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Star Trek: Discovery – An Odd Start for Cmdr. Michael Burnham

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September 24th, 25th if you live outside of North America, showed anxious Trekkies a glimpse of what Star Trek: Discovery’s creative team has up its sleeve. Viewers met a few members of the U.S.S. Shenzhou, including Captain Philippa Georgiou (Michelle Yeoh) and Commander Michael Burnham (Sonequa Martin-Green). Although there appeared to be several other unnamed characters on the bridge, the only other crew member we met was the Shenzhou’s science officer, Lt. Saru (Doug Jones).

Although the premiere included two episodes, if you were lucky enough to figure out how to watch them, viewers still haven’t seen either the U.S.S. Discovery, which the show is named after, or her crew. Presumably, viewers will meet the Discovery’s captain and crew in next week’s episode with the two-part premiere acting as a kind of prologue. This prologue gave viewers a sense of Cmdr. Burnham’s motivations and personal history.

It’s always a good idea for any show to flesh out their lead role early on and allow the audience time to develop a connection with him or her. But rather than getting me to like Cmdr. Burnham, this two-part premiere had me wondering how this impulsive and, frankly, racist officer ever made it out of Starfleet Academy. I’m not going to recap these two episodes. Instead, I’ll just talk about my impressions of the show’s somewhat awkward start.

Discovery: Michael Burnham – The Vulcan Hello

The name of part one of Discovery’s premiere was entitled “The Vulcan Hello.” This title refers to a line of Cmdr. Burnham’s: after communicating with fan favourite Ambassador Sarek (James Frain), Burnham informs Captain Georgiou that the Vulcans used a particular method when opening relations with the Klingons. Rather than try to open up a dialogue with any given Klingon vessel, Burnham claims that the Vulcans would open fire on Klingon ships, showing force and preserving the lives of their own officers.

The ethical problems with this form of “diplomacy” notwithstanding, one wonders how any Vulcan would think these actions logical. As a bunch of logic nerds, the Vulcan High Command would be familiar with the problem of induction. Very briefly, inductive reasoning assumes that because something has happened a specific way in the past then it will happen the same way in the future. The problem of induction points out that this isn’t always the case.

Using inductive reasoning, if two Klingon ships in two different scenarios open fire on a non-Klingon ship, then we assume that a third Klingon ship will open fire on any other ship in any given scenario. The problem with inductive reasoning, though, is that the status quo often changes. Even the sun’s rising or the change of the seasons can be interrupted by some external cause — climate change or a reversal of the magnetic poles of the Earth, for instance.

Instead, what Burnham calls the “Vulcan Hello” indicates a formalized cultural bias based on emotional concerns, the desire to preserve the lives of Vulcan diplomats. One wonders how the eminently logical Vulcans could’ve missed such an obvious logical fallacy and based their diplomatic methods on problematic reasoning humans identified over 2,000 years ago.

Discovery: Michael Burnham – A Helluva Fly-by!

Now since I said I’d talk about why I dislike Cmdr. Burnham, I’ll skip the rest of the Intro to Philosophy refresher and get on with it. If you’ve watched other versions of Star Trek, you’re probably familiar with how Starfleet operates: commands of starships aren’t necessarily given to the officer with the most seniority or a spotless attendance record. Instead, Starfleet Command uses its best judgement, weighing several factors, to determine which officers should receive the privilege and responsibility that come with commanding a starship. Although this process isn’t perfect, and apparently causes captains to turn alien civilizations into ham-handed analogues for periods of Earth’s history, it does have its benefits.

Jim Kirk, for instance, becomes the youngest Starfleet officer to sit in the big chair after proving he’s a very capable person who changes the rules of any engagement if they don’t suit him. That he cheats and reprograms the Kobayashi Maru test shows his superiors that he thinks outside the box and will always reject a no-win scenario. That said, even the often impetuous Captain Kirk tends to respect the chain of command.

