Warner Bros and Todd Phillips are working on an untitled origin story for the Joker, according to Variety. The latest actor tapped to play the main character is Joaquin Phoenix, though negotiations have not begun.
Who Else Could Joaquin Phoenix Portray?
Alright. Let’s talk Batman villains. This massive roster includes Bane, Penguin, Two-Face, Mr. Freeze, Riddler, Harley Quinn, Poison Ivy, Catwoman, Scarecrow…then you get into deeper cuts like Calendar Man, Man-Bat, Mad Hatter, Clayface and Kite Man. Just so we’re clear: I don’t read Batman comics. My favorite Batman, as it says in my bio, is Adam West, and I stand by that. I bring this up because this list was generated with minimal exposure to the Bat-verse.
So that means that there are very few people on this planet who think the Joker is the only villain standing between Bruce Wayne and a cleaner Gotham. Apparently, all those people live and work in Hollywood, and they believe we need another dive into the psyche of one of the most overplayed bad guys in the history of ever.
Here it is a little louder, hopefully someone will hear it: we need another Joker movie about as much as we need another reboot of Spider-Man. In addition to the Phillips film, Jared Leto will reprise his portrayal of the Joker in Suicide Squad 2.
Please Don’t Play it Again
The potential description for this project sounds like something we’ve heard before.
The movie would fall under a yet-to-be-announced new banner of DC Comics, which would give the studio the opportunity to expand the canon of the iconic comic-book characters with unique story angles that aren’t included in its current cinematic universe.
To be fair he DOES sort of look the part…
The film will reportedly “…delve into what it took for the Joker to become a mastermind criminal.” Unnamed sources also say that Phillips plans on setting his film in the 1980s, with a gritty crime drama aesthetic.
HOW ARE YOU EXPANDING A UNIVERSE BY DOING THE SAME OLD SONG AND DANCE?
We’ve seen multiple angles of the Joker already—from Mark Hamill and Heath Ledger’s deranged and dangerous all the way to Jack Nicholson and Cesar Romero’s goofier takes. Please, DC, if you’re creating an origin story for a Gotham villain, pick literally any other one. This repetition is enough to drive us batty.
Phoenix has turned down the roles of both Lex Luthor (Batman V. Superman: Dawn of Justice) and Doctor Strange (Doctor Strange). Whether he will accept the role of the Joker is yet to be seen.
In Oblivion Song Robert Kirkman and Lorenzo De Felici have created an apocalyptic hellscape full of new and unique monsters.
Kirkman spoke with Monkeys fighting Robots on Monday about the creative process of monster design, and how he works with his co-creator De Felici.
“When it comes to creating original monsters, that’s where you lean on an artistic co-creator to be completely honest. Well, to a certain extent it’s been somewhat organic in that when I write the scenes I will call for different kinds of animals and give them different descriptions about what kind of size they are and kind of an analog function on how they would relate to some kind of earth animal that we both know.
But we talked out some initial designs and how I wanted the creatures to look. I didn’t want them to be furry. I wanted them to be a little bit kind of gross and sickly looking.
And so once we kind of established a general look for how the overall thing would be then it’s just kind of a case by case basis as I write scene I’ll just go, “I don’t know it’s like a cheetah” and then Lorenzo be like, “Okay, alien cheetah here you go.” Over the course of the many issues that we’ve produced we’ve actually kind of cataloged and started naming the various animals so that we could reuse them. I think we’ve got no point where we’ve like maybe 20 or 30 unique, different animals that have shown up here and there.
It got to be a little confusing like when I’m writing a show 11, and I’m like you know like that one thing that looks kind of like a rat. But it wasn’t like this butterfly thing that was kind of like you know like use that thing again. So now we’re going through the process of actually cataloging them which is a lot of fun,” said Kirkman.
Kirkman also offers words of advice to future writers, and how to not trap your artist in a panel.
“Seeing everything through his visual lenses is one of the pure joys of writing a story like this. In issue 2 they go to a museum and there’s this giant woolly mammoth, tusky, like monster thing. I don’t remember exactly what description I gave him for that, but I just said I wanted some massively impressive, slow-moving looking, like crazy ten story tall monster. And you give him a big enough canvas.
