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Review: BATMAN #46 Is Dark, Twisted and Shocking…and All Booster Gold’s Fault

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Batman #46 by Tom King, Tony Daniel, Sandu Florea, and Tom Eumorey takes what started as a fun alternate reality tale and turns it in a violent and twisted direction that ends in shock and tragedy.Batman

Batman #46
‘The Gift’ Part 2
Written by: Tom King
Art by: Tony Daniel
Ink Assists by: Sandu Florea
Colors by: Tom Eumorey
Letters by: Clayton Cowles

Booster Gold’s wedding present has screwed up Batman’s past and done even more damage to his present. Now, with the Caped Crusader himself refusing to cooperate, the only way for Booster to correct this runaway timeline is to get Catwoman on his side. But with her own past altered, can he make Catwoman recognize the qualities in her husband-to-be that brought them together in the first place? Plus, if Batman isn’t doing his job, Gotham City may become way more dangerous than our bumbling time-traveler might be ready for.

Writing

I don’t think anyone could have been prepared for the direction this story took. When a writer uses Booster Gold to tell a time travel story, expectations usually lay toward fun Back To The Future style romps. But this is Tom King, and one of his greatest skills is to deftly defy expectations. What we get here is a VERY dark story that at its core is about how important Batman is to Gotham, specifically Bruce Wayne underneath the cowl.  And for there to be a Batman, there has to be tragedy. Specifically personal tragedy. King suggests that no matter what, Bruce Wayne’s life will always result in violence and death for his family, but in extreme circumstances that darkness spreads even further. It’s a bold idea that works wonders.Batman

His portrayal of Booster Gold is not only accurate but shows a deep understanding of what makes the character work. Yes, Booster has always been a character that oozes humor but the best writers understand that that humor masks a gamut of deep emotions: guilt, self-loathing, lack of confidence and a desire to be a hero to make amends. In the right hands, Booster Gold is…well pure gold. And Tom King fucking nails it.

And then we come to the ending. An ending that will leave you breathless with its violence and implications. And of course most of this will be course corrected in the usual time travel reset button way, but the motives and emotions that cause these horrible acts are still embedded and extend from the core of the characters. It’s the reason these alternate reality stories work so well, they help showcase darkness within that an in-continuity story just can’t tell.Batman

Art

Tony Daniel is no stranger to Batman’s world, having worked on his own run on the character as well with a plethora of other equally fantastic creators. His familiarity is apparent, as his art is confident and powerful. When you throw in the inks by Florea and the colors by Eumorey, it all practically explodes. It blends classic superhero art with modern slickness. He has to create some shocking images, yet still make all the wild differences recognizable otherwise the whole thing would lose emotional impact.

Conclusion

“The Gift” has been a wild ride of a story arc and will go down as a classic Booster Gold story. The cliffhanger here will make you tear out your hair in anticipation and wishing you could leap forward in time to see what happens next. Fantastic!Batman

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Review: AVENGERS #1 Jason Aaron Hasn’t Found His Avengers Groove Yet

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Avengers #1 is the token number one issue to tie-in with the latest film from the Marvel Cinematic Universe. This is one of the pros and cons of how big the MCU has become.

Writer Jason Aaron has teamed up with artist Ed McGuinness to introduce a new lineup of the Avengers; Thor, Captain America, Iron Man, Captain Marvel, Black Panther, Ghost Rider (Robbie Reyes), Hulk (Jennifer Walters) and Doctor Strange.

Review: AVENGERS #1 Jason Aaron Hasn't Found His Avengers Groove Yet

The most significant problem for Avengers #1 is a severe pacing issue. The book tries to include all plot lines, and instead of feeling epic, the first issue felt watered down.

If the first issue was just Thor, Captain America, and Iron Man sitting at the bar discussing what it means to be an Avenger, and then they pay their bar tab and walk outside to find a Celestial, that would have been something tangle-able and focused. Instead, the reader gets the B.C. Avengers and Odin’s creepy advances on the Phoneix. Then the book gives you one page of Jennifer Walters and a couple of pages of Robbie Reyes that cut up the flow of the book in a negative way. The Hulk and Ghost Rider stories feel forced compared to the Doctor Strange / Black Panther storyline, and how Captain Marvel meets up with Thor, Captain America, and Iron Man.

