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‘The Mist’ Episode 5 – “Waiting Room” Left Me With Questions!

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Previously On “The Mist” – everyone was horrible to each other. A child got eaten. Kevin can’t kill and Alex lied. Nature loving Nathalie made a friend and upset a priest. There you go – fully caught up.

A Change of Pace

After watching the show for four weeks I’ve decided to give these recaps a slight change of format. I’ve been giving blow-by-blow accounts of the episode each week and while they’ve been fun to write, I’ve come to realize that they’re not necessary. As we reach the half way point of the show I think it’s time to give the recaps a slight change. So going forward there won’t overly descriptive accounts anymore but rather a review of the episode with a break down of the questions each episode has left me with.

Killing Kevin

After five episode, has the show improved any? In short – yes! Episode five “Waiting Room” picks up from the shooting of Brian last week. Kevin and co are the sole focus of the episode with the foursome going from being trapped in a garage to being trapped in a hospital. For an ensemble show, it was a clever decision to dedicate a whole episode to a singular group of the characters. Between flashbacks to the early days of Eve and Kevin’s relationship and attention to Adrian, Mia and Bryan’s characters this is a really strong episode.

Kevin has often been a dull character through the first four episodes but this week saw a huge change in him. Contrasting the new, hardened Kevin with the at first optimistic and loving Kevin of the flashbacks was a good way to show how the last four weeks have changed him. He is no longer the soft touch that first set out to find his daughter and wife.

It was a clever idea to use the flashbacks to show that Eve has never been fully content in the relationship. Although Kevin has loved her from the get go, Eve hasn’t always been as happy. This add’s depth to both their characters, especially after Eve’s confession that she is glad he’s not there in last week’s episode.

Who Is Bryan?

I called this weeks ago, but after watching Mia and Bryan’s relationship blossom, it’s revealed that Bryan isn’t actually Bryan. After a touching moment between the two at the start of the episode where the two actually address the sexual tension between them. Mia makes the unfortunate discovery that Bryan Hunt is already in the hospital. He’s just not the Bryan Hunt that she has been growing feelings for.

The real Bryan Hunt got beaten up at Arrowhead by a man named Jonah Dixon. Who matches the description of the man who has been shouting about things in the mist for the last five weeks. So who the hell is Johan? The amnesia story with Bryan/Jonah has been very convenient and even Bryan/Jonah believed his name to be Bryan. It will be interesting to see what happens now that both Mia and Bryan/Jonah know the truth. I’m sticking with my original guess that he’s going to be a royal bastard once he gets his memory back.

Do We need Monsters?

One of the best parts of the original movie was the creatures. I’m a huge fan of a creature feature and that is initially what drew me to the show. (Well that and my obsessive nature when it comes to anything Stephen King related.) However, the show has been very monster light. In fact, it seems that the nature of the mist itself is more psychological. Even Kevin’s ill-fated brother made mention that the mist KNEW the bad things that he had done. Making it seem that the mist is almost sentient.

While we’ve not had monsters to match the scale of the movie, we have been presented with various horrors. Moth-Man from episode four seriously traumatized me, the shadow eater from episode four was every parent’s worst nightmare and this week we get leeches. I know they don’t sound scary, but the sheer volume of them and the tension when they appeared (and subsequently tried to eat Kevin and his brother) was brilliantly handled.

Obviously, money is an issue, TV budget isn’t the same as movie budget. All things considered, the show is handling the monster side of things well. This isn’t the movie and they’re not even trying to match it. This is a different, meaner mist. A mist that gets into your mind and uses your own fears against you.

Who’s the Daddy?

Here’s a hint – it’s not Kevin. Through the use of flashback’s not only did we learn that Kevin’s always loved Eve more than she loved him but more importantly – Kevin isn’t Alex biological father. It was a good twist, although unless they do something with it, it’s going to be wasted. I have a feeling that this is going to tie into why Alex didn’t get eaten by the Mist-Monster last week. It was handled quite well, as almost all the flashbacks were. The reveal has added a much-needed level of depth of the character of Kevin who has until now felt very flat.

“Waiting Room” felt like a very different episode to the previous four and worked so much better because of it. The problem with the show so far has always been the characters. We were expected to care about quite a large cast very quickly. This was the first week that I actually did. The struggle of Kevin trying and failing to save his brother felt genuine. The moment when he chooses to kill Mike and put him out of his misery was genuinely sad. Mia’s obvious heartbreak at finding out Bryan/Jonah isn’t who she thought she was a great motivator for her character to go back to her roots. I still can’t take to Adrian but that’s because I’m waiting for him to be revealed as Alex rapist.

