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Lucha Underground: The Season 2 Premiere- 5 Reasons To See This Show

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Lucha Underground: If Pro Wrestling Was A Cult Horror Movie!

The Season 2 Premiere of El Rey Network’s original show Lucha Underground was an over-the-top extravaganza of wrestling, campy horror cliches, and wonderful storytelling!

If you are looking for a fun way to spend your Wednesday nights; you have to peek at Lucha Underground. The hybrid show ups the “fake” stories found in wrestling to something far more obscure allowing for more interesting characters & wilder adventures to take the viewers on. Mixing classic pro-wrestling with film worthy segments between each match, the show is unlike anything else.

Here’s 5 reasons the Season 2 premiere is a must see:

5. The First Season Featured An Arm Breaking Demon & A Dude Who Turned Into A Dragon!
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-Here’s quick recap of Season 1 to give you a taste of the madness that is Lucha Underground: The mad man Dario Cueto, who “created” this wrestling company, crafted a championship belt made of cursed aztec gold and welcomed any challenger to try to win the belt. This brought everyone from female wrestlers to Mexican luchador legends to the temple of violence. When we last saw Lucha Underground, Mil Muertes & partner in crime Catrina ruled over all of The Lucha Underground Temple by claiming all the titles and kicking out Dario!

4. The Heavyweight Champion Is Basically A Masked Vampire King.
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-The entire premiere episode was being watched by the evil ruler Mil Muertes. He sat on a throne like chair above the arena and watched the competitors fight throughout the night. Another one of the crazy characters Lucha is known for, Mil Muertes (which translates to Thousand Deaths) is the current Heavyweight Champion of the company. With his sexy sidekick, the masked deadman gave the show an ominious presences. Simple & masterful camp storytelling at it’s finest!

3. The First Match Was A Stellar Stunt Show!
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-To kick off the action for the night was two luchadors named Fenix & King Cuerno. The ruthless King Cuerno is a “big game hunter”; he likes to fight for the big prizes so he is challenging Fenix for his “Gift Of The God’s” Championship. Fenix, who’s basically one of the only pure good guys in Lucha, won the “Gift Of The God’s” Championship last season which gives him a chance to turn in that belt at anytime for a shot at the heavyweight champion. If you want to see what pro-wrestling should look like, you have to see the match between the men! With amazing kicks, flips, and tricks…there was never a dull moment in this opener!

2. Former Trio Champions Faced Off!
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-Most wrestling companies have a tag team title where two people defend their title. Lucha Underground thought that was far too simple for their show so they decided to make a Trio’s Championship. The first Trio Champions were the random pairing of the masker biker Son of Havoc, the high flying Angélico, and tough chick Ivelisse and they defended their title until they couldn’t overcome the odds anymore. Now the title-less trio has to face each other per order of Catrina. The match was hard-hitting and fast paced; each member getting a moment to truly shine but the real star was Ivelisse. She stole the spotlight and eventually stole the win from her allies by rolling up Angélico!

1. A Female Wrestler Challenged The Champion!
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-Immediately following her sneaky win in the previous match, Ivelisse faced off against the giant Mil Muertes for his title. This match was one of the first times in recent memory where I can think of a women challenging the heavyweight champion of their company for a title. It was also the first time for a split-second I thought we’d see a female world heavyweight champion in wrestling! The match was obviously fairly one-sided once Muertes’s henchmen took out Ivelisse’s tag partners but that didn’t stop the feisty former trio champion from trying to kick the big bad’s ass.  The masked champion retained but before he could further harm Ivelisse, the returning former champion Prince Puma saved the day!

What’s to come on Episode 2 of Lucha Underground next Wednesday on El Rey Network?! 

Does this make you want to check out Lucha Underground? Did you catch the Season 2 Premiere?
Don’t forget to comment below!