For a new reader, I would be lost. To get the complete story, you need to read LEGACY, Thor, and possibly Iron Man. The point of the book is to give readers an easy entry point to comics after Avengers: Infinity War and this book misses the mark.

Review: AVENGERS #1 Jason Aaron Hasn't Found His Avengers Groove Yet

As far as the McGuinness’ artwork, it’s a personal preference whether or not you like his style. The colors have potential, and if I were David Curiel I would see how crazy Tom Breevort would let me go and try to give the book a 70s Jack Kirby feel. With so many options for our attention, playing it safe doesn’t work anymore.

With all the negatives, I have faith in Aaron and his ability to find the story. The same can’t be said for McGuinness; his style will be polarizing as long as he’s working on the book, that is why it is up to Curiel to be colorfully crazy. He needs to find a color palette that brings the writing and art together.

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DC NATION #0 Review: The Daily Planet Sets The Stage for Bendis’ Superman in OFFICE SPACE

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There are big things coming to the DC Universe over the summer, all of which are set up in DC Nation #0.

Batman and Catwoman prepare for the wedding of the year, as well as prepare for any villains crashing it. New Justice Leagues form to face a threat on the galaxy as a whole. Then there is what is happening to Superman, which for the most part has been shrouded in mystery. All we know is that there is an alien invader that wants to wipe out the Kryptonian race. This story, as well as the series that follows, is written by Brian Michael Bendis, and his third of the issue is the prologue. What changes have come to Metropolis with the change in creative team? While lacking action, this story will leave readers intrigued enough to pick up the next chapter in Bendis’ Superman story.

Superman DC Nation #0

**Spoilers Below**

Story:

As Clark returns to the Daily Planet from a story in South America, Perry White is looking for better stories for Superman. He reminds his staff that Superman is a good guy and need to step up their game in terms of reporting. The reason for this is because Lois Lane has left the Daily Planet, which we don’t learn why here. When Clark shows up, Perry takes him into his office and asks him to essentially write stories with more emotion. While all of this is happening, however, a new reporter secretly plots a take over the Daily Planet.

Superman DC Nation preview

This story is going to be a bit divisive when it comes to readers. One reader might see this as boring and just want to see Superman smash big things, which we get in quick flashbacks. Another might be hooked by the questions this story laid out. Who is this reporter? Why does she want the Daily Planet? Where is Lois Lane?

This reviewer falls into the latter category, due to the surprising amount of change from something that seems so small. The entire tone of the Daily Planet seems to have shifted, changing Superman’s life. What was your old school newsroom has slowed down and you are left curious about what has caused this.

Art:

Jose Luis Garcia-Lopez does a fine job of illustrating the story. With the story being more grounded, Garcia-Lopez didn’t get much of a chance to draw something extraordinary, however. Whenever he had a chance to draw Superman in action, it was good, but for the most part, this issue only required some simple design. Alex Sinclair took point on colors and it fit the story well. It kept more muted colors to fit the office setting and it works. The team might not have explosions and colors, but the story they worked with, they did their job well.

Superman dc nation 0 preview p 2

Conclusion:

This story does a great job to entice people for the Man of Steel miniseries at the end of the month. It gives enough information to set the stage but still allows mysteries to brew just beneath the surface. The simple office setting allows a simple, more grounded look and feels, which I expect will happen less as we get more Superman action moving forward. This story promises an intriguing journey in the next few weeks and I can’t wait for it.

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Review: BACKSTABBING FOR BEGINNERS Reaches New Levels Of Boredom

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Per Fly’s Backstabbing For Beginners is plagued by a meandering narrative and a less than inspired performance from Theo James.

While the idea of retelling one of the greatest scandals to hit the United Nations seems promising, one has to take a second look at the whole tale. The “Oil for Food” scandal impacted hundreds of companies around the world and implicated corruption in dozens of governments as well. How can someone tell this story in an accurate yet entertaining way? Some stories are best shown in a documentary, if for no other reason than to ensure accuracy. Unfortunately, this approach wasn’t taken.

