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Gary Oldman Reacts To Oscar Nominations For DARKEST HOUR

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The Academy of Motion Picture Arts & Sciences announced the nominations for the 90th Academy Awards Thursday morning, and Darkest Hour recieved six nominations.

Gary Oldman who plays Winston Churchill in the film reacted to his Best Performance by an Actor in a Leading Role nomination.

“Firstly, I want to congratulate my fellow nominees, both in the acting categories and across the board. To be in such company is deeply, genuinely, humbling. To have the chance to play an iconic leader like Winston Churchill at this point in my career, was the opportunity of a lifetime and I am so happy that my colleagues and partners on this wonderful film have also been honored with nominations. I am overjoyed to be nominated, and proud to be part of this wonderful thing known as moviemaking,” said Oldman.

Darkest Hour is direct by Joe Wright, from Anthony McCarten’s screenplay, and stars Gary Oldman, Kristin Scott Thomas, Lily James, Stephen Dillane, Ronald Pickup, and Ben Mendelsohn.

“We are so humbled and thrilled that the Academy recognized Darkest Hour with 6 nominations. In a world that seems to be yearning for true statesmanship, to see Churchill’s words and legacy resonate so strongly, not only with audiences worldwide, but now with our peers leaves us with full hearts today,” said Tim Bevan, Eric Fellner, Lisa Bruce, McCarten, and Douglas Urbanski in a joint statement.

The list of nominations:

Best Achievement in Makeup and Hairstyling

Kazuhiro Tsuji
David Malinowski
Lucy Sibbick

Best Motion Picture of the Year
Tim Bevan
Eric Fellner
Lisa Bruce
Anthony McCarten
Douglas Urbanski

Best Performance by an Actor in a Leading Role
Gary Oldman

Best Achievement in Cinematography
Bruno Delbonnel

Best Achievement in Costume Design
Jacqueline Durran

Best Achievement in Production Design
Sarah Greenwood
Katie Spencer


What did you think of Darkest Hour, does it deserve all the praise? Comment below.

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10 Reflections From The 2018 Oscar Nominations: Surprises and Snubs

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The most exciting day of the year is nearly upon us. No, not the predictably boring Superbowl and a chilly Olympics; we’re talking Oscars 2018.

The Oscar nominations were announced live on Tuesday morning by actors Tiffany Haddish (Girls Trip) and Andy Serkis (Lord of the Rings). 

Like most years, the lineup brought some predictable entries, but also supplied a healthy dose of surprises and snubs. Here are the most surprising nominations and alarming snubs of the Oscars 2018:

Snubs and Suprises

1Snub: The Florida Project and its 1 nomination

Once an Oscar frontrunner, The Florida Project was nominated for just one category: Willem Dafoe, Best Supporting Actor. And while that is certainly deserved, it is shocking that it didn’t earn Best Picture, Best Director, and/or Best Cinematography nominations at the very least.

2Surprise: Denzel Washington, Best Actor

You didn’t see Roman J. Israel, Esq. Nobody did. And the critics decided it was fine. With all that in mind, his nomination for Best Actor comes as a huge surprise. Denzel should always be considered an award season threat. Yet his inclusion for this film while other perennial favorites, like Tom Hanks, were excluded, is hard to explain.

3Snub: Tiffany Haddish, Best Actress

The Oscars do not favor comedies. They never have, and that’s not likely to change. And yet, the breakout performance from Tiffany Haddish was beloved by critics, earning her a Best Actress nomination from the Critics’ Choice Awards. She deserves to be among the nominated this year.

4Surprise: No James Franco

This was a nomination that, prior to the Golden Globes, was deemed as certain by many. While a win was never in question, Franco’s portrayal of Hollywood pariah and now cult-favorite Tommy Wiseau seemed like a guarantee. The fallout after the Globes pertaining to accusations of sexual harassment against Franco seems to have cost him.

5Snub: No nomination for Vicky Krieps

Vicky Krieps spends two hours going head to head with Daniel Day Lewis in Phantom Thread. The result is a fantastic performance, challenging Lewis at every turn. Krieps deserves a nomination for that alone.