What’s Next?

It feels like the show has finally hit its stride. The decision to focus on a core group instead of jumping between the characters worked so well. In this vein, it would be brilliant for the next two episodes to focus on the church and the mall. Giving us flashbacks and a character focus made the fear and tension real. It allowed you to grow to care about the character’s (not you Adrian) in a way that’s not happened before.

We’re five episodes in and for the first time this season – I’m excited to watch the next five!


What did you think of the new format of the show? Are you still even watching? Let us know in the comments below. 

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‘The Passage’ – Fox’s Vampire Thriller Casting Updates

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The upcoming Fox vampire drama ‘The Passage’ has started to find its feet and a leading man! We’d previously reported that the adaptation of Justin Cronin’s vampire trilogy was headed to Fox, but information was scarce at the time.

The Leading Man

It’s been confirmed that Mark-Paul Gosselaar will be playing Brad Wolgast. The FBI agent is a key player in the flashback portions of the show. Not only is he responsible for collecting the villainous “twelve” but he will develop a loving and doomed father/daughter relationship with the mysterious  Amy.

Wolgast isn’t the only character cast either. Saniyya Sidney has also been confirmed as key character Amy Belafonte. While Gosselaar’s character Wolgast is a key figure in the past portion of the story, Amy is the linchpin of the series. She may be young, but Saniyya has already got TV credits under her belt with appearances in “American Horror Story” and Oscar-winning “Fences.”

They’re Not Alone. 

The casting news doesn’t stop there, however. Genesis Rodriguez has been signed to play Alicia, a tough talking warrior from the present day parts of the story.

Genesis Rodriguez

Brianne Howey and B.J Britt have also been cast. B.J will be playing an important role in the show as the character of Peter Jaxon. If the series get’s a full season order, B.J’s role in the show will be a large one as Jaxon is a pivotal character in the “Passage” series. The final piece of casting news is Jennifer Ferrin who has signed on to play Sara Fisher.

Jennifer Ferrin

The pilot will be written by Liz Heldens and directed by Marcos Siega. ‘The Passage’ will be a vast character driven thriller in the past segments and a post-apocalyptic journey in the present parts of the show.

What Is “The Passage” About?

The Passage” is a tale split between two separate time lines. An apocalyptic present day where humanity is attempting to make a last stand against nature and “viral’s.” Vampire like monsters that were once human.  Ten-year-old Amy Bellafonte will be the only person who has the power to communicate with them. Through flashbacks, Amy will tell her tale, which will help to shed light on the evolution of these creatures.

In the past, we will learn the history of Project Noah. A secret government organization, that is using death row inmates to study the effects of a new serum. Unaware of the deadly consequences this will have for humanity. How does a ten-year old Amy fit into this? While in the future, the same ten-year old Amy stands with Peter, Alicia, and Sara as they try to save the last of humanity from a virus that has destroyed the world.

An air date is unknown and the show has only been confirmed for a pilot episode. However ‘The Passage’ is a trilogy that is more than deserving of the television treatment.

Have you read the original Justin Cronin trilogy? Are you excited about the casting choices? Let us know in the comments below. 

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‘Arrested Development’ Season Five Will Be A Murder Mystery And Take On The Trump Family

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“Now the story of a wealthy family who lost everything, and the one son who had no choice but to keep them all together. It’s Arrested Development.”

Fans of the Bluth family were delighted when Netflix announced on May 17th that they had renewed Arrested Development for a fifth season, and now – thanks to an interview that Jason Bateman, who plays exasperated son Michael Bluth, did with EW Radio – we have more of an idea of what to expect when the new batch of episodes hits Netflix in 2018.

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Watch: Netflix’s ‘Bright’ Equals ‘Bad Boys’ Vs Orcs And Elves!

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Holy Will Smith, Batman! Netflix just released the first trailer to ‘Bright’ Thursday evening, and this is either going to be hot-garbage or some new level of geek-awesomeness.

Set in an alternate present-day, this action-thriller follows two cops from very different backgrounds. Ward, a human, and Jakoby, an orc, embark on a routine night patrol that will alter the future of their world as they know it. Battling both their own personal differences as well as an onslaught of enemies, they must work together to protect a deadly, thought-to-be-forgotten relic, which in the wrong hands could destroy everything.