Backstabbing For Beginners

Based on the memoir of Michael Sullivan, Backstabbing For Beginners recounts the tale of Sullivan (James) and his rise to prominence as he works in the United Nations as an undersecretary for a diplomat from Cyprus named Pasha (Ben Kingsley). Pasha’s pride and joy is telling the world how successful his “Oil for Food” campaign is. Sullivan is given a golden opportunity to deliver a report to the United Nations Security Council, selling them on the idea of continuing to fund the program. Since Sullivan is an idealist, he doesn’t realize the corruption that runs throughout the program. Will he be able to expose the dirty dealings weighing down “Oil for Food”?

Unfortunately, Fly and co-screenwriter Daniel Pyne’s narrative is full of uninteresting details about the scandal that would only pique the interest of a political science major. While I understand the need for accuracy, Backstabbing for Beginners should have taken more advantage of artistic license. By doing so, what could have been more exciting moments are burdened by dull, dragged-out sequences. Do we need to know, for example, the name of the paperwork that Sullivan submitted to get his lady friend back in New York?

Also, did we need to add in specific tropes on top of all these additional facts to the storyline? While Sullivan’s developing feelings for the translator injects elements of intrigue, those are quickly bogged down by all of these useless nuggets that are neither entertaining or enjoyable. The clincher for me was how annoying Sullivan’s voiceover was. Using narration for transitions is fine, but I don’t need to know what you are doing every five minutes.

Kingsley, thankfully, is loads of fun as Pasha, while James’s performance is wooden and lacking in any depth. The cinematography also enhances little, as the film makes use of two-shots for the vast majority of its scenes. The music too fails to improve or blend in with the tone of this release. Perhaps, A24 should have backed away from this one when Josh Hutcherson, the original choice to play Michael Sullivan, backed out.

Pasha makes a point to teach his protege that truth isn’t about fact but, in reality, is about consensus. Perhaps the truth we all realized while watching Backstabbing for Beginners is that the Iraq War is too complicated and fresh in our minds to be turned into a 108-minute film. If anyone is going to attempt to tell a tale wrapped around that war, then their focus should be on telling an intriguing, entertaining story and not boring audiences to death.

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Kevin Feige Thanks Fans For 10 Years of the Marvel Cinematic Universe

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The Marvel cinematic universe began 10 years ago with the release of Iron Man. Since then, Marvel Studios has released 19 films in total, with gems such as Captain America: The Winter Solider, Black Panther, and, most recently, Avengers: Infinity War.

Marvel Studios president Kevin Feige sent out a thank you letter to fans around the globe, for not only making Infinity War the biggest opening weekend of all time, but for following the MCU for an incredible 10 years.

“The past ten years have been an unforgettable ride and we couldn’t have done it without the entire team at Marvel Studios, our incredible talent in front of and behind the camera, the visionary comic book creators, but most importantly you.

 

Thank you for embracing these characters and stories since we kicked off the MCU ten years ago. This past weekend was a result beyond our wildest dreams.

 

On behalf of everyone here at Marvel Studios, we thank you for being the best fans in the universe and making Avengers: Infinity War the biggest opening weekend of all time.”

The Marvel cinematic universe is truly one of the greatest accomplishments in film history. A cohesive, well established, interesting shared cinematic universe has never been done on a scale like this before. Not only did Iron Man kick off a slew of amazing comic book films, it put the spotlight on an art form forgotten by some: comic books.

Without the popularity of superheroes in film, comic books wouldn’t be near the level of popularity they are today. With characters like the Avengers making millions upon millions on the big screen, the comic book market has also grown year to year. Fans are eager to read about these characters when they’re not watching them on screen, and some would say this is partly due to Iron Man kicking off the MCU.

How many times did you see Avengers: Infinity War in its opening weekend? Comment below, let us know!

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Review: TULLY Is An Uncensored Look At Motherhood

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Jason Reitman’s latest project, Tullyis a blistering look at the parts of motherhood that aren’t covered in Parenting magazine.

While Hollywood has spent years glamorizing the simplicities that come with motherhood, writer Diablo Cody — an Oscar winner for Juno (her first collaboration with Reitman) — seeks to expose those raw moments which make parenting the hardest job ever. Enhancing Cody’s narrative is a spirited performance from Charlize Theron, who commits to the role in such a way that your heart breaks as she struggles to juggle it all.