If the creative team was trying to show how much Michael Burnham has in common with Jim Kirk or Will Riker by having Burnham ignore the original parameters of the first mission we see her undertake — she was ordered to do a fly-by of the Klingon vessel, not land on it and engage a hostile force — then mutiny, and finally plant a warhead on a combatant’s corpse while her enemy retrieves their dead, then the creative team expects too much too fast. Instead, Burnham comes off as bloodthirsty, wildly impulsive, especially for someone who was raised by Vulcans, and as someone who has little respect for the chain of command or Starfleet’s tenets.

Discovery: Michael Burnham – Michael’s Journey

If this prologue is meant to give viewers a sense of Cmdr. Burnham’s past and act as a low point in her career, then it did its job well. Seeing Burnham convicted of her crimes and sentenced to life in prison seemed a fitting punishment for someone who knocked out her commanding officer and engaged in all-out hostilities with an alien culture’s funerary rights vessel. That said, the show will be pretty boring, and pretty un-Star Trek if the entire plot involves Cmdr. Burnham’s imprisonment. But, based on the fact that viewers still haven’t met the Discovery or her crew, I doubt that will be the case.

Instead, I hope that the rest of this season shows viewers Cmdr. Burnham’s journey from her starting point as an impulsive and culturally biased go-getter to becoming a reflective officer that uses her instincts and her reason to guide her. In other words, it’d be great to see her go from being a questionable first officer to being a great captain. That would be a journey worth watching and one worthy of Gene Roddenberry’s creative vision. An ongoing show about Burnham shooting first and asking questions later, based on bad logic from Sarek, wouldn’t be.

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Must Watch: John Travolta As ‘Gotti’ First Trailer

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John Travolta is entering Nicolas Cage territory but looks to impress as John Gotti, Lionsgate Premiere released the first trailer Tuesday afternoon. The trailer gives it a feel of a real blockbuster. Hopefully, the trailer doesn’t lie.

You decide for yourself.

About the film:
GOTTI follows infamous crime boss John Gotti’s (John Travolta) rise to become the “Teflon Don” of the Gambino Crime Family in New York City. Spanning three decades and recounted by his son John Jr. (Spencer Lofranco), GOTTI examines Gotti’s tumultuous life as he and his wife (Kelly Preston) attempt to hold the family together amongst tragedy and multiple prison sentences.

‘Gotti’ is directed by Kevin Connolly and written by Leo Rossi and Lem Dobbs. You may remember Connolly as Eric Murphy from ‘Entourage.’ The filmmaker has busy directing TV, and last year released ‘Dear Eleanor’ to mixed reviews.

The film stars John Travolta, Spencer Lofranco, Pruitt Taylor Vince, Stacy Keach, Chris Mulkey, William DeMeo and Kelly Preston.

‘Gotti’ hits select theaters and On Demand December 15.

John Travolta Gotti

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Poker in Cinema: A Timeless Winning Hand

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The allure of poker is undeniable. A game of savvy, wit and chance, watching it can be as exciting as playing it. And there are many opportunities for both sides of this coin. The movie industry is certainly not giving up on the poker theme, judging by the upcoming biographical drama Molly’s Game, starring Jessica Chastain and expected to hit theatres in November 2017.

Motivated by the big screen as well as their own skill, players around the world continue to tackle poker, with features like webcams and live dealers continuing to pleasingly blur the lines between live and digital poker action. It is easier than ever to act the part of a favorite on-screen poker face, while putting one’s abilities to the test. All that remains is research into the many memorable stories and characters that have emerged throughout the years. But let us begin with three. 

Casino Royale (2006)

The film that tends to immediately spring to a 21st-century mind is that which entangles agent 007 in a deadly poker tournament at Montenegro’s fictional Le Casino Royale. Daniel Craig’s rival in his first venture into the role of James Bond was Le Chiffre, cunning banker to terrorists and excellently portrayed by Mads Mikkelsen (Rogue One, 2016). Endowed with 95% approval from critics on Rotten Tomatoes and so much more acclaim besides, this title has two engaging characters to choose from for inspiration. The bad guys have as much to teach as the good.  

