In an effort to get with the times and try some new ideas, DC comics has decided to give the classic cartoons from Hanna Barbara studios an update.
Classic shows like Scooby-Doo will become Scooby Apocalypse (which looks like the crew borrowed some of the Ghostbusters’ equipment), Wacky Raceland (which is going to take place in the apocalyptic future of the Mad Max films by the look if it), Future Quest (where the action series Herculoids, Space Ghost, Jonny Quest, and Galaxy Trio, just to name a few), and the Flintstones (who appear the to be the same other than having a new character design). No word on when the release date will be for these titles.
Before everyone runs off in fits of rage to scream on twitter “They are killing/raping/murdering/destroying my childhood, #thecharcterisruined,” take a moment and reflect. When was the last time you as a fan found yourself picking up any comics based on any of these characters? Sure, DC kept pumping out the Scooby-Doo comics on a regular basis but how many adult fans kept regularly pick it up? Instead issues of it would appear in grocery stores next to Archie (not the recently popular Afterlife with Archie or rebooted Archie series either) and be given to little kids who didn’t scream their heads off while their parents were shopping.
Frankly, this new breath of life is just what these properties need. Other than Scooby-Doo, who seems to get a new cartoon series every few years, some of these properties haven’t been used in quite some time. Future Quest looks pretty interesting and you may just see it reviewed on this site in the future. For the moment, don’t freak out and perhaps give these series a chance before outright chastising them.
One month already draws to a close in 2016. You know what time it is? It’s time for another installment of Geekflix, where the list of new releases to Netflix is evaluated and the top geek related films and TV shows come front and center for you to enjoy and increase your geek credibility. Let’s see what February has to offer.
1. Armageddon (February 1st)
If you haven’t watched this movie for the hundredth time, then you probably haven’t been spoiled by the massive amount of syndicated play it has gotten. If you haven’t seen it in a while check it out. It stars Bruce Willis at his finest.
2. Better call Saul: Season 1 (February 1st)
The prequel/spinoff to the insanely popular series Breaking Bad, Better call Saul features con man James Mcgill becoming the lawyer, Saul Goodman. He’ll do anything to save his clients, as long as he doesn’t have to go to court.
3. Collateral Damage (February 1st)
The one of the last films Schwarzenegger made right before he set his sights on political office. In it he plays a fireman who will stop at nothing to track down the people responsible for killing his family. Give it a shot, it’s not as bad a movie as people make it out to be.
4. Full Metal Jacket (February 1st)
Thought to be one of the best war movies ever made. Watch as a group of marines survive the harsh training of boot camp only to go onto partake in one of the most brutal battles in all of the Vietnam War. Also it features R. Lee Ermey’s legendary performance as Gunnery Sergeant Hartman.
5. Sin City (February 1st)
“Walk down the right back alley of Sin City and you can find anything.” One of the many lines from this fantastic adaptation of Frank Miller’s gritty crime noir graphic novel. Watch as the multiple stories of Sin City collide as one intense event spills into another.
6. Star Trek V: The Final Frontier (February 1st)
Is it the worse Star Trek movie of all time? Pretty close but if you haven’t taken the opportunity to see this film for all it does wrong then now is your chance. Watch it and you can answer the important question of “Why does God need with a starship?”
7. Stardust (February 1st)
Despite its high reviews and enchanting story by Neil Gaiman, it often feels like this movie doesn’t get the respect it deserves for the intense piece of high flying fantasy it is. Watch as a man tries to win the love of a woman by tracking down a fallen star, only to be taken on a journey beyond his wildest imagination.
8. Crouching Tiger, Hidden Dragon: Sword of Destiny (February 26th)
The sequel to one of the best martial arts movies ever made. Michelle Yeoh returns as Yu Shu Lien and by the look of the trailer the high flying acrobatics are back as well. Even if you’re not a fan of late sequels, this one looks promising to say the least.
9. Fuller House (February 26th)
In an effort to cash in on Nostalgia, this revival of a classic TV show comes along. This time, it’s the oldest daughter D.J. who is raising three sons with the help of her sister Stephanie and best friend Kimmy. Will hilarity ensue or will it be as absent as the Olsen Twins’ return to this reunion?
