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Review: ULTIMATE X-MEN #1 — A New Beginning

Ultimate X-Men #1, out today from Marvel Comics, starts small and grounded, but sets itself up to be an instant classic.

Peach Momoko is no stranger to the X-Men. She proved herself with her stunning and exceptional Demon Days Saga, and had many readers patiently awaiting the release of this new series because of it. Momoko herself takes on the roles of writer, artist, and colorist here, and does each job incredibly well. This story is also told with the help of Zack Davisson, who adapts Momoko’s original script. VC’s Travis Lanham does the lettering, and it all comes together to form this deeply personal and intriguing comic.

The art and coloring creates an inviting yet unsettling aesthetic that’s very visually pleasing. This is created through a somewhat normal initial setting, which slowly fades out as the issue goes on. The colors get darker as our hero spirals, and Momoko puts emotion to the page in an impressive way. She captures a sense of urgency that keeps readers drawn in. You know things are serious, not because you’re told in the dialogue, but because of how these characters look, as well as how they react to the things that happen around them.

Hisako Ichiki bikes away in a panic
Hisako Ichiki bikes away in a panic

The character we follow throughout the comic is Hisako Ichiki. On Earth-616, Hisako is known as Armor, and she is able to form a pink psionic exoskeleton around her body. It gave her an impressive strength as well as protection from enemy blows, or contact in general. That’s generally kept in this new universe, Earth-6160.

Ultimate X-Men #1 starts with Hisako attending her middle school graduation, despite having missed a decent chunk of her time there. She’s bullied by the other girls, and just generally feels out of place. She receives a note telling her to meet someone in the mountain behind the school, and she feels compelled to go. Momoko displays this well. Hisako mostly keeps unmoved expressions until this point, but then seems confused and worried as time goes on. She’s seen scared, worried, and horrified throughout the issue, and Momoko tells so much story through this. She draws every expression perfectly, and we gain so much context through them. She does a great job of giving these inner emotions physical forms, but not just through facial expression. A terrifying force throughout the issue is the physical embodiment of Hisako’s depression. It’s more than that though, as this force seems to have an effect on the world outside of Hisako as well. This character experiences these new abilities for the first time, and she’s naturally scared. It’s incredibly unsettling, and Momoko really goes all in on that. Things feel creepy, and figures meant to represent opposing forces are abstract and exist past their seemingly physical forms.

Hisako, distracted by a mysterious voice
Hisako, distracted by a mysterious voice

Davisson does a fantastic job adapting Momoko’s words. They add to this feeling and general tone of feeling scared and guilty, and wanting to run away from what you’ve done while also being curious and wanting to do more. Lanham does a stunning job on the letters as well. With the physical form of that depression and guilt referenced earlier, Lanham adds to the eerie aesthetic of it. The words are small and uneven. They look as though they’ve been scratched onto the page, and it makes the being all the creepier. It’s like the being was pulled straight out of a horror story.

Ultimate X-Men #1 is a masterclass work that provides a fresh start for Marvel’s mutants, and I’m very curious in seeing how a team of more than just Hisako is formed. This is the boldest reinvention yet from this new Ultimate Universe, and the next issue can’t come soon enough.

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OVER THE EDGE – A Short Comic by Tony Wolf & SirGryphon

 

Batman The Animated Series is one of the best and most beloved cartoons in the history of animation. Some folks even consider it the BEST version of the Caped Crusader outside of the comics themselves. So when indie cartoonist Tony Wolf (Tales From The Wolf) contacted me about a short autobiographical comic he had done with colorist SirGryphon about his love for the series, I knew I had to share it with the world! I knew that many fans across the world would be able to relate to his immediate and long-lasting obsession with the show!  So check it out below and make sure you check out other works by Tony and SirGryphon!

