Home Blog Page 515

New Series STRONGHOLD Reveals Earth Is Actually An Alien Prison

Monkeys Fighting Robots

Stronghold is a new “tale of cosmic horror, high adventure and tragic romance” announced by AfterShock this week, from Phil Hester, Ryan Kelly, Dee Cunniffe, and Simon Bowland. Issue one is out February 20th, 2019.

About the series:
Our planet is actually a prison designed to both trap and shelter an amnesiac alien entity of incalculable power. Now known as Michael Grey, this cosmic angel of destruction currently believes himself to be an ordinary, midwestern insurance underwriter, who belongs to a global secret society dedicated to making sure he never discovers the truth about his past.

To make matters worse, our hero has fallen in love with Michael Grey. And for their love to be born, Earth must die.

stronghold aftershock

STRONGHOLD #1 / $3.99 / 32 pages / Full Color / ON SALE 2.20.2019
Writer: Phil Hester
Artist: Ryan Kelly
Color
ist: Dee Cunniffe
Letterer: Simon Bowland
Cover A: Ryan Kelly
Cover B: Tyler Walpole

This series is built on a huge, high concept idea, that Earth was only created as a prison for an amnesiac alien. A concept like this holds not only tremendous story potential, but tremendous philosophical potential as well.

Stronghold isn’t Phil Hester’s first foray with AfterShock; he’s also the artist on Shipwreck, written by Warren Ellis. Hester had some thoughts on the new series that he shared via press release:

PHIL HESTER ON WHAT THE BOOK IS ABOUT AND WHY HE’S EXCITED FOR IT TO COME OUT:

“Stronghold is about a college student and delivery driver named Claire who has fallen in love with a sad sack insurance adjuster on her delivery route named Michael Grey. Claire also happens to belong to a centuries-old secret society called The Stronghold who believes this insurance adjuster is actually an immortal, amnesiac elder god whose awakening would ignite a cosmos-wide Armageddon. 

Like all young people, Claire feels restless in her strict faith, but when she tests it by revealing herself to Grey, the results threaten to destroy not only her order, but the world. On the run from The Stronghold, alien enemies, and Grey’s own broken, haunting memories, they both realize that for their love to be born, Earth must die.

A story that begins as a lively, adventurous romance spins into a deeper, darker science fiction tale of existential terror and ultimate sacrifice. It’s very much in the flavor of past work of mine like The Coffin and Deep Sleeper (both with Mike Huddleston). If that’s not enough to hook you, come for Ryan Kelly’s amazing artwork, which alone is worth the cover price. He’s really leveled up on this one. As an artist myself, I’m in awe.”

stronghold aftershock comics

PHIL HESTER ON SOME OF THE PRIMARY INFLUENCES THAT LED HIM TO THE BOOK:

“Like every kid, I was enthralled by “hidden destiny” stories like King Arthur, The Prydain Chronicles, and then as a young adult, stuff like Mage and Dune. As I matured, I saw how these stories were much more than wish fulfillment or simple power fantasies, but cautionary tales about how stepping onto the heroic stage often costs you your personal happiness. I wanted to take that one step further and ask, what if pulling the sword from the stone not only wrecked your life, but all life? Is claiming your identity worth annihilating everything you love? Is taking that red pill worth ruining everyone else’s lives?”

PHIL HESTER ON BALANCING THE TELLING OF AN INTIMIATE ROMANCE AGAINST A BACKDROP DEPICTING A CATACLYSMIC STORY OF LITERAL EARTH-SHATTERING PROPORTIONS:

“Nothing heightens the unreality of a fantastical story like keeping the real aspects of it authentic. What makes Stephen King’s work scary isn’t the big bad monster as much as how effectively he contrasts it with the reality of everyday life. The most frightening parts of The War of the Worlds radio broadcast or the original Night of the Living Dead film are hearing and seeing the mundane media reports struggling to grasp the bizarre events. To maintain that contrast, I sort of have to keep a bright line in my mind between the down-to-earth details of falling in love and the vast cosmic cataclysm yawning underneath everyone’s feet. If a reader can feel the authenticity of the relationship, they’ll feel like they have a stake in its success or failure in the face of these otherworldly forces.”