I mean that’s one thing that a writer has to do. I work with a pacing, and so I can write, “Hey draw the coolest thing ever” and then give him seven panels on a page and then he doesn’t get to actually show off, and that’s a mistake some writers make. But when I give him something like that, and I want him to show me something that is that huge and you give him a two-page spread and then you let Lorenzo work is magic.
So, when it comes to creature design I just really have to lean on that guy. He’s been working his magic issue after issue, and there are some really impressive stuff coming,” said Kirkman.
Check out the 8-page preview below:
What do you think of the look of the book?
Here’s the official synopsis: “A decade ago 300,000 citizens of Philadelphia were suddenly lost in Oblivion. The government made every attempt to recover them, but after many years they gave up. Nathan Cole… won’t. He makes daily trips, risking his life to try and rescue those lost, alone and afraid, living in the apocalyptic hellscape of Oblivion. But maybe… Nathan is looking for something else? Why can’t he resist the siren call of the Oblivion Song?”
Oblivion Song is written by Robert Kirkman, with art by Lorenzo De Felici, colors by Annalisa Leoni, letters by Rus Wooton, and Sean Mackiewicz keeps everyone on track as the editor of the series.
Oblivion Song hits your local comic book store on March 7, 2018.
Are you excited for this Kirkman series? Comment below.
As if Fast & Furious wasn’t already action-packed enough. According to The Wrap, Deadpool 2 director David Leitch is the frontrunner to direct the Dwayne Johnson and Jason Statham led Fast & Furious spinoff movie.
It was announced following the release of The Fate of the Furious that The Rock and Statham would be involved in a spinoff film centering around their characters of Luke Hobbs and Deckard Shaw. The film likely spawned from the fact that fans reacted very positively to the on-screen chemistry between Johnson and Statham’s characters. The film started some controversy when Tyrese Gibson took offense to the fact Johnson was focusing on the spinoff rather than the next Fast & Furious film.
Leitch is best known for his work on the John Wick franchise which has become synonymous with intense action sequences. He has since moved on to take the challenge of helming the Deadpool sequel following Tim Miller’s exit. Leitch also recently directly Charlize Theron in Atomic Blonde.
Statham may also have had a hand in the idea of Leitch directing the spinoff. The two of them have worked together on various projects including The Mechanic. Although no formal offer has been made to Leitch it seems more than likely he’ll take on the job.
The spinoff is set to hit theaters July 26, 2019, but that may be subject change as the ninth Fast & Furious film figures out its production schedule. Chris Morgan who has written most of the films in the franchise will pen the script.
Would you be excited for David Leitch to direct the Hobbs and Shaw spinoff? Let us know in the comments below!
Sony Pictures released the first trailer to Venom Thursday morning, the film stars Tom Hardy as Eddie Brock, and the studio has labeled the movie part of Sony’s Marvel Universe.
Watch the trailer below:
The film is directed by Ruben Fleischer from a script by Jeff Pinkner and Scott Rosenberg, and stars, Tom Hardy, Michelle Williams, Jenny Slate, Woody Harrelson, and Riz Ahmed.
According to the director, the plot of the film will involve storylines from Venom: Lethal Protector written by David Michelinie and drawn by Mark Bagley, and the Planet of the Symbiotes written by Michelinie as well. Venom is shooting in San Francisco which was the setting for Lethal Protector.
What started with Marvel’s ResurreXion of the X-Men comics, and continues now with Marvel Legacy, is a major course correction for our beloved mutant heroes. Writer Marc Guggenheim has been one of the voices leading the charge on X-Men Gold.
Returning to the glory days of X-Men comics is about more than just bringing characters back and putting them in familiar costumes. It’s more than just publicity and publishing stunts to try and fix the sales numbers, of a once dominant line of comics, for the time being. It’s about reinstalling an atmosphere and focus into an entire line of comic books, refocusing the brand and getting back to its roots.
X-Men comics are trading in the dark and gloomy days of mutants being scarce, fighting for the survival of their species, for an examination of the now healthy mutant population. We’re getting back to mutants with different points of view clashing over social issues and ideology. We’re also seeing those mutant versus mutant conflicts being feared and exploited by regular humans in the form of politicians and military again.
We’re seeing mutants from all different angles as well, not just trying to survive. We’ve seen the X-Gene carriers as sideshows, activists, terrorists, teachers, students, warriors, politicians, entertainers, explorers, terrified kids, etc. The more of spectrum and reach these characters have, the grander their world seems. This not only makes X-Men comics more diverse and approachable, but the entire Marvel 616 universe. Mutants should never be contained to just X-Men stories.