6Surprise: Mudbound and a happy Netflix

Mudbound was a fantastic, critically acclaimed film. But it came from Netflix, and the Academy has been streaming shy in the past. This year, the Oscars changed things up, and nominated Mudbound for four awards, more than anyone expected. While it is not the favorite in any category, it could be the surprise hit for Best Adapted Screenplay.

Regardless of a win, it is also a significant moment for Mary J. Blige, the first actor to be nominated for a film by a woman of color.

7Snub: No nomination for Armie Hammer or Michael Stuhlbarg

Call Me By Your Name is an Oscar favorite, yet missed out on several expected categories. Not least of these is Best Supporting Actor, which did not have a nomination for Hammer or Stuhlbarg. Instead, Three Billboards earned two Best Supporting Actor nominations, something that hasn’t happened in 20 years. A sad exclusion, but they will undoubtedly be back in the future.

8Surprise: The Boss Baby, Best Animated Feature

LOL. Seriously, Academy? The Lego Batman Movie was right there.

9Snub: The Big Sick and its 1 nomination

While it was never going to get in the ring with the heavy weights, The Big Sick was at least expected to earn a Best Picture nomination. Instead, it is restricted to a fight for Best Original screenplay.

10Surprise: Logan for anything.

The Oscars do not like superhero films. They have largely ignored the phenomenon in artistic categories. So the inclusion of Logan for Best Adapted Screenplay is a jaw dropper. Perhaps a recognition of its unique place among the genre, Logan will not be winning the trophy in March, but its nomination is exciting enough.


What did you think of the Oscar nominations? Was your favorite film snubbed, or were you pleasantly surprised? Let us know on Facebook, Twitter, or in the comments below!

Marvel Comics Announces Its Artist Class Of 2018

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Marvel’s Young Guns was introduced 14-years-ago with names like Jim Cheung, Steve McNiven, Leinil Yu, Daniel Acuña, David Marquez, and Sara Pichelli handed the honor over the years. Monday afternoon, Marvel announced its Young Guns class of 2018 featuring Pepe Larraz, Javier Garron, Marco Checchetto, Aaron Kuder, Mike Del Mundo, and Russell Dauterman.

The Young Guns program spotlights the best and brightest early-career artists in the comic book industry. Each of the Young Guns will create an exclusive variant cover for six new books including Avengers #678, X-Men Red #1, Marvel Two-in-One #3, Doctor Strange: Damnation #1, Black Panther #170, and Amazing Spider-Man #797!

“I still clearly remember the launch of Marvel’s original Young Guns campaign over a decade ago, crafted as an innovative way to recognize and promote the upcoming artists we believed in – and knew would one day be superstars! From its inception, Young Guns has always been about living up to Marvel’s long legacy of identifying and hiring unique and groundbreaking talent to give our fans the best-looking comics on the stands. And here we go again! Introducing the class of 2018, six artists poised for greatness, whose art will grace the pages of some of the coolest comics of the year,” said C.B. Cebulski, editor-in-chief of Marvel.

Meet the Young Guns

Pepe Larraz

Spanish artist Pepe Larraz penciled The Mighty Thor, previously having illustrated stories in anthologies such as Web of Spider-Man, Marvel Adventures Super Heroes, and X-Men: To Serve and Protect. A rising star, Larraz pitted ’90s rivals against each other in Deadpool vs. X-Force and worked on Wolverine & the X-Men before venturing into a galaxy far, far away with Kanan — then back to the Marvel Universe again with Uncanny Avengers.

Spanish artist Javier Garrón studied architecture before his work on webcomics and blogs got the attention of the American comics industry. Garrón made his Marvel debut with Cyclops in 2014, which led to work on the “Black Vortex” event crossover between New X-Men and Guardians of the Galaxy. Future work included Legendary Star-Lord, the IvX event, and the spot of lead artist on Secret Warriors.

