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Comics
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I’d Buy That For A Dollar: THE SPECTACULAR SPIDER-MAN #156 (November 1989)
Manuel Gomez
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Longbox Legends: Why FALCON #1 (1983) Was A Step Forward In Social Commentary
Corey Patterson
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Review: The Start of a Grimy Yarn in NOVEMBER Vol. 1
Justin Munday
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Review: THE LOST CARNIVAL Is A Near-Perfect YA Graphic Novel
Gabriel Hernandez
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Longbox Legends: THROUGH THE WOODS – Storytelling At Its finest
Jason Jeffords Jr
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Box Office Flashback: May – Time Travel, Tom Cruise, And An Iron Man
Ruben Diaz
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Review: THE GENTLEMAN Updates Lovecraftian Detective Horror
Gabriel Hernandez
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Review: DISASTER INC. Invites You On A Trip Of A Lifetime
Darryll Robson
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Brian K. Vaughan and Tony Harris’ EX MACHINA: Where Heroism Goes to Die
Justin Munday
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INTERVIEW: Composer Christian Davis Puts the Sonic Frights Into Horror Film ‘Behind You’
Ruben Diaz
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Longbox Legends: How THE FLASH (2011) #1 Reminded Us Why We Love Barry Allen
Corey Patterson
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DC: THE NEW FRONTIER is a Wonderful Callback to the Silver Age
Jose "Jody" Cardona
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Longbox Legends: BOOSTER GOLD #5 Goes To Hell And Back
Jason Jeffords Jr
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Self-Published Spotlight: THE CELERY STALKS By Patrick Ian Rooks
Manuel Gomez
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Longbox Legends: SPIDER-MAN/DEADPOOL #14 Showed Us Spidey At His Limit
Corey Patterson
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Unpacking The Destruction On The PLANET OF THE APES
Darryll Robson
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INTERVIEW: Composer David E. Russo Scores The Odyssey ‘Windows On The World’
Ruben Diaz
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Review: THE DREAMING #20: The Point is Simply to Feel
Justin Munday
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Netflix Review: BIG MOUTH Season 3
Kieran Freemantle
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A Conversation With Dan Abnett – RAI, COVID-19, And The Future Of Comics
Matthew Sardo
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