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THE UMBRELLA ACADEMY On Netflix Adds Mary J. Blige

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Netflix announced Monday; Mary J. Blige will join the live-action series The Umbrella Academy based on the Eisner award-winning comics created by Gerard Way and Gabriel Bá from Dark Horse Comics.

According to Netflix, Blige is set for the series regular role of “Cha-Cha,” a ruthless and unorthodox hitwoman who travels through time to kill assigned targets. Even though she has a few gripes about the bureaucracy of her employers, this job is her life. She is sadistic, sociopathic, and her reputation precedes her. Her true love is torture, and she thinks of herself as a “pain artist.” She really doesn’t care for people—except for her partner Hazel.

Netflix The Umbrella Academ

About the series:
The live-action series follows the estranged members of a dysfunctional family of superheroes – Luther, Diego, Allison, Vanya, Klaus and Number Five – as they work together to solve their father Reginald Hardgraves’ mysterious death while coming apart at the seams due to their divergent personalities and abilities.

The Umbrella Academy stars Ellen as Vanya Hargreeves, Tom Hopper as “Luther,” Emmy Raver-Lampman as “Allison,” David Castañeda as “Diego,” Robert Sheehan as “Klaus,” Aidan Gallagher as “Number Five,” and now Mary J. Blige as “Cha-Cha.”

The show is produced by Universal Cable Productions, with Steve Blackman serving as executive producer and showrunner, with additional executive producers Bluegrass Television and Mike Richardson and Keith Goldberg from Dark Horse Entertainment. Gerard Way is a co-executive producer. Jeremy Slater adapted the pilot script.

The 10-episode season will premiere in 2018 with no specific day or month yet announced by Netflix.


Are you excited for ‘The Umbrella Academy’on Netflix? Comment below

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Hannah Simone Tabbed as THE GREATEST AMERICAN HERO

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The return of The Greatest American Hero is imminent. No, not the 1981 series. This will be a reboot, with a more modern twist.

ABC plans to adapt its own version of The Greatest American Hero, starring New Girl alum Hannah Simone.

Nahnatchka Khan will create the pilot for the upcoming comedy series, while Simone will be cast as the main character, ‘Meera’. The official synopsis reads: “30-year-old woman who loves tequila and karaoke and spent her life searching and failing to find meaning, much to the chagrin of her traditional Indian-American family. An inexplicable event occurs that will change the course of her life forever. She is entrusted with a super suit and tasked with protecting the planet. She may have finally found purpose, but the world has never been in more unreliable hands.”

The original series starred William Katt, who played a school teacher who is gifted superhuman powers via a suit from a group of alien visitors. The suit even came with an instruction manual, which he loses, and has to learn how to coordinate all his powers by trial and error.

Rachna Fruchbom will write and serve as executive producer, along with Khan, Tawnia McKiernan and Mandy Summers.

No news yet on a release date, let alone when production will start, but this is coming down the pipeline and you should be as excited about it as we are.

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Arctic Horror THE TERROR Coming to AMC in March

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Straight from the frigid icy waters of the Arctic comes AMC’s new horror show, The Terror.

Inspired by a true story, the show centers on the Royal Navy’s disastrous voyage into uncharted territory as the crew intends to discover the Northwest Passage. Mired in treacherous conditions, limited resources and ever-dwindling hope, fear of the unknown pushes the crew to the brink of both insanity and death. The ships, frozen and stuck, highlights all that can go wrong when a crew, desperate to survive, struggle with both the elements and each other.

[embedyt] https://www.youtube.com/watch?v=OPuYei9cbaw[/embedyt]

The project is led by executive producers Ridley Scott, David Kajganich and Soo Hugh and stars Jared Harris, Tobias Menzies and Ciarán Hinds.

The horror genre is nothing new for AMC, considering the worldwide success of both The Walking Dead and Fear the Walking Dead.

The Terror will premiere with a two-hour episode on March 26, 2018, on AMC.