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Road to Batman V Superman: Batman and Robin

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Batman and Robin is the absolute worst Batman film ever made, according to fans. It is degrading toward superhero movies, comic book properties, Batman, Robin, Batgirl, Bob Kane, Bill Finger, storytelling, action scenes, cinematography, acting, set design, men, women, scientists, superheroes, villains, 90s fashion, hairstyles, architecture, urban design, color, sound, and smell. The movie has no sense of smell, but somehow is offensive to the very concept of odor.

However, I dare to ask, is it really that bad? Well… yes. It’s horrendous and always will be. But I underestimated how “so-bad-it’s-good” this train wreck actually is.

“It’s a sad day for crime fighters everywhere, old chum.”

Joel Schumacher returned to direct, and Akiva Goldsmith wrote the script. For those of you who don’t know, Goldsmith has written some groundbreaking hits like, The Client, A Beautiful Mind, and the series Fringe. He’s also written some bombs like I, Robot, Starsky and Hutch, Deep Blue Sea, and this atrocity. He’s living proof that sometimes good writers can create garbage.

The film takes place after Batman Forever; Bruce Wayne is now full partners with Dick Grayson, and the two go out to fight crime as the dynamic duo. Chris O’Donnell returns to play the Boy Wonder (although in this case his title is “The Young Twenty Something Wonder” but that just doesn’t have a good ring to it) who whines more than Luke Skywalker ever could. Meanwhile, George Clooney comes in to fill in for Val Kilmer’s last-minute departure from the movie. In my review of Batman Forever, I mentioned that Val Kilmer didn’t really seem to fit into the role. This is even more so with Clooney. His demeanor, his movements, his actions are akin to some sort of lost puppy in a Batman costume, and not the Caped Crusader. Clooney did not enjoy this role, and to this day he talks about how horrible the film was.

However, not all the blame for this movie can be placed on Clooney. Arnold Schwarzenegger as Mr. Freeze and Uma Thurman as Poison Ivy are laughably terrible as well. Thurman plays her Poison Ivy similar to Michelle Pfeiffer’s Catwoman: sexual, aggressive, and seductive. The difference is that Pfeiffer managed to create a popular fan base, and had a genuinely intriguing arc. Thurman did not, she gets the typical mad scientist gets doused with chemicals origin story that transforms her from an ugly nerd to a smoking hot nature goddess that has the typical, destroy humanity for the good of the Earth campaign.

And then there is Schwarzenegger as Mr. Freeze. I’m personally convinced that he took this role specifically to say as many ice themed puns as possible. I don’t feel that Goldsmith wrote all the puns, I think Schwarzenegger made up all of them and just kept going with it because he was so happy that he came up with all of them. English wasn’t his first language as a young kid, so the fact that he mastered all these puns must have felt like a real triumph. To be fair, he looks like he’s having the time of his life performing in this role. Throughout most of his performance he wears this big smile, even in that armored suit.

“Arnold, can you close your mouth a little? You look like you’re about to eat the diamond. You can’t do that. I know you were Mr. Universe, but you still can’t eat a diamond.”

What’s really funny is they chose to use the Mr. Freeze origin story from Batman: The Animated Series, which is the most popular and tragic story of the character. Somehow, even with the image of Nora Fries cryogenically suspended in water, and the great weight of Freeze’s back story, they still make him a goofy schmuck who makes terrible jokes all the time. Of course, they also turned Two-Face into a crazy weirdo who makes bad jokes too.

Batgirl and Bane make an appearance in the film as well. There’s not much to say about either of them considering both aren’t in the movie for that long. Bane is not the cold calculating force of pure muscle from the comics, but rather a mindless monster, and Alicia Silverstone plays a spunky, tough as nails Batgirl. Though for some reason she’s Alfred’s niece and not Commissioner Gordon’s daughter. It’s kind of weird to change the origin, but the film focuses on Alfred and Bruce’s relationship. It’s actually not that bad an idea for a plot about Batman, but it’s just not handled well at all.

