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Marvel and CASIS Partner for GoTG Space Station Challenge

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The Center for the Advancement of Science in Space (CASIS) and Marvel is once again joining forces, in conjunction with both Rocket Raccoon and Groot from the Guardians of the Galaxy, in an initiative to engage teens in science and space exploration.

The initiative involves a science contest to have your project sent out to the International Space Station (ISS) to be conducted, which is divided into two separate research opportunities, Team Rocket and Team Groot. Students are encouraged to develop proposals in flight, using ‘STEM’ methods, based on attributes of the two superheroes. Flight concepts in both innovation and engineering are to be submitted for Rocket, while Groot requires that for biological and regenerative science concepts.

Team Groot

Powers: He has the power of regeneration, allowing him to regrow limbs, even his entire form.

Method: Now is your opportunity to take the physical principles of Groot and turn them into your very own ISS research experiment! Groot is the embodiment of plant biology research, a common area of research on the space station. Below are some examples of how researchers have used the microgravity environment onboard the ISS for plant biology experiments.

Team Rocket

Powers: He is an accomplished starship pilot, military tactician and technological genius.

Method: Now is your opportunity to take the physical principles of Rocket and turn them into your very own ISS research experiment! Rocket brings great value to spaceflight with his ability to improvise and think creatively to enhance technologies, fix gadgets, and put his partners in the best position to save the galaxy. Leverage Rocket’s keen characteristics and develop your own spaceflight experiment focused on technology development or materials innovation. Below are some examples of how researchers are using the space station for technology development and material science experiments.

After the conclusion of the contest, two student(s)-submitted flight concepts will see their vision turned into reality and become an official ISS National Lab investigation.

The student(s) who submit flight concepts through the challenge will be required to explain their flight experiment proposals, including – ultimately – how microgravity has the potential to enhance findings that otherwise can be explored on Earth-based laboratory settings. Additionally, students will be asked to consider the size of their proposal experiments, because winning concepts will be housed in already-compliant containers actively being shipped to the ISS.

“[This] is a great way to bridge the comic book community with the space community to advance science, technology, engineering and math education,” Kenneth Shields, CASIS Director of Operations and Educational Opportunities said. “Rocket and Groot have characteristics that are researched onboard the ISS daily, and to allow students to propose experiments based on their favorite superheroes will be an exciting way to engage our nation’s youth about ‘STEM’ principles and the space station.”

Marvel and CASIS first teamed up in 2016 when the official Rocket and Groot mission patch was developed, which was drawn by artist Juan Doe. The logo represented all of the science payloads launching to the U.S. National Laboratory on board the orbiting outpost that year.

Are you, or do you know someone that might be, interested in developing a science project to send to the ISS? Submissions are due by January 31, 2018. More information HERE.

Click HERE for the official CASIS/Marvel partnership press release and read more about the initiatives in bridging comics and science via Collect Space.

#WeAreGroot!

 

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VENOM: First Official Image Of Eddie Brock

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Sony’s Spider-Man Universe spinoff Venom released the first official look of Tom Hardy as Eddie Brock Thursday morning.

Check out the image below via Columbia Pictures.

Eddie Brock (Tom Hardy) in Columbia Pictures' VEMON.
Eddie Brock (Tom Hardy) in Columbia Pictures’ VEMON.

The film is directed by Ruben Fleischer from a script by Jeff Pinkner and Scott Rosenberg, and stars, Tom Hardy, Michelle Williams, Jenny Slate, Woody Harrelson, and Riz Ahmed.

According to the director, the plot of the film will involve storylines from Venom: Lethal Protector written by David Michelinie and drawn by Mark Bagley, and the Planet of the Symbiotes written by Michelinie as well. Venom is shooting in San Francisco which was the setting for Lethal Protector.

Venom hits theaters on October 5, 2018.


There isn’t much to go on, but what do you think of Hardy’s look? Comment below.

