It’s starting to look like Keanu Reeves might have some competition for the most badass character award. CBS and Lionsgate just released a new red-band trailer for American Assassin. Based on the bestselling novels by Vince Flynn, this action-packed trailer delves more into the action thriller element of the movie and makes it extremely clear that Dylan O’Brien has what it takes to be an action hero.
It’s hard not to see the parallels between American Assassin and other franchises such as Bond, Jack Ryan, and John Wick. Hopefully, using these films as a template American Assassin will be able to create a great action franchise and boost Dylan O’Brien as our latest action hero.
American Assassin follows the rise of Mitch Rapp (Dylan O’Brien), a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley (Michael Keaton). The pair is then enlisted by CIA Deputy Director Irene Kennedy (Sanaa Lathan) to investigate a wave of apparently random attacks on both military and civilian targets. Together the three discover a pattern in the violence leading them to a joint mission with a lethal Turkish agent (Shiva Negar) to stop a mysterious operative (Taylor Kitsch) intent on starting a World War in the Middle East.
American Assassin Will In Theaters September 2017!
You shouldn’t need an article to tell you how good American Gods is. Honestly, one need only look at the IMDB page for the Starz original series. The show’s co-creators are Bryan Fuller (Hannibal) and Michael Green (Logan). American Gods is based off the hugely successful novel by legendary writer Neil Gaiman. The pool of acting talent includes powerhouses like Ian McShane, Gillian Anderson, and Crispin Glover. If those names didn’t signify “greatness” before, they certainly should now.
American Gods’ debut season is a triumph of television. The series even landed a spot in our dream Emmy nominations list. American Gods has a loud, dynamic style that is continuously exciting. It’s a series that packs a punch with great, well-paced storytelling. Fuller & Green’s talent and experience as writers shines through. The scale and rich mythology of American Gods could make it the next Game of Thrones.
The series follows Shadow Moon, a recent widower returning home from prison. Shadow runs into Mr. Wednesday, a mysterious grifter, who hires Shadow as his bodyguard. Shadow is then thrust into a world of magic he can’t begin to understand. Along the way, Shadow meets an angry leprechaun (Schreiber), Lucille Ball (Anderson) – even his dead wife (Emily Browning). Shadow Moon’s story of finding his faith makes for an intense, powerful viewing experience.
The performances of all the actors are fantastic. Ricky Whittle’s portrayal of Shadow is equal parts brooding and powerful. Ian McShane was born to play Wednesday, personifying the clever swagger of the ancient god. Emily Browning’s portrayal of Laura Moon is dynamic and entertaining. Pablo Schreiber’s non-stereotypical leprechaun, Mad Sweeney, is a fantastically foil for the characters. Not to mention the fantastic deities that are introduced throughout the series. American Gods builds out a fantastic roster of characters in its first season.
Along with the performances and writing, the show excels with its visuals. The way American Gods utilizes special effects and CGI for certain scenes is incredibly unique. In some instances, the visuals highlight the insane violence in the series. The first scene of the show contains an insane amount of bloodshed. However, the special effects can also highlight real intimacy. The scene with Salim and the Jinn is wonderfully tender, and the visuals make it even more beautiful. The visuals are just as intense and crazy as the characters, and that’s why it works so well. Each part of the show lines up perfectly with the tone of the show.
American Gods also does a great job including vignettes on immigration. Each episode contains a ‘Coming to America’ story for the many gods of the show. In many cases, it gives the series a great chance to further build up its lore. There are moments, however, where it feels a bit excessive. This is most notable in ‘A Prayer for Mad Sweeney,’ the penultimate episode. It’s an interesting story, but dedicating a whole episode to Sweeney’s sort-of origin feels unnecessary. When the contained, vignette-style stories accompanies the main plot, they make for great introductions to each episode.
If anything, the weakest element of American Gods is how short it is. This is partially because it’s a bummer to be done with the season. However, part of the issue is that it feels incomplete. The season ends on a big note, but it doesn’t feel big enough. Many similarly big shows tend to have 10 or 12 episodes per season. Upon finishing ‘Come to Jesus,’ American Gods feels like it’s missing a few episodes. Especially considering the scale of the show, the finale feels one beat off.
As far as weak points go, ‘being too short’ is not too shabby. American Gods is an incredibly well constructed season of television. The show builds its world up very well, and the way characters interact is fantastic. American Gods has a lot to say on American society, and the way it explores such issues is powerful. For a show all about faith and deities, American Gods never comes off as “preachy.” That’s why it’s such a fantastic show, and worthy of worship.
STAND-OUT PERFORMANCES: Ian McShane, Ricky Whittle, Emily Browning, Pablo Schreiber, Bruce Langley
STAND-OUT EPISODES: “The Bone Orchard;” “A Murder of Gods;” “Head Full of Snow;” “Lemon Scented You”
I’m ecstatic to see the positive reaction, but what worries me is the fact that he claims the villain is “meh”. Given that legendary actor Michael Keaton is playing such an important character like Vulture, he needs to deliver a solid performance and the role must be written well.
Are you looking forward to Spider-Man: Homecoming? Sound off in the comments below!
Spider-Man: Homecoming features Tom Holland, Michael Keaton, Donald Glover, Zendaya, Marisa Tomei, Robert Downey Jr., Jon Favreau, Tyne Daly, Tony Revolori, Bokeem Woodbine, and Hannibal Buress.
“A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.”
Steven Moffat and Mark Gatiss, the brilliant minds who gave us Sherlock,are bringing the same treatment to Bram Stoker’s Dracula.
The project is in the very early stages of development, as Moffat wraps up his tenure on Doctor Who. Gatiss has also served as a writer on Doctor Who.