Tully

Marlo (Theron) is a mother in her mid-40s with two kids and is pregnant with her third child. Drew (Ron Livingston) works during the day and tries to help with the kids at night, but when their third child, Mia, is born, Marlo begins to bear the brunt of the work. As the lack of the sleep starts to wear on her, the clutter of her house and the constant struggle to stay on top of everyday jobs gets to be too much. Her brother, played by Mark Duplass, offers to pay for a night nurse so that his sister can get some rest. At first, she rejects the idea but after some consideration, she changes her mind. Enter Tully (Mackenzie Davis), the night nurse whose arrival has an immediate impact but on Marlo’s life. But is it for the better?

Cody’s narrative effortlessly weaves in the emotional beats of Marlo’s journey with those raw moments of parenthood. There’s an authenticity to this tale of motherhood which we rarely see onscreen. Tully doesn’t attempt to make any moment of motherhood or even marriage appear neat or straightforward. Cody seeks to tell the unvarnished truth, and she achieves that easily.

Theron’s performance in the film is riveting. There’s nothing overt about her method. In fact, it’s her understated portrayal that makes it feel all too real. The Oscar-winning actress hits all her comedic beats while adding the right emotion when it is needed. Her most substantial moments come at the oddest of times. When Tully is talking about when the last time Marlo was intimate with her spouse, she takes such a self-deprecating stance that it seems like we are observing life as it unfolds.

Theron also nails the moments when talking about her son who has special needs and is often referred to as “quirky.” At first, it seems odd that Cody wouldn’t have written the line to simply refer to autism, but saying “quirky” is more of a realistic response. Often, my wife runs into people who are at a loss for words when it comes to discussing our oldest son. The moment when Marlo loses it on someone for using the “q” word one too many times is something that’s happened to me.

Reitman keeps the pace brisk moving along nicely, allowing very little lag. Cinematographer Eric Steelberg makes excellent use of his shots, using close-ups (just like The Handmaid’s Tale) to highlight the more emotional moments in the film. Sometimes, a page of dialogue isn’t nearly as useful but a shot of Marlo punching the steering wheel as her son is having a fit is. The supporting cast of the film, notably Davis and Livingston, fill in those voids, making Tully a complete movie.

Overall, we have to remember that even during the hysteria of Avengers: Infinity War, other releases are not only worthy but special. Tully is an extraordinary film with fantastic performances and writing which is both poignant and original. Reitman’s film is an ode to all the hardworking and selfless mothers around the globe. So Susan, Alana, Tara, Kathy, Jennifer, Megan, Melissa, Jeanne, Mindy, Aldara, Tara G., Corey, and all the mothers I couldn’t possibly list, this one’s for you.

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One Limb Left: When Is A Video Game Worth 100 Percent Completion?

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When it comes to completing tasks in a video game, my attention mostly lies with the ones in the main story.  While I will complete side quests and missions after finishing the main game, that’s normally as far as I go.  Games that include open worlds have trophies, secret areas, and objectives designed to keep players engaged after the credits roll.  But games like the Batman: Arkham series make trophy collecting tedious.

Batman: Arkham Knight was the worst offender.  In order to fight The Riddler, you have to go around Gotham and collect all 243 Riddler trophies.  Finding that out while playing the game made me stop playing it, and I haven’t played it since then.  This is a problem many games with open worlds have.

Related – One Limb Left: Respect The Release Date

video games

They make collecting items feel tedious and not rewarding because there’s too much to collect in order to unlock or reveal certain things.  The world’s they create have different areas, but not every one of them makes me awe over what I’ve discovered.  To be honest a lot of the areas in Arkham Knight look and feel the same, or at least feel like they can all be part of one place.  However, games like Rise of the Tomb Raider and God of War aka Dad of Boy are two games where I don’t feel that way.

Rise of the Tomb Raider was the first in game that made me want to achieve 100 percent completion.  A big reason was because discovering areas, monuments, and collecting items was tied to its player progression system.  Being able to upgrade Lara’s ability to translate words by going around deciphering monuments added to her character.  It also made me want to max out her ability to do so and go and discover new areas.

video games

Also, going back to a monument she couldn’t translate earlier on in the game and seeing her do so later gave me a huge sense of accomplishment.  Going to secret areas and temples gave off a sense of awe because they all looked and operated differently.  Nothing felt or looked the same.