Marc Guggenheim has injected a healthy dose of soap opera drama as well. There’s been a lot more emphasis on romantic relationships again. For the most part, it hasn’t been overbearing and ends up being a strength. That goes along with the beating heart that fans can find within these pages again.
Guggenheim is also playing with dastardly subplots developing slowly in the background. This used to be a crucial device in comic book storytelling, it’s harder to get away with today while not knowing how long your series is going to last. Giving the reader little tiny crumbs that’ll eventually lead to major plot points further down the line, it makes for a satisfying reading experience for anyone following along.
The recent “Negative Zone War” arc saw the Gold team go off-world. Some of the greatest X-Men stories of all-time take place in either outer space or another dimension. It’s a good sign that Guggenheim is capable and willing to explore beyond planet Earth.
These are elements that helped make Chris Claremont’s X-Men work stand the test of time. Almost everything Claremont touched with an “X” on the cover is classic comic book history.
Guggenheim’s work is clearly a product of studying Claremont’s. It took him a few arcs to smooth out the rougher edges, and he still has a way to go in perfecting this craft, but it’s been a hell of a lot more fun to read than pre-ResurreXion titles.
I’m not saying Guggenheim and Claremont are comparable, I’m merely suggesting that you can see Guggenheim is channeling the best there ever was in an effort to return X-Men comics to their former glory and it deserves appreciation.
If you’ve never read Claremont’s X-Men work and like the current slate of X-Titles, do yourself a favor and take a dive. If you’re a longtime X-Men fan who’s looking for a reason to get back into your favorite characters, now is the time.
X-Men Gold isn’t the only title carrying the torch for mutants, almost the entire line is more than pulling their weight, making the whole line of X-Men comics a healthy one. Pretty much every creative team is dipping into the past to take these characters new places, there’s just a more prominent direct line to be drawn in Guggenheim’s writing and the style of Chris Claremont.
As Greg Pak’s creator owned series Mech Cadet Yu continues its new arc, it runs the risk of running into the pitfalls of any other monthly running series. This includes the possibility of becoming formulaic with the constant training and academy life presented in the series. Unless the creative team find a way to shake things up that is.
The academy is overrun by a litter of newly hatched Sharg. Yu and his team have to stay alive on limited resources.
Writing
Most people believe the easiest solution in stories involving giant robots is to just call in the machines to fix whatever problems the characters are experiencing. These are the same individuals who ask, “Why don’t the Power Rangers just form their robot right away and win?” The fact is giant robots won’t solve all of your problems (shocking isn’t it) and often their pilots have to figure out what to do on their own.
Writer Greg Pak presented formidable odds for the characters to overcome without robots, and by doing so delivers a very powerful issue. Every page leads to an final page no one sees coming. Though last page cliffhangers should be good, it’s not always best to say they are the greatest part of the issue. They are intended to be shocking and praising them too much seems to take away from the rest of the issue. It takes a special type of final page to truly steal the show. Somehow this issue succeeds it in spades by delivering a final page which will have your jaw on the floor.
Artwork
Once again the art team is in perfect harmony. Takeshi Miyazawa’s art is in top form and is able to explore new aspects with this issue. There are scenes of violence, injury, and even some great human action scenes presented.
The coloring by Triona Farrell works to showcase the destruction and chaos which takes place as the Sharg attack. The human and alien blood work offers a very nice sense of dread to the issue.
The lettering helps to sell the dire situation the students are under as they work to stay alive. Simon Bowland finds a way to perfectly express how the characters should be feeling without having them scream the entire time.
Conclusion
This series just keeps getting better and better. This issue finds a way to raise the stakes higher than ever before and seems to be a better end for the first arc than issue #4 was thanks to the surprising way it concludes. Though not the ideal starting point it makes up for it by rewarding those who have been reading with a fantastic issue.
It’s been three months since NetherRealm announced its Fighter Pack 3 DLC for Injustice 2. Since then questions arose surrounding the Ninja Turtles being a part of it. Would they each have their own move set? Can you play as all four at once?