Venom Planet of the symbiotes

The artist team for Planet of the Symbiotes:

Penciller
Ralph Cabrera (#1)
Joe St. Pierre (#2)
Kyle Hotz(#3)
Darick Robertson (#4)
Steve Lightle (#5)

Inker
Dave Hoover (#1)
Greg Adams (#2)
Armando Gil (#3)
Arne Starr (#4)
Steve Lightle (#5)

Letterer
Bill Oakley

Colorist
Tom Smith (#1-#4)
Marianna Lightle (#5)

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SHELTER Review: Israeli Spy Film To Thrill Audiences At Miami Jewish Film Festival

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The Miami Jewish Film Festival is set to unleash a torrent of movies over the next few weeks and Shelter is one that might keep audiences on the edge of their seat. The Israeli spy thriller is one of 62 films showing over the next few weeks. Opening with a Khalil Gibran quote (from Mirrors of the Soul), the film sets its mood quickly. The tension is expected for a film in this genre, but does it hold on as it needs to for 90 minutes?

The Miami Jewish Film Festival begins January 11th!

Shelter revolves around Naomi (Neta Riskin from Norman), a Mossad (think Israeli CIA) agent is sent on a mission to protect an informer. The informer is Mona, played by Golshifteh Farahani (Pirates of the Caribbean: Dead Men Tell No Tales) who is recovering from plastic surgery that is meant to permanently protect her identity. The assignment is an easy one, meant to be a way for Riskin to return to duty after time off to recover from a tragedy.

Much of Shelter takes place in a safe room with Naomi and Mona. But a labyrinth of intrigue unfolds before them. Writer and director Eran Riklis lays out the path of Shelter calmly, cooly, letting the intrigue build as we learn a little bit more about everyone. For instance, Naomi briefly left Mossad after the death of her husband. An agent too, Naomi’s hubby took a bullet for her and left the woman a heaping bag of guilt. Naomi, as played by Riskin, is a highlight of the film, an intriguing and layered character.

Shelter is competent, cohesive, and capable.

As a director, Riklis’ earlier work is clear indication that he’s clever and has a wonderful sense for filmmaking. Shelter is more evidence of that. It is shot beautifully, from wide vistas to close-ups; lingering quiet to let moments become internal struggles. However, here Riklis seems to be torn between which movie to make. Do you go with crawling-with-tension spy thriller or character study supported by the two female leads? Either choice, if focused on, would be a good one. And those two things, expertly put together would make for a formidable film. But Shelter doesn’t focus either way enough.

There’s a great, paranoid sequence one minute, then a quiet, tender moment the next. There’s a borderline seductive romance, but only for a little while. The transitions are not jarring, but the shift is unreliable and often overrides what came before it. Just moments after paranoia, Mona is drawing me in with a story about her past. Separately, both sequences are great. Together, they have little effect on the other.

Shelter is competent, cohesive, and capable. At just over 90 minutes, the movie doesn’t pad itself with unnecessary scenes and moves along at a swift pace without feeling rushed. Shelter’s major problem is that it neither goes too far or tries to push the envelope farther. It’s mostly safe and by the numbers, which, on one hand, makes it an entertaining watch. On the other hand, Shelter doesn’t linger long after the credits in the mind. Like the characters in the story, the film is trapped by choices that have both helped and hurt. But the choices have left them riding along in the middle, a grey area, and Shelter lingers too long in that space too.

Shelter is part of the Miami Jewish Film Festival
running from January 11th to 25th, 2018.

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BREAKING: BLACK WIDOW Solo Film Finds Writer

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After years of pleading and rumors, fans finally have some hope. A “Black Widow” solo film is in the works, according to Hollywood Reporter.

Screenwriter Jac Schaeffer has been tapped to write the script. There are few details beyond this on the project, though Scarlett Johansson is assumed to return.

Schaeffer is relative unknown to the industry, though she has two projects, Nasty Women and The Shower, both starring Anne Hathaway, on the horizon. Most recently she wrote the screenplay for Olaf’s Frozen Adventure, the Disney short that preceded Coco.

More to come as this story develops.

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Review: WONDER WOMAN #38 Breathes New Life Into a Classic Villain

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Zeus is dead. Grail had been hunting down the children of Zeus to give her father, Darkseid, energy to become a god once more. These attacks lead Wonder Woman to her long-lost twin brother, Jason. Before the two were sacrificed to Darkseid, Zeus stepped in and took on the god from Apokolips. The battle resulted in Darkseid getting his full power from the dying Zeus. When the dust settled, only Diana and her brother were left. The two siblings have finally found one another, with an unsure future ahead. What’s next for the children of Zeus and Hippolyta?