Every joke is corny and cheesy. Every plot thread is over the top and unfocused. None of the actors fit their roles, even when they’re having a good time performing. It has an underwhelming lead, laughable bad guys, and a terrible script. However, it reaches the so bad it’s funny stage perfectly. It’s fun to watch with friends and laugh at all the stupid decisions made in the movie. It’s definitely the type of movie that you should make a drinking game out of with buddies, as it is incredibly entertaining. Just don’t watch it by yourself, or you might succumb to a form of nihilistic disdain toward all superhero movies.

Schumacher apologized for the film’s existence, and has said many times that the executives in charge weren’t interested in a good product, but rather trying their hardest to milk the Batman cash cow. However, the film was a huge box office bomb and the Warner Bros. decided against making another Batman movie with Schumacher again at the helm. They buried the franchise, and decided to move on… Until Christopher Nolan came into the picture, but we’ll get to that later.

Okay, not going to lie; this is a cool image.

Next time on “Road to Batman V. Superman” we dive right into the film that killed the Superman franchise, Superman IV: The Quest For Peace. A movie that did understand the basic concepts of international politics, and had Nuclear Man, the supervillain with press on nails… This is going to be painful.

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‘Hanna-Barbara’ goes gritty in ‘DC Comics’

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In an effort to get with the times and try some new ideas, DC comics has decided to give the classic cartoons from Hanna Barbara studios an update.

Classic shows like Scooby-Doo will become Scooby Apocalypse (which looks like the crew borrowed some of the Ghostbusters’ equipment), Wacky Raceland (which is going to take place in the apocalyptic future of the Mad Max films by the look if it), Future Quest (where the action series Herculoids, Space Ghost, Jonny Quest, and Galaxy Trio, just to name a few), and the Flintstones (who appear the to be the same other than having a new character design). No word on when the release date will be for these titles.

Before everyone runs off in fits of rage to scream on twitter “They are killing/raping/murdering/destroying my childhood, #thecharcterisruined,” take a moment and reflect. When was the last time you as a fan found yourself picking up any comics based on any of these characters? Sure, DC kept pumping out the Scooby-Doo comics on a regular basis but how many adult fans kept regularly pick it up? Instead issues of it would appear in grocery stores next to Archie (not the recently popular Afterlife with Archie or rebooted Archie series either) and be given to little kids who didn’t scream their heads off while their parents were shopping.

Frankly, this new breath of life is just what these properties need. Other than Scooby-Doo, who seems to get a new cartoon series every few years, some of these properties haven’t been used in quite some time. Future Quest looks pretty interesting and you may just see it reviewed on this site in the future. For the moment, don’t freak out and perhaps give these series a chance before outright chastising them.

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Geekflix – Top ‘Netflix’ Picks For February 2016

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One month already draws to a close in 2016. You know what time it is? It’s time for another installment of Geekflix, where the list of new releases to Netflix is evaluated and the top geek related films and TV shows come front and center for you to enjoy and increase your geek credibility. Let’s see what February has to offer.

armageddon11. Armageddon (February 1st)

If you haven’t watched this movie for the hundredth time, then you probably haven’t been spoiled by the massive amount of syndicated play it has gotten. If you haven’t seen it in a while check it out. It stars Bruce Willis at his finest.

better call saul2. Better call Saul: Season 1 (February 1st)

 

The prequel/spinoff to the insanely popular series Breaking Bad, Better call Saul features con man James Mcgill becoming the lawyer, Saul Goodman. He’ll do anything to save his clients, as long as he doesn’t have to go to court.

DI-Collateral-Damage-13. Collateral Damage (February 1st)

The one of the last films Schwarzenegger made right before he set his sights on political office. In it he plays a fireman who will stop at nothing to track down the people responsible for killing his family. Give it a shot, it’s not as bad a movie as people make it out to be.    

r-lee-ermey-full-metal-jacket-sgt-hartman4. Full Metal Jacket (February 1st)

Thought to be one of the best war movies ever made. Watch as a group of marines survive the harsh training of boot camp only to go onto partake in one of the most brutal battles in all of the Vietnam War. Also it features R. Lee Ermey’s legendary performance as Gunnery Sergeant Hartman.  

