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Lethe – An Illogical Family Dispute in Star Trek: Discovery

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This week’s episode of Star Trek: Discovery entitled Lethe, after the river of forgetfulness of Greek myth, showed viewers a lot but continued to suffer from the issues that have plagued the show since its premiere. Flashbacks featuring the first Discovery appearance of Sarek’s human wife Amanda Grayson, mentions of Spock, and a dangerous trip into a nebula couldn’t hide the show’s clunky dialogue or the actors’ often wooden performances. In addition to these problems, the creative team behind Discovery seems intent upon simplifying the characters, giving the battle-hardened crew of an experimental military/exploration vessel the emotional depth of sit com characters.

Although every version of Trek has involved some amount of comic relief, this version manages to be, somehow, both silly and cold at the same time. That said, viewer ratings are apparently on par or exceeding Discovery’s competitors, so if viewers are upset with the direction Discovery is headed then they haven’t let their complaints stop them from tuning in to the bug-infested CBS All Access service every week.

But bugs or no, CBS All Access has already renewed Discovery for a second season, so, like it or not, after this season is over it’ll be back for season two next September. One can only hope that by then viewers will have some clue as to why the Klingons depicted in Discovery look like giant space-cockroaches rather than either version of the alien race we’ve seen in previous Trek shows.

Lethe – Illogical Logic Extremists

I tried in a previous article to highlight the lack of logic that Discovery’s creative team has imbued the Vulcans with since Discovery’s premiere. The so-called “Vulcan Hello” provides an example of Discovery’s Vulcans taking an illogically racist and war-mongering attitude toward the Klingons. Unfortunately, the addition of Vulcan “logic extremists” to Discovery’s mix keeps with this formula while simultaneously recycling ideas that are best left alone.

Any half-interested viewer of Star Trek: Enterprise remembers the arrogant Vulcan-first attitude that prevailed among the pointy-eared aliens in that show. And since Discovery is set 102 years after the Vulcan Reformation, also featured in Star Trek: Enterprise, one would think that the eminently logical Vulcans would have risen above xenophobic concerns about humanity messing up the Milky Way by now. For the sake of argument, though, let’s say they haven’t and instead try to address the idea of what a “logic extremist” even is.

Lethe – “I know! Murder!”

Based on what we’ve seen so far, logic extremists, like a number of Vulcans depicted in Enterprise, are racist and xenophobic. Logic extremists fear that humanity will foul up the galaxy, and they take drastic action, such as suicide bombing a fellow Vulcan’s ship while he’s on a diplomatic mission to broker peace with the Klingons, in order to keep humanity down. Now, I’m no logic expert but suicide bombing a fellow Vulcan in order to promote Vulcan values seems to run against the aim of helping Vulcans.

Sure, the needs of the many outweigh the needs of the few but, even from an extreme viewpoint, trying to murder one of your own in order to promote your own represents a contradiction, something logic devotees generally try to avoid. Instead, as a concept, extreme logic should probably look pretty much like the regular version. Since the aim of a society based on logic is to always be logical, an extreme version of that society doesn’t make any sense. “Hey! Don’t just always be logical! Always be logical always … all the time!!!”

Lethe – Vulcans as Ham-handed Analogy

Instead, the point of these illogical logic extremists appears to be to act as a paper-thin analogue for real-life violent extremists. And though it’s good to know that the creative team is interested in being topical, it’s unclear to this reviewer what the payoff is meant to be. In a Vulcan society where the moderately logical Sarek approves of firing on Klingon ships before opening dialogues with them, it’s difficult to figure out what criteria make Sarek and other Vulcans logic moderates rather than extremists themselves.

Lethe – An Admirable Admiral

One thing I have liked about Discovery is the positive spin the creative team has put on Starfleet’s admiralty. Unlike Star Trek or Star Trek: The Next Generation, in which admirals tend to be prickly, and in one case involved in a conspiracy to overthrow the Federation, Admiral Cornwell is one of the most sympathetic characters to appear on Discovery so far. Her genuine concern for her friend and sometimes lover Captain Lorca showed viewers that not everyone in Discovery’s version of Starfleet is a sarcastic jerk. That said, it was a bit strange that it took Cornwell so long to realize that someone she’s so close to was unwell.

The only other emotional connections shown in Discovery so far have been between Tilly and Burnham and between Stamets and Culbert. But, the tooth-brushing scene between Stamets and Culbert, rather than seeming genuine, just seemed like a vehicle to get viewers to worry about Stamets who, after modifying his own genes, is suffering from mirror-itis.

Lethe – “Like Spock always says, ‘Live Long and Deny the Existence of Your Adopted Sister for Your Entire Life.’”