‘Rick and Morty’ is a force. It’s such a force that fans are rabid for more content. I never knew the scope or the brilliance of this show, until I saw tons of ‘Rick and Morty’ cosplayers at New York Comic Con. That’s what spurred into watching the show on Adult Swim’s official website for it. I ended up completing both seasons within a day, and have since seen every episode four to five times. The show is so imaginative, the spoofs are hilarious, the characters are extremely well-developed, and it has only left me and millions of other pinning for more. Season 3 isn’t coming anytime soon, and while it’s a painful realization, I only want the creators, Justin Roiland and Dan Harmon, the writers, and the animators to produce quality work no matter how long it takes. Also, ‘Rick and Morty’ has breached out in other medium and excelled in them. Oni Press has developed an award winning comic book, and there is an extraordinarily fun mobile video game called “Pocket Mortys,” which is a rick-tastic rip-off of Pokemon. You can actually read more about the excellence of these offshoots HERE from me on our partner website ComicsVerse.
Fans have responded by remixing songs, covering them, or even making full concept albums. Here are three fan made interpretations that I found to be the most creative and well put together:
First, this Pop-Punk cover called “TINY RICK” by NateWantsToBattle:
Second, comes an original piece inspired by superfan musician/comedian Allie Goertz. She in fact made a full album that sambles glorious quotes from ‘Rick and Morty’ called “Sad Dance Songs.”
Storming into theaters nationwide this weekend, Disney’s The Finest Hours directed by Craig Gillespie starring Chris Pine and Casey Affleck is a heroic tale that’s sunk by a screenplay full of schmutz and melodrama.
The heroics depicted in the film The Finest Hours are the most intense action sequences so far in 2016. If only The Finest Hours had a screenplay worthy of the heroics depicted on screen.Though based on true events, The Finest Hours plays like a cornball 1950’s-era drama filled with stock characters and has an ending that is so over the top ( some might say it’s so Disney) that it takes away the impact of what many call the greatest small boat rescue in Coast Guard history.
At first, the movies tone fits in rather nicely with the era that the film takes place in (The 1950’s). It’s 1951 and in the first act, we meet Bernie Weber (Chris Pine) a painfully shy petty officer stationed at the U.S. Coast Guard station in Chatham, Massachusetts. Weber strikes a romance with the beautiful Miriam (Holiday Grainger), who marches to beat of her drum. If fact she is such a free spirit, she’s the one who eventually pops the question to Bernie. However, Bernie has a lot on his mind. Some of Chatham’s fisherman and many of Bernie’s fellow sailors treat Bernie like a pariah. A year prior there was a tragedy at sea and Bernie, and his crew tried to overcome rough seas while on a rescue mission, and they failed. Some of the members of the Chatham community felt that Bernie should have tried WICKED “HAH-DUH” to save them. Fast Forward to Feb. 18, 1952, when a nor’easter of monstrous proportions struck in the waters off of the coast of Massachusetts. The damaging waves resulted in ripping not one but two oil tankers in half. Thinking there was only one boat in peril, the Coast Guard sent most of its resources to the SS Fort Mercer. By the time the Coast Guard realized the Pendleton was in peril as well, it was left to Bernie and three crew members to man a small Coast Guard motorboat on a seemingly impossible mission to locate the Pendleton and rescue all hands on deck.
Scott Ilver, Paul Tamasy, and Eric Johnson developed the screenplay for The Finest Hours, and the result was a script that’s a hifalutin pretentious mess. Intermixed with scenes of unmatched action we are forced to endure scenes such as Miriam ( Bernie’s fiance) storming into the Chief Warrant Officer Cluff (Eric Bana) office demanding while in the midst of an emergency that he just send her fiance back home. If that melodramatic garbage wasn’t infuriating enough, as the movie muddles along we bare witness to some of the worst romantic dialogue ever concocted. Those exchanges between Miriam and Bernie have all the sincerity of an Elementary school playground romance. It was as if the Ilver, Tamasy, and Johnson realized that the actual small boat rescue wasn’t enough for a screenplay, and they quickly scribbled some lines on loose leaf paper. To say that this script was haphazardly constructed would be an understatement.