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One Limb Left: What If Life Came With A Season Pass

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When it comes to video games nowadays, many come with some form of a season pass.  As many AAA developers and publishers gate off content behind these types of DLC, and other microtransactions their profits have skyrocketed.  Out of the $7.16 billion Activision Blizzard made last year, $4 billion came from DLC and other microtransaction sales.  EA made $787 million off of their own microtransactions as well.

Despite suspending its use of microtransactions in Star Wars:  Battlefront II in November after gamers (including myself), complained about them, EA teased their return late last month.  There were games I was excited about playing, one being Farcry 5 but after seeing it has a season pass, I don’t want to spend $60 for an incomplete game and experience.

Related – One Limb Left: It’s A MADDEN World And We’re Stuck Playing In It

Season Pass
Farcry 5

I’m not going to spend over $100 for the full experience either.  Not when I can put that money towards food, utilities, and other costs of living and entertainment.  Why spend more than $100 on one game?  Especially when there are great games like Hellblade: Senua’s Sacrifice and Celeste available for way less.

If you are someone who purchases season passes I understand.  But think of this scenario.  What if life came with a season pass?  Imagine going to buy a pair of shoes but $60 only gets you the laces.

Season Pass
Celeste

Want the shoes?  They’re gated off behind a paywall.  You want to go on a trip but the price of your ticket only gets you a seat on a plane.  If you want the plane to fly you to your destination so you can get the full vacation experience you have to pay extra.

If you pay the full retail price for a container of orange juice shouldn’t it be full of liquid?  Imagine going to see a movie but your ticket only allowed you to see the first two acts.  Why shouldn’t it be the same for video games?

Season Pass
Hellblade: Senua’s Sacrifice

I understand that video games cost money to create.   But so do movies and you don’t see studios putting scenes behind paywalls, do you?  All I’m saying is if developers and publishers are going to charge $60 for a game, they should give us all of its content like they used to.  There is no reason to withhold content from gamers.

To the developers and publishers, I say this.  Instead of blocking off content, just focus on making great games and creating memorable characters and stories.  If you make a great product, people will buy it and more than likely won’t exchange it for a different game.

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Five Black Panther Comics To Binge Read After The Movie

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In mere days, Black Panther, a long-standing Marvel hero, will fight across cinema screens all over the country in his own movie for the first time. If early reviews are right, the movie will be a huge success for Marvel, Disney, and — we hope — the comic book that this whole thing is based on. Black Panther is a fascinating character on a number of levels. From the powerful associations with the character’s name to its legacy as a groundbreaking fictional human.

After the movie blows your mind, check out these five Black Panther stories
(plus a bonus one!) that’ll blow whatever bits of your mind that are left.

Black Panther: Panther’s Rage

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Written by Don McGregor
Pencilled by Rich Buckler, Gil Kane, and Billy Graham
Inked by Klaus Janson, P. Craig Russell, and Bob McLeod
Colored by Glynis Wein

Arguably the best Black Panther story ever told, Panther’s Rage is a brutal tale that takes readers all over Wakanda. Panther faces off against Killmonger but also survives leopards, wolves, and the elements. Originally published in Jungle Action, Panther’s Rage elevated the comic book game by creating characters, both heroes, and villains, who were deeply conflicted. At times, good characters become self-serving simply because of succumbing to human flaws like jealousy. Panther’s Rage features a structure that makes it accessible and deep. Each story, in some ways, exist on their own, but contribute to the greater whole, and enrich Wakanda in ways many stories fail to do.

Who Is Black Panther?

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Written by Reginald Hudlin
Illustrated by John Romita, Klaus Janson, Dean White

This six-issue series has its ups and downs along the way. But overall, there is no better place than here to understand Black Panther as a character. Filmmaker Reginald Hudlin (Boomerang, House Party) took the reigns of the book here with the focus of reintroducing the concept of the Panther to 00s readers. Who is Black Panther? takes us through the rich lineage of the mantle. It adds a lot of gravitas to the responsibility that weighs on the person in charge of carrying on the legacy. I’d hate to be T’Challa’s kids, because it’s A LOT of pressure. Fortunately, comic book characters basically live forever and their kids mostly stay kids.