Wonder Woman vs Silver Swan

**Spoilers Below**

Story:

This issue’s story is split into two halves. The first half takes place in the past and is centered around a girl named Vanessa Kapatelis. After getting caught in a battle between Wonder Woman and the villain Major Disaster, Vanessa finds herself crippled from the waist down. With Diana coming to visit near daily with her mother, Vanessa begins her rehabilitation. She goes under a special operation that helps fix her nerves and months later she can walk. Unfortunately, in that time she loses her mother and Diana stops visiting. This leads Vanessa to plot vengeance on the woman who abandoned her.

When it comes to the origin story of this arc’s villain, it’s nothing we haven’t heard before. However, the uniqueness about this origin is that it is a part of the Wonder Woman mythos we don’t see. In many story arcs, we watch Wonder Woman go out of her way to take care of those stricken by tragedy. This issue was no different at first, but we soon see someone who ends up with tragedy and Wonder Woman isn’t there. Vanessa feels betrayed and truth be told, I’m sure many would feel the same.

The second half involves Wonder Woman and Jason, specifically about them living together. While Wonder Woman is off saving the day, Jason parties in his sister’s home. When she returns, they have a serious talk about Jason’s future. This is a great next step in the character’s development. His entire life, Jason was left hidden away from the world, allowing him to do generally whatever he wanted. Now that he lives with Diana, a superhero and member of the greatest superhero team on the planet, he must decide what kind of life wants. This promises an interesting character development over the course of the coming arc.

Wonder woman kick

Art:

The art of this issue, to put it in a single word, is a wonder to behold. Emanuela Lupacchino’s pencil work is fantastic, especially with the designs of Diana and Vanessa’s evil alter ego, Silver Swan. Swan’s look is menacing in comparison to her looks of yesteryear, yet still maintains enough of the original to be recognized. The colors of Romulo Fajardo Jr. helps the designs stand out as well. Together the art team has created a beautiful first chapter in this arc.

Wonder Woman v Major Disaster

Conclusion:

While we didn’t get an epilogue of the last arc, we did get a beautiful start to a new one. We have an interesting introduction to a villain rebirthed for the modern era, as well as the promise of character development for our newest brother to the Wonder Woman mythos. Needless to say, I’m excited about this arc. Go pick up this issue and see why.

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BB-8 Had a Much Different Name During STAR WARS: TFA Filming

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Diehard fans remember being introduced to R2-D2 in Star Wars: Episode IV – A New Hope, thinking there would never be a more beloved android in the series. Little did we know that, with the release of Star Wars: The Force Awakens, a big round funball droid would roll into our lives to supersede R2’s almost 40-year reign, named BB-8. Now, that said, the two do make a great team. I mean, after all, they did combine for completing a map to find Luke Skywalker.

BB-8 actually didn’t have its name until late in production. The folks at LucasFilm, namely Neal Scanlan, recently revealed in an interview with Endor Express the process that went into giving that cute droid its name.

“We work absolutely during the production process with codes for secrecy,” Scanlan said. “We then often have a retrospective phone call and we have a bit of fun playing with ideas and that’s when we get to hear what their real names are.”

He went on to reveal what BB-8 was called during shooting, which was ‘Snow Girl’ or ‘Snow Globe’. He also said it was a very good idea to give it a legit name since it is such an important character. It will be hard for the creators to top a droid in likeability that BB-8 has garnered, but someone will no doubt try, especially with this recent trilogy coming to an end. The Star Wars Universe could be headed in a totally different direction with No. 10 and beyond.

Make sure you go see Star Wars: The Last Jedi, which is in theaters now, and check out this exclusive interview with Scanlan about the creatures of Star Wars at Endor Express.

 

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BARRY Trailer: Bill Hader is a Struggling Actor, But a Terrific Killer

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Barry is HBO’s latest dark comedy, featuring Bill Hader as an expert assassin who wants to branch out from his career of hired hits and dabble in some acting. Hilarity ensues.