The special effects in The finest hours were preposterous. The CGI waves utilized in the film looked to have been built by a junior high AV club. Also, were we supposed to believe that the white stuff falling from the sky was, in fact, snow? To me, it resembled pieces of styrofoam that had been ripped off of a cup. The 3-D which was meant to enhance the audience’s experience, in reality, does nothing to improve any part of the film. All of these elements were intended to add intrigue, intensity, and dramatics to the movie and in reality, all it added was confusion, mild laughter, and irritation. In some films, the only saving grace is the special effects but in this case, it only made matters far worse.
It truly is a shame that Disney didn’t put more effort into developing a better film because the story of those Coast Guard men defying the odds is just incredible. To be honest, the men deserved a better film this. Maybe if Disney had come to this realization, we wouldn’t have ended up with such a subpar finished product.
Faith #1 has been one of the most anticipated Comics announced from 2015. And probably the most talked about new comic series from Valiant in years. After a reboot of the Valiant-verse at the end of 2015 (check out The Book of Death event trade paperback, now available in stores), Valiant began pressing their suggested hot release, Wrath of the Eternal Warrior. But the Eternal Warrior announcement was soon shadowed by Faith, and the anticipation for her very first ever #1 had been killing devote fans and new readers alike.
A still adapting psiot, “a human being born with incredible abilities”, Faith Herbert, aka Zypher, has been living the superhero life as part of The Renegades from the Harbinger Foundation. But after years of protecting the world from the most powerful and dangerous villains the world had known, Faith is ready to settle down. She wears a wig, takes on a new public identity and gets a job at a local blog as an entertainment writer. Faith wants to take control of her life and that includes becoming her own type of superhero. Saving the day, one puppy at a time.
I have no problem admitting the fact that Valiant is still rather new to me. I have picked up a title here or there, and all I could ever really tell anyone is that Valiant Comics has some of the strongest art talents in the industry. Rai, a spirit guardian who protects the nation of Japan in the 41st century, by Matt Kindt and Clayton Crain, was easily one of the most beautiful books that I had read since Alex Ross and Mark Waid’s Kingdom Come. But the wordiness and the references to other pieces of the Valiant-verse, it caused me to stop reading after only a few issues. So, when asked to review Faith #1, I did not know what I would think.
But Faith was a pretty wonderful read, even with my very limited background knowledge. Though a little research was needed to completely comprehend a few references to Faith’s previous life, the first issue read fairly easy and can be picked up confidently by a newer reader.
(Max Ride: Ultimate Flight) was perfect to pen Faith’s first on-going solo story. A feminist, through and through, Houser is not the type to play by the superhero body type rules. Unlike some female characters, such as DC Comic’s Amanda Waller, Faith would never be the type to lose a few pounds for a little extra rack movement. Faith is a plus-sized, crime fighting, comic book fangirl who is proud of whom she is. And Houser would never have it any other way.
Houser writes Faith us a true do-gooder, who every so infrequently drifts into a comic book daydream. Dreams where she saves the good looking knight in distress. But the reality is much harder than fiction, and Faith will learn that in the most explosive way.
However, with all the pressure from Valiant to make Faith out to be the next big (no pun intended) female comic book hero, she seems a little too… Cute! She wears a curly red wig and thick glasses as her alter ego, Summer Smith, a la Melissa McCarthy in last year’s bomb, Spy. And her very first feat as a solo superhero is saving puppies? Though the barely introduced government/large corporate conspiracy in the background leads to a little more of a grown-up book, the story almost seems to be a forced goody-goody-girly story. Faith is a strong, independent woman who is proud of her looks. We do not need her to be extra cuddly.
The art lived up to Valiant’s typical levels but only added to Faith’s growing cuteness. Francis Portela (Green Lantern) demonstrates a softer side to the superhero image with her peacefulness and good nature. He allows for several close-ups, that almost permits the reader a glimpse into her soul. One that is sad but strong, lost but undiscouraged. And, behind it all, hidden beneath the blue eyes, is a simple comic-book nerd, striving for a better tomorrow.
Then there is Marguerite Sauvage! From Variant Covers in Marvel to DC Comic’s Bombshells, Sauvage is gaining a reputation as one of the most loved new female artists. So, when Faith drifts into her subconscious, daydreaming about the perfect man in need of her super support, it only makes sense that it would be in the sweet pastels of Marguerite Sauvage.
