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Panels to Pictures: Five Things We Want to See in Suicide Squad

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So the Comic Con to end all Comic Cons has come and gone. It goes without saying that despite being the debutante; Star Wars won hands down with perhaps the best after-party that San Diego has seen in a long time. DC and Warner Bros arguably came a close second with a trailer for Batman v. Superman that converted many a naysayer. They also managed to wow crowds by giving us our first glimpse at footage from the Suicide Squad film. Although initially reluctant to release the trailer online, leaks forced DC’s hand as they are want to do. Having watched the trailer in all its HD glory, it seems like the perfect time to look at five things that we need to see in Suicide Squad in our latest Panels to Pictures.

1) Amanda Waller being a Bad-Ass

The DC animated universe has in many ways spoiled this generation of comic book and superhero fans. To say that many consider it the definitive version of theses characters is an understatement and it shouldn’t be hard to understand why given the dedication that Bruce Timm and Paul Dini’s put into their work. They understood that Amanda Waller has to be imposing on an intellectual level. She is more than just a handler for Task Force X, she is a political powerhouse and a woman who puts even the toughest DC characters in their place. All it should take is her word to drive the fear of God into the hardest of criminals.The New 52 initiative made a grave mis-calculation in its approach to Waller. Much of what makes Waller great is that she isn’t physically imposing in the classic sense. She doesn’t look like someone you should be afraid of, she’s someone who is underestimated because of her size, stature and gender. She is the anti-thesis of what is expected of her. The Skinny Waller re-design turned her to an archetypal femme fatale with only the slightest of hints towards the true brilliance of her character. The purpose was to show that Waller could be an action heroine, but she doesn’t need to be, that’s somebody else’s job.  That isn’t to say that Waller is afraid to take matters into her own hands when needs be, but as the  puppet-master she shouldn’t have to. The casting of Viola Davis in the role is a big step into doing the character justice and what little we get of her in the trailer is certainly promising. All we need is  a scene of her successfully staring down Batman and we should be good to go.

http://www.youtube.com/watch?v=L5vbFgrV93A

2) The Harley Quinn/Joker Relationship

If purported leaks from the set are to be believed, then the film will see the Suicide Squad charged with taking down the Joker himself. Inevitably this will lead to a clash between the Clown Prince of Crime and his disciple(and occasional girlfriend), Harley Quinn. Their relationship is as classic as it is tragic. While Quinn as a young psychologist attempts to exploit the Joker to further her own careers, the tables are quickly turned as he lures her into chaotic web. Harley’s inability to break free from the Joker’s control, despite her best efforts, is central to who she is and its unfortunately an experience that many victims of domestic abuse are all to familiar with. The film-makers would do well to hint at the origin featured in “Mad Love”, but to focus on modern Harley’s almost bi-polar attitude towards the Joker. They must walk a fine line between ensuring that Harley is an agent in her own right, while also demonstrating the power that Mister Jay has over her. We must be both charmed and horrified by Harley in equal measure, that’s what makes her endearing.

harley-quinn-et-le-joker

3) Each member of the Squad has to have a purpose

While an ensemble movie is nothing new, the amount of characters set to feature in Suicide Squad is astounding. Squad members alone include Waller, Harley, Deadshot, Killer Croc, Katana, Rick Flag, Boomerang, El Diablo and Slipknot. With so many characters and a limited run-time, the risk of overlooking characters is high. In order to justify their presence on the Squad outside of cannon fodder duty, the film should structure itself like a heist movie with each member chosen for a specific tactical reason. This would allow us some insight into the Squad’s own back-stories while also fleshing out Waller’s character and demonstrating her sharp strategic mind. Additionally it would allow for each character to have their moment in the limelight.