NetherRealm has answered those questions by releasing the first gameplay footage of the famed group. The trailer does a good job of showcasing each of the ninja turtles’ personalities via their intros. Michaelangelo glides in on a skateboard, Leonardo is shown meditating, Donatello talks about coding, and Raphael forcefully removes sais from a Brainiac bot. When the fighting begins, each one is given the opportunity to show off their moves.
To those fearing all four and their move sets are just carbon copies of each other like The Flash and Reverse Flash, good news, they’re not. Every ninja turtle has a unique set of combos, acrobatic moves, and quick attacks. Despite only being able to play as one turtle at a time, some attacks are specifically designed to show off the teamwork the brothers are known for. Seeing Mikey kicking his skateboard in the air for Raphael to catch and hit an opponent with, and Leo hitting an opponent with a glide kick after Donnie unleashes a combo, captures the group’s “Fight as one” technique and mentality.
This is truer when you utilize their super move which can be seen in the full trailer that’s posted below. Though no official date has been announced yet, the ninja turtles will be playable this month. What do you think of the trailer? Did you catch the Mortal Kombat Easter egg at the end? Comment below!
Superman has his ups and downs in terms of storytelling last month. First, we had the lackluster conclusion of the “Super Sons of Tomorrow” crossover. It was dark, bleak, and just flat out confusing. On the other end of the spectrum, we had the beautifully illustrated story of Superman giving cancer patients the greatest day trip ever. While that story put the biggest smile on my face, I do worry about the future of the Man of Steel. He has looked into his son’s future and has learned of its destruction. Will we see Superman his son away or teach him to be better?
**Some Spoilers Below**
Story:
On the anniversary of Krypton’s destruction, Clark takes Jon to the Fortress of Solitude for a history lesson. He explains to his son that, as long as they live, Krypton will live. Before the lesson concludes, however, Superman gets an interplanetary signal. In a far-off universe, a planet is on its last legs ready to implode like Krypton. Superman decides he will not let another race suffer Krypton’s fate and goes off to save them, with Superboy in tow. When the Man of Steel arrives, they are welcomed by the alien race before they tell the Kryptonians the truth: they WANT the planet to explode. The aliens see their death as the ultimate sacrifice to their god.
When I read this, I had the strangest feeling of deja vu. That’s when I realized that the Green Lanterns series had a near exact story less than four months ago! The only difference between that story and this one is that the Green Lanterns story was more character driven. Without that character-driven plot, this issue of Superman falls short. The beginning was interesting, with a humorous jab to the ‘Last Son of Krypton’ title, but after that, it’s just going through the motions the Lanterns did in October. This is the first half of a two-part story and unless it is able to find a way to make this connecting more to that Krypton lesson at the start, this story might be one to skip.
Art:
Doug Mahnke returns to illustrate this story and it really doesn’t fit a Superman story. I went into his art before in my review of Superman #33, but to elaborate, his style is too creepy. It causes our heroes facial expressions to come off as more villainous. There is a panel that has Superboy smile at his father and he looks like he’s being infected by Joker serum. The Superfamily should be friendlier to look at instead of creepy.
That being said, the back half of the story shows off what Mahnke is good at illustrating. When Superman refuses to leave the planet to its fate, the seahorse aliens turn on him. As silly as that sounds, Mahnke’s style makes them genuinely scary. They look like terrifying monsters to tear apart Superman, despite clearly being in the shape of a seahorse. When it comes to the villains and darker worlds of Superman, he does great. It’s only when Mahnke tries to draw something friendlier, it doesn’t work. I would love to see his work in a story like Black Dawn or something horror themed…just not on Superman.
Conclusion:
This issue was not my cup of tea. Despite an interesting opening, the story devolves into stories we’ve heard before. While the art can make the aliens creepy to fit the story, it does the same to Superman and Superboy. On its own, I cannot recommend this issue. Hopefully, the conclusion of this story will bring it back from the edge.
The penultimate episode of Star Trek: Discovery’s first season, The War Without, The War Within, showed the crew of the U.S.S. Discovery returning to their own universe after a four-episode interlude in the Mirror Universe, but a lot has changed since they left. In addition to the passage of nine months and massive gains for the Klingon Empire in the Klingon–Federation War, the Discovery’s commanding officer, Captain Gabriel Lorca, was revealed to be a Mirror Universe interloper in “Vaulting Ambition.”
