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Review: LOVE SIMON – Bold yet Familiar Coming of Age Story

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The coming-of-age teen movie is a staple of Hollywood and has become even more popular recently thanks to John Green’s romantic young adult novels being adapted, and they’ve been given an LGBT twist thanks to Love, Simon.

Simon Spier (Nick Robinson) is a typical teenager who’s about to graduate high school. He comes from an all-American household, has three best friends and is generally liked at school. Simon also has a big secret: he’s gay. When a student using the pseudonym “Blue” posts a blog about his sexuality, Simon starts to communicate with him, falls for him and speculates who Blue is. When another student, Martin (Logan Miller) finds out about their communications, he threatens to out Simon if he doesn’t help Martin get with the new hot girl Abby (Alexandra Shipp).

DF-03286_R – Nick Robinson (Simon), Talitha Bateman (Nora), Jennifer Garner (Emily), and Josh Duhamel (Jack) star in Twentieth Century Fox’s LOVE, SIMON. Photo Credit: Ben Rothstein.

Love, Simon is a well-intended film and has earned a lot of praise because of it. Fans of John Green adaptations and other YA films will undoubtedly enjoy it as the film hits the right beats. Love, Simon is a grounded story and its depiction of a teenager coming out felt realistic. Simon is a relatively average teenager, and he doesn’t live up to the gay stereotypes – he dresses in hoodies and is a music aficionado.

The characters around Simon are also mostly relatable. His friends are normal teens; one is like him, a music nut, another is soccer player, and Abby is a theater geek. The dialogue and banter between Simon and his family is believable: Simon’s mom (Jennifer Garner) offers wisecracks and banter, and his dad (Josh Duhamel) is a handsome all American type who makes embarrassing dad jokes about his son looking at porn – unaware of his son’s sexual preference. Characters are not quirky for the sake of being quirky like in other YA films nor overly pretention people that you would want to throw out of a window.

Simon has the same problems as anyone else his age – he wants to do well at school, is looking forward to going to college, and going to parties. He is not befriending someone battling an illness or looking for a missing student. His story is also like many gay people – he knew early on about his sexuality, but he still had some girlfriends before attempting to get with another man. Like anyone, Simon fantasies who his penpal is and what their relationship could be like.

Compared to other high school films which make the students hang out in cliques like the jocks, the nerds, the popular girls, the arty types, etc… Love, Simons portrays the students for what they would really be like – mixed. Even Simon’s core group of friends is mixed. It is refreshing to see this kind of portrayal in a Hollywood film.

The humor in the film is of a more gentle type: they are some witty lines and interactions and Love Story does this by mixing it in with drama. The drama teacher (Natasha Rothwell) has some of the funniest lines and reactions. This mixture was shown through Ethan (Clark Moore), the only openly gay kid at school – he is on the receiving end of some horrific homophobic abuse, but he gives it right back with his sassy comebacks. A scene I particularly liked was when Ethan asked Simon why he didn’t come out to him and Simon gives an honest answer – that the two didn’t have much in common.

When Simon is outed many people say they are supportive and some people want to show they are tolerate. But even some characters show a subconscious prejudice or assumptions – like when one character thinks Simon and Ethan are together just because they’re gay.

The character of Martin was a grinding presence and acts like a sex offender ready to happen. He is utterly despicable, and Logan Miller made it too easy to hate him. When he embarrassed himself and others, I ended up watching through my fingers because it was so cringeworthy.

Love, Simon was directed by Greg Berlanti, best known for working on the Arrowverse and films like Green Lantern. Berlanti does offer some moments of flash – like a song-and-dance – and when the crack in Simon room changes, but otherwise it doesn’t look much different from other films in the subgenre: high school comedy-dramas set in middle-class suburban America.

Love, Simon is an excellent step for LGBT representation in mainstream film: a coming-of-age romance where the main character just happens to be gay.

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Gerry Duggan Says Goodbye To Wade In DESPICABLE DEADPOOL #300

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Despicable Deadpool hits the 300 issues milestone in a giant-sized sendoff from writer Gerry Duggan. Our beloved scumbag, Wade Wilson, is trying to wash the taste of Secret Empire out of his mouth once and for all.

