchise was a breeding ground for much of the early expanded universe novels and games. As LucasFilm began to delve more into the Clone Wars/prequel era, the focus switched the days before (or in the case of Knights of the Old Republic, long before). Throughout the franchise’s resurgence in the early 2000s, many younger fans had not experienced an adventure set in the 19 years or so of Emperor Palpatine’s rule. In the years following the release of Revenge of the Sith, rumours and concept art started emerging that hinted at a very different kind of Star Wars experience. In 2008, Lucasarts released Star Wars: The Force Unleashed and our perceptions of the saga were shaken to their very core.
Star Wars: The Force Unleashed was the story of Galen Marek aka Starkiller: the secret apprentice of Darth Vader himself. Marek was the surviving son of Jedi slain right in front of him by the Emperor’s loyal enforcer during the great purge. Even as a boy, he showed himself to be in tune with the Force, disarming Vader as the cyborg strangled the boy’s father. Perhaps the Dark Lord of the Sith saw something of himself in him, a remnant of the man that was Anakin Skywalker, or maybe it was pure ambition. Whatever the reason, Vader abducted the boy and trained him in the Dark Side of the Force proving that the Rule of Two was more of a guideline than anything else. Honing him like a precision instrument, Vader sent his assassin to hunt down any remaining Jedi that dared to defy the Empire. It was on this journey that Starkiller met the elderly Jedi, Rahm Kota, and the love of his life, Juno Eclipse. It was a journey that would see Vader’s acolyte question his convictions and find himself tempted towards the Light Side. Starkiller would eventually shed that title and reassert himself as Galen Marek. In an act of self-sacrifice, Marek confronted his former master and nearly brought an end to the Emperor’s regime. Although lost to the nether-realm of the force, his death inspired inspired the very rebellion that he once vowed to destroy from within. The Alliance would honour his memory by taking his family symbol as their own.
Starkiller had a skill and knowledge of the Force that eclipsed anything that we had seen on screen. Powerful beyond imagination, this destructive understanding of the force informed the gameplay as much as it did the story. Previous Star Wars games featuring Force-users tended to focus on the Jedi as a Knight with your powers only being of secondary concern. In the Force Unleashed your skills with a lightsaber would only ever get you so far. If you wanted to experience everything the game had to offer, you had to channel your inner sorcerer more so than your inner swordsman. Whereas Sith lightning had in the past been a mere annoyance, in Starkiller’s hands it was if the very storm itself had submitted to his will. Stormtroopers and droids alike were rag-dolls before your might. Lucasarts used the Havok engine to imbue the game with a realistic physics engine that gave your every act weight. Each Force blast and manipulation felt earned, it took its toll not only on you, but the world too. This philosophy is exemplified in the game’s most iconic scene, where through his will alone, Starkiller rips a Star Destroyer from a planet’s atmosphere and crashes it into the Empire’s base. It is a scene that will forever remain etched into every Star Wars fan’s collective consciousness.
[embedyt] https://www.youtube.com/watch?v=1_aOR6H9h0I[/embedyt]
As tropey as the “secret apprentice” cliché may seem, Star Wars: The Force Unleashed turned out to be one of the last great hurrahs for the struggling Lucasarts after a number of years of dwindling popularity. It was a game about nature vs nurture and about destiny itself. There are some thematic parallels between his character and that of Kylo Ren, especially in the game’s Dark Side ending, but the influence of Galen Marek’s tale on the franchise has only begun to be seen. It was the story of a man struggling for whatever agency he could scrape together in a universe that wanted nothing more than turn him into a tool of one side of the Force or the other. Marek was raised to be a weapon, but he found peace in being able to die as a man. The less said about the sequel the better.
Bryan Singer, one of the more elusive targets in the recent sexual misconduct uprising in Hollywood, has officially been fired from Bohemian Rhapsody, the Queen biopic starring Rami Malek.
The reasons aren’t necessarily tied to the rumors of Singer’s sexual misconduct – which are well documented and surprisingly dodgy – as they are to his erratic behavior on set. Which may or may not lend itself to the accusations that Singer has molested underage boys. According to the Hollywood Reporter, Singer was missing from the set regularly.When he was gone, cinematographer Thomas Newton Sigel, stepped in to shoot scenes.