All in all, Faith #1 was a “cute” read. A little background research may be beneficial, but it is mostly an easy pickup title for even the newest reader. The book did not leave as big of a mental splash as Valiant Entertainment may have preferred, but Faith does leave a big impression on the heart strings. Make sure to stop into your local comic book retailer and grab Faith #1 today.
“It’s not about a Lesbian Werewolf going to war except it kind of is.” Seriously?! When I first read that quote atop the free poster sent to comic shops the world over, I won’t lie, I threw it away. Between the rather odd mid-point pages released in November’s Previews catalog and that quote? My interest for a new werewolf story became minimal at best. I was almost so uninterested; in fact, I nearly did not read the retailer preview. It did not matter to me that the book was advertised in almost every new Image book or posted on the top of Previews retailer page. But! I am really glad I did. Cry Havoc #1 was worth the read.
“The End” is always an intriguing way to begin a story. But we are quickly transported back to “The Beginning” where writer Simon “Si” Spurrier (X-Men Legacy, The Spire) introduces us to Lou. A street musician, bringing her seemingly loving girlfriend a sandwich at the local zoo. And then he, very in point, follows it up by explaining a little more about hyena female sex organs than I ever cared to learn about in my lifetime.
Our new protagonist, who busks in the English Sunlight and plays pubs in the moonlight, seems content in her cycle. As she plays the violin one afternoon outside of a large law court area, a lawyer, throwing some loose change, causes Lou to go on a chase into a dark alley (cue scary music). There she is attacked and overpowered by something she cannot explain.
“I think I got mugged by a Werewolf.” Lou states as the story jumps away from the streets of London. Between pages, we are taken back and forth to a military helicopter and combat desert scenes and Lou’s life at home. In the desert we are introduced to a group of militants whom also appear to have “special” animal-like abilities and have recruited Lou for a specific mission. They are on the hunt for one of their own, a deserter in the war tattered lands of Afghanistan.
Spurrier only permits us a brief moment into the world of Lou’s new monster, but it is enough of a taste to be drawn into the book. Lou is a human, a lover, a musician and a creature. Someone whom we can be easily relate, but touched with just enough of the supernatural that we salivate for more of her story yet would never actually want to be in her shoes.
Ryan Kelly seems to adjust his art style per scene and even per book. I have been enjoying his work on Vertigo Comic’s Survivor’s Club with Lauren Beaukes and David Halvorson, but the art in Cry Havoc is not nearly as sketchy or broken as the art that better fits the conspiracy theory of Survivor’s Club. Within CryHavoc, it even appears that Kelly changes his style multiple times. So much so, one would almost suspect there were separate artists between the military and civilian worlds. From the rounded faces in London to the sharp eyes and straight lines of Afghanistan, the art moves with the story.
Behind the art, grows a beast even more fascinating. When looking at the list of colorists, it was surprising to see there were three. Usually multiple colorists means multiples artists, each colorist taking on the specific story contributed to their corresponding artist. Spurrier and Kelly, however, set up the momentum that three different colorists would each take on their own part of the same story. Nick Filardi, Lee Loughridge and Matt Wilson each color a different environment, supporting the puzzle pieces of time that Spurrier is slowly linking together.
“Cry Havoc is about walking out to confront the monster alone, because nobody else understands the truth: just because the beast is you, doesn’t mean it can’t eat you whole.” Si Spurrier and Ryan Kelly’s new series from Image Comics delves into a world of supernatural and emotion. Though the original publicity tools were not in preference, the book itself was surprising and definitely worth the hype it had been receiving.
Make sure to stop by your local comic book retailer today and pick up your copy of Cry Havoc #1.
After 57 years in the marketplace, the Mattel company has just unveiled three new body types under the auspices of their iconic Barbie Doll line.
For those of you who don’t know what a Barbie Doll is, it’s an anatomically impossible, tiny-waisted, BIG bullet boobed doll that mothers and fathers have been purchasing for their daughters for decades. This iconic doll has been the stuff that dreams, nightmares, and Body Dysmorphic Disorder is made of.
The Barbie Doll has long since been criticized for its harmful and unrealistic portrayal of the female form – since 1963. It is said that falling toys sales was the driving force behind this change. Mattel was once the biggest toy company in the world, but it has now been edged out by Lego – after the success of their ‘teach girls to build line’ boosted sales. What has also hurt them is Hasbro’s production of Disney Princess dolls – particularly Elsa.