Marco Checchetto early contributions to the revival of Marvel Comics Presents revealed him as one of the industry’s top new talents. Checchetto has made his mark on both the Marvel Universe — with runs on Amazing Spider-Man, Daredevil and Punisher — and a galaxy far, far away, with Star Wars: The Screaming Citadel, Star Wars: Captain Phasma, and the post-Return of the Jedi thriller Star Wars: Journey to Star Wars: The Force Awakens — Shattered Empire.

Artist and writer Aaron Kuder cut his teeth in the comics industry working on the New York Times best-selling book The Armory Wars and Key of Z, both with Claudio Sanchez from Evil Ink Comics. After work at DC on books such as Action Comics, Kuder returned to Marvel for an exclusive agreement in 2016 with work on top-tier titles such as the X-Men-shattering Death of X and All-New Guardians of the Galaxy.

If you’ve read any Marvel series since 2009, chances are it featured a cover from artist Michael Del Mundo at some point. Del Mundo’s artwork has fronted such well-known series as Amazing Spider-Man, Vision, and Invincible Iron Man. After delivering gallery-standard illustrations page after page in Elektra, he brought his unique talents to Secret Wars tie-in Weirdworld and its subsequent All-New, All-Different Marvel relaunch, and Marvel’s flagship title Avengers.

Russell Dauterman is best known as the artist of Marvel’s Thor comics. Written by Jason Aaron and starring Jane Foster as Thor, the lengthy run has become a best-selling, Eisner-nominated series. Previous work includes such titles as Cyclops, Nightwing, and Supurbia. Russell has also designed characters and created covers for various Marvel, BOOM! Studios, DC, Valiant, and Image titles. Outside of comics, Russell has illustrated children’s books and worked as a costume illustrator in the film industry, most notably on Marvel Studios’ Captain America: The First Avenger. Russell is currently continuing his character-defining run drawing The Mighty Thor.

The Young Guns variants hit comic book stores starting January 31st!

1. Avengers #678 – Russell Dauterman ( and Matt Wilson)

2. X-Men Red #1 – Pepe Larraz (and Edgar Delgado)

3. Marvel Two-in-One #3 – Mike Del Mundo

4. Doctor Strange: Damnation #1 – Javier Garron (and Jason Keith)

5. Black Panther #170 – Marco Checcetto

6. Amazing Spider-Man #797 – Aaron Kuder (and Jason Keith)


What do you think of this year’s class of Young Guns? Comment below.

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EMPIRE Fan Vote Tabs Darth Vader & Kylo Ren as Top 10 Baddies

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Two members of the Skywalker bloodline garnered notoriety from the readers of Empire Magazine as both Darth Vader and Kylo Ren landed in the Top 10 of its ‘Greatest Villains Ever’ poll.

Adam Driver’s portrayal of Ben Solo, better known as Kylo Ren, has not gone unnoticed. He’s masterful in the role and fans agree, ranking him No. 7 on the all-time list. Placing ahead of him, the usual suspects you might expect, Vader (played by David Prowse and voiced by James Earl Jones), Heath Ledger’s Joker, Tom Hiddleston’s Loki, Alan Rickman’s Hans Gruber, Hannibal Lecter (Anthony Hopkins) and Hans Landa, played by Christoph Waltz. Thanos made the cut as well and we haven’t even caught a glimpse of what he’s capable of (credit to the Marvel Studios folks). There was almost an Imperial trifecta, but Emperor Palpatine, or Darth Sidious, came in at No. 15.

As you will see from the cover reveals, the two funny-talking, black-masked, red lightsaber-wielding baddies are front and center. One could assume, because of the subscriber exclusive cover, that Vader landed the top spot in the fan vote.

The Skywalkers are cursed. We have eight movies now to prove that point. Though, Even Vader did the right thing in the end. Ren is a whole-other-spectrum kind of mental. Granted, he did struggle with the notion of killing his mother, besides the fact he had no problem killing his father, but it would seem there is no coming back to the light for him. Star Wars: Episode IX might introduce the Knights of Ren, aka the ‘handful of padawan’ that he left the Skywalker Jedi Training Camp with, which was revealed in Star Wars: The Last Jedi.