Tying up loose ends with an ironic impalement, Emperor Georgiou killed Mirror-Lorca during his attempted rebellion in “What’s Past Is Prologue.” Gabriel Lorca of Star Trek’s “prime universe” is assumed to have died some time ago, shortly after the quantum inversion that brought Mirror-Lorca to the prime universe sent Lorca-Prime to the Mirror Universe.
This not only means that the Kelpien Commander Saru (Doug Jones) assumes the role of acting captain, it also means that the U.S.S. Discovery has never actually had a legitimate captain.
The War Without, The War Within – “Dad! Uncool!!”
Unfortunately, Captain Saru’s time in the big chair is short lived. The bridge crew is taken unawares by the surprise transport of a motley crew of Federation species. Their arrival heralds a second beam-in, that of Ambassador Sarek and Admiral Cornwell. Cornwell uses an authorization code to take control of the ship, and Sarek forcibly mind melds with the no-longer-acting Captain Saru.
Sarek learns of the crew’s amazing journey between realities, and Cornwell wastes no time in catching the bridge crew up on the events of the past nine months. The Klingons, it turns out, aren’t acting as a unified military force. Instead, the various houses stage random brutal attacks on Federation assets. But the true extent of the damage isn’t fully understood until Discovery visits the burning husk that once was Starbase 1. Previously home to tens of thousands of Federation citizens, it now houses around 250 Klingons from the House of D’Ghor.
The War Without, The War Within – “Take that, Dr. Marcus!”
There was a lot going on in this episode. The return to the prime universe, the destruction of Starbase 1, Lt. Tyler’s readjustment to ship life after having Voq’s personality de-conditioned out of his mind, and Stamets’s terraforming a moon in order to create a source of mycelial spores. This was a nice nod to Star Trek II: The Wrath of Khan in which Dr. Carol Marcus uses her invention the Genesis Project to terraform an inhospitable planet into a habitable one. Unfortunately, it goes horribly wrong … “KHAAAAAAN!!!”
The War Without, The War Within – “Saru, don’t accept any dinner invitations from Emperor Georgiou.”
One of the biggest shockers from the last episode was Burnham’s decision to save Emperor Georgiou and bring her back to the prime universe. Georgiou isn’t adjusting well to being locked up all the time, and to gain her freedom she offers Admiral Cornwell and Sarek a deal.
The Federation can’t make any headway in their war against the Klingons. Georgiou offers to put her knowledge of warfare to work, having obliterated the Klingon home world in her own universe.
Surprisingly, this negotiation goes a lot better than Tyler’s discussion with Burnham about the future of their relationship. Burnham discusses the benefits of being alone with Tyler, and in a rare moment of self-effacement during her blood-soaked life she reflects that she’s not yet where she needs to be to feel good about herself.
The War Without, The War Within – “Dr. What’s-his-face was a good man!”
There were a few charged discussions in this episode. Another tough one for Tyler was his talk with Stamets, although I was a bit surprised it wasn’t a lot worse. Sure, it got a bit heated, but I thought that Stamets showed a surprising amount of restraint. I know that Discovery the show, just like the ship, moves at faster-than-light speed most of the time, but the lack of emotional grief over Dr. Culber’s death is a bit off-putting. He wasn’t my favourite character, but I seem to care more about his loss than the majority of the crew.
The War Without, The War Within – “Cmdr. Saru, I’d love to have you for some calamari some time.”
Admiral Cornwell continues her streak of questionable command decisions when she introduces Discovery’s new commanding officer. Although Cornwell tells the crew that the woman commanding their vessel is Captain Georgiou whose survival was kept secret by the Federation, she is actually the deposed Emperor Georgiou, Kelpien connoisseur late of the Mirror Universe.
So, the fears I had last week are proven valid. The U.S.S. Discovery has indeed traded one impostor from the Mirror Universe acting as captain for another. Staging a surprise assault, Emperor Georgiou will lead the attack on Qo’noS that will take the Discovery within the caves of the Klingon home world, and based on the Emperor’s history as a strategist I’m sure this attack will be measured and proportional …
The War Without, The War Within – Final Thoughts
This episode provided a nice break after Discovery’s action-packed saga in the Mirror Universe. Beyond getting a chance to catch our breaths, viewers were also treated to another well-timed reference to Star Trek: Enterprise. Going all the way back to Enterprise’s series premiere “Broken Bow,” Cornwell, when talking about the impending mission to the Klingon home world, refers to Captain Archer’s mission aboard the U.S.S. Enterprise NX-01 to return the injured Klingon courier Klaang to his people. These Easter eggs are always fun to pick out, but my favourite one so far is definitely the list of most decorated Starfleet captains featuring Georgiou’s name alongside those of Captains April, Archer, Decker, and Pike. Now that’s an information-packed bonus.
