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PREACHER Feature: “The Light Above”

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Jesse, Tulip, and Cassidy have been racing towards three separate confrontations for much of Preacher’s third season and “The Light Above” is where those courses lead.  So, it should come as no surprise that there’s some roadkill left behind in the dramatic, action-packed season finale.

Preacher Feature is a weekly look into the AMC show Preacher based on the comic book of the same name by Garth Ennis and Steve Dillon. In this column, Josh Versalle gives a breakdown of the events from the show (including how they relate to the comics), and speculates as to what’s going on and what might be coming up. That means SPOILERS are bound to follow, so if you haven’t watched the episode yet, turn back now.

If you’re feeling lost, here’s a refresher course on the bloody road that led us to tonight’s season finale.

“A constructive, non-violent solution”

Colin Cunningham as T.C. - Preacher _ Season 3, Episode 10 - Photo Credit: Alfonso Bresciani/AMC/Sony Pictures Television

TC’s suggestion of “a constructive, non-violent solution” is hilarious since we know that on Preacher, these sort of solutions don’t exist.  The violence and horror inflicted on Jesse and his parents by Marie, Jody, and TC can only be ended with more violence.

After using Genesis to get past TC, Jesse could have easily killed Jody using the Word, but after all the misery Jody has inflicted over the years, he’s got something a bit more prolonged coming to him.  For better or worse, Jesse Custer wouldn’t be the man he is today without Jody.  The goodness and kindness in his soul come from his parents, but his toughness, fighting prowess, and outright meanness all got beaten into him year after miserable year by Jody.  Jesse takes his time dismantling the super-humanly tough Jody, all while a conflicted TC watches.  In his own twisted way, TC loves “little” Jesse as much as he does Jody or Miss Marie.  TC recognizes the wickedness in them as he recognizes it in himself, but they are nonetheless all the family he has ever known.  The moment when Jesse looks down on TC with a mixture of pity and contempt, offering him a chance to leave, and TC responds that he’s decided to stay and die with Angelville was a fine and surprisingly sad one.

The Fall of the House of L’Angelle

Now that Jesse’s done exorcising two demons from his past, it’s time to take out a third: his Gran’ma Marie.  She may look feeble, but she’s lived for a 100+ years because she’s cunning and shrewd (and because she eats souls).  She’s lets Jesse know she’s traded his soul to Satan and if Jesse kills her, he will be damned when he dies.  She’s a cruel manipulator and seems to have Jesse in check, but she’s pushed him too far this time.  He tells her to destroy all the souls that were supposed to stave off her death.  He watches as she sobbingly obeys his Word.

Before he gets away from Angelville, Jesse (with a little help from the childhood self) decides that even the peril of damnation will not stand in the way of his vengeance.  He goes back, straps Marie in her own soul extractor device, and drains the lives out of her until she is nothing but a dried out husk.

The Wheels on the Bus

The fight sequence on the overturned bus was a fun and original one.  While the undercard (Eugene versus Hitler) was funny, the main event was Tulip kicking the shit out of a bunch of Nazi wannabes, using her surroundings to the fullest, culminating in her shooting the last two through the bus seats.

Of course, there’s still the matter of the Nazi tank.  It fires a shell at the Saint of Killers and Angel of Death standing in front of the bus, when suddenly time stops.  For a split-second, it looks like Eugene suddenly developed the mutant power to freeze time, but then we see that it was God Himself who stepped in.  He talks to Tulip once again, telling her he is a loving God, that he will remove the O’Hare curse if she will just convince Jesse to leave Him alone.  Having heard this all before (in “Angelville”), Tulip calls God on His holy bullshit.  God sends her back with a warning that her friend Cassidy is in grave danger.

“Betrayal, when committed by a loved one, cuts most deeply.”

When Eccarius gets back to Mrs. Rosen’s house, things are so sombre that it almost seems that God forget to start time back up.  When he talks about betrayal, he’s referring to Cassidy (Eccarius has killed a lot of Les Enfants Du Sang and blamed his most recent victims on Cass).  Cassidy tells Eccarius he’s ready to repent, and Eccarius invites Les Enfants to celebrate.  It turns out to be a surprise party, though, as Mrs. Rosen and the rest know of Eccarius’s cruel deeds.  They are all vampires now and they turn one their former leader, feasting on him the way he had feasted on so many of their friends.