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4) Treat Deadshot with the respect he deserves

Those of you wise enough to have read Secret Six know that Deadshot aka Flyod Lawton has potential to be the breakout character of a film which arguably exists as a platform to launch Harley Quinn and the Joker into the DC Cinematic Universe. It is fair to say that his origin story has been retconed to death over the years, but at the heart of the character is father whose lifestyle has lead to him becoming estranged from his daughter. Deadshot takes pride in his skills, but sees them as a means to an end. His relationship with Batman is something that is worth exploring as Lawton finds himself subconsciously pulling his shots around the Dark Knight. It is no accident that Will Smith was cast in the role. While one of the most charismatic actors on the planet, Smith also has the ability to bring a lot of nuance and emotion to a character as evidenced by his role in the Pursuit of Happiness. Deadshot much like Deadpool is as witty as he is deadly, but he also cares deeply about providing for his family. This is something that Arrow’s version of the character (portray by Michael Rowe ) did this very well and the character became a fan favourite because of it. Director David Ayer would do well to take notes.

DEADSHOT-BATMAN-GO-TO-HELL

5) Someone shouldn’t be returning for the Sequel

The number of characters featured on team is ever changing. The nature of the missions they go demands that the stakes are high. In order to fully realise its potential and sell the concept, the Suicide Squad has to live up to its name and that means that one of the core cast members is going to have to be killed off. Be it as a power play by Waller or a stray bullet in a fire-fight, one of our villains is going to have to bite the dust. For it to have any meaning whatsoever, the character must be more than a stereotypical red-shirt, doomed to die. The death should take us by surprise, it should be one of the leads and we should care about them. By all means kill off an expendable character early on to raise the tension, but that won’t be enough. The courageous decision story-wise would be to kill off Will Smith’s Deadshot, but it would probably be a mistake from a business perspective which would make  Boomerang the most suitable candidate for the chop. Regardless, if DC wants us to believe that this is a movie and franchise in which anything goes, this is what will be required.

squadblockbuster_0

For my money, the best possible Suicide Squad movie has already been made with the 2014 animated feature, Batman: Assault on Arkham. For those of you looking to brush up on your Suicide Squad knowledge, there is no finer starting point.

What do you think? What would you like to see in the Suicide Squad film? Let us know in the comments below.

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Review Ant-Man: Small in Stature

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For Father’s Day this year my wife, signed me up for the Marvel Collectors Corp Box, since I have been and will continue to be a mega comic-book movie fan. What was so very cool about the past month’s box is that it promoted the movie Ant-Man. I was super excited because it came with a shirt and I knew that I was going to be rocking that T-Shirt at the screening in the next week or so. I was literally counting down the days to the screening. Finally the day arrived and I was excited to be attending this screening with my wife. I turned to her and said “Marvel, does everything right on the money, this is going to be awesome!” So 117 minutes pass and I headed out the theater very deflated. Marvel, a company that has produced so many great films had finally slipped a little. Ant-Man is an average movie at best and is without question lacking in stature. Let me explain to you why that is the case.

This is a movie about Dr. Hank Pym (Michael Douglas) and how he recruits the talents of Scott Lang (Paul Rudd), a thief who was just let out of prison. Lang becomes Ant-Man, trained by Pym, is fitted for a suit that allows him to shrink in size, have superpowers, and control an army of ants. Lang uses his suit to help defeat his nemesis Darren Cross (who becomes the Yellow Jacket).

Paul Rudd was a very good choice to take on the role of the Ant-Man, however, the director didn’t use him in the right way. Paul Rudd is a funny and talented actor who has that same kind of quick wit that Chris Pratt demonstrated in Guardians of the Galaxy. Much to my surprise, it seems as if the director Peyton Reed worked to temper his wit rather than use it to the movie’s advantage. When he was allowed to use his wit to his advantage, what you had was some of the very best scenes that were in the movie. However, these were few and what we did see was a very stiff adaptation of the Ant-Man.

