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Review: ROBIN WILLIAMS: COME INSIDE MY MIND Indeed Does Just That

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“Ladies and gentleman …. it’s time to pump neurons … we are about to enter the domain of the human mind”

With those eloquent words from the late comedian, Marina Zenovich’s Robin Williams: Come Inside My Mind (a deep dive into what made the iconic comedian tick) was off at speed reminiscent of Williams’s razor-sharp wit. The idea of delving into the mind of the late comedian seems daunting, but Zenovich’s most significant success is she’s able to piece together (using his own words) his inner torment. What’s crazy is the clues were right in front of all us.

However, Williams didn’t want to burden anyone with what ails him and instead wanted to leave a lasting impression everywhere. Robin Williams: Come Inside My Mind is a perfect balance of first and third person accounts creating a compelling look into a man, who spread love wherever he went but didn’t know how to love himself.

Robin Williams: Come Inside My Mind
Robin Williams in “Good Morning, Vietnam”

Zenovich surprisingly dedicated the first quarter of the documentary (which premieres Monday, July 16th on HBO) on Williams’s childhood. We learn (using Robin’s own words) just how lonely it was for him going to an all-boys school. He goes through school never making a suitable connection with others. As the years passed and his interests changed, we learn that those moments never really left him. At home, he never felt that close with his half-siblings (his mother had kids before marrying Robin’s father) so that seed of emptiness that began as a young child began to grow.

Robin Williams: Come Inside My Mind

Robin Williams: Come Inside My Mind quickly transitions to his college years where initially he studied political science (classes he rarely attended) and took some acting courses as well. His grades slipped, prompting his father to demand he come home and go to the junior college. Zenovich shines during this portion of the documentary because she lays out meticulously just how Williams was drawn to performing. By using footage from his performances on stage and accounts from some of his close friends, she makes the case that Williams craved these roles so he could hide in them yet soak up any praise that may come his way.

However, it wasn’t until he went to Julliard that he discovered his rapid-fire brain craved improvisational comedy. Robin’s career began to take off, and he was able to push those demons further down. His talent allowed him to be anything people craved, yet Williams could keep his anonymity. The late comedian even said as much while on a USO tour with Lewis Black –

“Very Rarely Do People talk to me”

Robin Williams: Come Inside My Mind doesn’t gloss over the numerous potholes the late comedian hit during his life. Zenovich is able to take accounts from Valerie Velardi (his first wife), Pam Dawber (Mindy from Mork and Mindy), and the late comedian himself to paint a picture of a tortured comedian, who never felt worthy.

The drugs and booze were fuel used to quiet his mind. If Williams didn’t think about his pain, it didn’t exist. No one in the documentary excuses his philandering. They did, however, highlight the moments in his life which brought on sobriety. The late comedian took Belushi’s death exceptionally hard (as he was one of three people to see him alive the night before he died) and that cleaned him up for a time. Zenovich paints a portrait of an imperfect man striving for perfection, who only thought he was average at best.

The documentary doesn’t spend a great deal of time on his rise to superstardom but does dedicate time in the last half discussing his health scare and eventual diagnosis.

While Williams was touring in Miami, he found out that he needed a heart procedure (which would be incredibly scary for anyone), but still felt the need to be funny for anyone who attended to him in the hospital. His elder half-brother Robert commented, “He internalized or held onto everything.”

So throughout his life filled with substance abuse, broken relationships, a significant health scare, and crippling doubt, Williams didn’t share any of his mental burdens with the world. Even in the darkest moment of his life (when he was diagnosed with Parkinson’s disease), he was reluctant to share the news with his good friend Billy Crystal.

In the end, his inability to seek help was his downfall. The disease then began to rob Williams of his gifts (which good friend Bobcat Goldthwait states in the documentary) which had to wreck the man. Perhaps foreshadowed to us all how his story was going to end –

“You got to be crazy .. it’s too late to be sane…. too late. you have to go full tilt bozo. You are only given a little spark of madness because if you lose that … you are nothing. So don’t ever lose that cause it keeps you alive.”

It was the perfect way to end Robin Williams: Come Inside My Mind, a documentary about an imperfect comedic genius, whose demons overcame him.

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Review: WONDER WOMAN #50 Sees The End of The Dark Gods and *SPOILER*

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The finale of Robinson’s Wonder Woman run fails to impress, despite the circumstances.