With their disgraced leader gone, Les Enfants are left directionless, but most of them won’t have to deal with existential despair for long.  Hoover shows up, with the Grail in tow.  They use a helicopter to move the house, letting the sunlight in to burn most of the newly-turned vamps into ash, and once again abducting Cassidy.

Pip Torrens as Herr Starr, Malcolm Barrett as Hoover - Preacher _ Season 3, Episode 10 - Photo Credit: Alfonso Bresciani/AMC/Sony Pictures Television

Tulip arrives to find the carnage and learns from Kevin and Mrs. Rosen (who were luckily taking naps in their coffins, thus being saved a fiery death) what the Grail has done.  Tulip can see that God wasn’t just bluffing about Cassidy.  She heads to Angelville, where she and Jesse are reunited and share a tender moment, but a moment is all they have.  They’re off to rescue Cassidy and put a stop to the Grail.

“Get yer ass outta yer head, dufus.  God’s gone.”

Back in Hell, glass-half-full Eugene tries to have a heart-to-heart with Satan and is rewarded by getting slapped and knocked unconscious.  The Saint of Killers is finally reunited with his weapons.  Once again whole, the Saint confronts Satan about whose idea it was to kill his family.  Satan admits that he was “in the meeting”, but the idea itself was God’s.  The Saint kills Satan and walks out of Hell.  Trailing him is Eugene, who is just now finding out that after sending him to Hell, Jesse is still alive and hasn’t come back for him.  With a vacancy left in Hell’s corner office, Hitler takes over.  In the paperwork on his new desk, Adolph spies the contract for Jesse’s soul.

“We’re going to need a new, uh, Hoover.”

Now in the Grail’s fortress Masada, Starr snatches the umbrella hat from Hoover’s vampire head, exposing him to the sun and seemingly killing him.  He tells Featherstone (or Flufferman, if you prefer) that he no longer plans to use Jesse as their Messiah, he only wants revenge.

Say Goodbye to the Bad Guy(s)

Betty Buckley Colin Cunningham Jeremy Childs Preacher Angelville

Jesse understandably hates Gran’ma, Jody and TC for what they’ve done to him and his parents over his life, and this wouldn’t be Preacher if he weren’t able to exact a bloody vengeance on his sadistic family.  With that being said, I know I’m not the only fan who’ll be a bit sad to see Betty Buckley, Colin Cunningham, and Jeremy Childs go.  Each brought life into these memorable characters from the comics and added something new to their respective roles.  There are plenty of insane characters left to visit in Preacher (starting, from the sounds of things, with Frankie the Eunuch), but we the audience lost three characters tonight that helped build the Preacher world into a fuller, and creepier one.

Easter Eggs and Connections

The location (The Tombs) didn’t exist in the comics, but much of the final, bloody, cathartic battle between Jesse Jody took place just as it did in the comics.  Writer/Director (and self-described fan of the comics) Sam Catlin, made a lot of fan’s days by keeping the tone of this important confrontation.  Jesse decides not to “cheat” by using Genesis to finally defeat, hand to hand, the man that had killed his father and tormented him for years.  Jody as the abusive father figure saying “Hope for you yet, boy” was scene I’d always remembered from the books and it doesn’t lose any of it’s power being translated to the screen.

Hope for you yet, boy - Preacher comic Garth Ennis Steve Dillon Jesse vs Jody

One thing even the wonderful artwork of Steve Dillon couldn’t do was add the stomach-turning squelching sound effect to the scene when Jody pulls the nails out of his cheek.  I don’t think I’ll ever have another sinus infection without flinching at the thought it.

The “Fuck Communism” lighter, which features prominently in the comics (the comics took place in the ’90s and the lighter was the one memento Jesse had of his father, who got the lighter when he was a marine in fighting in Vietnam), makes a return appearance in tonight’s episode.

What’s Next?

The big question is: will there be anything next?  A fourth season of Preacher has not yet been announced, but fans can take heart that the announcements from AMC typically occur in October.

Assuming we get to see more Preacher, it looks like Jesse and Tulip are heading to the Grail stronghold Masada to kick ass and retrieve one wayward vampire.

Speaking of vampires, is this the end of poor Hoover?  When Starr removed that ridiculous umbrella hat, it seemed like Hoover may have perished.  The fact that we didn’t see a charred corpse, combined with the abruptness of this scene, makes me think the underappreciated Hoover may not be done yet.  With all the shit that gets dumped in his lap, having him survive to meet up with the equally Job-like Eugene would be fitting.

