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Listen to The ‘Creed’ Title Track, ‘Last Breath,’ From Future

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Warner Bros. released the title track, Last Breath by Future from the Creed Motion Picture Soundtrack. Metro Boomin and Ludwig Goransson produced the song.

Future explained to fans where the inspiration for the song came from after watching an early screening of the film.

“When I got a chance to sit down with the movie, I can relate to the movie. From just being self-driven, always having that drive from the beginning, just having something in you that’s great. But you also have to work until those moments come, and when those moments come you just wanna be prepared. Reflecting on the song…it was easy after me and Ryan had the conversation,” said Future via BET.com.

Adonis Johnson (Michael B. Jordan) never knew his famous father, world heavyweight champion Apollo Creed, who died before he was born. Still, there’s no denying that boxing is in his blood, so Adonis heads to Philadelphia, the site of Apollo Creed’s legendary match with a tough upstart named Rocky Balboa.

Once in the City of Brotherly Love, Adonis tracks Rocky (Stallone) down and asks him to be his trainer. Despite his insistence that he is out of the fight game for good, Rocky sees in Adonis the strength and determination he had known in Apollo—the fierce rival who became his closest friend. Agreeing to take him on, Rocky trains the young fighter, even as the former champ is battling an opponent more deadly than any he faced in the ring.

With Rocky in his corner, it isn’t long before Adonis gets his own shot at the title…but can he develop not only the drive but also the heart of a true fighter, in time to get into the ring?

Creed also stars Tessa Thompson as Bianca, a local singer-songwriter who becomes involved with Adonis; Phylicia Rashad as Mary Anne Creed, Apollo’s widow; and English pro boxer and former three-time ABA Heavyweight Champion Anthony Bellew as boxing champ “Pretty” Ricky Conlan.

Ryan Coogler directs from a screenplay he wrote with Aaron Covington, based on characters from the “Rocky” series written by Sylvester Stallone. The film is being produced by Robert Chartoff, Irwin Winkler, Charles Winkler, William Chartoff, David Winkler, Kevin King Templeton and Sylvester Stallone, with Nicholas Stern executive producing.

Joining Coogler behind the scenes are director of photography Maryse Alberti and costume designers Antoinette Messam and Emma Potts, as well as his “Fruitvale Station” team: editors Michael P. Shawver and Claudia Castello; production designer Hannah Beachler; and composer Ludwig Göransson.

Creed will be in theaters on November 25, 2016.

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‘Star Wars: The Force Awakens’ Gets Four New EW Covers

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Entertainment Weekly, working hard to stay relevant in the dwindling print media universe, has released four separate covers for Star Wars: The Force Awakens. The covers cover both the old and new, with one featuring Han Solo, another with C-3PO and R2, and two more with John Boyega’s Finn and Daisy Ridley’s Rey, respectively.

Here are the covers, courtesy of EW:

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The Force Awakens might be keeping the fledgling magazine industry in business all by itself. The film has graced the cover of Vanity Fair, Empire, and even EW earlier this year.

Star Wars: The Force Awakens hits theaters December 18th, in case you’ve been living on a planet in a galaxy far, far away for the past year or so.

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John Hillcoat’s ‘Triple 9’ Gets A New International Trailer

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Director John Hillcoat’s heist drama Triple 9 with an all-star cast released a new international trailer Wednesday. This trailer establishes who the players are in the film more so compared to the red band trailer released in early October.

A crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist and the only way to pull it off is to manufacture a 999, police code for “officer down.” Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck action-packed finale tangled with double-crosses, greed and revenge.

The film stars Casey Affleck, Woody Harrelson, Kate Winslet, Aaron Paul, Norman Reedus, Chiwetel Ejiofor, Anthony Mackie, Gal Gadot, Teresa Palmer and Clifton Collins, Jr.

“He’s the kind of guy that likes realism. If you see a car chase that is supposed to be 110, 120 (mph) there is damn good chance that they’re really going 120 (mph). That is how Hillcoat likes to run, I really respect him and love him for it,” said Clifton Collins Jr. to Monkeys Fighting Robots.

Triple 9 opens in theaters on February 19, 2016.

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Review: Agents of S.H.I.E.L.D ‘Chaos Theory’

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In one of the better episodes of Agents of S.H.I.E.L.D this season, ‘Chaos Theory’ wastes little time this week in getting to the main plot, focuses heavily only on the Lash storyline and sidelining basically everything else.

