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‘Rugrats’ #1 Captures the Old Charm In A Modern Setting

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Hang on to your diapies, babies! We’re teaming up with Nickelodeon for all-new Rugrats adventures featuring the most intrepid toddlers to ever bust out of a playpen! Tommy, Chuckie, Phil, and Lil have noticed something—they are being watched. Somehow their parents can see every little thing they can do. They’re going to have to find a way to have fun while avoiding the electronic eyes of the babycam!

Writing/Story

Back when the original three Nicktoons debuted on Nickelodeon, the shows found popularity immediately. Of these three series, the one which had the longest run featured the adventurous and wide eyed babies known as the Rugrats. Now, Boom Studios has decided to give them their own comic book series. Is it a successful comeback or a dirty bib?

Thanks to writer Box Brown, this series finds a way to capture the magic of the original series. From the babies not understanding the adult world, to the parents being neglectful, and allowing them to go on outrageous adventures, the elements which made this show so entertaining are all front and center. Prompts for integrating the neglectfulness of modern parenting which comes from abusing technology into the story line.

Rugrats

Artwork

The artwork finds a way to truly emulate the look of the original series. The pencils and inks by Lisa DuBois offers some nice designs especially in the dream sequences. There even is a tribute to Mad Max. Makes you wonder what other pop culture references will show up in the future.

The color works by Eleonor Bruni finds a way to perfectly recreate the color scheme of the original show. Everything from Chuckie’s hair to Reptar’s scales look just as they did in the animated series.

The lettering by Jim Campbell accomplishes some interesting ways of conveying the dialog. The chat effects to showcase the conversations taking place over social media are particularly impressive.

Conclusion

For all those who enjoyed Rugrats growing up, this series is slice of nostalgia goodness. For anyone who never had the joy of experiencing the adventures of these precocious little rascals then now is the perfect opportunity. Pick up this comic and see why the Rugrats were perfect for a comeback.

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Exclusive Preview: WWE #10

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WWE #10 hits your local comic book store on October 25, but we have an exclusive five-page preview for you courtesy of Boom! Studios.

According to Comic Book Round-Up, the WWE series is averaging a 7.9 critic score with a 8.9 fan score. The writer of the series Dennis Hopeless has worked with Marvel, most notably Jean Grey, Cable and the X-Force, and the All-New X-Men. Artist Serg Acuña is a stud, check out his inktober below the preview.

Check out the five-page preview below:

About issue ten: As the Wyatt Family’s attacks on Roman Reigns intensify, Bray Wyatt inches even closer to ruling the WWE Universe.

Serg Acuña’s inktober!

WWE #10 is written by Dennis Hopeless, with art by Serg Acuña. The issue has five covers, with the main cover by Dan Mora, the Variant Cover is by David Nakayama, the Forever Variant Cover is by Rahzzah, with the Action Figure Variant Cover by Adam Riches, and the Royal Rumble Variant Cover by Brent Schoonover.


Do you read WWE? How awesome is the Royal Rumble Variant? Comment below.

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Exclusive Preview: Big Trouble in Little China: Old Man Jack #2

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Big Trouble in Little China: Old Man Jack #2 hits your local comic book store on October 25, but we have an exclusive five-page preview for you courtesy of Boom! Studios.

Last month, Manny Gomez gave the first issue a 3.8 out 5 stars and stated,“Story-wise the book totally captures the spirit, tone, and attitude of the movie. Anthony Burch, with help from filmmaker/creator John Carpenter, nails down the lovable sleazeball we all know as Jack Burton.”

Check out the five-page preview below:

About the series:
The year is 2020, and hell is literally on Earth. Ching Dai, sick of relying on screw-ups like Lo Pan to do his bidding, has broken the barriers between Earth and the infinite hells and declared himself ruler of all. Sixty-year-old Jack Burton is alone in a tiny corner of Florida with only his broken radio to talk to, until one day it manages to pick up a message. Someone is out there in the hellscape, and they know a way to stop Ching Dai.

Big Trouble in Little China: Old Man Jack is written by John Carpenter and Anthony Burch, the art is by Jorge Corona, with colors by Gabriel Cassata, and the book was lettered by Ed Dukeshire.

For the 32-page issue two, the main cover is by Stephane Roux, the “Movie Poster” Intermix Cover is by Jeremy Wilson, the Action Figure Subscription Cover is by Michael Adams and Marco D’Alfonso, the Connecting Incentive Cover is by Will Robson, and the Incentive Cover is by Daniel Warren Johnson.