Dracula is a Gothic horror novel written by Bram Stoker in 1897. It tells the story of the eponymous vampire who makes his way from Transylvania to England with plans to spread his undead curse. The novel has been adapted and interpreted countless times for the theater, film, and television.
More recently, Count Draculawas unsuccessfully brought to the big screen in the 2014 flick Dracula Untold. The movie was meant to pave the way for a Universal Monster cinematic universe. Universal Studios is going at it again with the ‘Dark Universe,’ recently announcing Dracula as part of their roster once more.
This new Dracula will use the same format as Sherlock, releasing as a miniseries-length run of feature-length episodes. Whether this version will bring the iconic bloodsucker to modern times or remain in the Victorian era remains to be seen. The former seems likely, however, as Moffat famously adapted two 19th century literary characters (Sherlock Holmes and Henry Jekyll) for the present day.
Sherlock, which aired its fourth series earlier this year, was a huge success around the globe. It also propelled its leads, Benedict Cumberbatch and Martin Freeman, to international stardom.
There are no plans for the fifth series of Sherlock at the moment, as both Cumberbatch and Freeman’s slates are a bit full. However, Moffat and Gatiss have not ruled out the possibility of eventually returning to the show.
Are you excited to see a Steven Moffat/Mark Gatiss adaptation of Dracula? Let’s discuss in the comments!
The first set photo from X-Men: Dark Phoenix has been released on Twitter by JenLawFilms.
The image seemingly shows a build of Charles Xavier’s Danger Room, which is in the X-Mansion.
X-Men: Dark Phoenix stars Sophie Turner as the lead and also includes James McAvoy, Michael Fassbender, Tye Sheridan, Nicholas Hoult, Jennifer Lawrence, Alexandra Shipp, and Kodi Smit-McPhee. The release date is November 2, 2018.
Are you looking forward to the movie? Comment below, let us know.
Batman: Mask Of The Phantasm is being released on Blu-Ray soon.
The critically acclaimed Batman animated flick will be re-released on the platform in both the original aspect ratio, 16×9 (1.78:1) and open matte 4×3 (1.37:1).
“When the city’s most feared gangsters are systematically eliminated, the Caped Crusader is blamed. But prowling the Gotham night is a shadowy new villain, the Phantasm, a sinister figure with some link to Batman’s past. Can the Dark Knight elude the police, capture the Phantasm and clear his own name?
Unmasking the Phantasm is just one of the twists in this dazzling animated feature. Discover revelations about Batman’s past, his archrival the Joker and Batman’s most grueling battle ever — the choice between his love for a beautiful woman and his vow to be the defender of right.”
No specific release date was given.
Will you be picking this up on Blu-Ray? What is your favorite animated Batman movie? Sound off in the comments below!
The world was understandably shocked and saddened to learn that Zack Snyder and producer Deborah Snyder were stepping down from Justice League after the tragic death of their daughter. (Something that no parent should ever have to experience.) When Warner Bros. announced that Joss Whedon was stepping in to guide the film through the end of production and help it meet its release date of November 17th of this year, it was heartening to see that fan reaction online was appropriately subdued. Most people weren’t outright celebratory, their thoughts still with the Snyder family in their difficult time, though the news did allow fans to breathe a slight sigh of relief that the film had been passed into good hands; after all, Whedon successfully brought The Avengers to the big screen in two critically and financially successful outings – who better to help Snyder finish the film and guide the Justice League into theaters for the very first time?
Since the initial news broke of the Snyders’ departure from the project and the addition of Whedon, there has been a lot of rumors and innuendo swirling around regarding just how much influence Warner Bros. is giving the creator of Buffy the Vampire Slayer over the movie, and how much the new director and studio are planning to change. I want to try to take a moment to make sense of it all and offer my own educated speculation as to what I believe is going on with Justice League.
A recent update to the British Board of Film Classification website has listed Spider-Man: Homecoming with a runtime of 133 minutes. Although the runtime is a nice thing to know, without context of how the film flows it really means nothing yet.
A runtime near two hours, as Spider-Man: Homecoming‘s is, is perfect for comic book movies in my eyes. It’s long enough for plot points to be resolved, but not drawn out. As the MCU grows, more characters, references, and tie-ins will be included in each movie.
“A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.”
Matt Reeves has a clear idea of what he wants to do with Ben Affleck’s first Batman movie. The director has proven his ability behind the camera with movies such as Cloverfield and Dawn Of The Planet Of The Apes but before we see what he has planned for Batman, the director still has to promote and release his latest Apes movie. While promoting War For The Planet Of The Apes, Reeves revealed that he hasn’t started to work on The Batman but has a few ideas of what he wants to see the movie become.
Obviously, Reeves couldn’t give many details but makes it very clear that he will take an extremely personal approach to the character. This will be very similar to what Reeves has done with Caesar (Andy Serkis) in the Planet Of The Apes franchise.
See what Reeves had to say below:
“Look, I’m just starting Batman because literally, [War for the Planet of the Apes], as I just said, we finished about a week ago and now we’re publicising it. So, we haven’t even begun on Batman. For me, what’s always important is to try and find a personal way in. In that way, I do feel like I relate to actors. It’s about understanding emotionally, the way something is. I see this parallel between Caesar and Batman, really, which is this idea of these characters who are grappling with their own struggle and trying to do the right thing in an imperfect world and, so, I do really relate it to that kind of idea.”
Looking at what Reeves has been able to create with Caesar, it’s likely that he will have no problem creating a more personal story for the dark knight. The Batman currently doesn’t have an official release date and there are no recent developments in terms of story and casting.
Warner Bros. and Legendary Pictures confirmed today via press release that production on Michael Dougherty’s tentatively titled Godzilla: King of the Monsters is officially underway in Atlanta.