Agents of Shield Season 3

‘Chaos Theory’ opens up by instantly revealing how Andrew received his Inhuman abilities and proceeds forward, wasting little time telling the story. Andrew was dosed with Terrigen mist, while reading material left by Jiaying, in order to better understand the Inhumans. After von Strucker revealed to May last week Andrews’ Inhuman form, she instantly confronts him about it, with this week’s episode almost entirely focused on this single story and only deviating from it on slight occasions.

Everything about the Lash storyline leading up until this episode created such excitement for what the rest of the season held for him. Even within ‘Chaos Theory’, it was exciting to see exactly how SHIELD would utilize him.

Andrew had been tracking the other Inhumans, using Jiaying’s material and deemed himself as a necessary evil of sorts, in handling Inhumans. However, once AoS revealed his motivations in why he was hunting Inhumans, in comparison to his comic counterpart, it ended up being a pretty lame reason to say the least. In AoS, Lash simply has an internal, natural compulsion or desire to kill Inhumans. Rather than following a more religious or personally driven ideology as he does in the comics, which seemed to be the cause at first, with Andrew’s dialogue. But, was then later significantly downplayed by the “instinct” angle.

Another issue I had, was Lash was built up as such a strong villain but, to basically wrap him up in a single episode, more or less nerfed what they had previously created prior. Most likely Lash will return, yet to discover who he was so quickly and capturing in such a short amount of time, takes away the weight of this character was supposed to hold as a villain.

That being the only glaring negative, ‘Chaos Theory’ did have a lot of positives as far as building the characters and developing only one plot, rather than several as AoS has been doing.

First, the way AoS has gone through the ups and downs of May and Andrew’s relationship, bringing it to the boiling point of ‘Chaos Theory’, was extremely well done. May is always portrayed as this cold and extremely pragmatic character, to the point she would even eliminate a close friend if the greater good called for it. Well, that’s no longer speculative as she shoots Andrew, unaware of whether the bullets would simply hurt him or kill him, choosing to eliminate the only person ever to make her happy, in order to accomplish the mission and stop a threat. How this will effect May throughout the rest of the season, will be fascinating to witness. Whether May will actively pursue a cure for Andrew or just compartmentalize this experience and pull her down a darker path, will be a wait and see from this point forward.

While Lash was a bit of a disappointment in the end, ‘Chaos Theory’ as a whole was another strong episode for season 3.

Another interesting plot being developed is between Coulson and Rosalind, which by the end of ‘Chaos Theory’ has seemingly taken a romantic turn, with a dark twist. Throughout season 3, Rosalind and Coulson have been building trust between the two of their agencies, as well as on a personal level. However, if there are no misdirections being used, then at the close of this week’s episode, it is shown Rosalind is linked with HYDRA and looking to harm Coulson.

Rosalind as a whole has been a great addition to the AoS cast this season and the way she’s been built first as an ally and now as a potential villain has been excellent. While it’s cliché to bring in a character as first being mistrusted, to later become a close ally, only to turn on the heroes is old and overused, the way AoS has built the characters around the plot will be why this angle succeeds.

AoS’s strength has always been the emotional attachment to characters, as well as pushing these dynamics rather, than extremely deep plot lines with no connection or substance. While I still think AoS has some issues week to week, in how they are building the season, as far as storylines and simply having too many. I believe by midseason, everything will have come together a little more cohesively and make more system in the broader sense for season 3 or so I hope.

Random Thoughts and Theories:

Rosalind Price: While it originally seemed like she would have some connection as a future ally, specifically the founder of S.W.O.R.D and later reveal as Special Agent Abigail Brand, this now seems extremely likely. At this point, with the final moments of ‘Chaos Theory’ showing her connection to HYDRA, I would possibly guess maybe Madame Hydra if anyone. It’s quite possible Rosalind is no one connected to the Marvel 616, but it seems she has some significance within HYDRA, so Madame Hydra instantly jumped out at me as a possible character.

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Doctor Who Review: ‘The Zygon Inversion’

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It’s another day and another concluding part to a Doctor Who two-parter as The Doctor attempts to stop a war between a humanity and the Zygons. But this episode comes across as a Doctor Who‘s Greatest Hits Episode.