Lock, Stock and Two Smoking Barrels (1999)

Guy Ritchie’s directorial debut and enduring classic starts with Eddy (Nick Moran) facing off gangster Hatchet Harry (P. H. Moriarty) and a few others in an underground poker game, but which Harry has rigged. Eddy’s sizeable loss drops him and his friends, comprised of actors Jason Statham, Jason Flemyng and Dexter Fletcher, into the middle of a Cockney mess of mistakes and shoot-outs. Acting and narrative praised by Metacritic reviewers, it has even been compared to Pulp Fiction. To put it simply, it is a more than worthwhile movie to be watched by poker players.

The Cincinnati Kid (1965)

Steve McQueen and Ann-Margret lead one of the most prominent golden oldies of poker films. In a similar manner as Lock, Stock and Two Smoking Barrels, McQueen’s character, the Cincinnati Kid, bites off more than he can chew when he challenges The Man (Edward G. Robinson) and the plot, as they say, thickens. Scoring a 7.3 on IMDb, Norman Jewison’s direction and star-studded cast created what fans have in short described as a cinematographic gem of slick, sharp suspense about the world of poker and its personalities, underdogs, rounders and all.  

This is but a sample of the rich material available out there, not including invaluable documentaries focused on various aspects of poker. Whatever the need, whether mere entertainment or training in terms of characters or playing techniques, there is a film, if not several, that can help. Grab your cards. Grab your popcorn. And enjoy the show.   

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‘IT: Chapter Two’ Will Haunt Your Dreams In September 2019

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‘IT’ holds the record for the biggest opening weekend in September, New Line and Warner Bros. will look to break the record in 2019 as ‘IT: Chapter Two’ hits theaters on September 6, 2019.

As of now, ‘It’ ($266 million) ranks sixth in the domestic box office for highest grossing R-Rated movie. The film will easily reach fourth place, but it will be hard to match the $370 million ‘The Passion of the Christ’ did back in 2004.

‘Chapter Two’ takes place 27 years after the first film with the ‘Losers Club’ in their late 30s and early 40s.

“I really wanted to focus on the emotional journey of the group of kids [in the first film]. Getting into that other dimension — the other side — was something that we could introduce in the second part. In the book the perspective of the writing… is always with the Losers, so everything they know about Pennywise is very speculative and shrouded in absurdity, so I wanted to respect that mystery feeling of not knowing what’s on the other side,” said director Andy Muschietti to Yahoo Movies.

Warner Bros. signed Gary Dauberman to work on the screenplay for the sequel. Muschietti has yet to be officially announced as the director. The 80s ‘Losers Club’ should return in flashbacks which means the original cast should return with Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Wyatt Oleff, Chosen Jacobs, Jack Dylan Grazer, Nicholas Hamilton, and Bill Skarsgård as Pennywise.

As casting news is announced, we will have you covered.


What did you think of the Chapter One? Comment below.

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Entertainment Through the Ages: The Ever-Changing Comic Book Industry

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Whether you’re a music fan, a film buff, a bookworm or anything in between, with just a few apps and a decent phone you can now get instant access to a world of entertainment.

Yup, us millennials are all thoroughly spoilt for choice when it comes to indulging our passions – and the creative industries responsible for feeding those interests have had to adapt and develop to keep up.

The comic book industry has proven no exception – we’re taking a closer look at how it’s changed throughout the ages in a bid to entertain, delight and enthrall every new generation.

The glamour of the silver screen

Certain comic book characters – the inimitable Superman, for example – have long enjoyed an illustrious relationship with Hollywood.

But in recent years, we’ve seen a flurry of comic book adaptations storm the box office, and it’s not just the biggies like Batman grabbing the spotlight – less mainstream comics like Kick-Ass and Watchmen have proven major hits, too.

Of course, some of this comes down to the film industry’s financial situation. With profit margins in mind, films (like comic book adaptations) with the potential for sequels or franchises are unsurprisingly popular.

And yet, it’s also a clever move by the comic book industry, widening its appeal and introducing its wares to whole new audiences. For Marvel, such cinematic ventures have already undoubtedly boosted profits.

Working with the Netflix powerhouse

But the comic book industry isn’t just relying on the big screen to win new fans – Netflix, one of the biggest usurpers of the entertainment industry in modern times, has also been important.