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TRUE DETECTIVE Season 3 Teaser Trailer – Whoa!

HBO dropped a teaser trailer for True Detective Season 3 Sunday night.

About Season 3:
The third season of the show tells the story of a macabre crime in the heart of the Ozarks, and a mystery that deepens over decades and plays out in three separate time periods. Mahershala Ali stars as Wayne Hayes, a state police detective from Northwest Arkansas.

Ali leads the series with Carmen Ejogo, Scoot McNairy, Mamie Gummer, and Stephen Dorff.

True Detectivereturns January 2019.

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Review: ATTACK ON TITAN: Season 3 Episode 43

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As the conspiracy with the royals continues, Attack On Titan seems has not been filled with any actual titans. Hopefully this latest episode will provide some titan action and help ease the complaints of the fans.

Summary

Eren learns of his Father’s sin and how they have affected him his entire life.

SPOILER WARNING

Review

This is another episode where it seems impossible to review it and not give away spoilers for what happened. The truth behind the tragedy of the Reiss family, their bizarre abilities, and how Eren’s father are all revealed. It’s intense bit of information to take in all at once. It leaves both Eren and Historia with the best reaction to the entire situation: Absolute shock. How else is someone supposed to react to the memories of murder and Patricide coming back all at once?

There is a brief moment where Commander Zackary is torturing a former nobleman. Yikes. The scouts must be glad he is on their side. If therapists still existed in this world, Zackary would definitely have to see one on a regular basis.

Attack On Titan

It was uplifting to see Historia’s half sister, Freida came often to see her when she was a child. Even if she had to wipe her memory after each visit it’s nice to know she had someone who cared for her. Considering the wreck of a parent her mother and father was, it’s heartwarming to see her life wasn’t always in a state of total torment and loneliness. Helps to show how she was able to become such a gentle soul later in life.

Overall just enough of a return of the Titans to remind people the type of world the characters are forced to life in. One where murder, lost power, and deep conspiracy runs rampant.

Attack On Titan is streaming on Crunchyroll and VRV.

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AVENGERS #6 Review: Earth’s Mightiest Infection

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Planet-sized Iron Man Armor, giant-sized She-Hulk and Thor, a dead Celestial possessed by Ghost Rider, and a cure that needed to age for millions of years like a fine wine all in this week’s AVENGERS #6 by Jason Aaron. Let’s take a look inside and see how the first arc wraps up!

STORY BY: Jason Aaron, Ed McGuinness, and Paco Medina
INKS: Juan Vlasco, Mark Morales, and Karl Story
COLORS: David Curiel
LETTERS: Cory Petit

WARNING SPOILERS AHEAD!!!

Spoiler

AVENGER #6 SPOILERS TOO!

To see what happened the last issue, click on the writer’s name below.

“We are Earth’s infection,” said Black Panther.
“Like herpes, only cuter,” said Iron Man.

Avengers 6-1

Summary

The Power Ranger Megazord battle between the Dark Celestials and Earth’s Enlarged Mightiest Heroes ranged on over Siberia, but it just wasn’t good enough. Finally, the Avengers pieced together a solution by looking back at history itself. Our heroes simply asked, ”why haven’t the locust destroyed the human race?”

After realizing that the Avengers was like the antidote to this virus infecting the Celestials and turning them evil, they used what Tony Stark learned from before Marvel Legacy. Stark somehow mind melted their abilities with the Uni-Mind and cleansed the Celestials. With only the Final Host remaining, the Avengers along with the ”healthy” Celestials battled back the Final Host and captured Loki.

Avengers 6-2

Accidentally on Purpose

Aaron did a tremendous job pulling this first arc together while pointing this ship in the direction of a true ”Fresh Start.” Aaron answers questions that have been dangling since Marvel Legacy albeit doing so with his own unique and creative spin.

The human race is literally the vomit from a dying Celestial. Now, to the uber-religious, this may come off as disgusting, repugnant, and extremely disappointing. The nature of humanity is to have a purpose and to think that we were some cosmic accident may seem trite and appalling. However, I view it as refreshing, and I feel I’m a reasonably religious man. Accidents can still breed purpose, and ultimately that’s one of Aaron’s point made throughout this first arc.