Are you reading Big Trouble in Little China: Old Man Jack? Let us know what you think of the series in the comment section below.

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DC Rebirth To Re-Introduce The Titans Of Tomorrow

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After more than a decade since their creation, DC’s Titans of Tomorrow are coming back.  The group created by Geoff Johns and Mike McKone will play a role in Superman #38, as part of a new Rebirth crossover event titled Super Sons Of Tomorrow.  Starting in December, both Super Sons and Superman will tell a story involving the Batman of Tomorrow.

An alternate version of the Dark Knight who wants to change the future.  How?  By eliminating Jonathan Kent.  To do so he will call upon the Titans of Tomorrow to aid him in his mission.  An alternate adult version of the famous team whose mindsets and beliefs surround violence and fascism.

Titans of Tomorrow Rebirth

This crossover will also mark the return of Conner KentBart Allen, and Cassie SandsmarkSuperman #38 will be written by Peter J. Tomasi and Patrick Gleason with illustrations by Ed Benes.  It has a release date of January 3rd.  Comment below with your thoughts about the return of these alternate Titans!

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‘The Shannara Chronicles’ Returns On A New Channel And Hits The Ground Running

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The Shannara Chronicles, a future-fantasy show that premiered on MTV moves to Spike TV for season two, and nothing has changed — for better or worse. Shannara premiered on MTV in 2016 with ten episodes. The show, based on a series of books by Terry Brooks, is part fantasy, part apocalyptic future. It centers around the story of a world that’s familiar in both reality and fantasy. It’s an interesting mix, somewhere in between The Road and Lord of the Rings.

It’s thousands of years in the future, and something happened that left most of humanity to history. Evolution created new species of intelligent humanoids such as Elves, Dwarves, and Gnomes. The remnants of humanity and these new creatures live together in new towns and cities. Oh, magic is back too, mostly, but so are also new politics and struggles between good and evil.

On Tuesday the 17th Shannara returned to TV with a new season, on a new channel, and from the looks of episode one, the show hasn’t missed a beat. Starting off from the end of season one, the new season quickly picks up on the story of human Eretria (Ivana Baquero) who sacrificed herself in an underground network of tunnels to save her elven friends Wil Ohmsford (Austin Butler) and Amberle Elessedil (Poppy Drayton). Eretria looks doomed, but since her name is in the credits we know, instead, a twist is coming. The twist quickly makes things interesting, introducing new characters and moving a year forward. After Eretria’s story, we catch up with Wil who is learning medicine at a village and hiding from the forces that want him dead.

Perhaps the weakest part of the initial season was the writing which often produced some cringeworthy moments. For the new season, a lot of that sort of thing is ironed out, and while tropes of the genre do pop up from time to time, it’s a step above what came before. Also, the performances by Baquero and Butler, along with the supporting cast, more than makeup for this slight deficiency.

Shannara’s production budget looks a little healthier throughout the first episode too. While season one wasn’t terrible, there was some questionable CG here and there. Nothing like that rears it’s pixellated head here, and the directing style looks a level or two higher than before. Wide-scale shots of the world fill in the overall narrative, making the season two premier feel much richer than any episode from season one. It’s a more cinematic vibe, and while it’s not quite Game of Thrones, Shannara tells a fun, exciting, and intrigue-filled story. Fans of fantasy adventures or sci-fi will find the mix presented by Shannara even more interesting this season.

The bottom line here is, if you liked season one of Shannara, then that’s more than enough reason to continue watching on Spike. The show continues the story about the forces of good and evil battling for supremacy but through the eyes of characters struggling with personal choices. It’s a balanced show and, frankly, one that truly earns the often hyperbolic description of being unlike anything else on TV.

Find episode reviews of The Shannara Chronicles
right here every week!

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Exclusive: DC Comics Unveils Dustin Nguyen Variant For ‘Super Sons’ #10

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DC Comics has unveiled a double dose of Super-Family covers this week! First up, we have an exclusive first-look at Dustin Nguyen’s variant cover for Super Sons #10:

Super Sons

“SECRET HEADQUARTERS”! In the aftermath of “Planet of the Capes,” big changes challenge both Damian and Jon, as Superboy revels in his new power and a decision by Batman rocks Robin’s world forever. And as promised earlier, the debut of the Super Sons’ new secret headquarters!