Netflix already has an interesting relationship with Marvel, its adaptations of the likes of Daredevil and Jessica Jones bringing beloved comic series and characters to much wider attention and critical acclaim.

Recently, Netflix also acquired comic book publishing company Millarworld (responsible for hits such as Kick-Ass and Kingsman).

With some of Millarworld’s characters already boasting successful film adaptations, there’s a lot of justifiable excitement around how the unstoppable Netflix will choose to bring them to life for our TV, laptop and iPad screens.

Keeping up with the gaming industry

The gaming industry is perhaps the most changed throughout the years – just look at cards and other gambling games. Long gone are the primitive decks of cards. Instead, players simply have to log on to the likes of onlineroulette.org.uk to join a perfectly rendered digital game from anywhere in the world, at any time.

So how is the comic book industry attempting to keep up?

Well, Rick and Morty’s latest Virtual Reality (VR) game is the perfect example of how comic books can successful tap into the flourishing gaming industry.

Created by Owlchemy Labs and Adult Swim Games, Rick and Morty: Virtual Rick-ality cleverly won over both fans of the comic series icons and VR-tech geeks with its fun storylines and on-brand graphic style.

The future of the comic book industry

So there you have it – from big-screen ventures to TV triumphs and gaming innovations, the comic book industry has been far from static over the past few decades.

However, will it be enough to withstand the rumored financial troubles threatening the entire industry? Only time will tell, but here’s hoping we get to enjoy even more entertaining developments as it battles to stay afloat.

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‘Game of Thrones’ Know More About Jon Snow

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One thing is sure! The biggest theory in Game of Thrones just got bigger.

Ever since Game of Thrones started, there have been questions about Jon Snow’s parentage as we never knew who his mother was. And as we got further into season 7, some explosive truths about his origins have started to show up. If you haven’t paid enough attention to episode 5, ‘Eastwatch,’ you might have missed the bombshell answer we all have been waiting for.

Do you remember what Gilly said?

When Sam Tarly was complaining about his life at the Citadel, his partner stumbled on the answer to one of the biggest questions in Westeros. Reading from a book written by a maester in the time of King Aerys II, she states:

“Says here the High Septon annulled a marriage from ‘Prince Ragger,’ and married him in secret, to another woman in Dorne.” Then she is interrupted. 

Until that statement, it was believed that Rhaegar was still married to Elia Martell when he died. But now it all seems wrong. Truth is he divorced Elia Martell (Oberyn’s sister) and married Lyanna Stark (Jon’s mother) before she died.

What does that mean?

Well, it’s pretty simple. Jon is the legitimate son of Rhaegar Targaryen and Lyanna Stark, so he is a Targaryen. What we still don’t know is his real first name, the one given to him by his parents.

If you are confused, I have the quick explanation for you: in season 6 flashbacks we found out that Jon is the son of  Lyanna Stark, Ned’s sister. As a fact, HBO confirmed that Jon’s dad was Rhaegar, Daenerys brother. Until Gilly read the above statement, it was believed that Lyanna was kidnapped by the Targaryen ruler and held a hostage in the Tower of Joy where she gave birth to Jon and died. In order to prevent Robert Baratheon from killing Jon, Ned Stark took his custody, telling the boy was his bastard son.

Just a second. It means…

Jon is the official heir to the Iron Throne. At the time he was born, the Targaryens were the ruling family in Westeros. Aerys, the father of Rhaegar, Viserys, and Daenerys, was king when his eldest son, Rhaegar, died. Still, Jon remains, and because of the fact that the monarchy works in a patriarchal way, it means that Jon is next in line to the Iron Throne, above Daenerys.

Are you ready to make your bets?

Now that you know all this will you place a bet on who will win the Iron Throne? You can do that pretty easily with no deposit bonus codes that you can use to play Game of Thrones Slot Game, a game where the 4 Houses (Baratheon, Lannister, Stark, Targaryen) are all in the battle for the Iron Throne.

Daenerys is in the game

The Khaleesi is also in the battle for the rule of Westeros. One thing is sure we still have a few episodes and a whole season before we find out who will lead. Another thing has also been announced – Emilia Clarke says she is ready to let go of her role as Khaleesi.

