Comic Book Oped

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X OF SWORDS Aftermath: X-MEN #13 Explains One Mutant’s Core Motivation

Matthew Brake -

Setting The Stage in THE BALLAD OF HALO JONES

Darryll Robson -

I Don’t Dare Turn the Page – How Horror Works Within the Comics Medium

Justin Munday -

Oped: Doomsday Clock, Death Metal, and Narrative Consistency in Comics: Must There Be “Continuity”?

Matthew Brake -

Comics Studies: An Emerging Academic Field

Darryll Robson -

Finding The Fight For SHANG-CHI #1

Darryll Robson -

I’d Buy That For A Dollar: WOLVERINE #5 (Marvel Comics 1989)

Manuel Gomez -

Landscaping Atmosphere in STILLWATER #1

Darryll Robson -

ALEX ROSS: Portraying The Timelessness Of Superheroes

Jake Palermo -

How WE ONLY FIND THEM WHEN THEY’RE DEAD Creates Believable Characters in an Unbelievable World

David Weber -

Character Construction In LONELY RECEIVER #1

Darryll Robson -

On Becoming A Tree in Life And Death According To FAMILY TREE #8

Elizabeth Buck -

LIVEWIRE: Post-Event Fallout Fatigue Implications

Jake Palermo -

Lightning on the Panel – Vertigo’s Legacy in Modern Comics

Justin Munday -

HaKashaph: The Witchy Jewish Potential of BtVS: WILLOW #1

Elizabeth Buck -

I’d Buy That For A Dollar: DC Comics’ WHO’S WHO (1985-1987)

Manuel Gomez -

BIG GIRLS And Relatable Monsters

Darryll Robson -

THE SENTRY: REBORN and Perfecting Surprise Reveals

David Weber -

OP-ED: REIGN OF THE SUPERMEN: False Supermen and Jesus Christ

Zac Owens -

Inside The Box: Defining The Use Of Captions In Blade Runner Adaptation

Darryll Robson -