Stronghold #1 is out February 20th of next year.

Monkeys Fighting Robots Youtube

STAR WARS NEWS SPIEL: Disney+, CASSIAN ANDOR Rogue One Series, Star Wars Land updates, and Rey’s Lightsaber Reveal

Monkeys Fighting Robots

Breaking down STAR WARS NEWS from week 2, November 2018. BECAUSE IN A GALAXY FAR, FAR, AWAY — THERE’S NEVER A DULL MOMENT.

After several weeks of crickets chirping around the Lucasfilm ranch, Bob Iger and crew opened the Star Wars news floodgates by announcing a Cassian Andor series for the upcoming Disney streaming service (Disney+, sometime in 2019).

Diego Luna Returns As Cassian Andor In Rogue One Series

Cassian Andor and K-2 in Rogue One, returing for prequel series on Disney+
Image via Disney Studios and Lucasfilm

Taking place prior to the events of Rogue One: A Star Wars Story, the Cassian Andor series will dive deeper into the early days of the rebellion with Diego Luna reprising the role.

“Going back to the ‘Star Wars’ universe is very special for me,” Luna says via a press release statement, recorded by Variety. “I have so many memories of the great work we did together and the relationships I made throughout the journey. We have a fantastic adventure ahead of us, and this new exciting format will give us the chance to explore this character more deeply.”

Described by Disney as a “rousing spy thriller,” the Cassian Andor prequel series is a pleasant addition to the already jam-packed lineup including Jon Favreau’s The Mandalorian, along with several MCU live-action spin-offs.

But don’t expect the Cassian Andor series upon launch of Disney+.

Production and filming aren’t expected to begin until Luna is finished filming the new season of Narcos on Netflix. Likely, the Cassian Andor series will release after Favreau’s The Mandalorian. Meaning those who subscribe to Disney+ will have a steady flow of geek content coming their way, whether it be out of the Star Wars universe or the MCU. Which would explain why Bob Iger announced Lucasfilm and Disney were putting the brakes on big box-office like films.

“In this era of unprecedented consumer choice, brands matter more than ever,” Iger states. “We always believed we had the brands and content to be extremely competitive and to thrive alongside Netflix, Amazon, and anyone else in the market.”

Rey’s Lightsaber Reveal

Rey's lightsaber Star Wars News from The Last Jedi
Image via Lucasfilm, Star Wars Show, and Disney Studios

Whether intentional or not, the Star Wars Show this week played off the slow news cycle by featuring the ever-changing contents of the Lucasfilm ranch display case. One of these items is Rey’s (Anakin Skywalker’s) blue lightsaber. The same one her and Kylo Ren split in two during the throne room scene in “The Last Jedi.”

Ending the Luke Skywalker (The Last Jedi) debate: Canon Vs. Eu Legends.

Speculation and rumors were afoot regarding whether the lightsaber could be saved and rebuilt. Upon viewing the model up close, however, it’s clear the Kyber crystal is broken in half.

This is good news for fans who want Rey to have a new lightsaber in Episode IX. The big question, however, is what type will she choose? Will it be the first double-bladed light side lightsaber to be featured in a Star Wars film, or will she stick with one of the classic styles? Maybe, just possibly, it’ll be completely unique and original? Although, we’re not holding our breath on that one.

Other Star Wars News

Star Wars land construction in California and Florida is rapidly progressing.

“These are the biggest lands that we’ve ever built and, in both cases, not only are they big in size and scale they’re huge in ambition — in terms of both the experience that we aim to create,” Disney stated in a press release statement.

“[Star Wars land] clearly is the biggest thing that we’ve ever done at Disneyland since it opened in 1955. And we think it’s going to drive a huge increase in demand. “We think we’re going to have some interesting challenges on our hands to manage that demand, but that’s a good problem to have.”