“I mean, I have no doubt there’ll be prequels and sequels and who knows what else. But I am doing one more season. And then that’ll be it”, she said in a Rolling Stone interview.

Until that happens, let’s keep an eye on Jon, Daenerys, and the rest.

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‘Underworld’ Will Receive a TV Adaptation

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The Underworld TV series is finally moving forward.

Len Wiseman, of production company Sketch Films, has announced that the series at last has some momentum behind it, with the intent of airing on either a premium cable channel or one of the various digital services that have arisen in the last few years. Underworld will be based on the infamous horror/action movie franchise starring Kate Beckinsale.

Wiseman has had some part in each of the Underworld movies, having directed and co-written the first two, although he stepped back to produce the latter three. Wiseman will serve as an executive producer on the series, working with Gary Lucchesi, Tom Rosenberg, and Eric Reid of Lakeshore Entertainment, all of whom produced the earlier films, as well. Sony Entertainment’s TV division is also involved, although in an unspecified role. Previously, Sony handled the distribution of every Underworld installment.

Wiseman said of the series that it “will be a pretty big departure from the films. I don’t want to say it’s more adult, but it’s definitely less comic book in its tone and character.”

Underworld released its first film in 2003, with a story centered around Selene (Beckinsale), a vampire “Death Dealer” seeking revenge against the Lycans she believes to have killed her family. When she rescues a man who has served as the subject of Lycan experimentation, however, she learns a series of truths about her own family history, along with a plot to destroy the entire vampire hierarchy.

Between the five movies in the franchise, the property has collected more than half a billion dollars.

Speaking of potential casting, Wiseman did not reveal much about the process, though he did admit that “the right casting for this role is crucial. Those bare feet have some very big shoes to fill.”

Are you excited for an Underworld TV series? Or have Wiseman & Co. provided us with more than enough vampires in the last five films?

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‘Stronger’ Review: Maslany and Gyllenhall Shine In One Of The Years Finest Films

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Stronger’s fantastic cinematography and tremendous performances make it one of the year’s finest films.

Summary

Stronger’s storyline focuses on how Jeff Bauman (played by Jake Gyllenhall) triumphed over the loss of his legs due to injuries sustained during the 2013 Boston Marathon Bombing. Where Stronger differs from other releases which focus on the bombing is they steer away from getting into the actual details of the event (in fact that portion of the story is primarily addressed in the first ten minutes of the film). The focus of this movie is of the devastating ripple effect (both psychologically and physically) the bombing had on everyone Bauman loves. Erin Hurley (played by Tatiana Maslany) is riddled with guilt because Jeff’s presence at the race was a way to win her heart once again.

Stronger.jpg (740×370)

What Worked

Director David Gordon Green and screenwriter John Pollono’s willingness to explore the evolution of Bauman’s and Hurley’s bond. Initially motivated by her immense guilt over Jeff’s injuries, it evolves into something that’s long-lasting. Maslany’s performance was raw and slightly unnerving. Her character gives up everything (a career as a hospital executive and her family) to move into a two bedroom apartment with Bauman (as well as his mother) and essentially become his caretaker. One of the best scenes in the film is a few months after the accident when Hurley meets up with one of her girlfriends to catch up. While her friend is fishing for details, she begins to unravel as the conversation veers towards Jeff’s rehabilitation. The therapy, Bauman’s emotional distance he keeps from confronting his demons, and his mother’s desire to make her son famous rather than get him help, have taken a toll on her. Maslany’s approach to the scene was perfect. She didn’t play it over the top but allowed each detail she shared to carry such emotional resonance until the moment was too much to handle.

Cinematographer Sean Bobbit’s shot selection enhanced the realism in this incredible true story. Many of his shots were from Bauman’s eye level or his perspective. An example of this was when Bauman’s bandages were changed in the hospital. Instead of shooting the scene directly from the hospital bed, the cameras were placed behind Gyllenhall and mounted at about eye-level. The camera caught the doctors explaining to Bauman how painful this procedure is and we see how his body begins to tense. In the left corner of the scene, we see Erin coming in to comfort him but then slowly backing away because she’s not sure what to do. As the doctors begin removing the bandages, the scene becomes unclear, and we see blurry images finish the procedure while screams of agony echo throughout the room. It’s the combination of camera shot, the angle of the shot, and blurring what we saw on the screen which gave the audience an all too real perspective.