Ant-Man seemed to be less about setting forth a story line involving one of the lesser known super heroes in the Marvel universe and more about it being a building block for future Marvel movies. It was Marvel’s decision to do this that took away greatly from the overall impact of the film. Guardians of the Galaxy still built towards future movies but not at the expense of the story line in the film. If you are going to do a stand-alone film then allow it to be a stand-alone film and not use one character to build towards an array of others. If Marvel is going to continue to do this why would I pay to see Black Panther or Dr. Strange when I know that I can get what I want out of the Avergers: Infinity War movie?

Ant-Man should have been an enjoyable experience for all theater goers. Instead, I found myself asking myself, “Did they just make a reference to another Marvel Character?” If the little inside dialogue is going over my head, I can’t imagine how it’s going to play to your average non Ant-Man shirt wearing crowd.

I’m not going to tell you that Ant-Man is a terrible movie. It’s not. Ant-Man is a very average movie but for Marvel that’s not high praise. Marvel, over the last 7 years, has produced movie after movie that was quality and had the audiences buzzing afterwards. Leaving the theater this time I had the sense of “whatever”. That’s not the type of stature I am accustomed to from Marvel.

Ant-man in full Ant-man gear.
Ant-man in full Ant-man gear.
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Video: Anime Director Katabuchi Sunao’s MV goes online

Toshiaki Mishima and producer Masuya Makomu’s mishmash* project have posted their Aimee Isobe collaboration music video directed by Katabuchi Sunao’s (director on Black Lagoon and Mai Mai Miracle, assistant director on Kiki’s Delivery Service). Akiko Asaki (animator of Black Lagoon‘s opening, animation director on late episodes and OVA) was animation director and character designer with key animation from Taiki Imamura and Kanako Maru. Mappa handled the production.

The single, “How much longer will I have you with me?” will be released September 16th.

Below are some of their previous collaborations –

mishmash *Miki Orihara

mishmash *Julie Watai

via M-on and @braves133

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Review: Mr. Holmes is Brilliant

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I hope he has an outfit to wear to all the awards shows he will have to attend this year.
I hope he has an outfit to wear to all the awards shows he will have to attend this year.

The Merriam Webster Dictionary defines the word brilliant as very intelligent or successful. Some people will throw that word around like it has little to no meaning. I remember being at Disney World with my family and hearing another dad looking at an ice cream cone that his wife had purchased on Main Street and he calling that “brilliant.” I remember thinking to myself at that moment,“Really, you are calling the fact your wife was able to successfully navigate the purchase of an ice cream cone as an example of her intelligence?” The point is that we shouldn’t just throw certain words around all the time because it takes away from the overall meaning of the word.That is why when I write these reviews, I make it a point to carefully choose the words that I want to use when describing these movies to you. With that in mind, I’m here to tell you today that Mr. Holmes is one of the most brilliant movies I’ve seen in 2015. Let me explain further.

Mr. Holmes (Ian Mckellen) is a new take on the world’s most famous detective.In 1947, an elderly Sherlock Holmes returns from a journey to Japan, where, in search of a rare plant, he witnessed the aftermath of Hiroshima.Now, Holmes faces the end of his life tending to bees, with only the company of his housekeeper and her son.Dealing with the dwindling powers of his mind, Holmes comes to need the help of the boy as he revisits the circumstances of his final case.

The story behind this movie is the performance of Ian Mckellen. He portrays the iconic character of Sherlock Holmes with such gravitas that you aren’t able take your eyes off of him from the beginning of the film to the end.He portrays Mr. Holmes with a sense of ego mixed with a tinge of vulnerability due to his diminished mental skills.He brings such heart to the role of Mr. Holmes that it’s without question one of the best acting performances that I’ve seen this year.I think it’s a shame that Mr. Holmes came out now and didn’t come out closer to awards season.Sometimes time can be the enemy of a movie during awards season.

Sadly, Mr. Holmes won’t get the wide play that it deserves.It’s a great movie with plenty examples of masterful moments of acting.Mr. Holmes is not the best film of the year in my opinion but it’s at least in my top 5.The story that will last the rest of the year will be Ian Mckellen and his performance as Mr. Holmes. Mckellan has had a distinguished acting career and will have a great chance at winning his first Oscar for this role. Remember, brilliance is always going to be recognized.