Eager to find out who made the rest of the list? You will have to wait and see the results in the latest issue of Empire, which hits shelves on Thursday, January 25, 2018.

Considering how bad Ren has become, like a perpetual child mired in a massive temper tantrum, is he more bad than Vader now? See what Screen Rant thinks.

What do you think, is Ren a better villain now than Vader was? Let us know what you think in the comments section below.

 

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Is Booster Gold Appearing in Tom King’s BATMAN?

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We all know Tom King loves to tease us fans on Twitter, and he has done it again! The esteemed DC Comics scribe has suggested Booster Gold is coming! Check it out below.

King has done this kind of action figure post before and they have always been fun and very telling. So we can safely assume everyone’s favorite time-traveling blowhard superhero will soon be making an appearance. If you consider Booster’s appearance in Action Comics recently, that’s a whole lot of gold!

What do you guys think? Are you excited to see Booster Gold written by Tom King? Are you stoked to see him interact with the Rebirth Batman? Comment and discuss below!

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Review: SOUTHERN BASTARDS #19 Raises The Stakes And Spills Plenty Of Blood

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Image Comics’ excellent crime comic Southern Bastards, from Jason Aaron and Jason Latour, returns this week from a brief hiatus to set up what is sure to be another bloody and body count mounting ending to a captivating arc.Southern Bastards

Southern Bastards #19
Written by: Jason Aaron
Art by: Jason Latour
Letters by: Jared K. Fletcher

Writing

Coach Boss has settled the war with his rival in Locust Fork, Colonel Quick McClusky. But Coach had to eat shit to do it. And there’s plenty more shit where that came from.

Those are the words that open up the latest chapter in Southern Bastards, and the tone, imagery, and attitude tell you everything you need to know about what you can expect. Bastards is a comic that has always hit hard, tackling the reader with violence and brute narrative force. Issue #19 brings that to the field and raises the narrative stakes by connecting a number of plot threads together in a series of violent acts that begin to wrap up the current storyline, Gut CheckSouthern Bastards

As it has been for a while, former ‘villain’ Coach Boss continues to be our protagonist. And when we last left Boss, he seemed to have been losing some of his grip on both the town and the Running Rebs football team to a man that may be even more despicable than he is. Mild spoilers: clearly this wasn’t the case, and in a sharp and shocking bit of writing, Jason Aaron not only puts Boss back at the control but also shows that there is plenty of bloodlust bubbling underneath everyone, not just Boss and his criminal associates. The sequence also subverts the typical ‘coach speech’ so common in sports narratives.  It’s a scene that disturbs in its depiction of pack mentality and how dangerous and seductive it can be. Plus, Euless using Tubbs trunk/bat is just plain bad-ass and suggests there may be deeper levels of this character still to explore.

But it’s the ending that perhaps may be the true ‘Gut Check’ the title suggests, as we find out that Euless Boss may finally be getting the reckoning he deserves and may hint at another protagonist and narrative change.  It’s a great moment that long-time readers have been waiting for.Southern Bastards

Art

God damn does Jason Latour score big in this comic. As penciler, inker and colorist Latour goes for a hail mary and lands it every time. The linework here is jagged and rough, yet the panels and layouts themselves are smooth. What this does is heighten the grit we are seeing, highlighting every violent (emotional and physical) act.

But it’s the colors that stand out the most. There is so much red here that you can’t help but think about blood and violence on every page. Latour also uses heavy contrasts to create a ‘noir’ mood, giving us the perfect atmosphere.

Something must also be said about Jared K. Fletcher’s letters. They are deceptively subtle and placed, catching your attention only when the action or violence calls for it. They have true emotion and impact. Southern Bastards

Conclusion

Southern Bastards is a truly unique crime comic and not for the faint of heart. The main characters are flawed at best and psychotic at worse, but completely compelling. Take a trip to the gridiron fields of this book, you will not be sorry. Issue #19 hits comic shops this week.