Sin_City-25. Sin City (February 1st)

“Walk down the right back alley of Sin City and you can find anything.” One of the many lines from this fantastic adaptation of Frank Miller’s gritty crime noir graphic novel. Watch as the multiple stories of Sin City collide as one intense event spills into another.

the_final_frontier_screenshot_36. Star Trek V: The Final Frontier (February 1st)

Is it the worse Star Trek movie of all time? Pretty close but if you haven’t taken the opportunity to see this film for all it does wrong then now is your chance. Watch it and you can answer the important question of “Why does God need with a starship?”

stardust7. Stardust (February 1st)

Despite its high reviews and enchanting story by Neil Gaiman, it often feels like this movie doesn’t get the respect it deserves for the intense piece of high flying fantasy it is. Watch as a man tries to win the love of a woman by tracking down a fallen star, only to be taken on a journey beyond his wildest imagination.

crounchingtiger8. Crouching Tiger, Hidden Dragon: Sword of Destiny (February 26th)

The sequel to one of the best martial arts movies ever made. Michelle Yeoh returns as Yu Shu Lien and by the look of the trailer the high flying acrobatics are back as well. Even if you’re not a fan of late sequels, this one looks promising to say the least.

fuller-house-10249. Fuller House (February 26th)

In an effort to cash in on Nostalgia, this revival of a classic TV show comes along. This time, it’s the oldest daughter D.J. who is raising three sons with the help of her sister Stephanie and best friend Kimmy. Will hilarity ensue or will it be as absent as the Olsen Twins’ return to this reunion?

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‘Rick and Morty’s’ Impressive Fan Music

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‘Rick and Morty’ is a force.  It’s such a force that fans are rabid for more content.  I never knew the scope or the brilliance of this show, until I saw tons of ‘Rick and Morty’ cosplayers at New York Comic Con.  That’s what spurred into watching the show on Adult Swim’s official website for it.  I ended up completing both seasons within a day, and have since seen every episode four to five times.  The show is so imaginative, the spoofs are hilarious, the characters are extremely well-developed, and it has only left me and millions of other pinning for more.  Season 3 isn’t coming anytime soon, and while it’s a painful realization, I only want the creators, Justin Roiland and Dan Harmon, the writers, and the animators to produce quality work no matter how long it takes.  Also, ‘Rick and Morty’ has breached out in other medium and excelled in them.  Oni Press has developed an award winning comic book, and there is an extraordinarily fun mobile video game called “Pocket Mortys,” which is a rick-tastic rip-off of Pokemon. You can actually read more about the excellence of these offshoots HERE from me on our partner website ComicsVerse.

Where does music come into play?  Well, the show samples amazing tracks according to the tone. For more serious stuff (kind of) they go with musicians like: CHAOS CHAOSElliot Smith, and Gerry Rafferty, for ridiculous material they have tracks from DMX, and Splack Pack., and of course they have original music “Get Schwifty”“Head Bent Over”, and my personal favorite “Goodbye Moonman.”

Fans have responded by remixing songs, covering them, or even making full concept albums.  Here are three fan made interpretations that I found to be the most creative and well put together:

First, this Pop-Punk cover called “TINY RICK” by NateWantsToBattle:

 

 

Second, comes an original piece inspired by superfan musician/comedian Allie Goertz.  She in fact made a full album that sambles glorious quotes from ‘Rick and Morty’ called “Sad Dance Songs.”

 

 

And last, but not least comes this remix:

 

 

 

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Review: ‘The Finest Hours’ – Heroic Film Mired With Melodrama

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Storming into theaters nationwide this weekend, Disney’s The Finest Hours directed by Craig Gillespie starring Chris Pine and Casey Affleck is a heroic tale that’s sunk by a screenplay full of schmutz and melodrama.