It seems like doom and gloom has struck the world: the Zygon rebels have toppled UNIT, Clara has been captured and her Zygon doppelganger Bonnie has shoot down The Doctor’s plane as it approached Britain. Now all the Zygon rebels need is The Osgood Box, a device that would end the ceasefire between Humanity and the Zygons. But the Doctor is never one without a plan and survives the plane crash with Osgood. Along with Clara trying to psychically claim Bonnie’s body the trio set out to stop the Zygons from bringing war to Earth.
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Doctor Who continues its solid run with “The Zygon Inversion”, an episode that keeps the strong balance between serious tone and a sense of fun that you would expect from the series. Peter Capaldi performance was a microcosm of this, being mostly jovial yet bringing moments of real of darkness and pain. The Doctor starts out landing on Earth with a Union Jack parachute (considering the release of Spectre it must be a deliberately timed reference to the Bond series) and jokes around using a mock American accent as he acts like a game show presenter. Yet as Osgood says, The Doctor uses humor as a coping mechanism and a way to defuse tension for his allies. Capaldi does give a great speech about all the pain and suffering he has faced over his life and his experience of the Time War as Humanity and the Zygons face each other in a stand-off with genocide scale consequences.

“The Zygon Inversion” gives us a double dose of Jenna Coleman as both Clara and the evil Bonnie. When Bonnie revealed herself in “The Zygon Invasion” Coleman ended up having a bit of a sexy quality to her, wearing blood red lipstick and a leather jacket on. In the follow-up both characters have a literal battle of minds, fighting for control over the doppelganger’s body and trying to receive for information. But Coleman was much more comfortable as the Clara persona, a kind girl-next-door type with a cheeky streak then as the vampy villainess. Coleman seems like sweet and kind hearted young woman in real life and acting evil does not come naturally to her.
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“The Zygon Inversion” was written by Peter Harness and Steven Moffat, yet the episode recycles story ideas from previous episodes of the Nu-Doctor Who series. The parallels to the ending of “Day of the Doctor” is justified, but other ideas in the episode makes it feel very unoriginal. These ideas are the alien invaders knocking out UNIT, like in “Aliens of London” and “World War Three”, having The Doctor and his allies being on the run because of the alien takeover – which is similar to “The Sound of Drums”, a dream world where a character needs to break of out it. Clara’s dream trap like the computer simulation in “Forest of the Dead”, getting Humanity and the Zygons to negotiate a settlement similar to the humans and The Silurians did in “Cold Blood” and the Osgood Box being a world destroying weapon as in the Osterhagen Key in the Season Four finale “The Stolen Earth” and “Journey’s End”. It is forgivable for a show with a long run like Doctor Who to rethread some territory from time to time, but the writers should put a bit more effort their scripting.

Compliments needs to be paid to Daniel Nettheim for his direction of Clara’s dream scenes. They have a eerie and other-worldly quality to them, using subtle Dutch Angles in a strange apartment. The moment where Clara and Bonnie have to mentally duel has plenty of tension as they try to outwit each other with Bonnie basically having a lie-detector.

Capaldi was great in this episode, showcasing his ability with comedy and drama. Although “The Zygon Inversion” has some strong moments and turns the war story into a smaller scale event, but it is not the fantastic Doctor Who episode that some reviewers have declared it as.

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[REVIEW] Gundam IBO “ep. 5&6” – Outside Space

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So for all the set-up that Gundam IBO has been giving us, there has been inner workings through out this set-up to keep us interested. Episode 5 and 6 finally jump-starts the series into outer space and with that, things start to get really interesting.

Episode Summaries

Tekkedan finally has everything ready so they can launch into space. But when they get ready to catch their transfer, they find out that the one adult they kept around sold them out to Gallanhorn. But Orga planned for this and had another ship be their actual ride. Mikazuki has to throw down with some mobile suits, notably McGillis, Gealio, and Ein. McGillis gives Mikazuki a run for his money and Tekkadan escapes the battle with a slingshot maneuver around and asteroid.

After the battle Ein confronts McGillis about his shame in letting his comrades die, McGillis offers his a chance at redemption. We learn about the history of Gundam and the Calamity War 300 years ago. Kudelia starts to teach Mikazuki and some other kids how to read and write. Mikazuki and Orga share some feelings on what to do and what actions to take.

Episode Thoughts

Gundam IBO has been busy this past two episodes compared to prior ones. Most of the stuff its been busy on has been working great and is keeping me well engaged. There are certainly times I don’t really understand whats going on when they delve into politics, but I think that’s just me turning my brian off because I hate that sort of stuff. Every once and a while I’ll pick something up about nation leaders or whatever, but most of it goes over my head. But that’s okay because none of that really matters to enjoy whats going on. At least that’s the way its going for me.

So I’m looking towards the characters to ground me into whats going on mostly. This seems to be working for the most part. Having characters like McGillis be involved in the main conflict but have other motives really helps me grab onto something other than whatever politics is going on. All I need to know is his motivations and I’m sure the politics stuff will eventually make sense. Same goes for Orga and Kudelia (but Kudelia’s situation with the government is pretty straight forward). There was a lot of exposition in these episodes and it felt sort of hand fisted, like trying to make up for lost time. Some of it concerning the Gundams, and their involvement with the Calamity war was interesting, but other stuff was boring. This is just me not liking space politics, or really any politics in my anime. Sorry.