Talking Bay 94: A Star Wars Podcast discussed an interesting topic from The Last Jedi this week, stating an Admiral Ackbar death scene was filmed. It was cut, however, so the focus could be on General Organa instead. While most fans already assumed this, it was nice to have clarification. Admiral Ackbar, despite being a true side character, deserved more than simply a name mention. Even if the scene was eventually left on the editing room floor.

John Boyega may be wielding a lightsaber again in Episode IX.

It’s unlikely Disney will confirm this, but it’s neat to think Finn and Rey might be fighting side-by-side against Kylo Ren again. This time, however, they’ll each have a lightsaber. Especially if Finn’s is a custom built for him like Rey’s.

What’s got you the most excited this week in Star Wars news? Does the Cassian Andor series sound interesting and will it include K-2SO? Let us know in the comments below and tune in weekly for the Star Wars News Spiel via Monkeys Fighting Robots. “May the Force be with you, always.”

Monkeys Fighting Robots Youtube

Review: EVERY ACT OF LIFE Deserves A Standing Ovation

Monkeys Fighting Robots

Every Act of Life is a new documentary film by Jeff Kaufman about Tony-winning playwright Terrence McNally. The movie follows McNally’s life through his groundbreaking career, quest to find true love, and the struggle he faced for LGBT rights.

Terrence McNally is an undoubtedly interesting man with an admirable career. As such, this film is able to be captivating. McNally’s body of work is impressive, and the movie does justice to it. Even someone who is not familiar with him going in will be able to appreciate him by the end of the film. The movie contains multiple clips and excerpts of McNally’s plays that are read aloud. These are quite entertaining, as the plays themselves are often humorous.

Another significant aspect of the film deals with McNally’s personal life. His story as a member of the LGBT community is important, as he was a groundbreaker in his time. At the time in which he rose to prominence, it was not acceptable to be a homosexual man. Providing further insight is the context in which the movie places his story.

every act of life mcnally

AIDS significantly affected McNally’s life as he saw many people around him suffering and even dying from the disease. This film is still important today because it has the potential to bring awareness to this affliction that ailes so many people in our society. This movie adequately conveys the emotional impact that AIDS can have on a person and their loved ones.

The film also emphasizes the importance of artistic expression. McNally used theatre as his way of expressing his feelings about his experiences and what was happening in the world. Because of this, we are able to transport ourselves into the time period in which he lived and have at least some semblance of an understanding of what people were feeling at the time.

every act of life stage

The interviews in the documentary are also incredibly insightful. McNally himself is featured quite frequently, but it is perhaps the interviews of the actors that worked with McNally that were most affecting. The interviews with Nathan Lane and F. Murray Abraham prove to be some of the most helpful in terms of information.

Additionally, the film is very well-made. The editing is quite strong. There is a large variety in the styles used by the filmmakers, keeping the movie attractive. The interviews are well-framed and well-shot. The readings of letters were also good, as these supplemented the film’s main content.

Overall, Every Act of Life is a very interesting documentary about a very interesting man. If you are a fan of theatre, this is one you surely won’t want to miss.

Every Act of Life is now available on VOD.

Monkeys Fighting Robots Youtube

The Death of Daredevil to Lead into MAN WITHOUT FEAR in January

Monkeys Fighting Robots

Starting in January, following the Death of Daredevil arc, the creative team of Jed MacKay and Danilo Beyruth will come together to champion the notion as to who will now protect Hell’s Kitchen.

That’s right, as was previously reported, Charles Soule is ending his long-running tenure on Daredevil, starting with Daredevil #609, which, in itself, will be a four-issue arc. The MacKay and Beyruth Man Without Fear series will serve as a five-issue miniseries that will highlight a mayhem-filled city that is missing its hero as people try to find a way forward. The series will bring together both heroes and villains of Hell’s Kitchen to face the chaos and disorder in a city without its ‘Guardian Devil’. All five issues will feature cover art by Kyle Hotz.