‘Bright’ stars Will Smith, Joel Edgerton, Noomi Rapace, Lucy Fry, Edgar Ramirez, Ike Barinholtz, Enrique Murciano, Jay Hernandez, Andrea Navedo, Veronica Ngo, Alex Meraz, Margaret Cho, Brad William Henke, Dawn Olivieri, and Kenneth Choi. The film is directed by David Ayer and written by Max Landis.

The Netflix original film will be released on December 22.

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‘Girls Trip’ Review: ‘The Hangover’ Was Great But This Film Is Better

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Girls Trip’s fast paced comedic narrative, hilarious performances, and timely message make this a better movie than The Hangover. 

Summary

A group of college girlfriends nicknamed the  “Flossy Posse” meet-up in New Orleans for a girls weekend that turns into nonstop debauchery fest. Ryan (Regina Hall) is scheduled to be the keynote figure at Essence Fest in New Orleans due to her work as a self-help guru (think Oprah). Her friends agree to come along and watch her in action. Sasha (Queen Latifah) is a struggling gossip blogger who secretly has ill feelings towards Ryan. Lisa (Jada Pinkett Smith) plays your typical single girl with a less than typical sex-life. Dina (Tiffany Haddish) is the life of the party who curses up a storm but is loyal to a fault.

girls-trip3.png (670×377)

What Worked

One way in which this film separates itself from The Hangover is how much this cast sells out comedically. In The Hangover, the narrative flows comedically through one character while the rest of them are spending most of their time reacting to what just happened. Girls Trip is an example of how wonderful a narrative can turn out when the whole cast buys into it. Whether it was Ryan (Hall) getting awfully creative with a meat cleaver, Sasha (Latifah) dry humping a lamp, Lisa (Smith) awkwardness with grapefruits, Dina (Haddish) threatening to kill a bitch, the story is relentless and hysterical.

Haddish brought tremendous energy to the film. She brought out a level of comedy in Smith that I’ve never seen her pull off. It certainly was an unexpected surprise.

The most important role in the film certainly falls on Hall’s shoulders. Her character is going through some marriage issues and due to how big her career has become, she excuses the fact her husband can’t stay faithful. Why should she let people know that her life isn’t perfect? It’s the journey that Ryan goes through during the film that makes the message of the film quite poignant. What’s the message of The Hangover? Don’t hang out with guys who roofie you?

It’s refreshing to witness very “blue” comedic moments being pulled off and still having those important themes of sisterhood, unity, and self-worth not get lost in the story. Yes, it’s hilarious to watch Dina explain how to use those grapefruits in a provocative manner but if we don’t see Ryan’s girls be there for one another than this movie isn’t anything other than a rehashed version of Bad Moms. 

Director Malcolm D. Lee strikes a balance between keeping the film funny and delving into serious topics.

Overall

To say that I’m surprised by Girls Trip would be an understatement. On the surface, the movie just appears to be another bunch of tired tropes about good girls going wild. The film asks the question of what gives women self-worth. Is it a man? Is it a career? Is it both? Yes, we travel on this journey while witnessing the Flossy Posse on hallucinogens but that’s not what’s important. We need to remember to not judge movies before they are actually seen. Girls Trip is a heartfelt journey about a woman’s worth and the power of friendship that’s a movie worth seeing.

 

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Underrated: Inhumans Vs X-Men (or: Why the X-Men had every right to freak out)

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The graphic novel edition of Inhumans Vs X-Men came out recently—and is currently only $5.99 on Amazon, so grab it while it’s cheap. While the series got pretty bad reviews in single issues, the graphic novel reads much better. In fact, this might be the best X-Men story since Bendis took over after Avengers Vs X-Men.

Before reading IvX, it helps to binge read Inhuman and Uncanny Inhumans (Charles Soule), All-New X-Men: Inevitable (Dennis Hopeless), Uncanny X-Men: Superior (Cullen Bunn), All-New Inhumans (James Asmus), and Extraordinary X-Men (Jeff Lemire). Aside from a few story arcs here and there, they’re enjoyable. In fact, Uncanny Inhumans #15 gave one of the best panels of the last year:

Too much emotion. Call back later.

This creates a good emotional buildup going into IvX, especially on the X-Men side. They’ve suffered before, but this was brutal. How much more metaphorical can Lemire get than putting their “X-Haven” in the hellish landscape of Limbo? It worked, though. The Terrigen cloud can’t be predicted, it’s unforgiving, and it kills mutants. They’re in constant panic mode. If the mutants are meant to represent civil rights movement (which of course, they are), the M-Pox era highlighted this part of the struggle of being an Other in America perfectly.