Today Mattel unveiled three new body types for your Barbie Doll pleasure: Curvy, Petite (wasn’t that always the case?), and Tall.
Here is what their new “Curry” doll looks like:
The “Petite” doll looks like this:
And the “Tall” doll:
From a first glance it appears that “petite” and “tall” Barbies look a lot like the original Barbie in body composition – with the exception of the slightly smaller breasts. Could this change in this symbol of the idyllic female form come from the realization that “real” women, that is the majority of women, do not conform to this particular body form type? Or, is this coming on the heels of the one-year anniversary and success of the Lammily Doll?
For those of you who don’t know about Lammily, she is the brainchild of artist/researcher Nickolay Lamm. She [Lammily] was born after he asked himself this questions: What if fashion dolls were made using standard human body proportions? What if?
His project was featured on HuffingtonPost, Today, Time, L.A.Times, Good Morning America, BBC Radio, and several other media outlets and it got the masses asking, “Where can we get a doll-like this?”
The idea to start a crowd-funding campaign was posed and on 5 March 2014 it was launched into the verse. The campaign garnered 13,621 backers and 19K+ preorders for dolls. By November of 2014 the dolls went on sale and shipments to the backers were sent out.
What the Lammily doll offered, and continues to offer, is a more realistic body, body image, and lifestyles for females. This doll even offers accessories like “Lammily Marks” which include: freckles, acne, cellulite, cuts and bruises, and a lot more.
Also in their accessories bag: “Period Party.” Now I know the even the mere mention of a woman’s monthly cycle freaks some of you out, but this accessory serves as another tool to talk to girls about menstrual cycles. It teaches kids that it is a natural and healthy part of a woman’s life. And check this: it even comes with an educational pamphlet, undies, reusable pads/liners, and calendar & dot stickers to assist in the education of your girls about their bodies.
Last year Valiant comics released its first plus-size superhero comic series, Faith. She’s not a new face – she’s been a part of the Harbinger story-line since 1992 – but she now has her own series. This “super-sized” hero has always been a big girl and that’s OK. It turns out that the original Valiant staff was almost 50 percent female and some of them were built like Faith. So the character [Faith] was born out of a desire to see a female like themselves reflected in their work. Kudos to them!
It is important that girls and young women see themselves accurately and positively reflected in the mainstream and many companies are coming around to that fact. Perhaps this is also a driving force behind the new Barbie body types – maybe Mattel gets that message.
Let’s hope that Barbie will also evolve further than just her appearance.
American Psycho filmmaker Mary Harron is teaming up again with screenwriter Guinevere Turner to work on The Family, a story about Charles Manson, his family of insane women, and the Manson Family murders.
Mary Harron and Guinevere Turner worked together on 2000’s cult hit American Psycho, a searing and brutal satire on American men of privilege in the 80s. It also catapulted Christian Bale’s career. Since then, Harron is stayed relatively busy, though none of her films have cut through pop culture the way American Psycho managed to do.
The book by Ed Sanders was released in 2002. Here’s the review from The Boston Phoenix:
In August of 1969, during two bloody evenings of paranoid, psychedelic savagery, Charles Manson and his dystopic communal family helped to wreck the dreams of the Love Generation. At least nine people were murdered, among them Sharon Tate, the young, beautiful, pregnant, actress and wife of Roman Polanski. Ed Sanders’ unnerving and detailed look at the horror dealt by Manson and his followers is a classic of the true-crime genre. The Family was originally published in 1971 and remains the most meticulously researched account of the most notorious murders of the 1960s. Using firsthand accounts from some of the family’s infamous members, including the wizard himself, Sanders examines not only the origins and legacy of Manson and his family, but also the mysteries that persist. Completely revised and updated, this edition features 25 harrowing black and white photos from the investigation. “One of the best-researched, best-written, thoroughly-constructed, and eminently significant books of our times…. A masterpiece.”
According to the Deadline report, filming is set to begin this summer in and around Los Angeles, where the murders took place.
The promotion for Deadpool by Ryan Reynolds is starting to resemble a certain South Park episode from 2004.
Reynolds has been making fun of his previous adventures in superhero films, because that is what Deadpool would do. He makes a Green Lantern comment in the trailer and last week Reynolds made a special video to throw poop at X-Men Origins: Wolverine. Somehow no mention of Blade: Trinity yet.