The absence created tension between he and Malek, and it caused production to be shut down last week. Things were bad; Singer allegedly threw an object at Malek at one point. Now, it appears the embattled and – if we’re in the trust tree – genuinely creepy Singer has been removed altogether.
Singer has claimed PTSD regarding his trouble on set. That is maybe the most insulting, ridiculous claim. Oh, PTSD, Bryan? Let me introduce you to this person, who served two tours in Iraq. Own up, Singer. Stop hiding behind legitimate illnesses and admit to your own sickness.
Anywho… Rami Malek looks terrific as Freddie Mercury in Bohemian Rhapsody. There’s no word as to who will step in and hopefully finish this movie. Someone get Joel Schumacher on the phone.
This series is NORMALLY brief, semi-comedic review of the CW superhero shows. You can check out last week’s review post here. However, since last week was the CW’s second all-series crossover event, this review post is special. We’re treating “Crisis on Earth-X” like a film, and discussing all 4 episodes at once. BEWARE OF INCOMING SPOILERS!!
CW unites all its heroes once again for a full-network crossover. ‘CRISIS ON EARTH-X’ is the second occasion where the CW uses all four of its superhero programs to tell a single story. It’s tough to juggle all those characters, and not every hero got equal play. However, the event managed to get some great beats out of several key players – including saying goodbye to a major player. ‘CRISIS ON EARTH-X’ is nothing if not a fun excuse to get all the heroes together for a fight.
from left: Candice Patton, Grant Gustin, Stephen Amell, Carlos Valdes, Melissa Benoist, and Tom Cavanagh (copyright CW)
The premise for the crossover is short and sweet – superheroes fighting alternate reality Nazis. While all the heroes get together for the Allen-West Wedding, the service is cut short by a gaggle of alt-reality villains. Led by an evil Supergirl and Green Arrow, along with Reverse-Flash, these Nazis want to take down all opposition. Our heroes need to take down the new Reich to protect the multiverse from their evil Nazi ways.
As a broad conflict, and as a way to bring everyone together, ‘CRISIS ON EARTH-X’ works well. It’s a fairly simple set-up, but there’s nothing wrong with superheroes punching Nazis. The focus on fighting their evil equals makes for exciting television, particularly with SUPERGIRL and ARROW. While the Nazi Kara-Oliver marriage is dull, and nearly asks the viewer to sympathize with the Archer Führer, seeing the Oliver vs Oliver/Kara vs Kara fights were exhilarating.
It was also great to see Iris West and Felicity Smoak get some action. As the brides of superheroes, these two don’t always get a lot of action. But ‘CRISIS ON EARTH-X’ gives them compelling action as well as an emotional core to the event. It’s especially good because the emotional notes get a bit old – Iris loves Barry, Felicity hates marriage, rinse & repeat. By giving the two non-heroes some action sequences – notably crawling through the vents DIE HARD style – it keeps everyone in the action for a solid superhero story.
Unfortunately, Flash gets the short end of the crossover stick. Obviously the Allen-West wedding is lovely, and makes for a heartwarming TV event. Beyond getting married, though, Barry doesn’t have a compelling storyline. Once the wedding gets crashed in Part 1, Barry’s just a masked face in the crowd. He doesn’t even get a fun evil doppleganger! The wedding is lovely, but it’s only a bookend for the event. It’s a shame that such a huge, emotional event gets cheated out of its full effect. THE FLASH was really left out of the juicier parts of the crossover.
Victor Garber (copyright CW)
By far the biggest reveal of “Crisis on Earth-X”was the death of Martin Stein. It was reported in October that the older half of Firestorm would be departing DC’s LEGENDS OF TOMORROW. As a critic who knew the news, it was hard not to see the departure as predictable, almost formulaic television. As a viewer, Garber’s departure was touching, especially as his death was coupled with his fatherly relationship with Jefferson. Especially since the second biggest LEGENDS storyline was White Canary’s one-night stand with Alex Danvers, it was an important plot line.
There were also several fun cameos in the event. We got another appearance from Leonard “Leo” Snart, a.k.a. Captain Cold (Wentworth Miller). The Earth-X Snart played hero once more, this time along with his superhero husband Ray “The Ray” Terrill (Russell Tovey). We also got several twists on familiar SUPERGIRL characters, including Guardian, Winn, and even Red Tornado. We also got a crazy return of Tom Merlyn as Earth-X Prometheus, and even if it only lasted a few minutes, it was crazy to see him return to the CW. One of the biggest draws of these big events are the Easter eggs, and ‘CRISIS ON EARTH-X’ certainly delivered.