Black Panther: Secret Invasion

black panther-secret invasion-marvel

Written by Jason Aaron
Illustrated by Jefte Palo

Like Michael Jordan in the NBA Finals, Wakanda is undefeated when it comes to being invaded. No foreign power has ever planted their flag on Wakandan soil. But, OH NOES! Here come the Skrull to challenge the African nation. Short-but-sweet, Secret Invasion is an epic action movie that really needs to be included in the movie series as soon as possible. There’s no deep, introspective story here and things are fairly straightforward. The Wakandans are under threat and Panther leads his army into a brutal battle. How brutal? The vicious fight sees heads and limbs flying all over the place.

Black Panther by Jack Kirby

jack kirby-comic book-marvel-black panther

Written and Illustrated by Jack Kirby

Any self-respecting comic book fan knows the name Jack “King” Kirby. The legendary creator has a history thick with incredible sequential artwork. Kirby’s story in comics also has plenty of drama worthy of a movie. Kirby is behind some of the greatest creations in comic book history. After a breakup with Marvel and a stint at DC, Kirby returned to draw a write a few titles, one of those being Black Panther. Kirby’s stories are weird AF, but they are beautifully drawn as only “the King” can do.

Black Panther: The Complete Collection of Christopher Priest (yeah, all of it!)

christopher priest-black panther-comic book

Written by Christopher Priest
Illustrated by Mark Texeira,‎ Vince Evans,‎ Joe Jusko,‎ Mike Manley,‎ Mark Bright,‎ Sal Velluto

Yes, it’s a lot. Priest wrote for T’Challa for six years. But this run of Black Panther is undoubtedly one of the best the character has ever had. According to the star of the new film, Chadwick Boseman, this is the run that inspired the character he portrays. Priest addressed the Panther in an entirely new way. Instead of a mere superhero, Priest viewed T’Challa as the king he is and really played with that great responsibility as ruler of Wakanda.

 BONUS: A Nation Under Our Feet

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Written by Ta-Nehisi Coates
Pencils by Brian Stelfreeze
Inks by Brian Stelfreeze
Colorists by Laura Martin
Letterers by Joe Sabino
Edited by Wil Moss, Chris Robinson, and Tom Brevoort

Black Panther’s modern adventures have him facing an uprising in Wakanda. Written by best-selling author Ta-Nehisi Coates, the story is elevated by the incredible work of Brian Stelfreeze. Together, this dynamic duo, along with the rest of the creative team, have a story that’s ripping Panther’s country apart. The People are threatening the future of Wakanda, and Panther must survive the changes by becoming something greater than a weapon — a leader.

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BLACK PANTHER: A Look Back On Christopher Priest’s Run

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The upcoming Black Panther movie looks like it will be giving the Wakandan King some more mainstream love. Despite being one of Earth’s Mightiest Heroes and showcasing a detailed history in Marvel comics, not many know about the specifics. Audiences seem to know the basics about his character, but not so much about which stories of his are the best. However, many hardcore fans point to Christopher Priest’s 62-issue run on the character as a great starting point.Black Panther

As someone who has always loved the character but never had the opportunity to read this series, I decided to pick up the first collection of Priest’s run. I’ve been loving Priest’s recent work on Deathstroke and Justice League. Black Panther is the character that brought him into the limelight for most comic book fans.

The first thing about his series that stood out to me was how sardonic Priest’s writing was. If you’ve been reading Deathstroke then it shouldn’t be surprising how much intelligent wit is thrown into the dialogue. It takes a satirical look at superheroes, politics, and American culture. While the humor could be classified as dry it certainly made me laugh out loud numerous times.