Since the beginning of Robinson’s run, there has been one priority in Wonder Woman’s mind. That priority is to find and keep her brother safe. The first arc found Jason and readers watched him grow over the story arcs. He soon became a confident hero in his own right, with powers to match. When the Dark Gods arrived, he was ready to stand against them alone as his sister vanishes. During their fights with the Gods, however, Jason is brainwashed by them. With the League out of commission and Jason under Dark God control, Wonder Woman faces this evil alone. Can she save them all from the madness?

wonder woman 50 cover

**Some Spoilers Below**

Story:

Despite her valiant efforts, Wonder Woman is unable to take down the Dark Gods and her brother. When they are alone, however, Jason reveals he is actually on her side. The brainwashing was a ruse to get close to the Dark Gods. Together the Amazonian twins create a plan to trick the Gods into taking them to the location of the Justice League. The plan works, and while Diana takes on the three lesser Gods, Jason speaks to King Best. Jason offers a deal to the leader: Leave Earth and release the League and he will go with the Dark Gods as a slave.

wonder woman 50 p1

Despite the many flaws this issue has, this goodbye between siblings was a sad one. Despite them not knowing each other for very long, watching Jason say goodbye in this way is painful. It’s possible for another writer to bring him back in a future storyline, but it could be a while. Despite the rocky arcs of Robinson’s Wonder Woman run, I am glad Jason was introduced to this world.

There are still a ton of missteps throughout this issue that brings the book down. The first page reveals what happened to Jason, removing any chance for actual tension. From there, it continues to go downhill as every exchange ends up being boring. From the reveal of Jason’s trick to the deal with King Best, the dialogue feels dull. The only other positive is that the action is pretty cool, but only because of the excellent art team. This should have been a Wonder Woman event of epic proportions, but instead, it fails to impress at every chapter.

wonder woman 50 p2

Art:

While the story may have fallen flat, the art continues to impress. Jesus Merino gives us one last amazing looking issue, especially with the fight scenes. The Dark Gods continue to look menacing and fitting of the universe Dark Nights Metal introduced us to. What else can I say that I haven’t mentioned in past reviews? This art team deserved a much better story to illustrate.

Conclusion:

While there are some good parts lightly sprinkled throughout, this finale wasn’t great. It felt more like a chore to read, with the fights being small breaks from the dull dialogue. This was the finale of Robinson’s run, and I can only hope Steve Orlando has a great arc up his sleeve. This series needs something exciting to liven it up again.

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ZOMBIELAND 2 Moving Forward With Original Cast & Director Returning

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Almost a decade after the release of the sleeper hit Zombieland, a sequel to the film is finally moving forward. According to The Hollywood Reporter, the sequel will begin production in January with stars Emma Stone, Jesse Eisenberg, Woody Harrelson, and Abigail Breslin set to return.

Zombieland 2 will also see the return of director Ruben Fleischer, who is currently helming Sony’s Venom, as well as writers Paul Wernick and Rhett Reese, who wrote both Deadpool films. The studio is eyeing an October 2019 release for the film.

A sequel to Zombieland has reportedly been on the table for several years. At one point it was to become a TV series with a different cast. That idea never came to fruition which leads to the more traditional sequel moving forward.

The cast of the film has come into their own since Zombieland hit theaters all the way back in 2009. Emma Stone has become one of the most premiere actresses in Hollywood, racking up 2 Oscar nominations including a win for Best Actress for La La Land. Harrelson has also seen his name up for an Oscar, being nominated for Three Billboards Outside Ebbing, Missouri just this year. He’s also become a franchise staple appearing in Solo: A Star Wars Story and War for the Planet of the Apes.

Eisenberg has become a very high profile actor as well, earning high praise for his performance in The Social Network. He’s also appeared in many notable films including Batman V Superman: Dawn of Justice. Abagail Breslin has also kept busy with numerous film roles and a stint on Fox’s Scream Queens.

Columbia Pictures president Sanford Panitch discussed how they were able to get the gang back together for Zombieland 2 with the cast being in such high demand:

“These are some of the most in-demand actors, and I think they are making this movie because they love these characters. We are thrilled Ruben was willing to come back to direct the sequel, as his work on Venom has been truly amazing.”

Are you excited for Zombieland 2? Let us know in the comments below!

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2018 Emmy Awards: 5 Shows That Should’ve Been Nominated

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The 2018 Emmy award nominations came out on Thursday. While a lot of solid shows got recognized, some spectacular shows were not. There are a few shows that are particularly strange to leave out of the “Best Series” conversation. Here are some of the best shows that most certainly deserved to be nominated for the Best Drama/Comedy categories.