Man Without Fear #1 will hit shelves and land on digital on January 2, 2019. For more information regarding the upcoming weekly series, including shots of all five covers, click HERE. Don’t worry, there’s still hope for Daredevil in 2019, click HERE to find out more.

What do you think, is the thought of losing Matt Murdock’s Daredevil too much to bare? Let us know in the comments section below.

Monkeys Fighting Robots Youtube

Review: THE IMMORTAL HULK #8 Transforms Into Full Blown Body Horror

Monkeys Fighting Robots

Al Ewing, Joe Bennet, Ruy Jose and Paul Mounts go full-on body horror in a phantasmagoric THE IMMORTAL HULK #8.

Bruce Banner is dead. His corpse has been dissected, his organs cataloged, and his inner workings are being studied by the scientists of Shadow Base. Bruce Banner is no longer a threat. That just leaves the IMMORTAL HULK…Immortal Hulk

The Immortal Hulk #8
Written by: Al Ewing
Pencils by: Joe Bennett
Inks by: Ruy Jose
Colors by: Paul Mounts
Letters by: VC’s Cory Petit
Cover by: Alex Ross

This review contains spoilers

Writing

After last issue’s massive action-packed Avenger’s led beatdown, The Immortal Hulk #8 switches gears again and unabashedly oozes into straight up body horror. Ewing once again adds another layer to the Hulk, opening up his powers in even more horrific ways. The bulk of the story takes place within Shadow Base, as the villainous Dr. Clive pokes and prods at the leftover Hulk body parts. Clive, written like an old school mad scientist, rants and raves. But in true horror fashion, the scientist does not know what forces he his playing with and before he knows it...SPOLIERS…he finds out that the Hulk has been conscious this whole time he has been spread apart in parts. The body parts then begin to move and crawl on their own, attacking Clive and absorbing him like something out of John Carpenter’s The Thing or a David Cronenberg movie. This revelation completely changes the nature of the Hulk again and makes him even deadlier. Ewing is really having fun with this book, taking it in crazy directions every issue. He is creating one of the wildest conic book rides on stands and one of the best Hulk runs in years.Immortal Hulk

Art

A comic that strives for a horror vibe can get only get so far on the writing alone. The art, from the pencils to the letters, has to create and sell the mood and atmosphere. The art team of Bennett, Jose, Mounts and Petit completely deliver. Everything that comes out of their pens works seamlessly together to give the book a creepy, pulpish feel. The line work is thick and heavy, the inks full of weight and the colors are lurid. It’s a horror comic through and through. The lettering even echoes old school EC Comics font.Immortal Hulk

Conclusion

This is the best Hulk has been in years. Every month brings a new change, a new revelation and more, and more horror. So rise up and grab this book.

Monkeys Fighting Robots Youtube

TRAILER #2: MOWGLI Is The Netflix Version Of The Jungle Book

Mowgli stars Rohan Chand as the titular character who is a child literally raised wolves, a bear and a panther who must learn to survive the perilous jungle he now calls home. Mowgli gets a limited theatrical release before hitting Netflix on December 7th, 2018.

About Mowgli

Official Description: A human child is raised by a bear and a panther and learns the harsh rules of the jungle to rise up and become accepted by the animals. However, not all animals are friendly to the idea, and the child must come face-to-face with his own past.

This live-action version of “The Jungle Book” by Rudyard Kipling comes from Netflix and director Andy Serkis who also plays the lovable bear Baloo. The case is pretty insane too, featuring the voices of Christian Bale, Cate Blanchett, and Benedict Cumberbatch. From the looks of the trailer, the visuals look decent and, well, we all know the story pretty much so if you like the Jungle Book and any of its many iterations then there’s not much to be against.