Tony Wolf is a writer/illustrator based in NYC. He has written & drawn 4 comics for The New York Times, which are included in the 200-page paperback collection “Tales From The Wolf” from Cosmic Lion Productions. Tony is also an actor and has appeared in co-star roles on The Marvelous Mrs. Maisel, Comedy Central, The Blacklist and a recent Super Bowl short film from CBS-Paramount playing Raiders coach Al Davis. http://tonywolfactor.com Insta: @tonywolfness.

SirGryphon is a comics creator & graphic designer, whose work includes the series Wow Signal, What Lies Beyond, Planet of Birds, and Millennials with Dimitrios Fragiskatos. SirGryphon is also the co-owner of Anyone Comics in Brooklyn. Instagram: @sirgryphon.

 

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Review: THE IMMORTAL THOR: All Weather Turns To Storm

marvel comics review immortal thor

The Immortal Thor: All Weather Turns To Storm hits stores March 12th from Marvel, collecting the first five issues of the series. The book is by writer Al Ewing, artist Martín Cóccolo, colorist Matthew Wilson, and letterer Joe Sabino.

The “Immortal” title holds a lot of weight for Ewing. Immortal Hulk, the writer’s 51-issue series with artist Joe Bennett (among others), was beloved by both critics and fans. It’s lauded as a modern classic, and an iconic run for the Green Goliath. So when Marvel announced that Ewing would be writing a new Thor series under the “Immortal” title, expectations were high. Luckily, if there’s one character that can carry the burden of legacy, it’s the Odinson.

As All Weather Turns To Storm opens, Thor is living the good life. He’s splitting his time between being ruler of Asgard and being one of Earth’s Mightiest Heroes, and he’s loving every minute of it. That’s when the Utgard come knocking. The Utgard are to Asgardians as Asgardians are to those on Earth: they are the gods’ gods. Consequently, when Toranos, the Utgard-Thor, arrives on Earth and attacks Thor, the King of Asgard realizes he has his work cut out for him if he is to save everything and everyone he holds dear.

marvel comics exclusive preview immortal thor al ewing

Despite being completely different tonally, Immortal Thor succeeds in the same way that Immortal Hulk succeeded prior, in that both series hold deep reverence for the histories of their respective heroes. The story being told in Immortal Thor isn’t just a fun and exciting story in its own right—it’s also a celebration of over 60 years worth of storytelling. That’s not to say you have to possess a deep knowledge of Thor’s comic book history to read Immortal Thor; you can jump right into this volume and have a blast. However, the more you do know about Thor’s history within Marvel Comics, the more you will probably get out of this story.

Ewing has a strong grasp on these characters, their histories, and their voices. They all feel like the characters we’ve come to know and love over the decades, while the writer also adds fresh and interesting characteristics to each. Thor, Loki, Sif, Beta Ray Bill, and the rest of the squad are all at new stages of their lives, and there’s a sense of growth to their characters that’s not always seen in superhero comics.

There is an epicness to the writing, as well. Ewing’s narration reads like poetry. Reading Immortal Thor, you feel as though you are seated around a fire, being told this tale by an old and wizened storyteller. It adds to the sense of mythology that a title like THOR necessitates—it’s meant to feel like a grand fantasy. And yet none of that takes away from the fact that this is a genuinely fun read with plenty of humor and levity between the characters themselves.

marvel comics review immortal thor toranos

That epicness carries over into the artwork, and (truthfully) is amplified greatly by the art team. Cóccolo’s character work is soft and full of love, but when the big moments hit, they hit hard, and these are the moments worth talking about. When lightning crashes (this is a Thor comic, after all) it crashes HARD, and you feel it in your bones. It’s a full team effort between Cóccolo’s work, Wilson creating the light, and Sabino’s sound effects. The battles in Immortal Thor feel momentous.