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Batgirl: A Matter of Family (Mini Review)

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Batman: Arkham Knight has been out for a little less than a month, and the gamer world flooded with reviews, gameplay footage, complaints about the PC version, and controversy about the over zealous batmobile.

The game’s tagline should have been, “Be the Batmobile.”

But, overall, the game was received with a lot of positivity, and with good reason. It’s a fun game to play, with unique features that sets it apart from other games on the market. Definitely a fun game that was worth the price. And now that it has been nearly a month, WB Games is starting to release DLC for the game.

Six months worth of DLC, to be exact. And if one purchased the Arkham Knight season pass then one can download all the DLC early and with no additional charges. However, DLC is tricky, because sometimes it can add some amazing new features to a game, like the awesome Far Cry 3: Blood Dragon. Or it can be disastrously pointless like Elder Scroll: Oblivion‘s Horse Armor.

Ah. The endless running joke.

The first DLC for Arkham Knight is an original prequel story called Batgirl: A Matter of Family. It’s an original prequel story that sees Batgirl (Barbara Gordon) and Robin fighting the Joker in an abandon amusement park. The clown prince of crime has kidnapped Commissioner Gordon on Valentine’s Day and wants Batgirl and Robin to try to save him. The Joker’s end goal is to kill the two sidekicks so Batman won’t be distracted by them anymore. Isn’t he considerate?

Showdown!

The game is a lot of fun, Batgirl controls great. She’s a like a smaller, faster Batman, but with more hacking abilities. For example, she can hack certain panels that can scare criminals, and then do fear take downs on them. The setting of being in an abandon amusement park is a perfect setting. The ability to “dual play” with Robin adds a fun element to the mix. And if you played Arkham Knight and hated using the Batmobile, well you’re in luck. There is no Batmobile here. In fact the game is actually very much back to basics. Stealth, combat, and puzzles are the focus; giving us some of the best versions of those game elements. And just like the Arkham Knight, the game looks gorgeous.

The Joker and Harley Quinn are brief villains, but they do a good job adding humor, and their own brand of crazy to the mix. Harley is in her original outfit, and Joker is sporting a very fun new top hat. You have to fight both of them at the end, as well as an army of their clown themed goons.

True love.

It’s definitely a lot of fun, but if there was something to complain about then it would be that the game is just too short. You can complete it in about an hour. Maybe an hour and a half if you want to explore everything. And there aren’t any Riddler trophies, so the replay factor is minimal. There is an island to explore afterwards, but there isn’t a lot to do except for find balloons and fight more bad guys. Which is a shame, because could have been more to throw in to extend it. Mini bosses, more devious puzzles, a detective element, and maybe a tad more of a challenging experience.

Perhaps the next game should be all about Batgirl… Or Robin… Or maybe a Batman game all about the sidekicks. Could be a lot of fun. Get on that WB Games!

But, back to the matter at hand, overall it’s a great purchase. If you did get the season pass then you probably already downloaded it, but if you don’t then go ahead and download it. You won’t regret it. The DLC releases for everyone, on July 21st.

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Tom Brevoort Digs Himself A Hole Over Marvel’s Hip-Hop Covers

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Marvel announced yesterday they are releasing hip-hop variant covers this October. Each cover will pay tribute to an iconic album.

“For years, Marvel Comics and Hip-Hop culture have been engaged in an ongoing dialog,” Marvel EIC Axel Alonso said in a press release. “Beginning this October, we will shine a spotlight on the seamless relationship between those two unique forces.”

The hip-hop variants opens up a can of worms when it comes to diversity in the work place at Marvel. The comic publisher is creating a diverse line up of characters, but Marvel is lacking in hiring a diverse line up of creators.

Marvel editor Tom Brevoort was asked this question on his Tumblr page New Brevoort Formspring, and he didn’t handle it very well.