The heroics depicted in the film The Finest Hours are the most intense action sequences so far in 2016. If only The Finest Hours had a screenplay worthy of the heroics depicted on screen.Though based on true events, The Finest Hours plays like a cornball 1950’s-era drama filled with stock characters and has an ending that is so over the top ( some might say it’s so Disney) that it takes away the impact of what many call the greatest small boat rescue in Coast Guard history.

At first, the movies tone fits in rather nicely with the era that the film takes place in (The 1950’s). It’s 1951 and in the first act, we meet Bernie Weber (Chris Pine) a painfully shy petty officer stationed at the U.S. Coast Guard station in Chatham, Massachusetts. Weber strikes a romance with the beautiful Miriam (Holiday Grainger), who marches to beat of her drum. If fact she is such a free spirit, she’s the one who eventually pops the question to Bernie. However, Bernie has a lot on his mind. Some of Chatham’s fisherman and many of Bernie’s fellow sailors treat Bernie like a pariah. A year prior there was a tragedy at sea and Bernie, and his crew tried to overcome rough seas while on a rescue mission, and they failed. Some of the members of the Chatham community felt that Bernie should have tried WICKED “HAH-DUH” to save them. Fast Forward to Feb. 18, 1952, when a nor’easter of monstrous proportions struck in the waters off of the coast of Massachusetts. The damaging waves resulted in ripping not one but two oil tankers in half. Thinking there was only one boat in peril, the Coast Guard sent most of its resources to the SS Fort Mercer. By the time the Coast Guard realized the Pendleton was in peril as well, it was left to Bernie and three crew members to man a small Coast Guard motorboat on a seemingly impossible mission to locate the Pendleton and rescue all hands on deck.

Scott Ilver, Paul Tamasy, and Eric Johnson developed the screenplay for The Finest Hours, and the result was a script that’s a hifalutin pretentious mess. Intermixed with scenes of unmatched action we are forced to endure scenes such as Miriam ( Bernie’s fiance) storming into the Chief Warrant Officer Cluff (Eric Bana) office demanding while in the midst of an emergency that he just send her fiance back home. If that melodramatic garbage wasn’t infuriating enough, as the movie muddles along we bare witness to some of the worst romantic dialogue ever concocted. Those exchanges between Miriam and Bernie have all the sincerity of an Elementary school playground romance. It was as if the Ilver, Tamasy, and Johnson realized that the actual small boat rescue wasn’t enough for a screenplay, and they quickly scribbled some lines on loose leaf paper. To say that this script was haphazardly constructed would be an understatement.

The special effects in The finest hours were preposterous. The CGI waves utilized in the film looked to have been built by a junior high AV club. Also, were we supposed to believe that the white stuff falling from the sky was, in fact, snow? To me, it resembled pieces of styrofoam that had been ripped off of a cup. The 3-D which was meant to enhance the audience’s experience, in reality, does nothing to improve any part of the film. All of these elements were intended to add intrigue, intensity, and dramatics to the movie and in reality, all it added was confusion, mild laughter, and irritation. In some films, the only saving grace is the special effects but in this case, it only made matters far worse.

It truly is a shame that Disney didn’t put more effort into developing a better film because the story of those Coast Guard men defying the odds is just incredible. To be honest, the men deserved a better film this. Maybe if Disney had come to this realization, we wouldn’t have ended up with such a subpar finished product.

The Finest Hours

 

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Faith #1 Review: Valiant’s New It-Girl May be Too Girly?!

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Faith #1 has been one of the most anticipated Comics announced from 2015. And probably the most talked about new comic series from Valiant in years. After a reboot of the Valiant-verse at the end of 2015 (check out The Book of Death event trade paperback, now available in stores), Valiant began pressing their suggested hot release, Wrath of the Eternal Warrior. But the Eternal Warrior announcement was soon shadowedFaith #1 Main CVR by Faith, and the anticipation for her very first ever #1 had been killing devote fans and new readers alike.