THE GOOD PLACE

The Good Place

The brilliant high-concept comedy THE GOOD PLACE absolutely deserves an Emmy nomination. For two seasons, the show has delighted and surprised viewers. The show also comes from the team behind PARKS & RECREATION, BROOKLYN NINE-NINE, and AN EMMY FOR MEGAN. Ted Danson did get a nomination for his performance, but this show deserves even more love.

BOJACK HORSEMAN

Bojack Horseman

While it may be suited more for “Best Animated Series,” there’s no doubt BOJACK HORSEMAN has earned a spot in the Best Comedy conversation. Not only is it one of the funniest shows on Netflix, but it’s also one of the most emotional and dramatic shows. It’s also probably the most consistent Netflix originals, going strong for four seasons. BOJACK HORSEMAN really hasn’t gotten its due at the Emmys, but it’s high time it got more love.

KILLING EVE

Killing Eve

The new series from Phoebe Waller-Bridge has been a surprise smash hit. KILLING EVE has gotten a lot of acclaim since its premiere on BBC. Even only one season in, it’s clear KILLING EVE is some of the best drama of the medium. The Emmys clearly recognize the show’s quality, as star Sandra Oh was nominated for Best Actress. The series also scored a Best writing nomination for the episode ‘Nice Face.’ Why the series as a whole wasn’t nominated is confusing, and it’s a real shame.

BROOKLYN NINE-NINE

Brooklyn Nine-Nine

One of the strongest current sitcoms is BROOKLYN NINE-NINE. The series ran for five seasons on FOX, before being cancelled (then picked up by NBC). The cast & crew of the series includes some of the greatest voices currently in comedy. BROOKLYN NINE-NINE consistently brings big laughs and pure moments that make it a staple of network television. The hope was that its recent rescue from cancellation would draw in those that haven’t seen the show yet. It’s a shame this series hasn’t gotten its due from the Emmy awards.

INSECURE

Insecure

HBO has a lot of comedies on its slate, but INSECURE has gone severely overlooked. It’s crazy that INSECURE wasn’t also nominated, especially following a stellar second season. It seems like INSECURE was partially overlooked for legacy series like SILICON VALLEY and CURB YOUR ENTHUSIASM. Those shows may not be bad, but not nearly as fresh or exciting as Issa Rae’s INSECURE.

There are plenty of other shows you could argue deserved more love – from AMERICAN VANDAL to SMILF to SEARCH PARTY. Which series did you think deserved more Emmy love? Let us know in the comments below!

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‘MY HERO ACADEMIA’ Episode 52 Review: “Create Those Ultimate Moves”

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Finding signature moves makes for a weaker MY HERO ACADEMIA. It’s almost funny that the episode where heroes come up with all-powerful moves doesn’t pack a huge punch. This episode isn’t bad, of course – it’s hard to imagine an actually bad MY HERO ACADEMIA episode. However, this episode doesn’t have a lot of substance, which makes it feel a bit like filler.

“Create Those Ultimate Moves” is a lot like last week’s episode, as the heroes develop. While Class 1-A is strong, they are encouraged to come up with surefire battle-ending attacks. While most of the students try coming up with big, flashy moves, Midoriya rethinks his whole technique. Midoriya is struggling to separate himself as a hero from his idol, All Might. This episode continues the series arc of Midoriya coming into his own, and taking on the “One For All” mantle.

The development in this episode is a bit too slow and drawn out to pack a punch. There is some compelling stuff with Midoriya’s development as his own hero. However, the realization that he should also use his legs isn’t enough of a revelation. Especially since Midoriya still gets his arm braces, it’s not a game-changing shift – yet. It will be interesting to see how a leg-heavy approach will affect Midoriya’s success as a hero, but we only see one big kick this episode. Midoriya gets to advance a little, but this MY HERO ACADEMIA episode doesn’t stand strong on its own.

My Hero Academia

What makes this episode feel weak is that there isn’t a lot of meat. It’s not like last week’s “Moving Into Dorms,” where we get a clear image of what all our heroes are up to. We get glimpses of some heroes developing moves, like Bakugo and Tokoyami. However, the majority of the class are left in the background. This is especially disappointing because the lack of screen time coincides with a lack of development for the other kids. The rooms of Class 1-A students helped us learn more about them as people. “Create Those Ultimate Moves” gave no such character development.

Perhaps the strongest part of this episode is the return of Hatsume. The Support Class student returns to “help” Midoriya and friends improve their suits. Hatsume is a fun presence, as she once again uses others to test her tech. It’s funny how her experiments hurt the heroes, but it’s also sweet to see her fiery passion. The awkward Midoriya-Hatsume physical stuff is fine, but takes away from the stronger Hatsume characteristics. With that said, Hatsume helped inject some fun energy into a slower episode.