So forgetting politics, I’m so glad that Kudelia is doing something productive like teaching kids how to read and write. I thought for a second she was just going to hand out lunches forever, but having her share her knowledge will ultimately help these kids. She’s literally giving them the tools to change their situation a little. This ties in with the whole theme of the show and is nice. Plus it gives Mikazuki and Kudelia a chance to bond over something other than her being naive.

Bonds in fact were a big factor in episode 6. It was only for a minute and really came out of nowhere but we got a really nice conversation between Orga and Biscuit, and Orga and Mikazuki. It’s starting to show a little that even though everyone is sort of like a family, Orga and Mikazuki have something going on that they don’t really share, nor does everyone understand. This conversation that Orga has with Biscuit explaining why he makes the choices he does helps us understand why he will be making decisions a certain way. It’s a good justification and has a real human element to it. Its petty, but that’s exactly what you would expect from an orphan kid.

This is brought up yet again with Orga and Mikazuki’s conversation. I think it’s no coincidence that we learn about Mikazuki’s dreams for the first time in a private conversation. It’s easy to tell that the comfort level is maxed out between these guys and they depend on one another. Ultimately this makes them strong, in their resolve at least. They push each other in a good direction trusting that the other will always look out for them. Really sappy stuff, but it works.

These episodes of Gundam IBO were pretty stellar for the most part. The world and the characters are being expanded at a nice pace and were getting some hints at plot points that are yet to come. I have a feeling we don’t quite know the whole deal with Gundam IBO just yet. The looming over the Gundams seems to ominous to just be an “easter egg”, but we’ll see.

Episode Rating: B+

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Review: The Assassin (Nie yi niang)

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The Assassin, directed by Taiwanese director Hou Hsia-Hsien was an official selection at the 2015 Cannes Film Festival main competition section and won a Best Director award for Hsiao-Hsien. It is well-directed, acted, and beautifully shot and stars Qi Shu (The Transporter), Chen Chang (Crouching Tiger, Hidden Dragon), and Satoshi Tsumabuki.

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The story is set during the Tang Dynasty in 9th century China. Nie Yinniang (Shu), the assassin, returns home after being exiled at the age of ten into the service and tutelage of a Taoist nun princess, Jiaxin (Fang-Yi Sheu – she also plays her twin sister Princess Jiacheng). During her time with the nun she is trained as a killer. Her master, the nun, sends her to kill corrupt government officials, but during one such mission she shows mercy and does not kill someone during her assignment.

To punish her, Jiaxin sends her to the Weibo province in northern China on a very difficult assignment to test her commitment. Nie is pitted against her cousin Tian Ji’an (Chang), the military governor of the province and her once betrothed – who coincidentally is married to another for political reasons.

Qi Shu as Nie Yinniang the Assassin

For those of you whose idea of this type of Asian cinema is clouded by the ‘exploitation era’ (of the 1970s and 1980s) you may have a clouded idea of what to expect from a film entitled “The Assassin.” If you go into this film prepared to see lots of gratuitous violence, blood, and gore you will be disappointed. This film is more along the lines of Crouching Tiger, in that it has a lot of symbolism. Don’t let the title, and your thirst for bloody scenes, mislead you or pollute your experience of the film.

The first thing that you notice about it is how striking the setting is – even in black and white, as the initial scenes are presented. It opens with Nie Yinniang is the middle of an assignment to kill a corrupt leader. You don’t see her so much as you feel her presence. She moves within her environment with such ease and grace. She barely disturbs the serene setting of the woods. She is moves through the space like a ghost.

When the film transitions into color the story comes alive and signifies “the Assassin’s” shifting from seeing things in black in white to color. Some will only see the change to color as a shift from past to present, and it is, but there is definitely more to it.

As Nie endeavors to complete her mission we see her point of view of her duty shift. She realizes that life is not played out, lived, in rights and wrongs and black and white, but it is in many shades of gray and color. And, sometimes circumstances and experiences influence the decisions we make – compromises and concessions must be made for the greater good.

Tian Ji'an
Hou Hsiao-Hsien as Tian Ji’an the military governor.

When the Assassin returns to the Weibo province she visits with her family. Her aunt tells her the story of the twin princesses and their journey to the region. It is evident that with that interaction Nie becomes conflicted about her mission. She pays a visit to her cousin, her once betrothed, to let him know of her intention to kill him.