Avengers 6-3

The Mathematician

Aaron gives depth to his stories. He calculates, organizes, and maps out answers as well as solutions. Aaron’s thoroughly understands the Transitive Property of Mathematics. For example, readers now know the name of the Celestials because Ghost Rider took control of a dead one and connected with his leftover thoughts and memories. Eventually, the Marvel Universe has a way of accessing deeper galactic stories thanks to Aaron and the Ghost Rider.

Avengers 6-4

Severity and Importance 

In addition to Aaron’s mastery of mathematical concepts, he also put the seriousness of this story into context. Sure, fans know this was bad, and the world was in big trouble in little China, but if readers see one apocalypse, then they’ve seen them all.  Well, Aaron takes ”this” apocalypse up to eleven.

He narrates that the Hand stabbed themselves in the gut and gave up living.  Odin threw in the towel as well as the Hellfire Club. The dinosaurs in the Savage Land hid remembering the last extinction while Dracula was shown with true fear for what’s to come. Aaron went deep into explaining that some of the scariest villains and species alive felt hopeless. He paints a spectacular picture for readers that many fans may quickly overlook. This first arc by Aaron was huge, it set the tone, and showed fans that this team deserves to be Avengers.

Avengers 6-5

Simply Humorous 

The humor and witty banter between the characters were perfect and helped this group of heroes feel more like a team. Situational humor like She-Hulk kissing Thor again, Tony offering to kiss and make up with Captain Marvel after events from Civil War 2, She-Hulk throwing up after seeing inside Tony’s mind, or Stark comparing the human race to herpes is just a view of the hilarious displays of dialogue from Aaron. The comedic conversations made by the Avengers helped promote a familiar environment to the readers and make them appear like family. Aaron dug deep to make sure this issue, as well as this series, had the history and weight it merited.

Avengers 6-6

The Art

Ed McGuinness and Paco Medina’s art can be an acquired taste for many fans. However, I thoroughly enjoy McGuinness’ prodigious style. Every hero looks like they just got done with a 3-hour Crossfit circuit.  Sure, it’s not overly realistic, but I also want my superheroes to look super.

In this issue, McGuiness and Medina draw very loud, large, and fun. That said, sometimes the pages were too colossal. I often found myself scanning the page to find everything that was going on in each grand battle. The pages were extremely busy and crammed with detail. This also made it difficult to judge the proportions of the giant-sized Celestials since so much was happening. Plus, the focus was more on the detail of the individuals battling and less on the background. Therefore, this hindered my perspective of the gargantuan size of the Avengers and Celestials.

Juan Vlasco, Mark Morales, and Karl Story’s colors were energizing and often intoxicating. These three chose such bright and vibrant colors that I found myself staring at the page longer than I needed too.  The colors jumped off the page and really added depth to each panel. Together, this art team did a pretty good job showing the magnitude of the event unfolding. However, the often crowded pages made it too much for my brain to process in one read.

Avengers 6-7

Should you buy this issue and/ or add it to your pull list?

Absolutely! Aaron gave us answers, connected elements throughout Marvel’s past, and created a ”Fresh Start” for the universe. Some fans may be disappointed with the human race being an ”anti-virus.” Other readers may view Aaron’s ending as a scapegoat as well as an unjustified conclusion to the story.  However, I would challenge someone else to think of a better way to stop Dark Celestials hovering over your planet without overpowering any of our current superheroes, using a magical wishing machine, or creating a new power metal that also has magical abilities at the last minute.

Aaron progressed the story well and guided fans to the solution gradually. The heroes weren’t backed into a corner until the last panel and didn’t magically win at the last minute. The victory was earned. The Avengers got the upper hand numerous times throughout, lost it, regained it, and still found themselves down and out. Deep down, I can stand behind this issue, as well as Aaron’s first arc, and say the Avengers are going in the right direction. Put this on your pull list and pick this issue up!


What did you guys think of AVENGERS #6? Comment below or hit me up on Twitter @dispatchdcu. If you would like to read more of my reviews, click HERE!

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Review: RIFFTRAX: KRULL Can Not Cut The Padding

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It’s once again time for RiffTrax, the comedy team which makes fun of bad movies for the entertainment of the audience. How does the team fare with taking on a 80s cult classic like Krull?

Summary

On the planet Krull, Prince Colwyn is about to marry Princess Lyssa and fulfill an ancient prophecy. Unfortunately, an alien known as the Beast sends his forces to kill the wedding party and kidnap Princess Lyssa. Now, Prince Colwyn must use the ancient weapon of power known as the Glaive to rescue his princess from another castle.