MY HERO ACADEMIA doesn’t do a lot to push its characters forward. It’s nice that Midoriya is given a small push forward, but it’s still small. This episode only has a few small morsels to stay engaging. From the original three super-friends coming back together, to All Might reading up on teaching, there is good stuff in this. Unfortunately, there isn’t enough to make “Create Those Ultimate Moves” feel like an ultimate episode.

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Joss Whedon and HBO Team Up for a New Sci-fi TV Show

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HBO is adding to their geek credentials once again, releasing a press statement about a new sci-fi TV show they are set to produce and having a big name attached to it: Joss Whedon.

The Nevers is set to be a Victorian-era sci-fi show centering on a group of powerful female characters. HBO has stated that ‘the show will be an epic science fiction drama about a gang of Victorian women who find themselves with unusual abilities, relentless enemies, and a mission that might change the world.’ Whedon has described the show as ‘the most ambitious narrative I’ve created. It’s been too long since I created an entirely new fictional world.’

The Nevers will be Whedon’s first original TV show since Dollhouse in 2009 and the first project since Avengers: Age of Ultron in 2015. Whedon’s projects have gained him a large fanbase. This is a man has Buffy the Vampire Slayer, Firefly and The Avengers to his name and HBO as a broadcaster gives its showrunners a lot of creative freedom. Whedon will serve as executive producer, showrunner, writer, and director of the series.

Game of Thrones has been a huge critical and audience success for HBO as well as a commercial hit – millions have been made from DVD, Blu-ray and merchandise and HBO clearly want more of this. The broadcaster already has Westworld that pleases genre audiences and they have a Game of Thrones spin-off and Watchmen adaptation in development.  The Nevers would be a part HBO’s high concept, genre broadcasting it would interesting to see what Whedon comes up with.

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Prepare to Have Your Mind Blown By This Latest Trailer For A SIMPLE FAVOR

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A Simple Favor is slated for release in September which is primarily considered to be a transitional month between the summer and award season. Could that trend be changing? Paul Feig’s latest project A Simple Favor ratchets up the tension with every trailer or teaser poster they release. The release is anchored by Blake Lively and Anna Kendrick in roles we aren’t accustomed to seeing them in. Is it a delicious mystery that would have worked during the summer or will we start hearing awards buzz about the film? Who knows at this point, but what’s clear is A Simple Favor looks excellent! Check out the synopsis –

A SIMPLE FAVOR, directed by Paul Feig, centers around Stephanie (Anna Kendrick), a mommy
vlogger who seeks to uncover the truth behind her best friend Emily’s (Blake Lively) sudden
disappearance from their small town. Stephanie is joined by Emily’s husband Sean (Henry Golding) in this
stylish thriller filled with twists and betrayals, secrets and revelations, love and loyalty, murder and
revenge.

A Simple Favor

If that doesn’t do it for you, then watch the trailer –

The trailer looks impressive and it appears that Feig has assembled some great supporting cast members as well. A Simple Favor opens up September 14th and stars Anna Kendrick, Blake Lively, Henry Golding, Andrew Rannells, Linda Cardellini, Jean Smart, and Rupert Friend.

 

 

 

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Cate Shortland Will Direct Marvel Studios’ Black Widow Solo Film

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Marvel Studios’ Black Widow now has a director.

Cate Shortland is going to helm the movie.

Cate Stockland

According to Variety, the indie director’s hiring comes after a successful meeting with star Scarlett Johansson. Other contenders on the list include Kimberly Peirce, Amma Assante, and Maggie Betts.

Shortland is best known for her work in film and television. Her directorial credits include Somersault, Lore and Berlin Syndrome. Directing Black Widow makes Shortland the second female director to work for Marvel Studios. The first is Anna Boden, co-director of Captain Marvel.

Black Widow will take place sometime before The Avengers. Little is known of the plot, but there is a chance her origins will be shown. There is also talk of Jeremy Renner showing up as Hawkeye, and this could explore their shared history. Another possibility is Bucky Barnes as the Winter Soldier.

Or perhaps we may see the Budapest incident after all….

Expect BlacK Widow in Phase Four.

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X-23 #1 Takes Laura, Gabby & The Cuckoos On A Cloning Adventure

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X-23 picks up where Tom Taylor’s All-New Wolverine left off. Laura and Gabby continue their lovable and bizarre partnership in an all-new adventure featuring ten adamantium claws and three Stepford Cuckoos.

x-23 1 cvr

***SPOILERS LIE AHEAD***

 

Writer Mariko Tamaki, coming from her She-Hulk run, had pretty big shoes to fill. Tom Taylor’s All-New Wolverine was a major triump, one of Marvel’s most consistently brilliant books over the last few years. This was the run that introduced Laura’s sisters, her new sidekick sister Gabby, and Jonathan the actual wolverine.