Mowgli features a cast that includes …

Rohan Chand as Mowgli
Matthew Rhys as John Lockwood
Freida Pinto as Messua
Christian Bale as Bagheera, the Panther
Cate Blanchett as Kaa the Python
Naomie Harris as Nisha the Wolf
Andy Serkis as Baloo, the Bear
Benedict Cumberbatch as Shere Khan the Tiger
Peter Mullan as Akela the Wolf
Jack Reynor as Brother Wolf
Eddie Marsan as Vihaan the Wolf
Tom Hollander as Tabaqui the Hyena

mowgli-netflix-movie-trailer

I don’t think anyone asked for two live-action Jungle Book films, but here we are. The Disney film, released in 2016, was a huge hit. It may or may not have pushed this film back as they continued to improve the visuals to keep pace with Disney. However, Andy Serkis promises this is a “darker” and “more serious” adaptation.

netflix-jungle book-trailer

Did this trailer get you excited for Mowgli?
Leave your comments below!

Monkeys Fighting Robots Youtube

TRAILER: MISSING LINK Features Hugh Jackman As A Myth Hunter

Missing Link is a star-studded stop-motion animation film about an investigator played by Hugh Jackman of myths trying to find the missing link (Zach Galifianakis) and make a name for himself amongst the best-of-the-best myth hunters. Missing Links lands on cinema screens April 12, 2019.

About Missing Link

Official Description: The charismatic Sir Lionel Frost considers himself to be the world’s foremost investigator of myths and monsters. Sir Lionel’s last chance for acceptance by the adventuring elite rests on traveling to America’s Pacific Northwest to prove the existence of a legendary creature. A living remnant of Man’s primitive ancestry — the missing link.

The cast for Missing Link is spectacular. Just look at the list below of actors lending their voices to this charming animated film. Behind the camera, the talent continues in the form of director Chris Butler who previously directed the Oscar-nominated ParaNorman in 2012. Butler also wrote the 2016 animated hit film Kubo and the Two Strings. There is a powerhouse team behind this film, and the trailer reveals a beautiful piece of animated splendor.

Missing Link features a cast that includes …

Hugh Jackman as Sir Lionel Frost
Zoe Saldana as Adelina Fortnight
Zach Galifianakis as Mr. Link
Stephen Fry
Emma Thompson
Timothy Olyphant
Matt Lucas
David Walliams
Ching Valdez-Aran
Amrita Acharia

This movie had me at “writer of Kubo and the Two Strings.” Even before I knew that, though, the animation was a gorgeous selling point. It’s visually stunning, to say the least wtih a healthy mix of old-school and new-school techniques. The trailer for Missing Link checks off a lot of boxes that make it a film to keep an eye on. I even already like the idea of the franchise continuing on with Jackman’s myth hunter finding more legendary creatures.

Did this trailer get you excited for Missing Link?
Leave your comments below!

Monkeys Fighting Robots Youtube

Review: ‘WIDOWS’ Is A Gripping And Intense Crime-Thriller

Monkeys Fighting Robots

Director: Steve McQueen

Cast: Viola Davis, Elizabeth Debicki, Michelle Rodriguez, Cynthia Erivo, Daniel Kaluuya, Colin Farrell, Brian Tyree Henry and Robert Duvall.

Synopsis: A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows — Veronica, Linda, Alice and Belle — have nothing in common except a debt left behind by their spouses’ criminal activities. Hoping to forge a future on their own terms, Veronica joins forces with the other three women to pull off a heist that her husband was planning.

[embedyt] https://www.youtube.com/watch?v=nN2yBBSRC78[/embedyt]


Steve McQueen (12 Years A Slave) is back with a new crime-thriller (based on a 1980’s ITV series?), and thanks to an excellent ensemble cast, a great script and some pitch-perfect direction, the Oscar-winning director has managed to deliver yet another emotional, gripping, terrifying and beautifully heartbreaking drama.