Priest is a talented writer who knows how to keep the action and pace moving with his comic series. Priest focused on making Black Panther both a superhero and a king. T’Challa is much more complex as he is conflicted with both his responsibilities as an Avenger and a leader. Not only did this revert Black Panther back to Stan Lee’s initial conception, but it allowed him to be in intriguing stories. He wasn’t just the black Avenger anymore; he became a much more three dimensional character. The storyline “Enemy of the State” displays that duality phenomenally.

black panther
Priest’s run also introduced the Dora Milaje, Wakanda’s special forces, and built the legacy of Everett K. Ross, who the author first introduced in the pages of KA-ZAR. Both the Milaje and Ross have become integral parts of the Black Panther mythology, and will feature in the movie.

While the comic is definitely part satire, it’s also a superhero action comic that shows the Wakandan King kick some serious ass and puts him in awesome circumstances. A stand out moment in my mind was the fight between T’Challa and Kraven the Hunter in issue six. All the artists featured in the collection do a fantastic job conveying movement and action. Mark Texeria in particular contributed a unique style that assisted Priest’s storytelling.

As someone who never read any of Black Panther’s run, this was a great jumping on point. It’s mix of commentary, satirical wit, and action kept me engaged as a reader. I absolutely recommend anyone who’s even remotely curious about the character to pick up this collection. It’s new-reader friendly and is a strong run for Black Panther. Hopefully the upcoming film will be borrowing from Priest’s fantastic work on the character.

The first collection collects issues #1-17 and is currently available at most comic stores and online.

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Review: BOJACK HORSEMAN Season 4 – Prepare for More Emotional Gut-Punches

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For a show set in Hollywood (or Hollywoo if you prefer) where half the cast is anthropomorphist animals Bojack Horseman is probably one of the most hard-hitting dramas on television, and the fourth series is no exception.

It has been a year since Bojack ran away from Hollywoo after Sarah Lynn’s death. Since he has been gone Mr. Peanutbutter has been convinced to run for the Governorship of California, Diane has taken a job at a feminist blog, and Princess Carolyn has decided she wants a baby before it’s too late. When Bojack returns to Hollywoo, he finds a 17-year-old horse girl – Hollyhock (Aparna Nancherla) – claiming to be his daughter and wants to know who her biological mother is.

When it comes to comedy shows that can give audiences a gut punch Bojack Horseman is high up there. It is a show that has a nuanced look at psychological conditions like depression and can rival Rick and Morty for nihilistic philosophy. Throughout the show’s run characters have been shown how they became so messed up. The strongest arch in the fourth series was Beatrice’s, Bojack’s mother, backstory. Before Season Four, Beatrice has been shown to be a soul-sucking succubus who sets out to crush her son’s spirit. She was one of the vilest characters in Bojack Horseman – until now.

Beatrice was given two brilliant episodes that looked at her life, “The Old Sugarman Place” and “Time Arrow.” These are two incredibly powerful and dramatic episodes. Beatrice is the product of her upbringing, just like Bojack – she had a father who’s views would have even been considered chauvinistic in the ’40s and ’50s, and her mother succumbed to depression after the loss of Beatrice’s brother. Beatrice was clearly an intelligent woman, getting a university degree, against her father’s wishes and developed a left-wing outlook despite her privileged background.

When Beatrice is introduced as an adult in the fourth season, she’s suffering from dementia and speaking about random things including about a baby – calling Bojack ‘Henrietta.’ It’s all explained in “Time Arrow” to devastating effect.

Both of Bojack’s parents had big dreams and Bojack’s ruined them. Bojack’s father, Butterscotch, dreamed that he would write the next great American novel and wanted to continue a salt-of-the-Earth lifestyle – believing an office job would ruin his creativity and the message of his ‘novel’. They project all their bitterness of their failures and failed marriage on Bojack. When another woman has a similar dilemma to Beatrice, the former socialite offers support in her own unique way because Beatrice doesn’t want the woman to make the same mistakes.