Toranos is a truly menacing presence, one who will send literal shivers down your spine. Cóccolo creates a sense of scale with the villain that gives off overwhelming dread, and when Toranos comes around, Wilson sucks all of the light out of the world. The colorist is no stranger to working on Thor comics, and he typically fills the world with brightness and color, giving off a magical vibe. By removing this vividness when coloring Toranos, Wilson not only creates unease in the reader, but he emphasizes the destructive threat that the Utgard-Thor poses.

marvel comics review immortal thor toranos

The Immortal Thor is a mighty good read, one perfect for die-hard Thor fans and newcomers alike. Ewing, Cóccolo, Wilson, and Sabino are bringing the Odinson to new heights, and it’ll be a joy seeing how high he flies.

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Marvel Comics Exclusive Preview: SENSATIONAL SHE-HULK #6

marvel comics exclusive preview sensational she-hulk

SENSATIONAL SHE-HULK #6 hits your local comic book store on March 6th, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive four-page preview for you!

About the issue:
Last issue, She-Hulk was offered a spot on the Avengers. Will she take it? In the meantime, Jen and Jack of Hearts’ space vacation gets quite dangerous. Lingering questions from years ago are going to be asked again, and the answers may just destroy the new It Couple of Comics!

The issue is by writer Rainbow Rowell and artist Andrés Genolet, with colors by Dee Cunniffe, and letters by Joe Caramagna. The main cover is by Jen Bartel.

Check out our SENSATIONAL SHE-HULK #6 preview below:

marvel comics exclusive preview sensational she-hulk

marvel comics exclusive preview sensational she-hulk

marvel comics exclusive preview sensational she-hulk

marvel comics exclusive preview sensational she-hulk

marvel comics exclusive preview sensational she-hulk

marvel comics exclusive preview sensational she-hulk


Are you reading SENSATIONAL SHE-HULK? Sound off in the comments!

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Review: SPIDER-PUNK: ARMS RACE #1 – Three-Chord Heroes

From writer Cody Ziglar (Miles Morales: Spider-Man) and artist Justin Mason (Spider-Man 2099: Dark Genesis, Star Wars) comes a team-up superhero comic a la garage bands in Spider-Punk: Arms Race #1. Featuring Morry Hollowell on colors and Travis Lanham’s lettering, Arms Race is a fun yet formulaic start to this follow-up to Ziglar & Co.’s 2022 Spider-Punk series that could just use more, well Spider-Punk. With excellent art and neat parallel universe character-design, Arms Race is still worth a read for fans of Marvel comics outside of the 616.

“ENCORE! YOU WANTED MORE! In a world without NORMAN OSBORN, SPIDER-PUNK REIGNS! This ain’t no victory lap though – as HOBIE BROWN and team try to rebuild society, JUSTIN HAMMER & DOCTOR OTTO OCTAVIUS have other plans…like introducing the world to the SPIDER-SLAYING SENTINELS!”

Writing & Plot

Cody Ziglar’s signature high-energy scripting is back in full-bore on Spider-Punk: Arms Race #1. Following the defeat of President Osborne in the previous series, Hobie Brown and the rest of his band, Mz. Marvel, Mattea Murdock (Daredevil), Riotheart, and Captain Anarchy, are helping protect and repair the world with the help of Wakanda. Meanwhile, as usual, old foes work in the background to take advantage of the world’s fragile state, as Justin Hammer teams up with Otto Octavius to create new anti-Spider superweapons. The Earth-138 versions of beloved Marvel characters are a fun diversion in and of themselves, and it’s cool to jump into a superhero comic that doesn’t have the decades of stings and history attached. While reading the previous series will add some context, readers can jump into Arms Race and will have no trouble keeping up. While Arms Race offers some goofy fun and tons of energy thanks to Ziglar’s relentless energy, it suffers from being less of a Spider-Punk book, and more of a punk team-up comic. While the book is a good time, it isn’t terribly compelling. Remove the Earth-138 trappings, and Arms Race just feels like any other teen-focused superhero team comic.