The chemistry between Gyllenhaal and Maslany was incredible. One could easily see the amount of time each actor had to have spent preparing for their respective roles. Even though this film was anchored in one of the most tragic moments in our nation’s history, each actor understood that this story was more of an emotional journey for both Bauman and Hurley. My favorite moment was when they both confront each other about the emotional toll this has had on one another. Gyllenhaal’s character for two-thirds of the film had avoided blaming Hurley for his misfortune but completely loses it when his intent to get better is questioned. When he begins throwing blame, Maslany rightfully goes nuts letting him know all that she’s lost by following her heart. Both of them are mourning the loss of the reality they once knew and are not sure how best to move forward.

What Didn’t Work

Too much focus on his mother’s desire to make Bauman famous. While I agree that it needed to be a part of the narrative, but it kept coming up again and again. Would have liked seeing more about how her son’s injuries affected her emotionally.

Overall

Stronger has been hailed by some as the first Oscar contender to be released this “Awards Season.” This film lives up to these lofty statements and could easily result in Golden Globe nominations for both lead actors. I hope that people don’t’ hyper-focus on Gyllenhall’s performance, and Maslany’s performance receives the praise it deserves. While Jake’s performance as the man who embodied “Boston Strong” was certainly excellent, Maslany’s portrayal of Bauman’s one true love was magnificent. I can’t imagine a better film to check out this weekend at your local theater or on-demand, but that won’t be for quite a while.

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Star Trek: Discovery And The Mission To Get Streaming Viewers

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The long-awaited return of Star Trek to TV came and went Sunday night when CBS aired the first of fifteen new episodes for a new series called Star Trek: Discovery. The series is meant to launch a new era on TV for CBS by being the first exclusive show for CBS All Access. What is All Access? It’s like Netflix except exclusively for CBS content past, present, and future. However, to bridge traditional viewers over, CBS premiered Star Trek: Discovery on Sunday night. Was the first episode of a new science fiction series enough to get viewers interested? Only time will truly tell, but for now, we break down the premiere for viewers still on the fence about watching at all.

Star Trek: Discovery tells the story of Michael Burnham (Sonequa Martin-Green of The Walking Dead) who is the first officer of a starship called the Shenzhou lead by Michelle Yeoh’s Captain Philippa Georgiou. Michael is on the verge of a promotion. But while investigating an object floating in space, Michael starts a confrontation between the United Federation of Planets and an enemy dormant for decades — the Klingons.

Full disclosure, I am a life-long fan of Star Trek. And while my geek sensibilities are usually in check, like a Vulcan holding back the tears, Star Trek is a weak spot. A sort of kryptonite. So, for the past year, while production hit delays, beloved Producers (Bryan Fuller I heart you) came and went, and leaked info left fans confused, I worried. Parts looked like the JJ Abrams remix which, was fine to a point (mostly just the first movie). However, details about the story taking place BEFORE the Original Series were disheartening. Star Trek should be about looking and moving forward yet here we are looking back to milk some juice out of the nostalgia cash cow, no doubt.

So, it should be taken as high praise when I say Star Trek Discovery was good. Not great. But good. Not sign up for CBS All Access good, but good enough to warrant watching the entire series sooner or later. My plan? Wait until it’s all out and binge-watching during a free trial period. As much as I love Star Trek, the idea of having my fandom extorted for $6 a month (with commercials!) doesn’t sit right with me. And there is zero CBS content I’m interested in revisiting.

If Star Trek Discovery were a phenomenal leap forward in the franchise, I might justify spending money on a monthly basis. But here’s where we get to my actual review, and my apologies for the long road here. Discovery isn’t that leap. It’s a healthy step in many respects and a side-step in others. It’s simultaneously an earnest creation and a shameless commercial.