Krull

KRULL

The film presents a lot of possibility but unfortunately is bogged down by its own double edged sword. Just as it’s filled with scenes of insanity and over-the-top moments which are perfect to make fun of, there also is a lot of padding. Krull is filled with a lot of unnecessary scenes which unfortunately make for a long movie experience.

There are some gutbusters of entertainment here and there which make the film a joy to watch. Though the opening mentions Krull is the name of the planet, the team kept going with the joke of “Who is Krull” and kept asking if various characters and creatures in the film were Krull. This was very amusing and because it wasn’t overplayed. A good running joke is essential to the team’s brand of comedy.

Krull

Unfortunately these great jokes are far between one another with previous mention of excessive padding. Common moments from fantasy film such as scenes of people walking down long holes, journeying through dangerous enchanted areas, and of course riding on horses drag the film on for far too long. Also, considering Glaive is supposed to be a great weapon of power you would think they would make the joke about how little it is used in the film. It’s a minor nitpick but one which bares mentioning.

Conclusion

A very good showing but not the best. Rifftrax: Krull wasn’t even the best of the year as the showing of Space Mutiny was much more entertaining. Sadly, both pale in comparison to the gut-busting which was the presentation of Samurai Cop. Hopefully the team will find something which presents the perfect formula for quality riffing in the future.

Rifftrax: Krull was presented by Fathom Events.

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SUSPIRIA Trailer Drops, Revealing New Details

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The trailer for Amazon Studios’ Suspiria dropped on August 22, giving us our first good look at the new film.

The movie promises a fresh take on Dario Argento’s 1977 giallo horror classic. In fact, according to actress Mia Goth, it’s “really not a remake at all.” I believe it, if the trailer is anything to go on:

[embedyt] https://www.youtube.com/watch?v=BY6QKRl56Ok[/embedyt]

I’ve been waiting for this trailer to hit since the teaser dropped earlier this summer.

At first glance, it seems we’re trading in a bit of the style for more story with the new adaptation. The original film relies heavily on gorgeous visuals and vibrant Technicolor, but leaves many narrative details ambiguous. That approach was pretty standard for Italian horror of the era, but the new movie seems interested in a deeper dive into the story angle. Just from the trailer, it looks like we have a more fleshed-out take on this complex tale of witchcraft and human sacrifice behind the walls of a dance school.

2018’s Suspiria calls back to the original classic in key ways, though. We see a character thrown against a glass wall in the dance studio at the 1:33 mark in the trailer. Her face contorts as if being forced into the glass. To me, this echoes the iconic “glass ceiling” sequence from the original film.

Hints Buried in the Trailer?

Here are a few key details we picked from the trailer (don’t worry, no spoilers here):

  • At 00:16, we see the name Madame Blanc (the character played by Tilda Swinton), shown at the center of a diagram. Madame Blanc was an important character from the original film. However, Swinton may elevate her to a central role, given the amount of time she has on-screen here.
  • At 00:51, we have a close-up on the poster advertising the Markos Tanzgruppe, the name of the school’s dance troupe. Markos was the name of the school’s founder in the original, and she appears to be important to the plot in this adaptation, too.
  • There’s a Nazi-era Ahnenpass (essentially a racial passport for German citizens) issued to Anke Muir at 2:06. We know actress Jessica Harper, who portrayed lead character Suzy Bannion in the original film, cameos as Anke.

I’m an avowed fan of Argento’s film, but I’m definitely looking forward to the new movie. Although I’ll miss the original’s surreal, candy-colored dreamscape, I’m excited to see a new twist on the story.

What do you think? Are you excited for the new film, or do you think the original should stand on its own? Did you catch details in the trailer I didn’t mention? Share your take in the comments.

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Will There Ever Be Another AKIRA?: An Anime Abstract

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Will there every be an anime film as impactful as Akira? After you have been a part of Manga and Anime culture long enough you are able look at the trends, the history, and form an understanding of what happened at a deeper level. This results in an abstract idea, a thought which doesn’t have a physical existence but can be speculated. Welcome to Anime Abstract.

Before getting too deep, there should be a clarification what is meant here. Yes, there can and SHOULD be another Akira. Another adaptation of the series by Katsuhiro Otomo would be a very welcome thing. The original movie told only part of the large anthology which is the Akira series. This article though is not about whether or not the it be a good idea to make a adaptation of all of the existing material of the Akira manga. It is said to ask will there ever be something as revolutionary as a Akira.