Despicable Deadpool 300 cvr

***SPOILERS LIE AHEAD***

 

Love it or hate it, Secret Empire was a big deal. A handful of titles have been addressing the aftermath ever since, Despicable Deadpool especially. Wade Wilson’s actions during the event have dictated much of the action in this transitional period known as Marvel Legacy.

With Gerry Duggan’s final issue, he wipes the slate clean. The slate being Deadpool’s mind and all the painful memories of his past. It’s been great to see ongoing fallout and consequences following a character’s actions during a major event. Wade’s murder of Agent Coulson wasn’t something to just get brushed under the carpet.

Despicable Deadpool #300 is a gigantic shit show in the best possible way. While there isn’t much of the promised “Marvel Universe Kills Deadpool,” there is a star-studded issue full of delightful nastiness. We get to see plenty of familiar faces from our beloved 616, but rather than the usual action it’s a tour through puke-town.

Wade gets a cosmic super power that turns him into a biochemical weapon, forcing every hero he comes across to violently blow chunks. This portion of the book is when the artwork is significantly weaker, but it’s fun all the same.

As self-aware as Deadpool himself, Duggan successfully pulls of a “hacky” insertion of himself. Gerry has done wonderful things for Wade over the years, his tenure will be remembered in a positive light. He kept it together, contributing great comics, during a time where Deadpool was being dangerously over-saturated and forced into every other Marvel book.

Deadpool taking a murder-stroll through his memories is a fun and gruesome sequence. Even with some predictable ways of getting there, the clean sweep initiative is effective and entertaining. This is less a milestone issue and more of a bridge between two series, but it justifies it’s cover price regardless.

Gerry Duggan is an absolute master of juggling and shifting between emotional beats. There’s plenty of laughs, action, and tons of heart. Duggan made it important to keep Wade’s heart intact without losing his edge and unpredictability.

Despicable Deadpool #300 checks all the boxes, delivers some surprises, and is the perfect punctuation for the end of Duggan’s fantastic run with the character. Now that’s all behind us and Deadpool will be getting his own “fresh start.”

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Review: The World Goes Mad Over New Gods in WONDER WOMAN #46

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While the start of the newest Wonder Woman story captures the scope of the threat, it still has a few missteps.

The last few arcs of the Wonder Woman series have been rough, to say the least, in terms of storytelling. Every story presented has shown such great promise but falls apart by the end. Diana finds her brother, Jason, but we get little interaction as we read issues of flashbacks. She faced a villain she inadvertently created but was oblivious to why. Then there was what happened the last arc with a lackluster war between Darkseid and Themyscira. A battle that was ended by the literal power of familial love against Darkseid. Now we face a threat to the world, and I’m left asking the same question as before: Will this idea be executed better than the last arc?

Wonder Woman 46 cover

**Some Spoilers Below**

Story:

All across the world, people are going insane with visions of god-like beings heading to Earth. One such person is The Cheetah, who has broken out of her cell to try and make a sacrifice. The target ends up being Veronica Cale, the villain of Greg Rucka’s Rebirth arcs, but Wonder Woman intervenes. Meanwhile, Jason has been on his path, which will lead to the origin of his armor and his long-lost adopted father.

Wonder Woman 46 p1

The biggest problem in the issue is one that’s been a consistent one throughout this creative run: lack of focus. For a comic that is about the mighty Amazon, Wonder Woman appears the least in the issue. We’d have more attention dedicated to Jason and Cheetah than her. That being said, it’s also this broad view that makes the story interesting. You see how this new threat is actually changing these people. Cheetah has been brought back into the story and is more of a threat in this issue alone than Darkseid was in his whole arc. I presume, as the story goes on, the focus will be brought in as Wonder Woman and Jason face these Dark Gods. This could be the arc that makes this creative run memorable, and I can’t wait to see where it goes.