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The 90th Academy Awards: Complete List of Oscar Nominations

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The Academy of Motion Picture Arts & Sciences announced the nominations for the 90th Academy Awards Thursday morning.

Jimmy Kimmel will return as the host of the Oscars 2018, the 90th Academy Awards will air live Sunday, March 4th, 2018 on the ABC.

What are your thoughts on the nominations? Comment below.

Best Picture
Call Me By Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Actor in a Leading Role
Timothee Chalamet
Daniel Day-Lewis
Daniel Kaluuya
Gary Oldman
Denzel Washington

Actor in a Supporting Role
Willem Dafoe
Woody Harrelson
Richard Jenkins
Christopher Plummer
Sam Rockwell

Actress in a Leading Role
Sally Hawkins
Frances McDormand
Margot Robbie
Saoirse Ronan
Meryl Streep

Actress in a Supporting Role
Mary J Blige
Allison Janney
Lesley Manville
Laurie Metcalf
Octavia Spencer

Animated Feature Film
The Boss Baby
The Breadwinner
Coco
Ferdinand
Loving Vincent

Directing
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Shape of Water

Documentary Feature
Abacus
Faces, Places
Icarus
Last Man In Aleppo
Strong Island

Documentary Short Subject
Edith and Eddie
Heaven is a Traffic Jam on the 405
Heron
Knife Skills
Traffic Stop

Foreign Language Film
A Fantastic Woman (Chile)
The Insult (Lebanon)
Loveless (Russia)
On Body And Soul
The Square

Original Song
Mighty River, Mudbound
Mystery of Love, Call Me By Your Name
Remember Me, Coco
Stand Up For Something, Marshall
This Is Me, The Greatest Showman

Adapted Screenplay
Call Me By Your Name
The Disaster Artist
Logan
Molly’s Game
Mudbound

Original Screenplay
The Big Sick
Get Out
Lady Bird
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Cinematography
Blade Runner 2049
Darkest Hour
Dunkirk
Mudbound
The Shape of Water

Costume Design
Beauty and the Beast
Darkest Hour
Phantom Thread
The Shape of Water
Victoria & Abdul

Film Editing
Baby Driver
Dunkirk
I, Tonya
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Makeup and Hairstyling
Darkest Hour
Victoria & Abdul
Wonder

Original Score
Dunkrik
Phantom Thread
The Shape of Water
Star Wars: The Last Jedi
Three Billboards Outside Ebbing, Missouri

Production Design
Beauty and the Beast
Blade Runner 2049
Darkest Hour
Dunkirk
The Shape of Water

Animated Short Film
Dear Basketball
Garden Party
Lou
Negative Space
Revolting Rhymes

Live Action Short Film
Dekalb Elementary
The Eleven O’Clock
My Nephew Emmett
Silent Child
Watu Wote (All Of Us)

Sound Editing
Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

Sound Mixing
Baby Driver
Blade Runner 2049
Dunkirk
The Shape of Water
Star Wars: The Last Jedi

Visual Effects
Blade Runner 2049
Guardians of the Galaxy Vol. 2
Kong: Skull Island
Star Wars: The Last Jedi
War for the Planet of the Apes

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The Road to the Oscars: The SAG Awards Provide (Predictable) Oscar Hopefuls

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As the long road to the Oscars marches on, the identity of the eventual front-runners becomes ever-clearer. The Screen Actor Guild Awards are very important in establishing the front runner for Best Actor, Actress, and Supporting Actor and Actress. Often seen as the deciding vote, the SAG can all but make certain who the winner will be.

This is the third in a series of analyses dedicated to decoding the Oscars. Follow along as we predict who will be taking the stop spots come march, and who will be left wanting. Without further ado, the Screen Actors Guild Awards 2018 winners:

1Best Actor – Gary Oldman, “Darkest Hour”

Oscar Chances: Like the character he portrayed, Oldman will be making a grand speech come March.