Akira

For those that don’t know Akira, the film came out in 1988, and thanks to Manga Entertainment, it saw release in the UK, Australia, and the US in the early 90s. The film was essential to the whole argument regarding “Anime isn’t kid’s stuff” being formed. It came out a time when film and anime clubs in college were a very popular gathering for anyone looking for films they hadn’t heard of before. This was the way people found quality films before the internet.

The high recommendations for the film mixed with many publications calling Akira “one of the greatest Sci-Fi films of all time” helped to establish the movie’s legacy of the greatness. The fact is Akira helped to pave the way for the need for more adult animation from Japan to be exported to America. This series was this movie was a foundation for what came later.

Akira

The real question is: Can there ever be an anime film as influential as Akira? Sadly, No.

Akira came out in a time when anime was not as prevalent or known in America. The fact is thanks to the internet, the accessibility of shows and of knowledge is readily available. Few shows will ever come out and make such an impact ever again.

Akira

Many have tried to look for “The next Akira” a film which would help to introduce more people to anime on a global scale and help it achieve more mainstream status. Many hoped films such as Redline, Steamboy, or Sky Crawlers were well received and many hoped they would “save anime.” This concept of “save anime” would allow the media to receive to greater attention. This would result in more funding and said funds could go into the future production budgets. This end result would be better quality series being released. Unfortunately, none of these films achieved the level of recognition Akira did.

There will be shows which will achieve incredible popularity but few, if any will ever achieve the impact and lasting legacy of Akira. The movie’s quality, influence, and reputation is part of the often neglected history of Anime in not only America but the entire world.

Will an anime film ever have as much influence as Akira? Leave a comment below and let us know.

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What Did I Just Watch?: THE NIGHT IS SHORT, WALK ON GIRL Review

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Watching a Masaaki Yuasa film is the anime equivalent of a drug trip. It’s nothing you’ve ever seen before, it’s so crazy people think you’re making it up, you have vague recollections about what happened, and it does eventually make some kind of sense. This is going to be one of those reviews.

   The Night is Short, Walk on Girl is the latest film from Yuasa, the man behind Ping Pong: The Animation, Mind Game, and Devilman: Crybaby. His filmography is known for unique visuals, a lightning pace, and baffling stories. The Night is Short, is no exception.

Unique motion in Night is Short, Walk on Girl
Under the Sea, Under the Sea…

Plot Summary & Analysis

Here’s a plot synopsis which I attempted to extract from the haziness of the film itself.

So, there’s this free-spirited girl who discovers she’s great at drinking, and this hapless male lead (named Senpai) who can’t spit it out he loves her. Through a series of events I’m still confused over, she meets two tengu (Or Higushi and Hanuki, could just be very drunk) after being harassed by a drunk, who is a smut peddler, and part of a secret underground organization of smut peddlers. This drunk, gets involved in Senpai’s life, because of a mix up involving someone stealing his underwear. Meanwhile, there is this other fellow, Otome meets named Don Underwear, who is friends with Senpai, and believes in love so much, he wears the same pair of underwear, every day, without washing them. Ew. All this time, Senpai gets caught in these insane misunderstandings, with his other friend, an all powerful student council president (voiced by Izaya’s Japanese seiyuu: Hiroshi Kamiya, whom I recognized the voice relatively early), the smut peddling society, and other wacky hijinks, which defy the laws of logic, time, and space.

the Key to the Night is Short, Walk on Girl
Behold! The mystery of this movie will be unlocked!

The entire previous paragraph, happened in the first 10-20 minutes, yet it gets more insane. I’m not going to even get into the drinking contest between a god of the common cold and Otome, a bratty kid revealing himself to be the god of used books (because of course), a black market used book seller who weeds out the weak with insanely spicy food, or the impromptu play: “The Lush of Monte Cristo” (naturally) where Don Underwear falls in love with an apple lady (not someone who works at Apple, someone who dressed as a cross between an apple and a daruma doll). This play combined the over-the-top musical ludicrousness of Andrew Lloyd Webber (with Jim Steinman, as lyricist), with drama straight out of a CW teen drama. Somehow, my description sounds better than what we got.

Every time I try describing this material, it gets increasingly more insane. So, let me tell you what I thought of while watching this film. At first, it seemed like a “wacky road trip of doom” (thanks, Red Letter Media) movie. As the film went along, there was one obvious comparison, and one not so obvious comparison.