Art:

Stephen Segovia is on illustrations for this issue, and it honestly has its highs and lows. There are some fantastic designs in the book, such as the AI Adrianna and Wonder Woman herself, but then we have the weird things. Weird facial expressions or movements that kind of push you out of the moment. It’s not terrible, but when you notice it, it’s hard to forget. Romulo Fajardo Jr returns to coloring duty and, to no surprise, continues to rock it. It ranges from dark and dreary to bright and colorful, bringing the book to life.

Wonder Woman 46 p3

Conclusion:

This issue holds great promise for not just the arc but the series as a whole. The stakes feel heavy as old and new enemies rise, even if Diana isn’t there to fight all the time. The art does a decent job capturing the world and making it feel alive. Overall, this Wonder Woman arc might redeem the run if it stays its current course.

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FULLMETAL ALCHEMIST: FULLMETAL EDITION Review – Totally Worth It

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Fullmetal Alchemist: Fullmetal Edition Book 1 is out now from Viz Media, recollecting and remastering Hiromu Arakawa’s classic manga series for readers new and old.

In an alchemical ritual gone wrong, Edward Elric lost his arm and his leg, and his brother Alphonse became nothing but a soul in a suit of armor. Their journey to restore their bodies through the power of the Philosopher’s Stone begins here.

This new edition covers the first one and a half volumes of the series. It includes brand-new cover art, new color inserts, color versions of select pages previously printed in black and white, and behind-the-scenes character sketches from creator Arakawa. You can learn more about the Fullmetal Alchemist: Fullmetal Edition series here.

The additions make this collection well worth the $20. The newly colored pages are crisp and clean, and the smattering of concept art throughout is fun and interesting to dig through, especially for older fans of FMA. It would have been great to see more coloring, though. There’s one colored spread at the front, and just two more throughout the book. And they’re gorgeous; they just leave you wanting more.

Revisiting these first one and a half volumes, you can see what made the series such a success. The characters are complex and interesting. Ed in particular is very funny to watch, while Al is more soft spoken, bringing a balance to their relationship, and giving the brothers a dynamic that’s pure fun to read.

But while the characters are the driving force behind the series, the story itself can’t help but suck you in. Yes, it’s got action and adventure, but best of all it’s mysterious and intriguing. Arakawa doesn’t waste time setting everything up with dull exposition; she just tells her story. She plants seeds which keep you as the reader invested, wanting to know more. There are elements introduced in these early pages that aren’t full explained or revealed until later in the series, and that’s masterful storytelling. It keeps you turning pages.

As far as art goes, Arakawa’s facial expressions do an excellent job conveying tone and emotion. Plus they’re often hysterical, generating much of the series humor. She also creates a unique atmosphere by juxtaposing detailed characters with minimalist backgrounds. A character like Al is rendered with incredible attention to detail, which really makes him pop against a more bare-bones background. The simple backgrounds are also Arakawa’s way of forcing the reader to focus on what she wants them to focus on, further proving her firm grasp on the medium.

Fullmetal Alchemist: Fullmetal Edition Book 1 combines the great story that fans know and love with some awesome new features. The only real criticism is that it leaves readers wanting more of the bonus content. But hey, that’s just a reason to look forward to Book 2.

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Review: VENOM #1 – Donny Cates And Ryan Stegman Bring A 90s Storm Back To The Book

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David Michelinie and Todd McFarlane made Venom a household name with issue 300 of Amazing Spider-Man, and since then Marvel Comics has tried its best to destroy the fan-favorite character with insane storylines and ridiculous spinoff characters. Now, 30 years removed from the Venom’s first appearance, Donny Cates and Ryan Stegman approach the new series with perspective, amazing art, and great storytelling.

Cates throws everything he has at the first issue, giving the book a familiar feel with dark horror overtones. Eddie Brock is back with the symbiote, and Cates modern esthetics work well with the chaos in Eddie’s head. Cates takes the best parts of the past 30 years of Venom stories and adds to the origin in a very organic manner. The book is also accessible to new readers as the story hits the ground running and the reader learns information from Eddie’s perspective.