Princess Carolyn also has a heavy storyline because she wants a baby because her biological clock is ticking. She’s finally with a caring man and finally has time off, but she is drawn to the showbiz because she is good at making deals and feels both the extreme highs and lows. Princess Carolyn had an emotionally heavy episode with “Ruthie” which had a slight similarity to the How I Met Your Mother episode “Symphony of Illumination.” The final three episode has Princess Carolyn fall into her own pit of depression.

The fourth season was not all hard-hitting stories about real life issues – there was still plenty of comedy. Mr. Peanutbutter’s run was a thinly veiled parody of the Trump Presidential campaign where a dangerously unqualified man runs for political office. To Mr. Peanutbutter the governor race is a popularity contest – something to give him validation. He starts his campaign by challenging the governor to a ski race, and his campaign manager/ex-wife was able to amend the Californian constitution to make this challenge possible. It was an overt satire to how powerful lobbying and pork barrelling are in American politics. Governor Woodchuck (Keith David) is a serious and competent public servant fighting against an unrealistic populist movement, a bit like Ray Patterson against Homer in The Simpsons episode “Trash of the Titans.” The political story is also a commentary on California’s history of electing actors as governors with Mr. Peanutbutter being a lot like Arnold Schwarzenegger – an empty shell of a politician with few ideas of his own.

Jessica Biel also returns to the series and is given a slightly expanded role. She was hilarious as a crazy version of herself – she is actually psychopathic and ends up being a Trump-like figure in the middle of the series. Her greatest moment was starting the reign of fire.

There was also a political plotline in the episode “Thoughts and Prayers” combining the hot topics of American gun rights/ownership and feminism. Its commentary about these issues and how men would react is both hilarious and biting.

Todd’s also provides a lot of laughs with his well-meaning stupidity. He finally gets his own episode showing how he haphazardly helps everyone around him and through sheer luck does it. He also has another crazy business scheme, egged on by Mr. Peanutbutter, combining dentists and clowns.

Season Four of Bojack Horseman continues the show’s status as one of the best adult animated shows around, being hilarious, giving audience character development and offering some social and political commentary. But most importantly the season is absolutely devastating.

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DC on CW Weekly Review: A Week of Weaker Episodes

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This series will be a brief, semi-comedic review of the CW superhero shows. You can check out last week’s review post here. The only shows discussed will be ‘Arrow’, ‘Flash’, and ‘Supergirl’. There WILL be some spoilers discussed, so only look at the reviews you’re up to date on!

Next

1. Arrow, “The Devil’s Greatest Trick” (Feb 8th)

For the second week in a row, ARROW ruins a perfectly good antagonist. Michael Emerson has put on a great performance as Cayden James this season. This episode dumbs him down to an absentee father, spoiling his demise with the uninformative flashbacks. The reveal of Ricardo Diaz being the mastermind isn’t exciting, because we know so little about his character. The Siren-vs-Canary fight is interesting, but one action sequence does not a good ARROW episode make. Where the season will go from here is unclear, as the show has now broken its season-long villain build-up. But without Michael Emerson, it’s a future that will be lacking in anticipation.

SCORE: 6/10 Basketball Games

WEEKLY WIN TALLY:

The Flash: 5.5 Weeks

Supergirl: 4.5 Weeks

Arrow: 2.5 Weeks

What show did you think won the week? Does Legends of Tomorrow or Black Lightning take your vote? Let us know in the comments below!

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Review: TWISTED ROMANCE #1 Lives Up To Its Name In Many Ways

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Image Comics’ new anthology Twisted Romance (with work by Alex de Campi, Katie Skelly, Sarah Horrocks, and Megan Cubed) offers up three very unique, genre-bending and, multi-medium takes on the concept of love. Twisted Romance

Twisted Romance #1
Stories by: Alex de Campi, Sarah Horrocks, and Magen Cubed
Art by: Katie Skelly, Sarah Horrocks, and Magen Cubed
Published by: Image Comics

Just in time for Valentine’s Day comes this strange and intriguing new anthology of love stories (also bonded by the presence of the supernatural). This issue features three stories: the comic Old Flames by Alex de Campi & Katie Skelly, Leather & Lace (a prose story) by Magen Cubed, and Red Medusa by Sarah Horrocks, a more experimental type of comic tale.