It’s anybody’s guess what the mission to Qo’noS will entail, especially given the confusing promotional trailer that aired after The War Without, The War Within. The half-naked gyrations of a number of albinos and the destruction of what looks like a planet are featured.
The War Without, The War Within – Admiral Crumb-well
We also see Burnham standing up to Cornwell, arguing that, though the odds are against them, the crew of the Discovery must stick to their Starfleet principles. It’ll be great if this philosophical discussion gets a chance to play out: these kinds of heady conversations are, so far, sorely lacking in this iteration of Star Trek. Also, based on Cornwell’s apparent bloodthirstiness and her willingness to install Mirror Universe counterparts of Starfleet officers in positions of military authority, maybe she’s actually Mirror-Cornwell. Revealing another commanding officer as an impostor from the Mirror Universe would seem a bit like scraping the bottom of the barrel, but at least it would explain Cornwell’s relatively crumby command performance so far.
The comics industry underwent a bit of a shakeup when Brian Michael Bendis made a move from Marvel to DC. Speculation arose immediately about what he’d be doing for Detective Comics. The answer revealed that Bendis would be managing several things, including Superman. Bendis talked about his connection to the last son of Krypton and why it’s such a dream to be able to write for him. As Bendis prepares to live out a dream, we dreamers here at Monkeys Fighting Robots pooled our collective talents to talk a little about what character we’d love to write for if ever given a chance.
ANTHONY COMPOSTO
Marvel: Nova (Richard Rider)
I’m a Long Island boy, and I always got a kick out of Richard Rider being from Long Island. He’s not a top tier character (yet), but he so deserves to be. Abnett and Lanning’s run on Nova showed me what an incredibly badass and complex character Rich is (the dude literally tore Annihilus’ guts out through his throat!), and I would kill to show that to a new generation of readers. My favorite stories are those that take a lower tier, cult character and makes them so great that it builds their fanbase tenfold. It shows the power of great writing, and it shows that the strength is more in the writer than the character. It’s a challenge. And Nova’s the kind of character where I could tell epic cosmic adventures OR smaller, more intimate stories on Earth. Long Island represent.
DC: Nightwing
Everyone wants to write Batman, but Nightwing is a much richer character. Whereas Bats is dark, brooding, and trusts no one, Nightwing is an actual human being. He’s friendly and lighthearted; he makes jokes. He gives writers a chance to have fun! Plus I would want to explore the complexities of his trust. Batman’s easy; he instinctively shuts people out. But Nightwing follows more of the “superhero ideal” in that he wants to see the good in everyone. That opens the door for conflicts and betrayals, and you can explore society in an interesting way. Superhero comics should teach lessons, and the one lesson that I would want to teach is to try and see the good in people, to open yourself up and be the change you want to see in the world. Nightwing affords that opportunity. Plus, you still get to play in the Batman sandbox with all the cool gadgets and villains (which is the real reason people want to write the Dark Knight).
The man was a highly-recognized and incredibly skilled surgeon till a car accident damaged the nerves in his hands, ending his career. Seeking treatment, he opted for the mystic arts and, over time, became the Sorcerer Supreme. Unreal. That alone is enough of a reason to want to write for this character, but it is what he does on a daily basis to keep our planet safe, like having to face world-shattering entities and villains, that is appealing. He has saved our realm countless times over while we’re walking our dogs and going about our daily routines.
DC Comics: Doctor Fate
Kent Nelson was the son of an archaeologist, taking on the craft as well. He turned in his greatest find, an ancient immortal, named Nabu, while exploring a pyramid in the Valley of Ur, in ancient Mesopotamia. He freed Nabu but accidentally killed his father in the process. Nabu took Nelson under his wing while molding him into Doctor Fate and gifting him his signature amulet, helmet, and cloak. What makes this character exciting to write about is how Fate runs in the family, as it has been extended to not only other family members but his wife as well. It’s a task that is seemingly passed on, which makes for great stories to tell, along with the fact that he is constantly doing battle with evil magical and mythical beings, all while also having served on the Justice League of America and Justice Society of America, among other affiliations.