Night is Short, Walk on Girl's plot
An accurate representation of this movie’s plot.

I know there’s not a lot of overlap between the film section and the anime section, however, this plot should sound familiar if any of my readers saw the underrated Martin Scorsese film After Hours. The movie was about a man encountering the insanity of 1980s New York City, after a nighttime date. Night is Short, feels like a spiritual successor to After Hours. If the film ended with Senpai stuck as a plaster sculpture, it would have fit perfectly. Another film I was thinking of, particularly during the musical sequences, was The Apple, bizarrely enough. Maybe it was the ridiculousness of the songs and the lyrics: like how Don Underwear sings about the fact, he hasn’t changed his underwear. Ew. Still, if there was a song about speed (the drug, not the concept), it wouldn’t have been unexpected. Or it could be the fact, both films involved apples, that too.

By the time the musical sequences had occurred, I began to “get” the film. Nothing is supposed to make sense, let scenes play out how they may. Then something unusual happened, they started to try and tell a story. Remember the god of the common cold I mentioned in the first paragraph, well apparently he’s caused almost all of Kyoto to catch the common cold. This is bad for Senpai, whose brain has turned into little versions of himself (and cowboys, for some reason), and there’s this battle between the weather and Otome. This plot gets resolved when Otome tends to Senpai when he’s sick.

Cowboys in Night is Short, Walk on Girl
I didn’t know, there was an anime adaptation of Stagecoach.

Animation

Well, this description was long. Let’s talk about the good: For starters, the animation: Yuasa’s work has never been visually boring, it’s insane, yet never boring and the same holds true here. Everything is seemingly vibrant in this world, and it’s shows a unique directorial touch, even if Yuasa still has problems with telling a story.

Music

The music is also fine. My thoughts on a good soundtrack are simple, if you’re complaining about it, it’s probably bad.

Conclusion

So where does this leave The Night is Short, Walk on Girl? Well, the film defies description, so it’s fitting for a film where I had no idea it was going. It shall receive a score for which I didn’t know where it would go.

The Night is Short, Walk on Girl was presented by Fathom Events.

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DARTH VADER #20 Review: Charles Dives Deep Into Vader’s Soule

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Darth Vader hunts down his own Inquisitors in this week’s DARTH VADER #20 as Charles Soule continues his legendary portrayal of the most ruthless Sith Lord in the galaxy while shedding some light into the mind and ”Soule” of Lord Vader.

WRITTEN BY: Charles Soule
LAYOUTS BY: Giuseppe Camuncoli
FINISHES BY: Daniele Orlandini
COLORS: Dono Sanchez-Almara and Erick Arciniega
LETTERS: Travis Lanham

WARNING SPOILERS AHEAD!!!

Spoilers

DARTH VADER #20 SPOILERS TOO!

To see what happened the last issue, click on the writer’s name below.

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Summary

After letting Eeth Koth’s wife escape, Darth Vader tracks down the Inquisitors that allowed this to happen and kills them. Vader states, ”I removed the infection before it could spread.” In addition to killing his Inquisitors, Vader cut a swathe through all of Coruscant. So, the Emperor offers the Sith Lord a planet to control and take his Inquisitors to, so this never happens again. Vader decides Mustafar will be the planet he will rule and manipulate. We’ll have to see how he shapes his fortress next issue.

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Lost and Out of Control

Soule does a fantastic job of depicting Darth Vader’s rage and reveals to readers all that the Sith Lord has left in this world. Soule presents Vader as a lost, scarred man, that has been tragically warped by the Emperor throughout the years. Even after Darth Vader extinguishes the flame of almost every last Jedi in the galaxy, he still craves death, destruction, vengeance, and killing. Soule gives readers a Vader that will never be able to have peace and makes fans feel compassion for the villain.

After all his Inquisitors have done for the Republic, Vader decides to hunt two of them down for letting Eeth Koth’s wife escape. Even though the two Inquisitors took the baby, it still wasn’t good enough for Lord Vader. Soule writes the two Inquisitors on the run (and in love) from the Sith Lord questioning what they did to cause Vader’s wrath. The uncertainty of the Inquisitors drives home Soule’s point further that Darth Vader is so mentally lost, confused, and filled with so much hate.

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The Emperor is a $&@!