This was the first question:
Can you explain why Marvel thinks that doing hip hop variants is a good idea, when absolutely no announced writers or artists on the new Marvel titles, as of now, are black? Wouldn’t correcting the latter be a much better idea than the former?

This was Brevoort’s answer:
What does one have to do with the other, really?

Three hours later this question came through:
How do you not see the connection between appropriating iconic Black American imagery the lack of Black American representation on Marvel’s creative teams?

Brevoort responded with a more thought out answer:
Okay, fair cop, I spoke quickly and curtly and may have given the wrong impression. So I apologize for that.

I think that anybody who’s been reading this page for the past month or so should have a pretty good idea of where I stand on the issue of representation in our comics—and that goes for creators as well as characters. We can always do better, and we continue to work on it.

There are still plenty more titles to be announced as part of the All-New, All-Different Marvel, and as they continue to roll out, I believe that you’ll see the evidence of our commitment to creator representation among the creative teams as well as our characters.

My point, such as it was, is that this isn’t an either-or situation. Doing the Hip-Hop covers (many of which were illustrated by creators of color) has no direct bearing on the state of African-American representation among our creative teams. What it does do, hopefully, is to showcase an appreciation for this respected artform, and by extension create an environment that’s maybe a little bit more welcoming to prospective creators.

From Breevort’s responses he doesn’t seem to understand the roots of hip-hop, if he did he probably wouldn’t have answered the question so quickly. Also, the conversation of diversity in work place and in the pages of the comic book does go hand and hand.

Here are the original Tumblr posts.

Marvel Hip-hop covers

Marvel Hip-hop covers

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Kellan Lutz There’s A Super Hero Film With My Name On It

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Actor Kellan Lutz phoned in to talk with us about the season finale of FOX’s Bullseye. Lutz also talked about his upcoming project “Extraction” with Bruce Willis, his goal to be in a super hero film, and his favorite charities.

During the interview Lutz almost slips up and lets us know what super hero film he will be in, but we do find out that he’a huge X-Men fan.

The season finale of Bullseye is Wednesday, July 15th on FOX.

Bonus track: Star Wars Slave Leia controversy in Philadelphia.

Black Jaguar-White Tiger

ABOUT KELLAN LUTZ
Kellan Lutz most recently starred in the feature films “The Expendables 3,” “The of Legend of Hercules” and in the worldwide phenomenon “The Twilight Saga” franchise. He will next be seen starring opposite Bruce Willis in the action feature “Extraction.” Lutz began his acting career as a series regular on the cable series “The Comeback,” opposite Lisa Kudrow. He was also seen in the network series “90210,” “Heroes,” “Summerland” and the award-winning cable mini-series “Generation Kill.” When not acting, Lutz is an avid enthusiast of extreme sports. Born and raised in North Dakota, Lutz had a simple upbringing but learned to live every day to the fullest. From sky diving to parasailing, from motor cross to white water rafting, he has always approached life as an adventure. Lutz also gives his time to three charities: PETA, the Royal Family Kids’ Camp, and the St. Bernard Project

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David O. Russell’s “Joy” official teaser trailer

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The next Bradley Cooper-Jennifer Lawrence-David O. Russell project is almost here. Are you excited to see it? Here’s a first look at Joy.

Joy is set to be released on Christmas Day in the US. It is inspired by the life of Joy Mangano, an American woman who created inventions such as the “Miracle Mop” and the “Huggable Hangers”, holds over a hundred of patents, is the president of Ingenious Designs, LLC – worth over $1 billion – and has sold millions of products. She’s also a mother of three children.

The movie also stars Robert De Niro (Taxi Driver, Jackie Brown) as Joy’s father, Virginia Madsen (Sideways), Isabella Rossellini (Enemy), Édgar Ramírez (The Counselor) and Dascha Polanco (Orange is the New Black).

Earlier today, Entertainment Weekly released several exclusive stills from the movie.