Super Sons is written by Peter J. Tomasi, with interior art by Jose Luis.

Also revealed this week was Patrick Gleason’s cover for Superman #35:

Superman Super Sons

“IMPERIUS LEX” part three! Steppenwolf, field general of Apokolips, enlists Superman’s son Jon into his Canine Cavalry to stop Superman from helping Luthor reclaim the throne once held by Darkseid.

In addition to doing the cover, Gleason also writes Superman along with frequent collaborator Tomasi. Stephen Segovia, Travis Moore, Art Thibert will all handle art for issue #35.

Young Jonathan Kent features prominently on both covers, as the new Superboy continues to grow his presence in the DC universe.

What do you think of the covers? Let us know in the comments!

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‘The Ballad of Lefty Brown’ Trailer: Bill Pullman is Thirsty for Revenge

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It always seems like a good time to reiterate the fact that Westerns are not dead and they aren’t going anywhere. they’re only getting stronger it seems. This week alone, we got a trailer for Steven Soderbergh’s Godless starring Jeff Daniels. Now, we have The Ballad of Lefty Brown, a straight-up revenge Western with another aging great who is in the middle of a resurgence: Bill Pullman.

This trailer looks like everything fans of the genre would expect. Check it out:

The synopsis is simple and to the point, just like the trailer indicates: “A coming of age Western for a 65-year old man.”

The Ballad of Lefty Brown debuted at this year’s SXSW, and gained proper buzz from said screening. It doesn’t look earth shattering in the plot department, but when it comes to these types of stories it’s not the story as much as what you do with it.


Peter Fonda also stars alongside Pullman, albeit for a just a little while it seems. Director Jared Moshe only has one other credit, the 2012 Western Dead Man’s Burden, to his name, so perhaps this one will be his breakout. A24 is involved, so it’s probably going to be great.

The Ballad of Lefty Brown opens December 15.

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Watch Al Pacino Slum It in This Totally Absurd ‘Hangman’ Trailer

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On the eve of the release of The Snowman, a ridiculous serial-killer movie, comes Hangman, another ridiculous serial-killer movie starring Al Pacino as a cop chasing down a killer who uses… wait for it… Hangman as his clues.

Yes, THAt hangman, the game we’ve all played while we’re waiting at the doctor’s office or taking a long road trip. But this guy, this MADMAN, uses the game to tell Pacino and his partner, Karl Urban, he is gonna KILL AGAIN!

Check out this trailer:

If you want my explanation as to why the serial killer subgenre has struggled for years, ever since Se7en‘s release, look here. Or, watch this trailer again and you will have all the answers you need. Hey, also, here’s this poster, where Al Pacino looks like he just stood up from watching the finished product and has immediate regret.

Hangman

Where’s Nicolas Cage when you need him?


Hangman also stars Brittany Snow, and features a horrific cover of The Animals’ “House of The Rising Sun.” There’s no news regarding release dates but, I mean, c’mon… this one is headed straight to a VOD platform near you. If you’re going to the theater to see this one that’s on you.

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‘Batman: The Drowned’ Will Make You Afraid Of The Deep

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Another week, another chapter in the Dark Nights Metal saga. Last week, we had the Justice League searching for Bruce Wayne in the main Dark Nights series, so until the next release, we have more origin stories of the multiversal invaders. We had The Red Death, The Murder Machine, and The Dawnbreaker each taking on their counterparts while we learned their origins. This week we have one of the more curious creations of the Dark Knights: Batman The Drowned. So what could this Batwoman possibly do to the world the others haven’t?

Evil Batman 4

**Some Spoilers Below**

Story:

The Drowned, if not obvious by the name, is an amalgamation between Batman and Aquaman. She comes from Earth -11, a gender-swapped earth, where “Bryce” Wayne has a mistrust for metahumans after losing the love of her life. When Aquawoman first appeared, Bryce charged into battle with the intent to kill her. This attack is successful, which leads to the Atlanteans retaliating by flooding the surface. To combat this threat Batwoman genetically alters herself to gain powers, similar to an Atlantean (water breathing, super strength, etc).

Aquabatman

The origin story of this Batman might be the most intriguing one I have seen yet. Continuing the trend of twisting Batman’s qualities, we have Bryce’s mistrust cause the destruction of her city. This leads her to give herself powers to fight the Atlanteans, which is something unseen in most Batman comics. Most members of the Bat-family, in nearly every iteration, can rely on their skills to stand as equals to superpowered heroes. They never admit they need the powers as The Drowned does here.