Here is the trailer:

BARRY is a dark comedy starring Bill Hader as a depressed, low-rent hitman from the Midwest. Lonely and dissatisfied in his life, he reluctantly travels to Los Angeles to execute a hit on an aspiring actor. Barry follows his “mark” into an acting class and ends up finding an accepting community in a group of eager hopefuls within the LA theater scene. He wants to start a new life as an actor, but his criminal past won’t let him walk away — can he find a way to balance both worlds? 

It looks fun, Bill Hader looks great as usual. Hopefully this is a hit for Hader, who is one of the more underrated recent SNL alums. Nothing has stuck yet, outside of his IFC work with Fred Armisen, but this has the most potential so far.

Aside from Hader, Barry also stars Stephen Root, Sarah Goldberg, Glenn Fleshler, Anthony Carrigan and Henry Winkler. Barry is also Hader’s directorial debut; it will be here March 25 on HBO.

 

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Review: THE COMMUTER, A 90s Action Throwback At Its Finest

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The Commuter could easily be joked away as TAKEN 22, the latest Liam Neeson action hero film to kick off the new year. But that’s not the case, not exactly. Genre director Jaume Collet-Serra puts together a film that could stand toe-to-toe with those great action films of the 90s.

The plot is simple; good guy, bad guy, and a train. That’s all you need to know; the characters and the tone are what stand out here.

In the first five minutes, Collet-Serra builds Neeson’s character, Michael MacCauley, in a few unique ways. The family is not perfect, there are ups and downs; Collet-Serra directs Neeson into a blue-collar corner, and he nails the aesthetic. MacCauley is just a hardworking guy trying to pay for his kid’s college.

The mystery on this train is more compelling than last fall’s big-budget adaptation of Murder on the Orient Express. The Commuter echoes the plot devices of the better Die Hard movies; as matter of fact, all the writers of the film had to do was switch out Michael MacCauley for John McClane and this could be that notorious sixth Die Hard film. In a world of superheroes and world building franchises, it was refreshing to get back to action basics (Side note: Bruce Willis is 63, Neeson is 66. Hollywood desperately needs to find younger action heroes).

Action films from the 90s are great fun despite their obvious flaws, and the same goes for The Commuter. Less would have been more when it comes to the CGI exteriors and climax which seems to exist solely on a computer screen; but when you have a team of super nerds at a computer, NO ONE WANTS TO MAKE A REALISTIC TRAIN WRECK! But the extravagance of the climax invokes a little too much Broken Arrow, and should have stuck with its Strangers on a Train inspired suspense. Or, if we’re talking 90s nostalgia, perhaps the Gene Hackman/Anne Archer remake of Narrow Margin would be a more apt comparison.

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Despite Yourself – A Dark Reflection for Star Trek: Discovery

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Back from its mid-season break, Star Trek: Discovery had a comparably strong showing on January 7th. Longtime Trek fans were treated to another tip of the hat to franchise history, viewers got to see actors playing against established type, and the U.S.S. Discovery lost its Chief Medical Officer. This was a high-stakes episode, as you might expect from a mid-season premiere, and, although some revelations were hinted at, we viewers are almost as stuck in the weeds of supposition after Despite Yourself as we were before the break.

Star Trek: Discovery – Despite Yourself – Gabe Lorca and the Reflections

One pre-break rumour was confirmed on the 7th: Discovery is stranded in a parallel universe. And, the parallel universe that the ship and crew are stuck in bears a striking resemblance to the Mirror Universe featured in previous iterations of Star Trek dating back to the original series. The key indicator of Discovery’s whereabouts is the dominance of the brutal Terran Empire, an oppressive and racist regime that subjugates every planet its tentacles touch. The Terran Empire acts as a polar opposite to Star Trek’s familiar United Federation of Planets that helps govern its member worlds fairly and respectfully.