Overall, ‘CRISIS ON EARTH-X’ was a solid two hours of Nazi-fighting fun. The wedding didn’t really play out that much, but it was sweet to see it happen nonetheless. The various storylines weren’t all strong, but enough was that the event had a natural and exciting flow. Not to mention we got White Canary’s great one-liner to Alex, asking “how’s your butt?” ‘CRISIS ON EARTH-X’ is exactly what fans expected and deserved. The only question left is how they’ll rope in RIVERDALE come the crossover event next season.
What did you think of the event? What episode did you think won the week? Let us know in the comments below!
Here and Now, the new series from Alan Ball, starring Holly Hunter and Tim Robbins, looks to be angling for that Big Little Lies late-winter slot.
Thematically, it might have some similar things happening with Big Little Lies, but Here and Now also looks like it has a little bit of The Leftovers, and a little bit of Ball’s Six Feet Under in its DNA. Here’s a 50-second teaser to whet your appetite:
Starring the always great Holly Hunter and Tim Robbins, the series follows an ordinary multi-racial family — including a philosophy professor, his lawyer wife, their three adopted children from Somalia, Vietnam and Colombia, and their sole biological child — who are hiding deep secrets beneath a sunny exterior. Things change, however, when one of the children starts seeing things that others cannot. What it all means, well, you’ll just have to watch to find out.
This looks intriguing, but let’s just hope it doesn’t veer off into True Blood territory. At least wait until the third or fourth season to bring in the Bull Lady or whatever.
Here and Now will drop on HBO in February, around the same time Big Little Lies did last year. This is a trend worth supporting. Plus, any time Holly Hunter is on your screen you owe it to yourself to watch.
Universal Pictures released the first teaser for ‘Jurassic World: Fallen Kingdom’ Sunday night, with a full trailer hitting the internet on Thursday.
Watch the teaser below.
Expect a different feel with this film as J.A. Bayona helms the sequel. Bayona has worked on ‘Penny Dreadful’ and ‘A Monster Calls.’ A student of Steven Speilberg, Bayona’s most notable work is ‘The Impossible’ form 2012.
About the film: With all of the wonder, adventure and thrills synonymous with one of the most popular and successful franchises in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaurs—along with new breeds more awe-inspiring and terrifying than ever before. Welcome to Jurassic World: Fallen Kingdom.
‘Jurassic World: Fallen Kingdom’ stars Chris Pratt, Bryce Dallas Howard, James Cromwell, Ted Levine, Justice Smith, Geraldine Chaplin, Daniella Pineda, Toby Jones, Rafe Spall, while BD Wong and Jeff Goldblum reprise their roles.
The film is written by Colin Trevorrow and Derek Connolly.
While the world is still shaking after the news that Zachary Levi (Chuck) would star in DC Comics and David Sandberg’s Shazam! movie, the actor recently opened up about the project and shared a few of his hopes.
While appearing at the Heroes & Villains Fan Fest in San Jose, Zachary Levi revealed a few details about the Shazam! movies tone, stating that he hopes the character and the film will be for DC Comics what the Guardians of the Galaxy were for Marvel. The actor also touched on his excitement to join the DC Extended Universe and stand among heroes like Superman (Henry Cavill), Batman (Ben Affleck), and Wonder Woman (Gal Gadot).
Directed by David Sandberg, Shazam! will be the next DC Comics film to enter production after James Wan’s Aquaman movie. The film stars Zachary Levi as the older incarnation of Billy Batson while Asher Angel will portray the younger version of the character.
Shazam! is currently scheduled for release on April 5, 2019!
Today’s episode reminded me of ‘Smallville.’ The CW show had a knack for producing very bland episodes but hooking you with the last five minutes with a cliff-hanger.
For the first 30-minutes of ‘Time for After’ storylines were just repeated, but once Eugene made the turn towards the Darkside the episode picked up the pace and got you excited for the midseason finale.
Notes on tonight’s episode:
• I am not sure Rick looks that tough in boxers.
• Eugene really is a Savior, and he knows how to make a scene very awkward. Kissing the ring on Negan?!
• Jadis is not as bad-ass as she lots.
• There was a cliffhanger, but it wasn’t Walking Dead worthy.