As the story goes, it’s straightforward, but this is just the first episode. However, the first episode is two hours long, but CBS only gave viewers the first hour. Instead of this punch of a cliffhanger which the 90s Trek series were great at doing, Discovery feels like someone came and turned off the TV. Oh, and that person, CBS in this analogy, not only turned off the TV but they want to charge you to turn it back on. Viewers may want to continue watching, but not at a price, and maybe airing the two-hour pilot would’ve been a better move.

By the time the first half of the first episode of Star Trek Discovery ends there isn’t a lot to hold on to. Michael is a human raised by Vulcans (Spock’s Parents because … nostalgia!) who is logical but somewhat illogical too. She’s introduced as a good first officer who is getting a chance at her command but then defies orders several times. There’s an inconsistency in the character that some might take as mysterious, and others might feel is the result of poor writing and behind-the-scenes shenanigans. However off-putting, Sonequa Martin-Green gives a sense of depth to the character that might pan out as the series goes on.

Long-time creature actor Doug Jones plays Saru, an alien science officer who is a little Data and a little Spock. Jones is just a brilliant casting choice here and gets to shine even through the layers of latex. However strange the explanation of his Kelpien species is, Jones is great here, from his walk to his height which makes him feel even more alien next to the much shorter Michael. Michelle Yeoh is a no-nonsense leader. That’s about it. You don’t get much else from her.

On a visual level, Discovery is very pretty. It’s not bright like previous Trek shows (or homages like The Orville), but it’s not overly gritty either. They desaturated things a bit, gave it a Battlestar Galactica makeover of sorts. It mostly works. There’s a penchant for low, askew camera angles that look funky but don’t make much sense. Also, beware of the lens flare. They borrowed a little here and there from the Abrams-verse and lens flare is along for the ride. Also, CBS spared little expense as there is a ton of CG work.

Of stellar note are the opening credits and score, both of which add a rich layer to the product. The credits show blueprints as if Producers are reminding viewers that this is something new. The slick animated visuals move along to composer Jeff Russo’s score which is an excellent addition to the legacy of Trek music.

The Klingons, the iconic enemy from Star Trek lore, get a makeover here. Their sequences are presented only in Klingon with subtitles which makes Discovery feel a little more cinematic. Many fans objected to the redesign, and while I was not one of them, the makeup work seems excessive and leaves little room for the actors to express anything. However, the overall new look and approach to the Klingons, again, somewhere between something new and something Abrams, is fascinating.

As first episodes go in this modern age of television, Discovery was just okay. Again, showing half of the narrative hurts. And the first half isn’t compelling enough to warrant signing up for a new streaming service. Much like Star Trek: Enterprise was the flagship show for a new network that crashed and burned (eventually turning into the CW), the first episode of Discovery has that same weight to carry and only streaming viewers will help this show live long and prosper.

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SPOILER: Marvel Legacy’s Big Return Has Been Revealed

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MARVEL LEGACY SPOILER ALERT!!!!

SERIOUSLY READ AT YOUR OWN RISK!

5…

4…

3…

2…

1…

Okay, folks, it looks like Marvel Comics have once again spoiled one of their stories just days before it hit stands. In speaking with ComicBook.com, Marvel’s EIC Axel Alonso dropped the big reveal as to who is returning this week in Marvel Legacy #1. It’s the original Wolverine!

Alonso said:

Yes, Logan is back from the dead. After three years of a Logan-free Marvel Universe, Logan is back, claws popped and ready for action. How he came back, why he came back, and just how he came into possession of that Infinity Stone are part of a fascinating story that’s going to unveil soon, and in some unusual places.

Wolverine has been dead since Death of Wolverine miniseries by Charles Soule and Steve McNiven. He appeared to have suffocated after being encased in hardened adamantium and had his body, now in an adamantium shell, sent to a secluded cabin in the wilderness as his final resting place.

What do you guys think? Personally, as much as I love Logan/Wolverine, I was hoping for The Fantastic Four (as was rumored) or maybe a 616 Universe introduction of Marvelman. Who knows, maybe this is even the first of many happy returns? I guess time will tell. As always comment and discuss below!

Marvel Legacy #1 hits comic shops on September 27, 2017.

 

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