Stegman understands the complexities when it comes to Spider-Man, and this translates very well with Venom #1. McFarlane changed the game when it comes to Spider-Man, from how you draw webs, to angles, and perspective of the characters. When artists understand the elements needed to make Venom pop off the page, it’s mind-blowing what he or she can do with the character. See the above image and look at the layers of details in the webs, the rain, and Venom himself. Venom will be an enjoyable book with Stegman handling the artwork.

Venom #1 motion blur

There are few things that didn’t work in the artwork that was more a personal preference. The motion blur and Instagram filter blur feel inorganic and distracting as they take the reader out of the moment. The artistic team worked really hard on this book; don’t cover it up with a Photoshop blur. Plus, Venom isn’t a speedster and it’s not needed. Frank Martin’s colors are brilliant in the first half the book with the rich black tone of the story, but something gets lost in the second half with the reds and oranges. Clayton Cowles usually knocks it out of the park with the lettering, but the sound effects felt unfinished in this issue.

Overall, Venom #1 is a great launch to the series with over-the-top 90s inspired writing from Cates and McFarlane-inspired art by Stegman. The cliffhanger at the end will compel you to read the second issue as well.

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AVENGERS: INFINITY WAR Passes $1 Billion in Record Time

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Avengers: Infinity War has passed $1 billion at the worldwide box office in record time.

Marvel Studios’ latest outing is currently sitting at an estimated $1.16 billion, which beats the previous record of $1.15 billion held by Captain America: Civil War. In just 11 days, Infinity War has cracked a billion at the box office.

Less than two weeks ago, Infinity War claimed the biggest opening weekend of all time in the United States. The film made $257.698 million, which easily passed the previous $248 million held by Star Wars: The Force Awakens.

“As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.”

Avengers: Infinity War features Robert Downey, Jr., Chris Evans, Chris HemsworthMark Ruffalo, Jeremy Renner, Scarlett Johansson, Tom Holland, Elizabeth Olsen, Paul Bettany, Sebastian Stan, Benedict Cumberbatch, Benedict Wong, Chris Pratt, Zoe Saldana, Karen Gillan, Vin Diesel, Dave Bautista, Bradley Cooper, Pom Klementieff, and Josh Brolin as Thanos.

Will Avengers: Infinity War make $2 billion dollars at the box office? Chime in down below, in our comments section!

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BILL & TED FACE THE MUSIC Gets The Green Light, Production To Begin Soon

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The third film in the Bill & Ted film franchise is moving forward as Keanu Reeves and Alex Winter are now confirmed to reprise their roles in Bill & Ted Face The Music.

According to a report by Deadline, the news broke as Bloom is looking for an international distributor for the film at the 2018 Cannes Film Festival. Bloom is a film sales, production and financing company.

“We couldn’t be more excited to get the whole band back together again. Chris and Ed wrote an amazing script, and with Dean at the helm, we’ve got a dream team!” said Winter and Reeves today.

Dean Parisot is set to direct from a script by Chris Matheson and Ed Solomon. No release date has been set.

Box Office Report:
Bill & Ted’s Excellent Adventure (1989)
Budget: $10,000,000 (estimated)
Gross: $40,485,039 (USA)

Bill & Ted’s Bogus Journey (1991)
Budget: $20,000,000 (estimated)
Gross: $38,037,513 (USA)

When do you think we’ll see the “Wyld Stallyns” ride again?

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It’s TIME You Start Watching Syfy’s 12 MONKEYS

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Most film to TV adaptations have been known to let us down in the past. Syfy’s 12 Monkeys adapted from the 1996 film of the same name is not one of those shows. With the fourth and final season airing later this summer, if you haven’t started watching 12 Monkeys, now is the perfect time to strap in and get ready for a wild ride.

Syfy’s 12 Monkeys first season keeps as close to its film roots as it could. James Cole played by Bruce Willis in the original film and Aaron Stanford in the show, is sent back in time from a post-apocalyptic future to stop a deadly plague that will destroy the human race. The insane antagonist played by a young Brad Pitt in the original film is portrayed by Emily Hampshire, who both do a great different version of crazy. Amanda Schull is Cassandra, a doctor that teams up with Cole to try to save humanity. The time travel in both stories is untested and not entirely reliable, but at the same time is a refreshing take on the idea. This is where the similarities end, which is not a bad thing.