Art Direction

Justin Mason brings Spider-Punk: Arms Race #1 to life with his powerful, animated pencils and kinetic sequential direction. Hobie Brown and his band of alternate universe Marvel heroes all have great designs that blend well with this universe’s aesthetic while not straying too far from their 616 counterparts (except maybe for Mattea Murdock). Mason’s facial and body animation gives the cast tons of personality, flowing perfectly with Ziglar’s energetic script. His thin lines and use of hatching add dimension to every page, aided even more by Morry Hollowell’s dense color palette. Mason’s sequential direction carries the action at a fast but even pace, letting the conversational moments sink in while the action is full of that Spider-Man level kinetic punch. Hollowell’s colors add a sort of gritty, grimy layer over the pages to add to the street-level punk aesthetic of the issue, and it works brilliantly. Travis Lanham’s bombastic lettering is a stellar finishing touch for Arms Race’s visual experience. His work with fonts and word balloons explode off the page with such style that it perfectly matches the tone of the rest of the book – a fitting statement for a Spider-Punk comic.

Verdict

Spider-Punk: Arms Race #1 is a fun comic that could just use more Spider-Punk. Cody Ziglar’s infectious enthusiasm is present on every page, but his writing is bogged down by forgettable super-team fights without any memorable character moments. The visuals from Justin Mason and Morry Hollowell are brilliantly animated and nail the garage-punk tone Earth-138 demands. Be sure to grab this issue when it hits shelves on February 28th!

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Review: Baroness is Back in DUKE #3

duke #3 energon universe image comics skybound transformers gi joe

After last issue’s cliffhanger, the twists and the turns couldn’t possibly get better, right? Well, writer Joshua Williamson proves us wrong. He continues his Energon Universe story in the pages of Duke #3. At the end of the last issue, we saw Conrad “Duke” Hauser and Lance Steinberg locked up in The Pit, with seemingly no escape.

That’s where Baroness comes in. Williamson yet again finds another character fans love to weave into this story, and does it well. She’s secretive and manipulative, and plays both roles well.  Duke, on the other hand, is still tortured by the events of Transformers #2, which further drives him to not give up. Duke is too trusting, and that is highlighted again in this issue. Why does he keep these secrets for a country that has betrayed him? I feel like Williamson explores that concept well, having Duke in this prison. It’s explored further through a conversation with Baroness, which takes up a solid chunk of the issue.

Enter: Baroness
Enter: Baroness

Tom Reilly does a wonderful job once again bringing these characters to life, and Jordie Bellaire colors the issue masterfully. The action is incredible to follow throughout, and the coloring shifts when an action scene takes place are really a sight to behold. The art serves the story well, and the coloring works hand in hand with it to embrace that feeling. There’s this fantastic double-page spread with agents coming out of helicopters that really supports the style, but also the general contents of the book as a whole. This works as both an action-packed spectacle as well as something that takes you on this ride where you find yourself invested in this character’s journey.

Tom Reilly and Jordie Bellaire bring Baroness to life
Tom Reilly and Jordie Bellaire bring Baroness to life

Not only that, but the lettering by Rus Wooton isn’t anything to look over either. He matches the art wonderfully, and makes his presence known. He’s able to match every page and really adds a sense of urgency to certain scenes. Everything looks wonderful visually in this issue, with each aspect from each creator on board doing its job to keep readers’ eyes glued to the page and on the edge of their seats.

Reilly and Bellaire both masterfully express themselves on the page, with Wooton supporting them incredibly. They tell the story Williamson scripts exceptionally well, and with impressive skill. There’s never a dull moment. Williamson continues to tell this story of this tortured protagonist trying to do better, and he couldn’t have asked for a better team to tell that with. I appreciate how this story weaves itself into the greater Energon Universe, and how someone like Duke is important to that.

There’s definitely a Saturday morning cartoon feel to this, and one that I love. My only complaint is that I wish it were weekly! This action packed comic has me itching for more, and I can’t wait to see what they do next.

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Comixology Originals Exclusive Preview: THE ALL-NIGHTER #15 — Series Finale!