Why?: Only once since 1995 has an actor won the SAG, Critics’ Choice, and Golden Globe – Drama nomination, and then not gone on to win the Oscar. That was in 2001, and Russel Crowe went home trophy-less. That’s not going to happen again.

2Best Actress – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

Oscar Chances: No billboard campaign necessary; this is McDormand’s trophy to lose.

Why?: Like Best Actor, only once since ’95 have the SAG, Critics’ Choice, and Golden Globes lined up, but not led to an Oscar. And, like Best Actor, it’s probably not going to happen twice.

3Best Supporting Actor – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Oscar Chances: You should be noticing a pattern here.

Why?: See above. Same deal. Patterns are wonderful things.

4Best Supporting Actress – Allison Janney, “I, Tonya”

I, Tonya

Oscar Chances: Guaranteed!

Why?: This was already a sure thing after the Critics’ choice Awards, so the SAG is simply the bow on top.

5Best Picture – “Three Billboards Outside Ebbing, Missouri”

Three Billboards

Oscar Chances: Probably not…but maybe.

Why?: This is a really weird year for Best Picture. Shape of Water and Three Billboards have split the major awards so far. Shape has taken the PGA and Critics’ Choice wins, while Three Billboards has taken the Golden Globe and SAG Best Ensemble.

The Golden Globe and SAG have lined up only 4 times since 1995. Each of those times, the film in question won the Oscar. But here’s the problem: no film since ’95 has won the SAG and Golden Globe without also taking the PGA and the Critics’ Choice.

Which means that the Best Picture race is in a place it has only been in 3 times since 1995. Two of those times, the winner followed the CC/PGA pick (The Hurt LockerThe Artist). The one time it did not was last year, when Moonlight took the win over La La Land.

Three Billboards is not Moonlight, and this is not the same competition fielded in 2017. So it’s unlikely.

But maybe.


What do you think of the SAG wins? Who do you want to see take the stage in March? Let us know on Facebook, Twitter, or the Comments below!

The Road to the Oscars: The PGA’s Reveal Likely Best Picture Winner

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As the long road to the Oscars marches on, the identity of the eventual front-runners becomes ever-clearer. The Producers Guild Awards are very important in establishing the front runner for Best Picture. Often seen as the deciding vote, the PGA can all but make certain who the winner will be.

This is the third in a series of analyses dedicated to decoding the Oscars. Follow along as we predict who will be taking the stop spots come march, and who will be left wanting. Without further ado, the Producers Guild Awards 2018 winners:

1Best Picture – The Shape of Water

Oscar Chances: There’s no watering it down, TSoW will take home the win.

Why?: In the past decade, the winner of the Producers Guild Awards and the Critics’ Choice Awards has lined up seven times. The only time their pick did not line up with the Oscars was last year for Moonlight. That lightning will not strike twice; del Toro will take the stage come March.

2Best Animated Feature – Coco

Oscar Chances: Guaranteed.

Why?: It has won at every major award show this year. It is nearly perfect. That’s a winning combination.

3Best Documentary – Jane

Jane

Oscar Chances: Nearly a sure thing.

Why?: Every year that the Producers Guild and Critics’ Choice Awards have synced in their Best Doc pick, that movie has won the Oscar. That being said, this is a hard category to predict, and there’s not a lot of past data to go on.


What do you think of the PGA’s picks? Who are you hoping to see take the stage this March? Let us know on Facebook, Twitter, or in the comments below!

Creator, Writer, Director: Get to Know AC COMICS Editor Bill Black

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He is an alumnus of Florida State University, served in the Army, a comic book creator, launched his own publishing companies and directs and produces his own movies. Impressed yet? You should be. His name is Bill Black and he has been doing it since 1969.

Black graduated from FSU with a degree in advertising design. After serving our country, he began his career illustrating horror stories for Warren Publishing (Creepy and Eerie). That same year, 1969, he started his first company, Paragon Publications. In 1982, that company evolved into his mainstay, when he inaugurated AC Comics. At the time, AC was one of only five independent comics publishers around to start the indie movement, but is the only one still operating today.