The Inhumans, on the other hand, were the well-intentioned but ignorant “privileged” Americans. Medusa gives Beast access to the Inhumans’ lab, but aside from Beast saving their asses in Uncanny Inhumans Vol 1: Time Quake, he’s absent from the rest of the series. Even worse, Medusa complains that he is keeping Medusa’s favorite NuHuman, Iso, too busy trying to make sure that Mutants don’t go extinct because of Black Bolt’s Terrigen cloud. But Medusa isn’t vindictive—she just doesn’t get it.

Which brings us to IvX. Beast discovers that the Terrigen Cloud is mixing into the atmosphere, and in a matter of days, the planet will be uninhabitable for mutants. They need to leave Earth, but he knows that won’t happen. He knows it isn’t an option, but he doesn’t want a war with the Inhumans, so he tries. Of course, it doesn’t work, and the X-Men panic and attack New Attilan while Forge and Old Man Logan go after the Terrigen cloud.

Epic battle ensues! Leinil Frances Yu delivers six issues of intense battles that would make even a crappy story worth it. This book looks like an event, something missing many of the blockbusters from Marvel and DC for the last 17 years. It would be easy to post a bunch of shots like this:

When the blimps show up, you know it’s about to go off.

But the best panel from the graphic novel is this one, because…

Holy Awesome Teleporting Dog, Karnak!

IT’S KARNAK RIDING LOCKJAW INTO BATTLE! ALL OF THE EPICNESS JUST DIALED UP TO 11!

Okay, back on track, and here we get into some SPOILERS, so read with caution.

A group of NuHumans, including Ms. Marvel and Moon Girl, learn what’s happening and immediately start helping Forge build a machine to deal with the cloud. After they succeed, Moon Girl brings the trigger of the device to destroy the cloud. Tense moment, right? If Medusa presses the button, that’s it for new Inhumans. There are no more Terrigen crystals (maybe—Maximus knows how to make more but is keeping it close to the vest for now). Without the cloud, they have nothing to trigger Terrigenesis

Does Medusa hesitate? Nope. She knows it’s not just the right choice—it’s the only option. But she says something right before that reveals just how ignorant the Inhumans have been towards what mutants were experiencing:

Is there a facepalm emoji yet? There needs to be.

Eight months of the Terrigen cloud killing mutants and Medusa still doesn’t get it. She does what’s needed, but still doesn’t understand the X-Men. But Iso, one of the young NuHumans, does get it. The X-Men weren’t sure if Medusa would go with it. Why not? Medusa’s a hero, surely they could trust her. But what makes them so apprehensive?

Religion. Not the X-Men’s—the Inhumans. Terrigenisis isn’t just a cool process to get mysterious powers; it’s a religious ritual. That’s why the cloud still existed in the first place and why Beast was trying to keep the peace by finding a cure for mutants instead of a way to destroy the cloud from the beginning. The X-Men were essentially afraid of the Inhumans using the “religious liberty” argument while the X-Men are screaming “We’re dying!”

It’s a civil rights battle perfect for 2017. Well-intentioned but kind of ignorant—even goodpeople who just don’t get how their values might impede on the rights of others. That’s the Inhumans during the Age of M-Pox. They’re not bad people—just clueless. And the X-Men have decades of experience of good people completely ignoring their struggle, why should they think the Inhumans would be any different?

But it has a happy ending. Once Medusa realizes just how much the mutants are struggling, she destroys the cloud. And then a bunch of other stuff happens that reminds the world that maybe mutants should be feared. The last ten pages aren’t as great as the six issues before. Especially the epilogue. This was an X-Men story, but it ends with Medusa narrating. She pats herself on the back for saving the mutants, ignoring her eight months of negligence. But isn’t that an American tradition too? When the majority does the right thing for the minority, they hijack the story to make themselves look like the hero? It’s what Medusa does. She thinks she’s the hero just because she decided extinction wasn’t right.

That’s why IvX is an underrated X-Men story. While so many readers complained about the treatment of the X-Men franchise post-Secret Wars, Marvel gave us—maybe accidentally—an X-Men Civil Rights story perfect for our time. And they didn’t need to use Hydra to do it.

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SDCC ‘Inhumans’ IMAX Trailer – Looks Pretty, But Will It Be Good?

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Disney and Marvel released an IMAX trailer Thursday afternoon for its latest television series ‘Marvel’s Inhumans’ at San Diego Comic-Con International.