It will come as no surprise to learn that the highlight of Steve McQueen’s Widows is the incredible cast that the director has assembled. The entire ensemble gives 100%, with each A-list actor offering a noteworthy performance. Daniel Kaluuya (Get Out) and Elizabeth Debicki (The Night Manager), in particular, manage to steal the show on more than one occasion. If you’re looking for a standout, however, you needn’t look any further than Viola Davis (Fences). The Oscar-winning actress leads the cast with yet another excellent performance, which beautifully balances extreme vulnerability with ice-cold strength.

Widows

McQueen directs the film with unyielding confidence, telling a story that excites and entertains, while at the same time, showing us a reflection of modern society and embedding several themes into the narrative. Under another filmmakers command, Widows could have easily become a shallow and skin-deep crime-thriller, but McQueen has added surprising depth to the story, which allows us to connect on a deeper level. The director also shows great skill in his ability to balance multiple styles and tones, as the film endlessly flows back and forth between the terrifying and the utterly heartbreaking.

Action and suspense are essential components of the story, and McQueen executes each action sequence with the utmost care and attention. The film opens with an incredibly intense chase sequence, which is shot from the POV of a speeding van. This brilliantly constructed opening sets a precedent for every action sequence that comes after it, and McQueen follows this scene with some of the most brutal and uncomfortable to watch sequences of the entire year.

Widows

Regarding visuals and cinematography, McQueen and his cinematographer Sean Bobbitt have created a raw, slick and hauntingly beautiful film. Bobbitt’s cinematography is stunning, especially when given the opportunity to experiment with different shots. There are two long takes, in particular, that are executed flawlessly and working with Bobbit, McQueen has not only made an entertaining film, he’s also made a beautiful one.

The score, which has been composed by Hans Zimmer, who is often criticised for his loud and bombastic BWAAAMMMM’s, has decided to go with a low-key score for Widows, which more than works for the harsh and emotional story that McQueen is telling. However, when we enter an action scene, the score becomes more energetic, and Zimmer picks up the pace. It might not be in contention for the best score of the year, but it certainly suits the brutal and emotional story.

OVERALL

With Widows, Steve McQueen has delivered yet another smart, gripping, endlessly intense and brilliantly acted drama. Featuring an all-star cast at its very finest, top-notch directing, beautiful cinematography and a haunting score from Hans Zimmer, this action-packed and emotional thriller will undoubtedly please both the blockbuster crowd and fans of more artistic and subtle cinema.


Interested in hearing more of my thoughts? You can listen to my spoiler-free review of Widows in the latest episode of my podcast, Kieran’s Movie Space. Check it out in the YouTube video below:

[embedyt] https://www.youtube.com/watch?v=zi187akUOKk[/embedyt]

Monkeys Fighting Robots Youtube

TYPHOID FEVER: X-MEN Review – Moves Story, Despite Hiccups

Monkeys Fighting Robots

In one of the most well-known passages of his work Paradise Lost, John Milton writes “The mind is its own place, and in it self can make a Heaven of Hell, a Hell of Heaven.” Typhoid Fever: X-Men seems to take this notion to heart, twisting and playing with the characters’ darkest memories.

The presentation here isn’t as surreal as in the first issue. While characters are not always lucid, the reader is more grounded in the narrative compared to Typhoid Fever: Spider-Man. The result is an above-average middle chapter of the story.

The Writing

Typhoid Fever: X-Men centers around the cast’s memories, or more accurately, trying to distinguish true memories from false ones. Typhoid Mary attempts to manipulate Bishop, Storm, Iceman, Nightcrawler, Jean Grey, and Spider-Man into characters in her own twisted soap opera. When some resist, though, Mary warps the team members’ memories to use their darkest personal moments against them.

The story gives us the chance to delve into the complicated and often tragic pasts of several characters. Most notably, Mary herself goes under the psychic microscope when Jean Grey delves into her mind to try and break Typhoid’s control over her.