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo

THE ALL-NIGHTER #15 (the series finale!) hits the internet February 27th, but thanks to Comixology Originals, Monkeys Fighting Robots has an exclusive five-page preview for you.

About the issue:
Together again, our heroes are set to take down The Takers once and for all.

THE ALL-NIGHTER #15 is by writer Chip Zdarsky and artist Jason Loo, with colors by Paris Alleyne, and letters by Frank Cvetkovic. Allison O’Toole is the series editor.

ALL-NIGHTER Volumes 1 & 2 are available digitally through Comixology, or in print from Dark Horse. Zdarsky and Loo’s previous Comixology series, Afterlift, won the 2020 Eisner Award for Best Digital Comic.

Check out the THE ALL-NIGHTER #15 preview below:

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo

comixology originals comics exclusive preview all-nighter chip zdarsky jason loo


Have you been reading THE ALL-NIGHTER? Are you excited for the series finale? Sound off in the comments!

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Marvel Comics Exclusive Preview: THE IMMORTAL THOR #7

marvel comics exclusive preview immortal thor

THE IMMORTAL THOR #7 hits your local comic book store on February 28th, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive four-page preview for you!

About the issue:
THE TRIALS OF UTGARD!

Young Thor faced the tricks of the Utgard-Loki, with all that lived at stake – in a tale twice-told and now told again. Yet the teller was the Skald of Realms, in their aspect as Thor’s enemy. And thus, the tale could twist upon itself – and if Thor faltered, it could make a new end. This is the story of the IMMORTAL THOR…and the story may yet destroy us all.

The issue is by writer Al Ewing and artist Martín Cóccolo, with colors by Matthew Wilson, and letters by Joe Sabino. The main cover is by Alex Ross.

Check out our THE IMMORTAL THOR #7 preview below:

marvel comics exclusive preview immortal thor

marvel comics exclusive preview immortal thor

marvel comics exclusive preview immortal thor

marvel comics exclusive preview immortal thor

marvel comics exclusive preview immortal thor


Are you reading IMMORTAL THOR? Sound off in the comments!

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Review: When Cities Disappear in THE DISPLACED #1

The Displaced #1
Let the adventure begin in The Displaced #1.

BOOM! Studios’ latest comic is here to haunt your dreams, leaving readers wondering what happens when major cities begin to vanish. The Displaced #1 has Ed Brisson (writer), Luca Casalanguida (artist), Dee Cunniffe (colorist), and Hassan Otsmane-Elhaou (letterer) at the helm.

The Displaced #1 Variant
What do you suppose happens to those who have gone missing?

The Displaced #1 brings readers to a world where major cities can disappear without a trace and, soon enough, without any memories. If that doesn’t terrify you, it probably should. This series strives to make readers believe that it can happen to any of us.

It all starts in the middle of the night in Oshawa, Ontario. First, there was a tremor. Soon, those tremors became something much more nefarious. The few survivors near the edges of the disappearance know more than anyone else, which isn’t to say much.

We can thank the minds of Ed Brisson (Batman: The Brave and the Bold), Luca Casalanguida (James Bond), Dee Cunniffe (Barnstormers), and Hassan Otsmane-Elhaou for bringing this story to life. It also raises the question: how would you go about proving a disappearance as large-scale as this?

The Displaced #1 B&W
Let this brooding and atmospheric adventure begin!

Writing

Reading The Displaced #1 is a unique experience. It feels like a classic sci-fi show, with certain horror elements woven into it. Picture the early setting of a Stephen King novel, and you’ll have an idea of the vibe this new comic has created.

Ed Brisson’s sci-fi/horror wastes no time throwing readers into the deep end. One moment, we meet the (presumably) main characters, and the next, their world falls apart. Despite this quick introduction, the series has already delivered several surprises.

We all know that people are going to disappear — that there will be loss and pain. Thus, there are certain assumptions made right from the start. Brisson does a good job of twisting some of those assumptions. This reader was surprised by who disappeared and who remained.