The ‘Inhumans’ will get a two-week engagement with IMAX on September 1 to screen the first two episodes. Then the first two episodes will air Friday, September 29 at 8 p.m. EDT on ABC to launch the series.

‘Marvel’s Inhumans’ explores the never-before-told epic adventure of the royal family including Black Bolt, the enigmatic, commanding King of the Inhumans, with a voice so powerful that the slightest whisper can destroy a city. After the Royal Family of Inhumans is splintered by a military coup, they barely escape to Hawaii where they are greeted with surprising interactions with the lush world and humanity around them. Now they must find a way to reunite with each other and return to their home before their way of life is destroyed forever.

‘Marvel’s Inhumans’ stars Anson Mount as Black Bolt, Iwan Rheon as Maximus, Serinda Swan as Medusa, Eme Ikwuakor as Gorgon, Isabelle Cornish as Crystal, Ken Leung as Karnak, Ellen Woglom as an undisclosed character, Sonya Balmores as Auran and Mike Moh as Triton.

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SDCC: New ‘Krypton’ Teaser From SYFY

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SYFY released a new teaser for ‘Krypton’ at San Diego Comic-Con International Thursday afternoon.

It’s time to discover the secrets of this lineage. The House of El will be redeemed.

The series is set two generations before the destruction of the legendary Man of Steel’s home planet, Krypton follows Superman’s grandfather whose House of El was ostracized and shamed — as he fights to redeem his family’s honor and save his beloved world from chaos.

Cameron Cuffe stars in the show, produced by David S. Goyer with showrunner Damian Kindler. ‘Krypton’ premieres in 2018 on SYFY.


When the trailer leaked in April we had this to say:
The teaser gives us a first look at the series, and it certainly appears like the show will tie into the DC Extended Universe and Henry Cavill’s interpretation of Superman. The symbol of the House of El is the same as the symbol seen in Man of Steel and Batman v Superman. Krypton is also visually similar to what we saw in Zack Snyder‘s Man of Steel. It is of course, entirely possible that instead of being directly connected to the DCEU, the show is simply taking visual inspiration from the movies.


What do you think? Are you excited for a weekly series set on Krypton?

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SDCC: ‘Doctor Doom’ Film in Development From ‘Legion’ Creator

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20th Century Fox isn’t done with Fantastic Four quite yet. During the San Diego Comic-Con on Thursday, Noah Hawley, the writer and creator of FX’s Fargo and Legion, announced that he was developing a Doctor Doom film.

Doctor Doom is the Fantastic Four’s longtime arch-nemesis, and considered one of their greatest villains. He was portrayed by Toby Kebbell in Fantastic Four (2015), and Julian McMahon before that in Fantastic Four (2005).

Hawley said he would be writing the script himself, possibly to also direct.

20th Century Fox has had a tumultuous past with the Fantastic Four franchise. All three films were received poorly. The most recent film, directed by Josh Trank in 2015, failed so badly, 20th Century Fox scrapped sequel plans.

Monkeys Fighting Robots will provide updates as they come.

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SDCC 2017: Geoff Johns Proclaims “The End Is Here”

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Hey there comic fans, we got some hot new DC Comics news coming straight from Comic Con!

Writer and Cheif Creative Officer Geoff Johns joined DC Publisher Dan DiDio at SDCC and revealed new details about his highly anticipated Doomsday Clock series. During the hour-long Spotlight conversation, Johns debuted six interior panels (which you can see below!), beautifully illustrated by Gary Frank with colors by Brad Anderson, including confirmation of Dr. Manhattan’s involvement in DOOMSDAY CLOCK.

Doomsday Clock is a story for our time that brings the greatest heroes and villains from the DC Universe together with the mysterious forces from the Watchmen Universe. As Johns discussed the sophistication of the story and its real-world influence, his words paired beautifully with the panels, which are highly detailed and evoke layers of emotion.

During the panel, Johns announced that the series would be Superman centric and it will start one year in the future from current DC continuity. The timelines will link up at the conclusion of the series where readers will see characters that have been affected by the events in Doomsday Clock.

The first issue will hit shelves on Wednesday, November 22, just prior to the Thanksgiving 2017 holiday, a time of year that has a special meaning in Johns’ life. Each year, he would return home from school with the latest comic books to read and discuss with his friends. The monthly series will run 12 issues with planned breaks in March and August.

What do you guys think? Are you excited for Doomsday Clock? Comment and discuss below!

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