The dialog is fine throughout, though it can fall a little flat, especially when characters try to exert their (lack of) wit. However, writer Clay McLeod Chapman’s narrative comes through in Typhoid Fever: X-Men. We see Mary rewrite her own memories and history. Through Jean’s eyes, we delve deeper and deeper into the core of who Mary is, and where Mary Walker ends and Typhoid Mary beings. The downside of this is Jean becomes an exposition character, but it’s not bad enough to drag things down.

One of the long-time problems with Mary Walker’s character is the flawed and, in many ways, problematic portrayal of Dissociative Identity Disorder (commonly referred to as split personalities). However, we see a genuine attempt here to wrestle with that legacy. The series is turning into a compelling character study, exploring the roots of Mary’s identity and mental illness.

We’ll need to wait until the next issue before we can say whether Chapman really lands what he’s going for, but it’s looking promising.

The Artwork

The team of Danilo S. Beyruth and Will Robson on art produce an interesting contrast in styles throughout Typhoid Fever: X-Men.

Robson provides his typically-cartoonish look for most of the book, which has its ups-and-downs. For example, Mary has a wide range of expression, helping sell the character as a more interesting an engaging figure. It doesn’t always work though, particularly in Jean Grey’s case; in fact, every time I look at her, I can’t help but get serious “Mega Man” vibes.

The backgrounds are rather dull throughout Robson’s pages as well. I found myself focused solely on the characters, but less because they commanded attention and more for a lack of other things to look at.

I found Beyruth’s pages generally more engaging to the eye. The environments possessed more of a kinetic sensibility, in contrast to the static backgrounds of Robson’s work.

That said, the colorwork provided by Rachelle Rosenberg and Dono Sanchez-Almara accented each style well. The bright colors make Robson’s cartoonish, rounded characters pop, while Beyruth’s more angular, realistic designs benefit from a muted, downplayed palette.

Final Verdict

Typhoid Fever: X-Men provides a more direct narrative than the first issue in the series. While it’s lost some of the surreal touches and the art has some wonky elements, it’s still an interesting read. I’d recommend picking it up.

Monkeys Fighting Robots Youtube

LUKE SKYWALKER Divisiveness: Star Wars Canon Vs. EU Legends

Monkeys Fighting Robots

For decades, Luke Skywalker was the Jedi hero who brought peace to a divided galaxy and helped maintained it. These were the stories fans grew up on, whether it be through George Lucas’ movies, or the hundreds of books and comics to follow over the years.

Time, however, changes everything. What existed as Canon became EU Legends, erasing everything post Return of the Jedi.

Suddenly, Mark Hamill is thrust back into the lead role as Luke Skywalker in The Last Jedi after his very brief re-introduction in The Force Awakens. The young boy who whined about almost everything (drinking game for every time Luke whines in the OT), is once again labeled as the “last hope” in the galaxy.

Except, Luke played a role in creating said evil this time around, rather than being an innocent byproduct of it.

Luke Skywalker and Ben Solo Flashback The Last Jedi
Image via Lucasfilm and Disney Studios

Putting aside the Canto Bight arc and Poe’s act of rebellion, the most divisive issue in TLJ revolves around fandoms interpretation of Luke Skywalker. According to Rian Johnson, director of The Last Jedi, Luke Skywalker’s actions reflect his persona and character traits within the original trilogy.

Would the Luke Skywalker — we know and love — abandon his friends after he defies Yoda to save them in Empire Strikes Back? Would Luke become selfish and distant after risking everything in Return of the Jedi to save Han and his Sith Lord father? Why would any reputable Jedi toss a lightsaber away in a vital moment?

These are the questions many have asked. Most often, however, they’re asking from a perspective of “this isn’t the Luke Skywalker I know.”  Because the Skywalker in Legends EU is not the one in Canon.

So, who’s the real Luke Skywalker?

Is it the young (slightly arrogant and naïve) boy who became a Jedi in the OT, or the Grand Master Jedi (married to Mara Jade) who fought to the bitter end in Legends?