By going to different areas I was also able to upgrade Lara’s physical skill set, and weaponry.  The game never made me feel like I had to collect and explore these extra things.  The option of doing so was presented in a way that gave me a sense of curiousness and adventure.  Plus the way Camilla Luddington voices Lara Croft in the reboot series makes me feel like I’m with Lara and not controlling her.

video games

God of War does the exact same thing.  The video game makes me feel rewarded by visiting all of the realms and completing all of the tasks.  By doing so I’m able to max out my attacks, weapons, and armor.  It’s also a video game that uses its focus on Norse mythology to tell tales and stories while traveling.

There have been times where I’ll arrive at my destination and stay in the boat because getting out stops the story.  I sat for many minutes to hear a head talk about a fire giant and loved it.  Like Tomb Raider, the team behind God of War made sure to make every realm feel different.  They also made sure each realm had its own unique tasks outside of the ones shared between all of them.

video game

I understand not every game is going to be centered around mythology.  But it’s important for developers to make sure buildings and areas feel and look different from each other.  Fallout 4 is another video game that does this really well.  It’s a nuclear Boston, but being in its version of Fenway Park (Diamond City) feels and looks different than other areas.  Even each faction you can join has different looks when it comes to what they wear, and where they hangout.

A driving force in what makes me want to complete every task in a game is I need to feel like every area has something intriguing about it.  If I go into areas and everything is the same, I’ll just lose interest. I’ll stop playing a game if I’m doing the same thing over and over again.  Talking to you Ubisoft.

video games

My fear is that many AAA games that involve open worlds will have some missions that are different, but most will be copy and paste.  Go here, climb this, collect this, repeat.  The bigger issue is consumers won’t know until they give the publisher their money.  They may be able to get a refund, but the truth is people won’t get their money or time back.

They’ve paid for a service, but lose out on an overall experience.  One that is worth earning 100 percent.  Instead it’s just worth 10 bucks store credit in trade-in value if that.

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Hasbro Buys Entire POWER RANGERS Property from Saban Brands

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According to Dark Horizons, the entertainment company Hasbro has purchased the ‘Power Rangers’ franchise from Saban Brands. Hasbro announced the acquisition in a press release this morning. [easy-tweet tweet=”According to Dark Horizons, the entertainment company Hasbro has purchased the ‘Power Rangers’ franchise from Saban Brands. Hasbro announced the acquisition in a press release this morning. ” user=”Jenisaur” hashtags=”#powerrangers”]Haim Saban, creator of ‘Power Rangers’ and founder of Saban Brands, will stay on in a consulting role “…to further guide our development of this valuable property for the next generation of Power Rangers fans.”

Hasbro Buys ‘Power Rangers’

After 25 years and over 900 episodes, Power Rangers is among the longest-running live-action series for kids. It currently airs in 150 markets around the world. Hasbro’s acquisition includes all related intellectual property, category rights and content libraries owned by Saban Properties and its affiliates. This means Hasbro controls the franchise entirely, including its future on the big screen and comics shelf.

While the series is over two decades old, Saban keeps it fresh with storyline reboots and Ranger replacements. The 2017 Power Rangers movie was no exception. The rangers in this movie were more 21st Century Breakfast Club than their predecessors, which kept made them appealing to viewers both familiar with and new to the franchise.

Power Rangers Hasbro

However, there is no news yet on whether Hasbro will continue where the 2017 film left off, which ended with room for a sequel. But that doesn’t always lead to a second installment, as the 2015 Jem and the Holograms has proven. Jem is also owned by Hasbro. The film was distributed by Allspark Pictures, Hasbro’s production company.

Dark Horizon estimates the deal’s value at $522 million, including cash and stock. It included rights to other Saban brands including the late 80s/early 90s classic “Popples”. Newly branded Power Rangers products should hit shelves in 2019.

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‘Ant-Man And The Wasp’ Official Trailer: Top 5 Moments

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Marvel Studios just dropped the first official trailer for Ant-Man And The Waspgiving us an excellent new look at the world’s smallest superheroes.

If you haven’t already, check out the trailer below:

[embedyt] https://www.youtube.com/watch?v=UUkn-enk2RU[/embedyt]


Just like most major teasers, there’s a ridiculous amount of imagery and information to consume in this official trailer, and it would be very easy to miss one of the many exciting and important details. That’s why I’ve gone ahead and pieced together the top five moments from the new trailer!