Twisted Romance
Old Flames Art by Katie Skelly

Old Flames

This piece of comics storytelling takes up the bulk of the page count and is considered the main feature. Old Flames is a dark story told deceptively cartoonish. A tale about succubus type beings drawn with the energy and pop of a bright cartoon or webcomic. Alex de Campi writes what on the surface seems like a horror story or revenge fantasy (and those elements are there) but when looked at deeper has themes of loneliness, regret, and redemption. Old Flames is also an entertaining read with a couple of good plot twists. It looks and feels great with all the expressive, bright and colorful images that came out of Katie Skelly’s pen. Old Flames is great. It’s short, fast, a little dark and kinda sweet.

Twisted Roamnce
Old Flames Art by Katie Skelly

Leather & Lace

Leather & Lace is a prose story, yet it still feels like it belongs in this comic anthology as writer Magen Cubed uses some good descriptive visuals to create some great images in your head and has some strong dialog. It’s also a story that combines romance and the supernatural; in this case two star-crossed, love-eyed monster hunters. Leather & Lace is actually the most ‘romantic’ of the three and giving away too much would spoil the fun but it is safe to say it will leave you smiling.

Red Medusa

Twisted Romance
Red Medusa Art by Sarah Horrocks

Red Medusa is the most bizarre entry, as it plays loose with its narrative, its art and pretty much everything else in its arsenal. Sarah Horrocks creates some really eye-catching figures and panels that bring to mind Bill Sienkiewicz (New Mutants) and some Melinda Gebbie (Lost Girls) too. There is a mixed texture and media look to the art that makes it tangible. Red Medusa may have to be read a few times to decipher a narrative but that’s the point in a comic with art like this.

Conclusion

Twisted Romance is the kind of comic that is important for the medium. It offers new genres and mashups in interesting ways by unique creators, truly living up to its name. The first issue, with its three tales, has something for just about anyone.

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Star Trek: Discovery – Gearing Up for “Will You Take My Hand?”

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Star Trek: Discovery’s first season finale, “Will You Take My Hand?” will air shortly, capping off the crew’s first season in action. It has been an eventful season so far with the introduction of the Klingons’ new look, a mutiny, a four-episode journey through the Mirror Universe, and the death of the U.S.S Discovery’s captain.

Discovery, despite the difficulties that viewers have had tracking down episodes of the show which airs exclusively on CBS All Access in the United States, has enjoyed very favourable ratings and has already been green-lighted for a second season. Producers have promised fans of the show that the questions they have will all be answered in time: plot points that appear to have fallen by the wayside will pop up again leaving no loose threads.

Star Trek: Discovery – The Klingon Question

Although the issue was handled relatively poorly in Star Trek: Enterprise, I’m looking forward to finding out why the Klingons look like gigantic walking cockroaches rather than either of the two looks that Star Trek fans saw in the past. I know that other people watching the show have made peace with the new look, but for better or worse I want an explanation.

Star Trek: Discovery – A Madwoman at the Wheel

Viewers will likely get a chance to see how Emperor Georgiou fares as captain of the Discovery in the season finale, as long as she doesn’t blow her cover. But, after this next episode, I wonder whose butt will be in the big chair next season.

Commander Saru looked pretty good sitting on the dais, but because no previous Star Trek show or movie has featured a ship with an alien captain, and because Doug Jones must be expensive, I wonder if the command structure aboard Discovery will change after Season One’s end.

Star Trek: Discovery – Final Thoughts

Discovery has suffered from a few ongoing problems during its first season, specifically a general lack of success executing what seem like good ideas and a faster-than-light pace to each episode’s plot. That said, so did every Star Trek show that has ever aired. My personal favourite, Star Trek: The Next Generation took a couple seasons to fully develop into the stellar show it became.

So, I’ll stick around for the next season if only to hold the writers and producers to their promise that all questions will be answered.

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