“You gave us Wolverine. And for that, I can’t forgive you. I’ve got no problems with Hugh. I mean, he’s a delightful guy. A true legend. But that movie, that was a career-low for me,” said Deadpool.
Hugh Jackman knows how to have fun and the actor, while at Sundance promoting Eddie The Eagle commented on the Deadpool Austrailian Day video.
“Love it. It’s just brilliant. I mean, I love Ryan, he’s a good mate of mine. He’s so fantastic,” said Jackman.
When asked if Wolverine could beat Deadpool, Jackman replied “A hundred percent.”
After looking at the scorecard, I do believe IT IS ON! Fans will find out on February 12 if Jackman makes a cameo in the film as Wolverine.
Based upon Marvel Comics’ most original anti-hero, Deadpool tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, he hunts down the man who nearly destroyed his life.
Deadpool is directed by Tim Miller and stars Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein, Gina Carano, and Brianna Hildebrand.
For The Upcoming Spider-Man Films, Which Actor Should Be Cast As Kraven The Hunter?
Marvel Studios and Sony Pictures have been working on their re-boot of Spider-Man for a while now but have been quiet about who Spidey will be facing in his newest film. With Kraven The Hunter being a founding member of ‘The Sinister Six’ and part of an iconic arc in Spider-Man comics, I believe the big game hunter would make a great addition into the long list of Spidey movie villains.
But who should play the Russian supervillain? Here’s my top 5 picks for the actors who could bring Kraven to the big-screen.
“Spiders are revered as hunters but you have proven to be easy prey” – Kraven The Hunter
If Del Toro wasn’t already casted in the Marvel Cinematic Universe as ‘The Collector’, Benicio would be a perfect fit for the Spidey villain. Benicio can bring the visuals of Kraven to life but also following his dark turn in 2015’s Sicario, he could bring out the ambiguous morality of Kraven The Hunter. He’s an impossible casting choice but he was such a prime pick for one of Spider-Man’s biggest foes. So prime that he slipped past being an honorable mention and made it on the list!
4. Gerard Butler
Need a crazed hunter with a heavy accent and bad-ass fighting skills? Look no further than Gerard Butler. The Scottish actor has yet to cross over to making comic book movies (300 was technically a ‘graphic novel’) but it would be great to see him suit up in the animal inspired outfit of Kraven. Bulter has plenty experience in the action department to kick ass during the many expected fight sequences in the film but I don’t see that distinct Scottish accent being able to turn into a thick Russian-ish accent that Kraven is known for.
3. Joe Manganiello
With his insane height and deep growly voice, Joe Manganiello is a perfect Kraven. He does have little experience in mainstream films other than Magic Mike makingJoe a risky choice but he really embodies all things Kraven The Hunter. After playing a shape-shifting wolf on True Blood, Manganiello has the animalistic side needed for the role. At least he’s used to being shirtles; which puts him third in line for playing a great film version of Sergei Kravinoff A.K.A Kraven The Hunter.
2. Manu Bennett
Recently dipping his toe into the world of comics as Deathstroke on Arrow, Manu is cunning & tough enough to pull off a perfect Kraven. The New Zealand actor has steadily been picking up more work in the industry lately so going to Sony/Marvel as Kraven The Hunter would be a great step for his career. While his new show on MTV’s The Shannara Chronicles has him in a leading role, Manu could find time to play such an important role in the Spider Man universe.
1. Oscar Issac
On top of the world right now, Oscar Issac as Kraven The Hunter is the most marketable choice. Though his Star Wars schedule will keep him busy, Oscar embodies the acting ability and the look that would make his version of Kraven truly distinct. He is playing the title character in X-Men: Apocalypse this year; I feel you can barely recognize the man under all the makeup so going over to the MCU could be an easy transition. Issac is one of the most recognizable actors in Hollywood right now and he could bring that mainstream attention to the already hyped MCU/Sony Spider Man project. Should the best pilot ever Poe Dameron from Star Wars become the best hunter in the Marvel Universe?
Who do you think should be Kraven The Hunter? Is Oscar Issac your choice or did I leave out someone who is a MUST for Kraven? Comment below & let me know who you want!