One fan rumour that has yet to be confirmed is that Captain Lorca is actually from the Mirror Universe. The records that Burnham finds show that, following an unsuccessful assassination attempt by the Mirror Universe’s version of Michael Burnham, Lorca went missing. So, it’s possible that Lorca escaped his assassination by hopping realities, out of the Mirror Universe and into what Trek fans call the prime universe. Considering Lorca’s recently revealed mental instability and sometimes questionable morals, it makes this reviewer wonder …

Star Trek: Discovery – Despite Yourself – The Kiss of Death

Fans and the media made a pretty big deal out of Dr. Culber and Lt. Stamets’s onscreen smooch. My critique that Discovery’s creative team should have developed this relationship by first developing the characters into people that viewers know and like, or at least know, now seems like a moot point. Instead of developing Culber in any meaningful way, Discovery instead used him as cannon fodder so that the show could pursue a double, or possibly a triple, agent story-line.

Star Trek: Discovery – Despite Yourself – Lt. T’Kuyler? Lt. Voq?

Although the biggest shock in “Despite Yourself” was probably Lt. Tyler murdering Dr. Culber, viewers also got a hint about what might be going on between Tyler and L’Rell. Tyler’s true motivations remain a mystery, but he appears to be some kind of Klingon sleeper agent in the middle of an existential crisis. Whether he’s a brainwashed Tyler, a surgically altered Klingon, or something else entirely remains to be seen.

My pet theory, based largely on Tyler’s pronunciation of Klingon, is that he’s actually a surgically altered T’Kuvma who somehow survived his encounter with the business end of Burnham’s phaser set to kill. Based on the fact that we know L’Rell and the albino Klingon Voq are working together, though, it’s probably more likely that Tyler is a surgically altered Voq.

Star Trek: Discovery – Despite Yourself – “I got top marks at the Vulcan Murder Academy.”

This brings me to another point: for all of her play-acting at advanced morality, Burnham has quite a violent streak. Burnham’s personal murder victim list includes Rejac (the Klingon Torchbearer), T’Kuvma (probably), and most recently the Mirror Universe version of one of her shipmates from the U.S.S. Discovery, Danby Connor.

I understand that the stakes are high in this episode: Lorca’s pep talk to his crew immediately before transporting to the I.S.S. Shenzhou drove home that the Mirror Universe is full of baddies. But, surely Burnham could have at least tried using the old Vulcan neck pinch prior to stabbing Connor to death during their turbolift ride.

Would not killing Connor have blown her cover? I guess that’s possible, but it seems to me that a Starfleet officer, even a disgraced mutineer, should be able to preserve lives without blowing her cover. Sure, Burnham murders Connor in an attempt to defend her own life, but you don’t stab a mad dog to death because it bites you. You treat the dog, which is exactly what Captain Kirk did when he encountered mirror-Spock back in the original Mirror Universe episode “Mirror, Mirror.” Kirk’s parting words are incendiary and hopeful: “In every revolution, there’s one man with a vision.”

Star Trek: Discovery – Despite Yourself – Spock the Reformer

This incendiary hope catches on in the Mirror Universe. After rising through the ranks to become the Commander in Chief of the Terran Empire, Mirror-Spock uses his influence to reform Terran tyranny, laying the groundwork for a successful dissolution of the Empire.

In subsequent Mirror Universe episodes, which I grant are set long after the events portrayed in “Despite Yourself,” Mirror Universe inhabitants are depicted as regular people, with admittedly heightened personalities, who were born into brutally oppressive surroundings. In other words, the inhabitants of the Mirror Universe aren’t evil; they’re products of their environment.

All this to say that when Burnham murdered mirror-Connor, the crime wasn’t somehow lessened by the fact that she killed mirror-Connor and not Connor-prime. Mirror-Connor is just a different version of Burnham’s crew mate, and he should be offered the same level of mercy and sympathy that any inhabitant of the prime timeline is. Burnham’s bloodthirsty outburst was surprising and dramatic but not in keeping with her professed moral superiority or that of the Federation.

Star Trek: Discovery – Despite Yourself – Commander Frakes

Narrative idiosyncracies notwithstanding, this was a fun episode to watch. It featured lots of action and plot development. I take my prosthetic forehead ridges off for Cmdr. William Thomas Thelonius Riker himself, Jonathan Frakes, who directed this entertaining chapter of Discovery’s first season. Unlike some early episodes that barely stayed afloat, I’m thinking “Magic to Make the Sanest Man Go Mad” which managed a whimpering cross over the finish line after 45 minutes of ill-conceived execution, “Despite Yourself” proved capable of weaving disparate plot elements together in a meaningful and entertaining way.