The show is a sci-fi adventure, with Cole and crew time-tripping from year to year, they call it “splintering” as it’s a chemical process that gives him accelerated healing powers and enhanced fighting ability. This combined with the way Cole travels out of order, meeting people he has already met for the first time, makes for magnificent tension building. Time travel is an excellent tool if you know how to use it, and 12 Monkeys does. Whether it’s to introduce the death of character early, leaving you wondering when and how it’s going to happen, or the use by villains who for some reason always seem to be a step ahead.

Tom Noonan who portrays the Pallid Man is the perfect villain for the show. He is mysterious, ruthless and cut-throat, all while doing things for with a higher purpose. His depth and complexity grow as well as his purpose. 12 Monkey’s villains help move the story as much if not more than its heroes, the constant game of catch up is a welcomed change from the cat and mouse of other shows.

For those that don’t need to catch up, season 4 plans to take the show to a time it’s never been, the Middle Ages.

“We saved the best splinter for the last,” executive producer Terry Matalas told EW, who revealed that 12 Monkeys season 4 will head to medieval times. “We wanted to send them to a darker, more dangerous time period than ever before — and there’s nothing better for that than the Middle Ages. Imagine Jennifer Goines wandering through Winterfell, and you can guess the places we’ve gone with it.”

The team will be going back to 1400s England, where it all started.

Syfy dropped a new trailer for season four Monday night, check it out below. According to TV Line, the final season of the 12 Monkeys premieres on Friday, June 15 at 8/7c on Syfy. The 11-episode season will unfold over four consecutive weeks, with three episodes airing each Friday from 8 to 11 pm until the two-hour series finale on Friday, July 6 at 9 pm.

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The Expanse Season 3, Episode 4: Reviewing “Reload”

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The fourth episode of The Expanse’s third season showed viewers that Holden and his crew might be some of the only people in the solar system, along with Anna Volovodov, who actually want peace. Everyone else featured in “Reload” seems intent upon destroying large swaths of humanity.

The Expanse’s fourth episode showed viewers that Jules-Pierre Mao’s humanity is quite limited indeed. A brief glimpse into his softer side in “Assured Destruction” was pretty much wiped away by his heartless display upon seeing two lab assistants turned into a gooey mess by Mei’s protomolecule-enhanced friend Katoa. It seems that Mao’s brief flash of humanity only pertains to Mei.

The Expanse Season 3, Episode 4: “Reload” – Three Amigos

Holden and company, low on fuel and other resources elect to salvage what they need from disabled Martian ships left to drift. They find a good candidate for salvage but find three of the crew alive on board. The Martian guests wear out their welcome quickly when they try to violently gain control of the ship.

They manage to beat the crap out of Alex, but a tense exchange between Bobbie, still wearing her amazing Martian battle suit, defuses the situation quickly by calmly stating her greater firepower. The would-be Martian mutineers surrender, and Holden, after repairing their ship, sends them on their way along with Avasarala’s message of Errinwright’s betrayal.

The Expanse Season 3, Episode 4: “Reload” – “Oh yeah, the OPA!”

An appearance from the Belters shows that Drummer and a convoy of Belter ships are bringing the Nauvoo back home, having previously set it adrift in an attempt to to knock Eros off of its collision course with Earth. I guess the Mormons want it back…

The Expanse Season 3, Episode 4: “Reload” – “Mission Accomplished!”

His Excellency Secretary General Sorrento-Gillis delivers the speech that Volovodov wrote for him but does a little riffing at the end that ratchets the speech up into an all-out call for a crusade against Mars, race-traitors that they are.

Volovodov can’t take the dishonesty of the job anymore. She calls her wife and tells her she’s coming home, but a last-minute transmission from the Pinus Contorta that shows Errinwright admitting his responsibility for the attack on Ganymede gives her pause. The altruistic speech-writing doctor/pastor desperately wants to reunite with her family, but positive proof of treason is hard to leave alone, especially when the fates of three different human civilizations hang in the balance.