Needless to say, it will almost definitely be an Oscars contender. Can it beat its predecessors Silver Linings Playbook and American Hustle in awards season? We’ll see. But for now, this is all we have.

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Papi and Centorea descend – Monster Musume Episode 2

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So this week on Monster Musume we get a twofer with two monster girls debuting in that same episode. Now while fitting in two characters in the same episode did seem a little weird for me, I want to introduce these new additions and try to explain what they can add to this increasingly crazy scenario first. Then after I’ll talk about my view of the episode as a whole.

Papi the Harpy

In the first half of the episode Kimihito is kidnapped by a harpy girl named Papi. Her size is small but not so small to be considered “Loli”. She instantly comes off as a troublemaker and a scatter brain at times. She even manages to mix up harpy and Papi when she introduces herself. This is attributed to her being part bird and thus having a “bird brain”. In fact even a minute after she asks Kimihito to get ice-cream with her, she turns to him and asks who he is. To imply that she already forgot. Papi is definitely a carefree spirit not really adhering to the rules and just looking for a good time. She ignorantly mistakes a water fountain as a bird bath and jumps in to get ice cream that she has suggestively spilled on herself. Natural she takes her clothes off and we get a funny joke with Kimihito asking her why her clothes are off. Papi response is a condescending, “Off course you’re suppose to take a bath naked.”

Papis Bird brain

Kimihito tries to get her out to keep her modesty in check but is dragged into the fountain for some playtime. Unfortunately Miia comes to break up the fun and get her “darling” back. Immediately her and Papi get confrontational and have a little fight. It’s then that Kimihito sees that the people who were observing have turned their attention to a little girl stuck in a tree. Papi fails in her rescue attempt in a comedic fashion, so Miia decides to climb the tree and take the glory. But unfortunately she gets covered in leaves and scares the girl so bad that she losses hold and falls off the tree branch. But Papi is able to swing in catching the girl and redeeming herself. Or so she thinks until she realizes that she can’t fly at her angle. But all is well when Kimihito dives underneath her to break her fall.

New addition 1

After the incident it turns out that Papi is a known runaway and no one is willing to take her in as a host family. This is when we learn that Ms. Smith was already on the way to “dump” Papi off with Kimihito. And being the kind guy he is, Kimihito accepts. Miia is mostly okay with this and considered Papi to be nothing more than a childish distraction. That is until she finds out that Harpies just have petite bodies and that Papi is actually the same age as her. Then she gets little jealous, and in her attempt to stop Papi from bathing with her darling, she crashes in a door on top of him. Miia tries to explain to Papi that Kimihito is hers as he lays under the door bleeding from his head.

Jealous Miia

For the record, it’s always hard to definitively say if characters like the ones in this show are funny or not. The reason is usually they follow one type of joke and if that’s not your cup of tea, then the jokes fall flat every time. Papi is the young prankster who goes with the flow and is scatter brained. She will often have crazy ideas and then something will go wrong as par for the course. She really isn’t there to be jail bait or the token loli like some people would think, though she is mistaken for a child at first. Papi will undoubtedly bring in some good physical humor, dumb jokes, and cute moments for sure.

Proud Centorea

In the second half we get introduced to Centorea while Kimihito is out doing some morning grocery shopping. Centorea is a centaur with massive breasts and wears a sword on her belt. She speaks very eloquently with some romanticized British woven in. And when she knocks into Kimihito and sends him flying into a street sign, she believes it to be a fated encounter, like out of an Anime, and assumes that he is to be her fated master. But Kimihito dashes her dreams calling them nothing but a Manga cliché, that she misinterpreted for a Japanese spell. Just some more showing how monster girls misinterpret things in the human world. If anything most of the jokes in this show are fish out of water jokes, but that’s to be expected, because I mean they’re monster girls and they wouldn’t know.