A still adapting psiot, “a human being born with incredible abilities”, Faith Herbert, aka Zypher, has been living the superhero life as part of The Renegades from the Harbinger Foundation. But after years of protecting the world from the most powerful and dangerous villains the world had known, Faith is ready to settle down. She wears a wig, takes on a new public identity and gets a job at a local blog as an entertainment writer. Faith wants to take control of her life and that includes becoming her own type of superhero. Saving the day, one puppy at a time.

I have no problem admitting the fact that Valiant is still rather new to me. I have picked up a title here or there, and all I could ever really tell anyone is that Valiant Comics has some of the strongest art talents in the industry. Rai, a spirit guardian who protects the nation of Japan in the 41st century, by Matt Kindt and Clayton Crain, was easily one of the most beautiful books that I had read since Alex Ross and Mark Waid’s Kingdom Come. But the wordiness and the references to other pieces of the Valiant-verse, it caused me to stop reading after only a few issues. So, when asked to review Faith #1, I did not know what I would think.

But FaiFaith #2 Sauvage VARth was a pretty wonderful read, even with my very limited background knowledge. Though a little research was needed to completely comprehend a few references to Faith’s previous life, the first issue read fairly easy and can be picked up confidently by a newer reader.

(Max Ride: Ultimate Flight) was perfect to pen Faith’s first on-going solo story. A feminist, through and through, Houser is not the type to play by the superhero body type rules. Unlike some female characters, such as DC Comic’s Amanda Waller, Faith would never be the type to lose a few pounds for a little extra rack movement. Faith is a plus-sized, crime fighting, comic book fangirl who is proud of whom she is. And Houser would never have it any other way.

Houser writes Faith us a true do-gooder, who every so infrequently drifts into a comic book daydream. Dreams where she saves the good looking knight in distress. But the reality is much harder than fiction, and Faith will learn that in the most explosive way.

However, with all the pressure from Valiant to make Faith out to be the next big (no pun intended) female comic book hero, she seems a little too… Cute! She wears a curly red wig and thick glasses as her alter ego, Summer Smith, a la Melissa McCarthy in last year’s bomb, Spy. And her very first feat as a solo superhero is saving puppies? Though the barely introduced government/large corporate conspiracy in the background leads to a little more of a grown-up book, the story almost seems to be a forced goody-goody-girly story. Faith is a strong, iFaith #1 1:10 Variantndependent woman who is proud of her looks. We do not need her to be extra cuddly.

The art lived up to Valiant’s typical levels but only added to Faith’s growing cuteness. Francis Portela (Green Lantern) demonstrates a softer side to the superhero image with her peacefulness and good nature. He allows for several close-ups, that almost permits the reader a glimpse into her soul. One that is sad but strong, lost but undiscouraged. And, behind it all, hidden beneath the blue eyes, is a simple comic-book nerd, striving for a better tomorrow.

Then there is Marguerite Sauvage! From Variant Covers in Marvel to DC Comic’s Bombshells, Sauvage is gaining a reputation as one of the most loved new female artists. So, when Faith drifts into her subconscious, daydreaming about the perfect man in need of her super support, it only makes sense that it would be in the sweet pastels of Marguerite Sauvage.

All in all, Faith #1 was a “cute” read. A little background research may be beneficial, but it is mostly an easy pickup title for even the newest reader. The book did not leave as big of a mental splash as Valiant Entertainment may have preferred, but Faith does leave a big impression on the heart strings. Make sure to stop into your local comic book retailer and grab Faith #1 today.

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Cry Havoc #1 Review: Much More Bite Than Expected

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Cry Havoc #1 CVR A“It’s not about a Lesbian Werewolf going to war except it kind of is.” Seriously?! When I first read that quote atop the free poster sent to comic shops the world over, I won’t lie, I threw it away. Between the rather odd mid-point pages released in November’s Previews catalog and that quote? My interest for a new werewolf story became minimal at best. I was almost so uninterested; in fact, I nearly did not read the retailer preview. It did not matter to me that the book was advertised in almost every new Image book or posted on the top of Previews retailer page. But! I am really glad I did. Cry Havoc #1 was worth the read.