The Expanse Season 3, Episode 4: “Reload” – Final Thoughts

I’m glad that Holden is getting, at least peripherally, involved in putting an end to the war. I worry about Mei at the hands of the less-than-sane duo of Strickland and Mao, but based on Mao’s protective nature, at least where Mei is concerned, I think she’ll probably last long enough for Holden to end the war and then head to Io to pick her up. If I were Prax, though, I probably wouldn’t feel like betting on that.

I’ve enjoyed watching Errinwright use Sorrento-Gillis as a puppet. It’s good to see greedy and fame-hungry politicians brought low by their own ambition, so I hope that Volovodov’s interference allows just that.

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Things To Unpack With STEVEN UNIVERSE After A SINGLE PALE ROSE

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THIS POST CONTAINS MASSIVE SPOILERS FOR THE EPISODE, A SINGLE PALE ROSE

So, has everyone has a moment to breath after the bombshell revelation which has just been dropped on us? There are a lot which comes from this revelation so let’s go one step at a time.

Rose Quartz Was Pink Diamond

Steven Universe

This is the biggest element to take away. Early footage saw Pearl in the shadows holding Rose’s sword so everyone grabbed onto the idea she has been the one to shatter Pink Diamond. Instead it was all a lie. Pink Diamond had disguised herself as Rose Quartz to be able to go out and explore more of her colony. Once she realized she would never be able to live in the world as a Diamond, she decided to stage her own death by having her Pearl impersonate her other form. This is major point which left many fans feeling their jaws hit the floor but there is much more which can be looked at.

Internal Rebellion

Steven Universe

Instead of a wayward worker who wanted to throw off the shackles, the revelation of Rose being Pink Diamond shows much more. Pink had fallen in love with her colony, the planet Earth, and didn’t want to see it come to harm. Despite her constant protests the other diamonds were insistent Earth be used like any other colony which meant it would be drained to make new Gem soldiers and eventually destroyed when the Gem weapon, the Cluster emerged. Pink couldn’t see this come to pass which is why she went through the elaborate plan of faking her own shattering.

Steven Is A Diamond

Steven Universe

Explains a lot actually. Steven has displayed an almost abundant amount of powers throughout the series. It made fans wonder if he had a limit. If his Gem is actually a Diamond, his ever growing power set makes much more sense. It also explains the dreams he has been having about being Pink Diamond. This will definitely shake things up as the series progresses.

Feeling Blue

Steven Universe
A flashback showed it was Blue Diamond who took a more stern, motherly role in Pink’s deployment. Blue insisted Pink’s protests were simply jitters and Pink would eventually take her rightful place as a diamond who could led the colony correctly. The previous appearances of Blue Diamond has shown she constantly battles with depression over the loss of Pink. This no doubt comes from the feeling of guilt as Blue kept pushing Pink on without heading Pink’s warnings. Blue’s depression stems from the belief if she had listened Pink wouldn’t have been shattered.

Lion Is What?

Steven Universe
Lion isn’t a reformed pink diamond like everyone believed for so long. There is no telling when it secret behind the pink Lion and the strange powers he displays. For now at least one of the major theories behind him has been put to rest.

Wrongful Imprisonment

Steven Universe
A small note but it is worth bringing up. The Diamonds, in retaliation for what they believed to be Rose Quartz Rebellion have all the remaining Rose Quartz made since bubbled out of fear another such event would take place. An entire class of Gem has had to suffer thanks to Pink Diamond’s decision.

Phoney Story

Steven Universe
What the gems knew about Rose isn’t the truth. She was not a worker who rebelled after seeing the joy of the world but a diamond the entire time. Really puts a damper on the touching origin story Garnet gave just a few episodes ago. A preview for the next episode shows this is going to have repercussions. It showed Garnet unfusing as Sapphire is unable to deal with this revelation. What about the rest of the cast? What will Lapis do? Will she try to kill Steven for her hatred for the Diamonds? Not everyone will take this news well and they may have mixed feelings for the lie which has been spread for so long.


What were your thoughts after what just happened with Steven Universe? Leave a comment below and let us know.

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