My favorite part of the issue is when Soule shows readers exactly how a powerfully strong Jedi could be manipulated and twisted down a disgusting path of vengeance and destruction. On page 17, the Emperor mind $&@!’s Vader by showing him Padme’s Royal Vessel that Emperor ”douche bag” saved just to continue to put the Sith Lord in his place.

Take a step back and think about how cunning Palpatine is throughout this issue, as well as the entire mythos. Darth Vader just went off the rails, destroyed half of Coruscant, and did it all because he was genuinely lost and without direction or focus. Vader’s task was to kill all Jedi, and he feels that’s accomplished. So, what’s next? Realizing that his star pupil is off the rails, Palpatine shows Vader the ship. The purpose was to dig up old memories, refuel the fiery anger inside, and redirect his Sith Lord before his apprentice lost his mind.

Soule ultimately shows readers a great life lesson. Power and strength aren’t everything. Think of the most powerful heroes throughout comics. Whether it be Captain America or Superman, at some point, mistakes will be made, and evil will consume them. However, when that happens, who will be the person whispering behind the scenes? I feel the Emperor knows Darth Vader could take him down at any time. So, he continues to remind him of his place, rehash his past, and make his apprentice unstable. Soule gives readers a behind the scenes look at what makes Palpatine such an evil prick while hammering home a concept as old as history itself.

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The Art

Giuseppe Camuncoli’s layouts are so thorough and extensive while Daniele Orlandini’s finishes add so much extra depth to the issue. Camuncoli and Orlandini make characters like Darth Vader seem so realistic and substantial. Dono Sanchez-Almara and Erick Arciniega’s colors are incredibly vivid, sharp, and striking.  Also, Travis Lanham’s lettering is strategically placed in such a way to usher the reader throughout the pages masterfully. Together Sanchez-Almara, Arciniega, and Lanham make this issue quick, fast, and easy to read. This art team adds so much detail to each issue every week. Without a doubt, Camuncoli and his crew elevate this comic to one of the best in the entire galaxy. Heck, even the Rebellion would have to agree.

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Should you buy this issue and/or add it to your pull list?

DARTH VADER is the best STAR WARS related book on the shelves. If you are a fan of this mythos, you’ll love Soule’s extended, in-depth, background into the Psyche of the most savage and merciless villain in the galaxy. Together with Soule, this art team is wildly impressive and spares no extra detail from well-placed shadows to tints of red bouncing off Vader’s suit. Soule’s story was nonstop action and fit within the context of the narrative to get fans and Vader to Mustafar. Readers need to buy this issue and keep it on their pull list. This is consistently in my top 5 each week.


What did you guys think of DARTH VADER #20? Comment below or hit me up on Twitter @dispatchdcu. If you would like to read more of my reviews, just click HERE!

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‘MY HERO ACADEMIA’ Episode 58 Review: “Save the World with Love!”

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This week’s episode of MY HERO ACADEMIA is a large-scale break from the regular show. “Save the World with Love!” is a special episode that switches up the pace. It’s not a filler episode, though some have given it that designation. It may be a departure from the main narrative, but it’s still a fine episode with a lot on its plate.

MY HERO ACADEMIA takes a quick trip in time, back before the Provisional Hero License Exam. The episode is back when All Might still has some of One For All. He and the other UA teachers lead a “special class” for some of the standout 1-A class members. Of course, this special class includes some of the biggest characters from the show. The kids are tossed into a villainous robbery turned murder mystery. It’s not an especially compelling episode, especially as it interrupts the Exam, but it’s a fine one-off adventure.

My Hero Academia

There are a few reasons MY HERO ACADEMIA chose to take a break from the License Exam. Firstly, this episode comes during a Japanese TV charity event. While some shows don’t do new episodes during this time, MHA chose to make a special one-off. Additionally, this episode ties into the MY HERO ACADEMIA film currently in Japanese theaters. The movie appears to involve All Might’s former American sidekick, David Shield, who All Might met in his “Young Age.”

CHECK OUT LAST WEEK’S REVIEW HERE

Considering the nature of the episode, it’s hard to “grade” it on the normal curve. It’s a fine episode with all the MHA fixings – some general heroics, a Midoriya/Bakugo conflict, plus a classic All Might appearance. While the series has come a long way, this return to form is quite nice. It definitely sets up the film well, so viewers know about the All Might lore beforehand. All in all, this episode is a sweet entry that works as a show for charity.

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