Each character involved has a rich and complex life, making them feel real. It’s an essential foundation for the tragedy that will follow. More importantly, it’s the motivation we need to hope they’ll find a way back to their people.

The Displaced #1
There is something oddly familiar and ethereal about this image.

Artwork

The bold artwork is an absolute highlight of The Displaced #1. It alone would make the story worth reading (thankfully, the plot is likewise compelling, so there’s no need to settle). While the night scenes try hard to steal the show, something interesting happens on every panel.

Luca Casalanguida is the lead artist for this project, and they did a great job bringing the characters to life. The visuals help us get a feel for their lives in the before moments — and their pain and confusion in the aftermath.

Meanwhile, Dee Cunniffe’s colors are a sight to behold. Sometimes, the colors feel more subdued — fitting into the cityscape of it all. But then there are those moments when the colors can run wild (the night skies, the explosions, etc.).

Hassan Otsmane-Elhaou’s letters help to tie it all together. Actually, it does more than that. The disappearance that occurs could never fit in an entire page of comic panels. So, the lettering does the work for us here, signifying when the world is about to shift.

The Displaced #1
How far would you go, to find those you lost?

Conclusion

The Displaced #1 is a compelling and surprisingly emotional start to a series. It demands investment from the readers while raising half a dozen questions that must be answered. Combine that with the atmospheric storytelling style, and it’s easy to see why readers will want to check this one out.

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Review: ULTIMATE SPIDER-MAN #2 — Back in the Swing of Things

marvel comics ultimate spider-man peter parker

After the events of issue #1, Ultimate Spider-Man #2 sees Peter Parker suited up and trying to make New York City a safer place (once he gets the hang of web-slinging). For fans of the web-head, what Jonathan Hickman, Marco Checchetto, Matthew Wilson, and Cory Petit are doing here isn’t just great—it’s amazing, spectacular, sensational, and even superior.

(See what I did there?)

If you’re part of the minority that felt last issue was too light on the action, have no fear: this issue sees Spidey taking to the rooftops and crossing paths with his first supervillain. The action is electric and dynamic; Checchetto and Wilson make sure of that. Somehow—even though we’ve seen it countless times over six decades—this team is able to make Spider-Man spinning webs and swinging through the city feel new and exciting.

Everyone is having fun working on this title, and you can feel it radiating off the pages. Hickman’s dialogue is quippy, and Checchetto not only fills this issue with big action, but a few visual gags that will make you laugh out loud (mostly featuring Peter taking a beating, usually thanks to his own inexperience). Wilson’s use of vibrant colors amid an otherwise drab color palette makes for an engaging visual treat, and Petit’s masterful lettering guides you through these panels in a way that makes you feel like you’re swinging alongside our hero. Ultimate Spider-Man #2 is a perfect example of a creative team just having a blast and firing on all cylinders.

Now the quipping and superhero action may feel familiar and comfortable, but don’t be fooled: Hickman, Checchetto, and company are lulling you into a false sense of security. What’s really fun and exciting about this universe is how unfamiliar it is.

At the heart of this new Ultimate Spider-Man is the exploration of what it means to become a superhero at 35 instead of 15. What is it like getting superpowers with a fully developed prefrontal cortex? What drives this Peter Parker who was given his powers and didn’t learn the whole “great power/great responsibility” lesson the hard way? How do you balance being a superhero vigilante with having a wife and two kids? As familiar as this book feels at times, these are all fairly original concepts to the character, and that Ultimate Spider-Man is taking the time to unpack all of these ideas and more is the real reason to keep reading.

Also, the partnership of J. Jonah Jameson and Ben Parker is a stroke of genius; their friendship stole the show in the first issue, and it continues to be a standout feature of this title.

Just like the original run did over 20 years ago, Ultimate Spider-Man breathes fresh air into one of the world’s most recognizable characters while covering readers with a blanket of familiar comfort at the same time. The next issue can’t get here soon enough.

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