Logan aka James Howlett aka Wolverine has always been a favorite character of mine (my first comic memory was reading the Spider-Man vs. Wolverine one-shot by James Owsley and Mark Bright). So if given a chance, I always wanted to write Wolverine. But lately, it is one particular version of “Ol’ Canucklehead” that has attracted my attention, and that is Old Man Logan. Old Man Logan was created by Mark Millar and Steve McNiven in the pages of Wolverine but was given life in his own title by Jeff Lemire recently. What I love about this version of Wolverine is the attitude. This is a Logan well past his prime, having seen much more than the ALREADY weathered younger man we all know. More akin to an aging western gunfighter or lone wolf ronin, Old Man Logan has enough pathos to fill issue after issue and his age would also allow you to tell some great flashback and parallel narrative tales. He is a man out of time twice over. I’m already getting ideas!
DC: The Spectre
One of DC’s ‘cult’ characters, resurrected policeman Jim Corrigan/The Spectre has always fascinated me. Created during The Golden Age, and a big part of the JSA, Spectre has been used sporadically over the years in various degrees. To me what makes him special is the unique combination of the supernatural and the grounded the character brings. He is not only a streetwise cop but is also the freakin’ Judgement of God himself. This duality would open up the doors to tell stories on both a huge, magical epic scale and even ‘Law and Order’ style police procedurals. Think about it; you could have entire arcs about the DCU’s crazy magic world and then do a flashback about Corrigan, as a human, working a case. Plus the character is one of the coolest looking in DC with a great color scheme and costume.
I love a good anthology and so Marvel’s What If … comics were right up my alley. Like a comic book Twilight Zone, What If … were random stories of alternate timelines and the after effects. Like an omnipotent Rod Serling, Uatu the Watcher narrated every issue. What a fascinating character is Uatu? A race of super-beings who, lead by Uatu’s father, tragically helped another civilization annihilate itself. Ashamed, Uatu exiled himself to a distant part of the multiverse where he’d watch a place called Earth. It’s there that Uatu sees the same pattern of destruction facing the future of mankind and, posing as a human, begins to investigate the cause of humanity’s collapsing destiny; a mystery that will reach across multiple Earths.
DC: Martian Manhunter
All my life I’ve had a fascination with space and Mars (I’m @RMartian on Twitter). Martian Manhunter was always an interesting character, like Superman, he’s a complete fish-out-of-water. The origins of a character like Martian Manhunter are also murky and mysterious too. He’s far less defined than Superman, Batman, or Wonder Woman, leaving the door open to play around with a lot of interesting science fiction ideas. Taking the original premise, Manhunter is brought to Earth by a human experiment in a middle of a great war happening on Mars. With no way back, Manhunter goes into hiding, but his heroic nature makes it difficult for him to refrain from helping those in need while also looking for a way back home. Soon Manhunter discovers the fate of his people when White Martians arrive to kill the last Green Martian.
After years of being a fan of the character, I believe I could do great justice to DarkHawk from Marvel Comics. After his comic was canceled, the character was used in different storylines and revealed to be part of an intergalactic guild of assassins and was designed as a countermeasure against the Phoenix Force. With the same guild now becoming an obstacle for the Guardians of the Galaxy, it’s time DarkHawk was once again allowed to spread his wings and become a part of the Marvel Universe. My ideal story would involve him working to cast off the role he was designed for by finding a new candidate for the Phoenix Force and having to protect them from evil.
DC: Azrael
The product of an ancient assassin program, Azrael did what many only dream of by filling in for Batman. During his time as the Dark Knight, Azrael created an iconic suit of armor, became defeated Bane, but unfortunately went off the deep in the process. When a new series launched, Azrael was left to redeem himself from his past mistakes and move forward to prove he was worthy of being a part of the extended Batman family. The original Azrael, Jean Paul Valley hasn’t made an appearance in the Rebirth universe and this needs to be rectified. Yes, he did die and even was a Black Lantern for a time but the DC is filled with ways of resurrecting the dead. If I was able to bring him back, I’d have him work to fight against the Court of Owls, who would be working to resurrect the assassin creation program which made Azrael in hopes of creating a being which could bring Gotham under their control.