The bulk of ‘Time for After’ was a Eugene centric episode and that caused the episode to drag. Once the writers established, they were moving the plot forward with the story, did the episodes pacing and intensity increase. Spending the first five minutes and the last on Jadis and Rick proved to be annoying. Rick’s story arc could have been cut up into at least three parts, and that would have worked better in an hour-long show.
The mid-season finale is 90-minutes, and that means a ton of build up until the death of a leading character. Death is what moves the needle for ‘The Walking Dead,’ and it’s been a bit since the last significant death. Also, Ricks has been handing it to Negan since the begin of the season. It will be interesting to see how Negan responds and who gets killed off.
Overall, the episode is a tale of two halves. One half was slow and repetitive; the second half was energetic and rewarding.
What did you think of tonight’s episode? Comment below.
Because Outlander focuses so much of its plot on Claire and Jamie’s relationship, it was probably inevitable that their time together following their reunion slightly less than halfway through this season would be short lived. After all, the reunion is only worth watching if the separation has been sufficiently pronounced.
Having been parted by the span of an ocean and over 200 years of time, being on separate ships en route to the same location might not seem like a big deal, but Jamie and Claire simply won’t have it. Of course, they do have good reason to fear being parted. Bad things tend to happen to the Frasers and the people around them when they’re not within groping distance of each other. Their irrepressible love aside, though, we should consider Jamie and Claire’s reactions to being separated in context.
Outlander: Hangings, and Typhoid, and Ants…
Even a simple rendez-vous in Jamaica provides an opening for any number of dangers. And keep in mind, without modern conveniences like the rotary telephone and the Boeing 737, it was relatively common for friends and family to get separated for long stretches of time simply because of bad travel conditions — pirates, storms, and disease being all too common reasons for arriving late or, in many cases, not at all.
Luckily for the Frasers and the viewers like me who prefer them when they’re working together rather than apart, their separation after being reunited at the end of “Freedom & Whisky” didn’t last long. Separated at the end of episode 9, “The Doldrums,” they were together again by the end of episode 11, “Uncharted.”
Outlander: Redheads Reunited
As the teaser for next week’s episode reminded me, the episode following it will be the season finale, and although the teaser revealed that the Frasers will finally find young Ian, viewers still don’t yet know if they’ll get to see him home safe.
Because of Outlander’s producers’ penchant for cliffhangers, especially going into its season finales, one wonders if, like season 2, season 3’s finale will take place back in the 20th century, Brianna and Roger following the 200-year-old news of the time-crossed couple.
Outlander: Thoughts on Season 3
So far, this season, like previous ones, has been one of separation and reunion. But more than others, season three has given viewers a sense of how wide a focus this show is capable of presenting. Active narratives spanning two centuries and as many continents feature a cast of rotating characters who connect us to these different settings. Outlander, when it’s at its best, straddles the boundaries between science fiction, melodrama, and bodice-ripping fantasy but rarely showcases all three in a single episode. Instead, this show plays the long game, and asks fans of the book series to be patient while the creative team builds the world one story arc at a time.
What continues to surprise this viewer about Outlander is the show’s relatively consistent ability to execute ideas well. Although there have been some stinkers, like Claire roaming Scotland while singing a vaudeville version of “Boogie Woogie Bugle Boy” in the first season or the Cabin Boy-esque portrayal of Father Fogden in “Uncharted,” for the most part the creative team has proven that they understand the unique and sprawling world the show is a part of.
Going into Star Wars: The Last Jedi, Snoke is a big unknown. We’ve seen the Supreme Leader in the film’s marketing, but only in clips and short periods of time; we haven’t given Andy Serkis the time to shine, but that will certainly change when the movie releases. However, the actor talked to a magazine and shared some new details about Snoke.
First, Serkis claims Snoke has intentions different than that of the First Order:
“There’s a frailty and a damage to Snoke. His face is cleaved in, scars across his mouth, contorted body. But without giving too much away, he is strong. He is the dark end of the Force. He’s the leader of the First Order, but he has his own agenda. He’s a cruel manipulator.”
Then, Serkis is asked if Snoke his more powerful than Darth Vader and Emperor Palpatine. His reponse is below, and it may surprise you:
“Oh, without question. He has limitless resources, let’s put it that way.”
Are you looking forward to Snoke in The Last Jedi? Start a conversation with us in the comments below.