“The End” is always an intriguing way to begin a story. But we are quickly transported back to “The Beginning” where writer Simon “Si” Spurrier (X-Men Legacy, The Spire) introduces us to Lou. A street musician, bringing her seemingly loving girlfriend a sandwich at the local zoo. And then he, very in point, follows it up by explaining a little more about hyena female sex organs than I ever cared to learn about in my lifetime.

Our new protagonist, who busks in the English Sunlight and plays pubs in the moonlight, seems content in her cycle. As she plays the violin one afternoon outside of a large law court area, a lawyer, throwing some loose change, causes Lou to go on a chase into a dark alley (cue scary music). There she is attacked and overpowered by something she cannot explain.

“I think I got mugged by a Werewolf.” Lou states as the story jumps away from the streets of London. Between pages, we are taken back and forth to a military helicopter and combat desert scenes and Lou’s life at home. In the desert we are introduced to a group of militants whom also appear to have “special” animal-like abilities and have recruited Lou for a specific mission. They are on the hunt for one of their own, a deserter in the war tattered lands of Afghanistan.

Spurrier only permits us a brief moment into the world of Lou’s new monster, but it is enough of a taste to be drawn into the book. Lou is a human, a lover, a musician and a creature. Someone whom we can be easily relate, but touched with just enough of the supernatural that we salivate for more of her story yet would never actually want to be in her shoes.

Ryan Kelly seemCry Havoc Cover Bs to adjust his art style per scene and even per book. I have been enjoying his work on Vertigo Comic’s Survivor’s Club with Lauren Beaukes and David Halvorson, but the art in Cry Havoc is not nearly as sketchy or broken as the art that better fits the conspiracy theory of Survivor’s Club. Within Cry Havoc, it even appears that Kelly changes his style multiple times. So much so, one would almost suspect there were separate artists between the military and civilian worlds. From the rounded faces in London to the sharp eyes and straight lines of Afghanistan, the art moves with the story.

Behind the art, grows a beast even more fascinating. When looking at the list of colorists, it was surprising to see there were three. Usually multiple colorists means multiples artists, each colorist taking on the specific story contributed to their corresponding artist. Spurrier and Kelly, however, set up the momentum that three different colorists would each take on their own part of the same story. Nick Filardi, Lee Loughridge and Matt Wilson each color a different environment, supporting the puzzle pieces of time that Spurrier is slowly linking together.

Cry Havoc is about walking out to confront the monster alone, because nobody else understands the truth: just because the beast is you, doesn’t mean it can’t eat you whole.” Si Spurrier and Ryan Kelly’s new series from Image Comics delves into a world of supernatural and emotion. Though the original publicity tools were not in preference, the book itself was surprising and definitely worth the hype it had been receiving.

Make sure to stop by your local comic book retailer today and pick up your copy of Cry Havoc #1.

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Mattel’s Barbie Doll Unveils Three New Body Types

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After 57 years in the marketplace, the Mattel company has just unveiled three new body types under the auspices of their iconic Barbie Doll line.

For those of you who don’t know what a Barbie Doll is, it’s an anatomically impossible, tiny-waisted, BIG bullet boobed doll that mothers and fathers have been purchasing for their daughters for decades. This iconic doll has been the stuff that dreams, nightmares, and Body Dysmorphic Disorder is made of.

The Barbie Doll has long since been criticized for its harmful and unrealistic portrayal of the female form – since 1963. It is said that falling toys sales was the driving force behind this change. Mattel was once the biggest toy company in the world, but it has now been edged out by Lego – after the success of their ‘teach girls to build line’ boosted sales. What has also hurt them is Hasbro’s production of Disney Princess dolls – particularly Elsa.

Today Mattel unveiled three new body types for your Barbie Doll pleasure: Curvy, Petite (wasn’t that always the case?), and Tall.