Masters only

Kimihito tries to explain that she shouldn’t use that as a factor in determining her soul mate when a purse snatcher on a scooter steals a woman purse. Centorea declares she would go after him if the interspecies law didn’t forbid violence between species. She explains that this restriction is why she’s looking for a human master to fight by her side for justice. And since all she has at this point is Kimihito she decides to drag him along in her pursuit of the criminal. Kimihito tries to get on her back to ride her but nearly has his head taken off by her back hoof. She explains that riding is sacred and since he isn’t her master he can’t ride.

chase scene

Instead he has to deal with being pulled dangling over her back with his arms wrapped around her waist. They pursue the criminal with some fantastical speed, all the while Centorea is threatening Kimihito to not do anything lewd with his hands inches away from her massive breats. But Kimihito starts to slip off her right when Centorea is about to stop the criminal. Naturally he grabs onto her breasts for support. As he keeps loosing grip and having to grab again, he pulls down her shirt exposing them. This causes her to jerk out of control knocking the criminal off his cooter and dropping her sword in the process. She’s so embarrassed by this that she keeps running until she hits a storage garage. The criminal is then able to pick up the sword that she dropped and is about to cut her until Kimihito steps in between and gets hit instead.

Sacrifice

But it turns out that it was only a fake sword she was carrying and Kimihito doesn’t receive any fatal wounds. Centorea is so moved by Kimihito’s actions that she decides that he will indeed be his master and moves in with him. In some way it is hinted that Ms. Smith was behind this encounter as well. Of course Miia objects to the idea while Papi really can’t care less at this point.

Centaur bond

Centorea’s character is very proud and noble. She is also very timid about her feeling and can be quick to retract a statement if she feels too embarrassed about it. So I feel we can definitely get some cute scenes with her being timid about her emotions towards Kimihito. And it sure will be nice contrast to Miia’s head over heels affection. Her sense of modesty is at a much higher level than our other two, and she certainly seems like the most responsible one. But she does have some tics that can cause her to get out of hand as well.  Also as the character with the biggest breasts, she is certainly locked in for all those jokes as well. And this episode for sure didn’t have any shortage of those.

All in all this episode of Monster Musume was fine from the comedy aspect. And it sure helped develop what it is like to be a monster girl in a strange place once again. But something about jamming two new characters with their own separate stories just felt rushed to me. I would have liked the whole episode to be about Papi and have Centorea (or Cerea) be premiered next episode. But I know if they did that then it would literally be half way through until they introduced all the girls. And it doesn’t bother me too much since we have all season to get to know them. Just something about the scanrios seemed rushed to me. The only thing I can think of that I  sort of didn’t like in this episode was the blowjob simulation with Papi and the popsicle. But it does fit with her character to not really think anything of it since she is a bit stupid. And I did enjoy Kimihito’s and the on looking publics reaction too it, so even that can get a pass from me.

Monster Musume continues to be a fun show. And while it still widely hinges on you liking the scenario and enjoying the comedy there still seems to be something special about this one. So I guess I’ll have to keep watching and see what crazy fun and interesting stuff they can still do with this horny monster girl show.

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Philadelphia Parents Can’t Handle Star Wars Slave Leia

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Either MYFOX Philly is either trolling for Comic-Con traffic or parenting in Philadelphia has dropped to an all-time low. This is also the city that booed Santa Claus. MYFOX Philly put together a news package about parental outrage over a Star Wars Slave Leia action figure.

Fred Hill a single dad from the suburbs of Jersey, must be the only person to have never seen Return of the Jedi.

“That’s pretty inappropriate,” he said, “I got 2 daughters I don’t need seeing that crap.”

Whoa! It’s okay to curse on television in front of your kids, but Slave Leia is inappropriate? Come on Mr. Hill!

“They’re like dad why does this doll have a chain around its neck. I don’t have any answers. I was just blown away looking at it,” Hill said.

What do you mean you don’t have answers, Mr. Hill? RENT YOUR KIDS RETURN OF THE JEDI!

“But that kind of crap is in the toy aisles for me to see? Nah,” Hill said.

Mr. Hill have you been to the Barbie aisle lately?

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