At the same time Tian Ji’an has a complicated life. He is in a loveless marriage; he has three male heirs that he must raise and protect; and he has a pregnant concubine that his wife wants to see dead. He must also contend with the issue of keeping the peace in his province – and with the return of his cousin there is a greater concern for his own life.

Jiaxin and Nie

When Nie Yinniang goes to assassinate Tian she cannot bring herself to do it in the presence of his son. She will not kill him in front of his child. This is a line that she learns she will not cross. Her master is watching her all the time – testing her. Nie fails the test as far as Jiaxin is concerned which displeases her greatly. She confronts her charge and asks for an explanation. When Nie tells her she could not complete her task because of the presence of his child and that they should wait until a more opportune time she is chastised. The nun only sees things in black and white. There is no room for sentimentality. Nei was given an assignment and she did not complete it.

There are many layers to the story which adds texture and depth to this story. It moves slowly but with purpose. In the end the story is less about assassination and more about the complexities of life and ability for one to grow. Perhaps this film is really a coming of age story of the assassin and her realization that the beliefs and ideals that she was brought up with are not they only lens to peer through. She is experiencing her “adolescence.”

This film is worth seeing for the aesthetics alone. Take a chance on this rich story.

Nie Nianning in the woods.

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‘Star Wars: The Force Awakens’ On Track For Record-Breaking $225 Million Opening Weekend

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Star Wars: The Force Awakens official comes out on December 18, even though my tickets say the 17, and you can see the film a day earlier overseas. The last time I remember theaters playing a film 24-hours straight for the weekend was The Dark Knight in 2008.

This year, the dinosaur lover in us all helped put Jurassic World as the reigning champ with highest-grossing opening weekend ($208 million) dethroning Avengers ($207 million). A source at Collider is reporting that Star Wars: The Force Awakens will break that record with a $225 million opening weekend. This makes sense since Star Wars fans crashed Fandango when tickets went on sale.

Top 10 highest-grossing opening weekends

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‘Mystery Science Theater 3000’ Kickstarter Reboot

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UPDATE: MST3K Kickstarter hit its goal in less than a week.

Joel Hodgson, the creator of Mystery Science Theater 3000, launched a Kickstarter campaign Tuesday to film one more season of the show. Hodgson’s goal is to raise $2 million for three episodes, but if the campaign reaches $5.5 million, they will create a season of MST3K.

“I think there’s a place for us. Nowadays, riffing is everywhere! Many people claim that MST3K created a shift in the way people watch “TV shows,” and that now, as a result, the fields of entertainment have been plowed and readied for a riffing renaissance,” said Hodgson.

At the time, this article was published the campaign had already raised $427,756 in a half a day.

Michael J. Nelson, Kevin Murphy (Tom Servo) and Bill Corbett (Crow) will not return to reprise their roles on the show. Hodgson told Entertainment Weekly that he will recast the show, but alumni would be invited back to possibly produce, write, and make cameos.

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‘The Walking Dead’ Season 6 Finale Will Have A ‘Usual Suspects’ Feel

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The big Walking Dead announcement today brought Jeffery Dean Morgan to the cast as the villain Negan.

Negan first appeared in issue 100 of ‘The Walking Dead.’ He is the leader of a group of over 50 survivors in Washington, DC called the Saviors, who subjugate other communities in the area for resources in return for their protection against zombies. The character’s appearance in the comics is based on Henry Rollins, according to series artist Charlie Adlard and Negan’s excessive use of profanity was worked in by Kirkman’s own vernacular and derived from other people he knew.

Ross Marquand, who plays Aaron on the show, spoke with ComicBook.com about the season finale and the introduction of Negan.

“This is the craziest thing ever. It’s the probably the most emotionally wrought and dark episode I’ve ever read. I’ve never read an episode that is so dark and compelling in my life. That’s the god’s honest truth. (…) I had to stop reading this at three different times. It was just messing me up. It is so emotionally dark and twisted,” Marquand.

“It will be one of the most talked about episodes ever,” said Marquand.

“I literally put it up there with ‘Usual Suspects.’ It’s that good. I mean it’s so so well done,” said Marquand.

Who is Keyser Soze on The Walking Dead? Will it be Glenn if he returns? Carol was kicked out by Rick; this could be her revenge. All the marketing by AMC has led fans to believe there will be a point where Morgan steps in against Rick. Enid disappeared when the Wolves attacked Alexandria, could her story be a lie and her real father be Negan?

The season finally of The Walking Dead on AMC is scheduled for April 3, 2016.

“The greatest trick the Devil ever pulled was convincing the world he didn’t exist,” said Roger “Verbal” Kint.

Kevin Spacey won an Oscar for his performance as the crippled con man.

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