Check out the list below:

5Giant-Man Skateboarding

One of the first shots in the trailer features Giant-Man (Paul Rudd) attempting to chase down a group of baddies, in arguably the most impressive and hilarious way ever. Instead of merely running and/or flying, Giant-Man uses a moving vehicle as a skateboard to trail the thugs, with surprisingly positive results.


4Wasp In Action

Marvel fans have waited years to see The Wasp suit-up and fight alongside Ant-Man and trust me; it was worth the wait. Our first look at The Wasp features a car, a group of thugs and a lot of cheer-worthy ass-kickings.If this is the level of badassery we can expect from The Wasp, then she’s already my favourite character.


3“You Go Low; I’ll Go High”

Arguably the funniest scene in the trailer is the moment Ant-Man suggests that he should go high, while The Wasp (who has wings) should attack from below. This hilarious moment not only sums up why we love Scott Lang, but it also gives Evangeline Lilly a chance to stretch her comedic muscles.


2Comparing Size

Another great moment also happens to be the introduction of Laurence Fishburne’s Bill Foster aka. Goliath, who is an old friend and co-worker of Hank Pym (Michael Douglas). In the scene, we learn that Bill Foster was working on a growing technology, which is something that Scott Lang has already attempted in the Marvel Cinematic Universe. This scene hilariously shows Scott and Bill comparing their biggest size, with Scott easily winning at 65 feet.


1Hour Of Need

Of course, every decent Ant-Man trailer includes Michael Peña as Scott’s scene-stealing BFF, Luis. This particular moment shows Luis in what appears to be his new office space, speaking to Hank Pym and hilariously throwing back to the time he and Scott broke into Hank’s home and stole the Ant-Man costume.


 

That’s it for my top five moments in the new Ant-Man And The Wasp trailer. Let me know what your favourite moments are in the comments section below!

About the film: 

In the aftermath of “Captain America: Civil War,” Scott Lang grapples with the consequences of his choices as both a Super Hero and a father. As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission. Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from their past.

Ant-Man and The Wasp stars Paul Rudd, Evangeline Lilly, Michael Peña, Michael Douglas, Bobby Cannavale, Judy Greer, Abby Ryder Fortson, Tip “T.I.” Harris, and David Dastmalchian.

The sequel ups the states with new cast members Michelle Pfeiffer, Laurence Fishburne, Hannah John-Kamen, Walton Goggins, and Randall Park.

Peyton Reed directs from a screenplay by Chris McKenna & Erik Sommers, Andrew Barrer & Gabriel Ferrari, and Paul Rudd.

Ant-Man and The Wasp hits theaters on July 6, 2018.

AVENGERS: INFINITY WAR Aftermath: How Does ANT-MAN & THE WASP Tie-In?

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Marvel Studios released the second trailer for Ant-Man & The Wasp Tuesday morning, but does the film tie-in to Avengers: Infinity War?

Watch the new trailer below for clues:

The new trailer puts more of the action on display and we are given a better understanding of main villain, The Ghost. The best part of the trailer is the conversation with Dr. Bill Foster and Scott Lang. There is also a good look at the Microverse (Quantum Realm).

AVENGERS: INFINITY WAR Aftermath: How Does ANT-MAN & THE WASP Tie-In?

Is it possible Ant-Man and his crew get stuck in the Microverse during the events of Avengers: Infinity War? Will we see some of his team turn to dust? Peyton Reed did a solid job with this trailer by not giving away too much information about Infinity War. We want answers, luckily we only have to wait until July 6.

What is your theory? Comment below.

About the film:
In the aftermath of “Captain America: Civil War,” Scott Lang grapples with the consequences of his choices as both a Super Hero and a father. As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission. Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from their past.

Ant-Man and The Wasp stars Paul Rudd, Evangeline Lilly, Michael Peña, Michael Douglas, Bobby Cannavale, Judy Greer, Abby Ryder Fortson, Tip “T.I.” Harris, and David Dastmalchian.

The sequel ups the states with new cast members Michelle Pfeiffer, Laurence Fishburne, Hannah John-Kamen, Walton Goggins, and Randall Park.

Peyton Reed directs from a screenplay by Chris McKenna & Erik Sommers, Andrew Barrer & Gabriel Ferrari, and Paul Rudd.

Ant-Man and The Wasp hits theaters on July 6, 2018.

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