Here is what their new “Curry” doll looks like:

Curvey Barbie image

The “Petite” doll looks like this:

The New Petite Barbie Doll

And the “Tall” doll:

The New Tall Barbie Doll

From a first glance it appears that “petite” and “tall” Barbies look a lot like the original Barbie in body composition – with the exception of the slightly smaller breasts. Could this change in this symbol of the idyllic female form come from the realization that “real” women, that is the majority of women, do not conform to this particular body form type? Or, is this coming on the heels of the one-year anniversary and success of the Lammily Doll?

Lammily Doll for girls

For those of you who don’t know about Lammily, she is the brainchild of artist/researcher Nickolay Lamm. She [Lammily] was born after he asked himself this questions: What if fashion dolls were made using standard human body proportions? What if?

His project was featured on HuffingtonPost, Today, Time, L.A. Times, Good Morning America, BBC Radio, and several other media outlets and it got the masses asking, “Where can we get a doll-like this?”

The idea to start a crowd-funding campaign was posed and on 5 March 2014 it was launched into the verse. The campaign garnered 13,621 backers and 19K+ preorders for dolls. By November of 2014 the dolls went on sale and shipments to the backers were sent out.

Lammily Accessories

What the Lammily doll offered, and continues to offer, is a more realistic body, body image, and lifestyles for females. This doll even offers accessories like “Lammily Marks” which include: freckles, acne, cellulite, cuts and bruises, and a lot more.

Also in their accessories bag: “Period Party.” Now I know the even the mere mention of a woman’s monthly cycle freaks some of you out, but this accessory serves as another tool to talk to girls about menstrual cycles. It teaches kids that it is a natural and healthy part of a woman’s life. And check this: it even comes with an educational pamphlet, undies, reusable pads/liners, and calendar & dot stickers to assist in the education of your girls about their bodies.

Faith the Superhero

Last year Valiant comics released its first plus-size superhero comic series, Faith. She’s not a new face – she’s been a part of the Harbinger story-line since 1992 – but she now has her own series. This “super-sized” hero has always been a big girl and that’s OK. It turns out that the original Valiant staff was almost 50 percent female and some of them were built like Faith. So the character [Faith] was born out of a desire to see a female like themselves reflected in their work. Kudos to them!

It is important that girls and young women see themselves accurately and positively reflected in the mainstream and many companies are coming around to that fact. Perhaps this is also a driving force behind the new Barbie body types – maybe Mattel gets that message.

Let’s hope that Barbie will also evolve further than just her appearance.

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‘American Psycho’ Director Mary Harron Taking on Charles Manson Film, ‘The Family’

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American Psycho filmmaker Mary Harron is teaming up again with screenwriter Guinevere Turner to work on The Family, a story about Charles Manson, his family of insane women, and the Manson Family murders.

Mary Harron and Guinevere Turner worked together on 2000’s cult hit American Psycho, a searing and brutal satire on American men of privilege in the 80s. It also catapulted Christian Bale’s career. Since then, Harron is stayed relatively busy, though none of her films have cut through pop culture the way American Psycho managed to do.

The book by Ed Sanders was released in 2002. Here’s the review from The Boston Phoenix:

In August of 1969, during two bloody evenings of paranoid, psychedelic savagery, Charles Manson and his dystopic communal family helped to wreck the dreams of the Love Generation. At least nine people were murdered, among them Sharon Tate, the young, beautiful, pregnant, actress and wife of Roman Polanski. Ed Sanders’ unnerving and detailed look at the horror dealt by Manson and his followers is a classic of the true-crime genre. The Family was originally published in 1971 and remains the most meticulously researched account of the most notorious murders of the 1960s. Using firsthand accounts from some of the family’s infamous members, including the wizard himself, Sanders examines not only the origins and legacy of Manson and his family, but also the mysteries that persist. Completely revised and updated, this edition features 25 harrowing black and white photos from the investigation. “One of the best-researched, best-written, thoroughly-constructed, and eminently significant books of our times…. A masterpiece.”

According to the Deadline report, filming is set to begin this summer in and around Los Angeles, where the murders took place.

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