When it comes to the action, like the past stories, the heroes have a hard time trying to keep The Drowned down. While it was fine at first, especially considering the heroes now have the weakness in the main storyline, I’d actually to see the Dark Knights struggle a bit. These are the world’s greatest heroes they’re going up against, you’d expect them to have some sort of difficulty.

Art:

In terms of art, the pencil work succeeds on all fronts. The design of The Drowned and her minions are terrifying, reminiscent of the sea monsters that sailors would fear centuries ago. Her powers of corrupting sea life are evocative as you watch the details cover their faces. It’s small details that help art feel more alive.

Dead Water

There is a downside to the art and it’s very distracting: the colors. As hilarious as this might sound, the issue gets too dark sometimes. I know this is supposed to be an evil Batwoman, so the colors are expected to be dark, but most of the colors have the suit form into one black blob when seen at a distance.

This is not to say that the all of the color work is terrible. The colors of Aquaman, Mera, and during the battle of Batwoman and Aquawoman are fantastic and allow the pictures to pop off the page. It’s just the rest of the issue tries to be dark, which works, but is difficult for the reader to take in what is on the page.

Conclusion:

I think it’s safe to say that this Dark Knight is worthy of its title and another fantastic chapter in this event. The origin is as compelling as Murder Machine and Red Death while adding its own twist. While the pencil work is fantastic, the coloring ends up being too dark at times to truly enjoy it. If you’ve been a fan of the saga so far, Aquaman, or multiverse stories, this comic is for you.

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‘Green Lanterns #33’ Will Have You Rooting For The Underdog

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When the Green Lanterns series was first announced, I was worried. These two protagonists, Simon Baz and Jessica Cruz, have only been introduced within the last five years, where the other Green Lanterns have been around for decades. How could two characters who have only been in a handful of storylines headline during a relaunch that dedicates itself to honoring the past? The answer is simple: The characters are compelling and human. Every adventure with them may not be galactic threats like the other Green Lantern books, but it succeeds in keeping stories on Earth, both figuratively and literally.

**Some Spoilers Below**

Snoke Spolers

Story:

This issue finds our favorite Lantern rookies heading to a planet in risk of destruction to save its inhabitants.

While that might sound exciting, that is only half of the issue. The other half, told in flashbacks, have our characters fighting a more difficult battle: Job hunting. These flashback sequences show that Jessica and Simon are indeed human with real-world issues.

Green Lanterns

In the case of Jessica, a woman with social anxiety, she is recommended for getting a job to help combat it by experiencing “the whole wide world.” While I can’t say if this is an actual therapeutic practice, it’s good to see that she is actually trying to remedy her anxiety.

On the opposite side of the spectrum, the bold Simon Baz searches for a job to help provide for his family. While that may not seem that compelling, his fear for trying to find one is. He reveals that he might be denied jobs due to his history of being wrongfully labeled as a terrorist. Simon is afraid of profiling due to his past and his middle eastern heritage, a real-world issue.

Don’t get me wrong, I love Lantern action sequences, and the few we have here are great, but the meat of this story is focused on the human side of the Lanterns.

Art:

As expected, the art for a Lantern comic stands out, but there is one aspect that affects the book negatively.

Green Lanterns

The pencil work of Eduardo Pansica is extremely creative in this issue. The designs of the aliens that the Lanterns were sent to save are unique, and unlike anything I have seen in this universe. The constructs created are creative as well. Instead of it being a net that stops rocks from falling, it’s a spider making a web. It might feel unnecessary to go into such detail, but it actually speaks to the characters considering one of them couldn’t make a construct at the start of the series. To see the pair using their powers in such detail with fantastic art shows that the series has truly grown.

Creepy Green Lanterns
Looks a bit like Batman in the shadows…

While the pencil work is phenomenal, the colors of Alex Sollazzo make the issue feel haunting. When the Lanterns are on the planet, we get close-ups of their faces with energy forming around them. The shadows from their light make the faces more menacing, making them look like the antagonists rather than the heroes. On the one hand, this was used to show the intensity of their powers. This effect does work, but it also makes them frightening.

Conclusion:

This issue was spectacular. The story might not be as action-packed as one might hope but shows a more relatable human route. The art is creative and beautiful, albeit a bit haunting at times. If you’re interested in learning about these new heroes, now is the perfect time to hop aboard.

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