“I had always been drawing,” Black said. “I started in high school and continued through college and in the Army. My superiors in the Army allowed me to continue drawing after hours and I would send my illustrations to Warren, out of New York City. Their editor at the time liked what I was doing and told me to contact him when I was done serving. He stayed true to his word, hired me and gave me my first job in comics.”

His first major comic book project was to bring back Captain Marvel, who had been out of commission for roughly 15 years. While still in the Army, Black convinced his boss to purchase a printing press. He then dished out 500 copies for his first Paragon Fanzine, spotlighting a revival of the Golden-Age version of Captain Marvel. Returning to civilian life, he then sought aid from fanzine publisher Martin L. Greim, who cautioned him not to release the book because, though the character was defunct, the publisher that held rights was still in business. Reluctantly, he destroyed all but a few copies and it was never released.

He was handling his duties as editor of Paragon while juggling work with a film production company in Central Florida when he was informed, the film company, which was his livelihood, would be going out of business. He had two weeks to figure out what he was going to do with his life.

“I was crying the blues to a guy at a print shop and he told me he could help me out by setting me up with a web printer,” Black said. “I then was encouraged by David Scroggy of Pacific Comics, the very-first indie publisher, to join the movement. So, in October of 1982, AC Comics was born. In January of 1983, I put out a continuation of what I had been working on at Paragon, a series of comics called, Bill Black’s Fun Comics. AC has published monthly ever since.”

Shortly thereafter, it was obviously proving difficult to produce one book a month because, at the time, Black was writing, drawing, penciling, lettering, coloring and publishing all the books.

He needed a staff to keep AC going.

“Around the same time in launching AC, I was doing covers for Charlton Comics as well,” Black said. “I was offered a lot of material that they were looking to shed. Specifically, Charlton Bullseye, which were various stories done by budding creators on Charlton characters. Naturally, I agreed to take them on and signed a contract that gave me license to their characters. I then got up with all the Bullseye writers and artists and formed the talent base for AC.”

He is indeed prolific as he is way ahead of the curve, having created the historically very first all-female superhero team, called Femforce, which he considers to be his greatest accomplishment.

“I started that team in 1984 and it is still in publication today,” Black celebrated. “It will be my legacy long after I am gone. My favorite character in that series is Synn, a character from back in my Paragon days.”

Black has also returned to his love of making films. He grew up a fan of old monster movies, action cliffhanger serials and black-and-white TV shows, all of which played a part in inspiring him to become a filmmaker. He quotes Frank Zappa as his inspiration for his studio, Nightveil Media, in which he defined art as, “Making something out of nothing and selling it!”. He has made a number of live-action films based on his comic book characters, fulfilling a lifelong dream. For Black, it isn’t about making the next Star Wars, rather, it is about making entertaining films, while having fun doing it.

“At some point I told myself I had to decide what I was going to do, make comics or make films,” Black said. “I had been doing both since high school and figured later in life that I could maybe juggle both. When I started AC Comics, a lot of women would come to conventions dressed as my Femforce characters. Mary Capps stood out because she had cosplayed as both as both Nightveil and The Blue Bulleteer. That was a driving factor in helping me decide, having a beautiful woman in in those costumes launched my first film effort.”

The birth of digital video made film making relatively inexpensive. He has now released over 30 movies, most based on some of his favorite comics characters that he has created, including, but not limited to: Nightveil, The Blue Bulleteer, Stormy Tempest, Garganta and Nyoka The Jungle Girl.

Nightveil: Witch War was the first movie I ever made,” Black said. “It was also the worst movie I’ve ever made. So naturally, it’s also my best-selling movie (laughs). My latest project, Shadow Slayer, is a testament as to how I’ve improved as a film maker.”

[embedyt] https://www.youtube.com/watch?v=Ab0NOgPMOFo[/embedyt]

You can keep up with news on Black’s comics and movies via his Official Facebook Page.

Before you leave, check out this great piece on the history of Warren Publishing, Black’s first gig in comics.

 

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