The pressure was on but Tamaki effortlessly grabs the torch from Taylor and runs with it in full sprint. This introductory issue of X-23 doesn’t take time to start from scratch or tramble over what was just an all-time great run with the character. Mariko Tamaki pushes forward and takes it to a new place.

Laura and Gabby are digging into some clone business and cross paths with the Stepford Cuckoos while visiting Beast at the school. This story is monumental for being so deeply involved with cloning multiple characters but not at all being a tough read. Any comic book reader that has read pretty much anything from the 90’s knows how much cloning is too much cloning.

The discussion about birthdays and how clones choose to celebrate them is an interesting one. Tamaki shows she’s bringing something new to the table immediately. She’s also got a great handle on both Laura and Gabby. It’s a huge relief to see how well she writes Honeybadger given that she’s only the second person to get a crack at her after Tom Taylor.

X-23 takes some turns as the story starts to take shape. It was a wise choice to craft a story that is both an X-23 tale and that of the Stepford Cuckoos. The premise should satisfy X-Men die-hards.

Artist Juann Cabal illustrates X-23 with plenty of flair and loads of charm. Laura and Gabby’s facial expressions sell every interaction, Cabal makes it known that we’re in good hands in that department as well. Nolan Woodard’s great color work raises the tempo during action scenes and sets the tonal shifts from scene to scene.

The one downfall of X-23 is costume design. After a few years of Laura in her amazing Wolverine uniforms, this wasn’t going to be the easiest job. It’s not an awful costume, it’s just ultimately a downgrade and a little too busy. The Stepford Cuckoos’ matching outfits were also pretty bland for clones of Emma Frost.

Mariko Tamaki and Juann Cabal show they’re more than capable of continuing to build on what Tom Taylor accomplished. X-23 starts off as a perfect compliment to and evolution of All-New Wolverine. This issue should satisfy Laura’s fans, X-Men fans, and newcomers to the character.

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Review: The Flash #50 Brings The Flash War and More to a Close

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The Flash War comes to an explosive, emotional, and fun close.

The battle between Barry and Wally may have finished, but there is still one more fight. After Wally’s failed attempt to break his children out of the Speed Force, Hunter Zolomon reveals his plan. The destabilization of the multiverse caused by The Flash gave him access to the Strength and Sage Force. These new forces, along with speed, allow Hunter to become a different, more powerful Flash. With the League incapacitated and the Multiverse splitting apart, Barry and Wally must put aside their differences to stop Hunter. How will this war between the Flashes end and who will be on top?

The Flash 50 review

**Some Spoilers Below**

Story:

Hunter reveals the second part of his plan is to become a hero and “fix” time. Barry and Wally chase after the mad speedster, finding themselves in Hypertime. As they run, the pair sees several different moments in the history of The Flash, including Wally’s kids. They also notice that Hypertime is fading due to this whole debacle and they have to work quickly. They return to the 25th century, now an empty white space, where Hunter tries to bring them in as a new Flash Family. Wally, now remembering his full past, refuses and runs in to take him down.

Flash 50 p1

This finale does a great job to remind us what makes the Flash Family great before it is all destroyed. The closeness we are shown in this issue far exceeds any super-family we’ve seen at DC. Every action and fight is tied to this theme, adding emotional weight throughout the issue. There are plenty of memorable moments throughout the issue, but the best has to be Wally going one on one against Hunter. It perfectly blends action and emotion in one beautiful scene.

There is a problem with this issue, despite its positives. The way the story ended left with me more questions without answers than I think was intended. The Sage and Strength forces have vanished, and there is no clue to what will happen next for Wally going forward. It is a bit nitpicking, but there is still plenty of enjoyment in the issue to overlook it.

the flash 50 p2

Art:

The art team goes above and beyond for this finale and make it a spectacle on the page. Howard Porter finishes off this arc in spectacular fashion, with the fights being the highlights. The final attack on Hunter, in particular, stands out in this issue. It’s not only well drawn, but colored beautifully by Hi-Fi, allowing the whole scene to pop.

Conclusion:

While there are a few nitpicks, this comic is a fantastic ending. It’s full of emotion and action, bringing the Flash War to an epic conclusion. The art team takes this story to the next level with both illustrations and colorwork. It’s a fantastic comic, and I can’t wait to see where our speedster family goes next.

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