Let’s hope Mr. Frakes can direct a few more. His dedication to the source material mixed with his sense of drama combine to make great episodes. I’d also really like to see him reprise the dashing role I remember him for, but time and money will tell if Trek fans get to see that.

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McFarlane Building Hype for Upcoming SPAWN Reboot

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When Spawn (Image Comics) creator Todd McFarlane announced in July of 2017 that he would both write and direct the 2019 reboot, fans of the character, everywhere, rejoiced. It was about time. This was supposed to happen in 1998 with a sequel to 1997’s Spawn film. Though, ‘97 did give us a pretty cool animated series for the character, via HBO. We are not alone in saying we want this movie to succeed. What is both intriguing and exciting is that McFarlane seems determined to portray the character how he wrote him, a comic book antihero. He has been dishing on the upcoming project over the last year and, needless to say, it has increasingly built our collective interest and anticipation for this film.

This is NOT a superhero story!

McFarlane says that this is not a superhero story, but rather, a supernatural thriller.

“We just signed off on the script, and are going into budgeting,” McFarlane said. “It will be dark and heavy, serious, R-rated. It won’t be a superhero movie. I don’t think most people would categorize it as that. It will be a supernatural thriller, like a lot of good creep movies. The only thing in the movie that’s fantastic is Spawn, and anything else is otherwise normal.”

In fact, he has not only promised this film to be a ‘hard R-rating’, but also compares the character to Jaws, because he won’t speak!?

“We don’t want to muddy the waters. It’s R-rated,” Stated McFarlane. “Not like ‘Deadpool’, where there was just a couple ‘F-bombs’ and a naked butt. Not like ‘Logan’ either. We’re talking trauma, true trauma, as serious as possible.”

“Spawn doesn’t say a word the entire movie, and it’s the same way with ‘Jaws’, McFarlane proclaimed. “It’s about the sheriff and the people, chasing the ghost. The lead role isn’t Spawn, the lead role is a cop, like Sheriff Brody. I think we can hook a fairly significant actor that we want. Unlike a superhero movie, we wouldn’t need an actor to put on prosthetics or go to the gym. We just need him to act.”

This is NOT an origin story!

This film is going to just dive right into Spawn’s awesome Story. Fans know his origin and are going to come to the theater to watch it regardless. The great thing about this project is, it is going to appeal to both horror and gore fans as well.

“To me, this story is my way of saying Spawn’s been around for 25 years,” McFarlane said. “He’s been evolving for 25 years. This is where he’s at now. I can’t do the same story over and over.”

Alright, fine. Here’s a brief origin for you, in case you didn’t know. He was born Albert Francis Simmons in Detroit, Mich., as the second of three brothers. He was a gifted officer in the USMC and even attained the rank of Lieutenant Colonel. After his military service, he joined the U.S. Secret Service and, eventually, ended up at the CIA. He was recruited by Jason Wynn, the CIA Director, with whom he started to argue with regularly on not seeing eye-to-eye on missions. He set up the U.S. Security Group, an elite task force that dealt in domestic and foreign situations. Upon not willing to comply to Wynn’s rules, Simmons sought to resign. Wynn caught wind of this and had him murdered in Operation Knightstrike by a fellow mercenary named Bruce Stinson (aka Chapel). After dying, he arranges a deal with a being named ‘Malebolgia’. He agrees to become the ‘Hellspawn’ and lead Hell’s army for a chance to see his wife and daughter one last time. He chooses not to go back to Hell and instead wanders the world as Spawn.

Check out this great story from Screen Rant on why a McFarlane and Blumhouse partnership for this movie is perfect.

Also, peep McFarlane’s entire interview(s) transcripts right here: The Playlist and AZ Central.

Lastly, get excited, because he might pull a ‘Stan Lee’ and appear in the movie as well.

Are you excited for this film? What do you hope to see when McFarlane’s creation hits the silver screen? Tell us what you think in the comments section below.

 

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