The EU Legends Luke Skywalker

Luke Skywalker and Mara Jade EU Legends Star Wars
Image via Lucasfilm and unknown artist

The Luke Skywalker presented in the Star Wars EU is one who faced many hardships early on after the fall of the second Death Star but overcame them through the love his friends, his wife Mara Jade (former Hand to Emperor Palpatine), and his desire to always do what is right.

But that’s just the tip of the iceberg. In Legends, Luke turns to the dark side of the Force for a hot minute, his nephew becomes a Sith apprentice who kills his wife, and his own son almost becomes a Sith as well.

And yet, Skywalker never ran away or gave up fighting until the day he passed and became one with the Force. The Luke in EU Legends continually fought side-by-side with Han, Chewie, Lando, and Leia — further strengthening the bonds between them as they served the galaxy following the destruction of the Empire.

Even when their own children betrayed them, this original OT crew relied upon one another to get through every disaster life threw their way.

Canon Luke Skywalker

Rey and Luke Skywalker Holding Anakin's Lightsaber The Last Jedi
Image via Disney Studios and Lucasfilm

Unlike the Luke Skywalker presented in Star Wars EU Legends, the Luke in Canon exists strictly in the OT movies (and a handful of new Canon material). He never fell in love and married Mara Jade, and he didn’t continually fight battle after battle for the sake of the galaxy alongside his friends.

The Luke Skywalker in Canon plays a very minor role in the New Republic, seeking knowledge over violence. He forms a school when Ben shows immense strength in the Force and decides to teach future Jedi. Much like the Luke in Legends, his nephew turns on him and becomes a Sith apprentice.

But — and this is a huge but — Han, Leia, and Chewie all go their separate ways after Ben’s betrayal. They’re all wallowing in their own failures. Nobody steps up to the plate and declares the newly formed Kylo Ren must be stopped until it’s way too late (decades later). And by this time, Luke has already secluded himself, lost amongst the stars, wishing to be forgotten.

And to be honest, who could blame him?

In Luke’s depressed mind, he failed everyone, and they all abandoned him. Even Han deserted Leia and returned to his old scoundrel ways. This is the story presented in the new Star Wars Canon. It’s not that Luke doesn’t want to help Leia and the Resistance when Rey seeks him out — he doesn’t believe in himself, the Force, or love anymore. Three key things, by the way, which drove him to be the Jedi hero in the original trilogy.

Resolving The Skywalker Debate

Luke Skywalker Twin Suns Shot In A New Hope and The Last Jedi
Image via Lucasfilm and Disney Studios

Is it really Rian Johnson’s fault fans didn’t like TLJ or Luke’s character adaptation? Or, did fandom assume the Luke Skywalker of EU Legends would suddenly become the one in Canon, despite his story being completely different following Return of the Jedi?

This is the issue at hand, and it isn’t going away with Episode IX. Luke eventually snaps out of his funk in the TLJ and resolves his past the only way he knows how to. But he’s still the Luke Skywalker of the new Canon, not of EU Legends. When he appears as a Force ghost in Episode IX (as many assume, he will), it’ll be important for fandom to remember this.

J.J. Abrams played a major role in The Force Awakens (direction and script) setting up the Luke Skywalker we know in Canon. Rian Johnson simply followed through on what was already established. While Abrams can adjust Luke slightly, he can’t retcon what he helped create. At least, he shouldn’t, because it would only make things worse.

The Star Wars Canon is what it is. New stories are being created, on top of existing ones based on the OT. Some we’ll like and others we won’t. But regarding Luke Skywalker in The Last JediThe Force Awakens and Episode IX, he’s perfectly aligned with George Lucas’ version in the original trilogy.

And that my fandom friends, is simply a Canon fact.

The Clone Wars episodes everyone needs to watch before its return.

Should Disney have adopted the new Canon more directly around EU Legends? Are you happy with the new Luke Skywalker or do you prefer the one presented in the old books and comics? Let us know your thoughts and “May the Force be with you, always.”

Monkeys Fighting Robots Youtube