Lethe
“Don’t you sass me, Michael and Spock! Dad put me in charge while he’s at the pon farr orgy!”

Call me a continuity pedant, but the revelation that Spock and Michael grew up together bothered me. Viewers are meant to believe that during Spock’s 162 years kicking around various realities and pocket universes that he never once mentioned the existence of his adopted sister Michael Burnham, Starfleet’s first mutineer, to anyone? When the crew of the U.S.S. Enterprise A journeyed to the centre of the galaxy with Spock’s half-brother Sybok neither brother mentioned their adopted sister. Even Captain Picard, who briefly shared a mind with Sarek, never brought her up.

And yeah, I know Star Trek V is a bit of a stinker and, as a part of Star Trek canon, probably better forgotten than made reference to, but what about Sybok? If he’s Spock’s elder half-brother, one would assume that a young Michael Burnham would’ve had some dealing with him. Instead, like other aspects of Discovery, the creative team seems more interested in making the world of the franchise work for them rather than working within the already established world of the franchise. This is a strange choice indeed since the history and world of Star Trek is a key component of what makes it unique as a franchise in the first place.

Lethe – Final Thoughts

Viewers who saw the preview for the next episode know that they’re in for a classic Star Trek predicament next time. But because I like to avoid spoilers whenever possible, I won’t say what that classic predicament is. Let’s just say that as with other aspects of any franchise reboot, the events in the next episode represent a kind of proving ground for the show. I continue to retain my cautious optimism about Discovery, and I hope that the problems I outlined in this article only represent a few early fumbles for a show that gets better with age.

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6 Reasons Iron Man Could Be the One to Die in ‘Avengers 4′

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At the moment, Marvel fans are jazzed about the imminent release of Thor: Ragnarok, the rare threequel that is wowing critics (read our review). But, even as the God of Thunder prepares to hit the big screen for his third solo outing, news continues to trickle in about Thor’s next appearance in the next two Avengers films, which are set to wrap up Phase Three of the Marvel Cinematic Universe. With Thanos on a collision course with Earth in Avengers: Infinity War, the stakes are higher than ever, and fans have long assumed that the two-part tale will see some fan-favorite characters give their lives for the cause.

A recent casting call for a funeral scene in the untitled Avengers 4 seemingly confirms that suspicion. To date, Quicksilver (Aaron Taylor-Johnson) is the only major hero to die in battle, though he looks to be joined shortly by some fellow Avengers. Moreover, the addition of Iron Man 3 star Ty Simpkins — a character who only has an emotional connection to the titular hero — has us pondering the impossible. What if Robert Downey Jr.’s beloved Tony Stark/Iron Man is one of the characters set to die in the grand finale of Phase Three? Here are a few reasons why such a shocking move would make sense for Marvel Studios at this point.

6. Robert Downey Jr.’s availability and paycheck

Robert Downey Jr. in Iron Man 2

For nearly a decade, he’s been the face of the MCU. But Downey has gone on the record in saying that he hoped to leave Iron Man behind “before it’s embarrassing.” After eight big-screen appearances as the character, Downey is probably looking for an epic conclusion to the journey he started with Tony Stark, and Marvel Studios is likely looking to turn its attention to other characters in its catalog, especially since the long-rumored Iron Man 4 is probably not in the cards. Then there’s the matter of Downey’s mounting paydays with each contract extension. Take it from Logan, even the most iconic actor/superhero pairings ultimately come to an end. This could be the best time for Downey to bow out.

5. Does the MCU even still need him?

The ‘Avengers: Infinity War’ Trailer Has Leaked Online

When the original Iron Man proved to be a breakout hit, it made sense for Marvel Studios to heavily lean into Downey’s role as the centerpiece of the franchise. However, he’s already headlined his own trilogy, is bringing this incarnation of the Avengers line-up to a close and has helped introduce Tom Holland’s Spider-Man into the mix. Story-wise, there’s only so much the MCU can do with Tony Stark without simply resorting to the aforementioned Iron Man 4. Besides, now Marvel Studios is such an established brand-name that even more offbeat titles like Ant-Man, Guardians of the Galaxy and Doctor Strange are instant smash hits with casual moviegoers. It’s time to look forward, not back, to keep the MCU and its stories fresh.

4. A sacrificial end to his redemption narrative

Iron Man

During a heated discussion midway through The Avengers, Steve Rogers/Captain America (Chris Evans) accuses Tony of only fighting for himself, declaring that he would never be willing to sacrifice his life to save others’. Of course, Tony nearly does just that in the Battle of New York, delivering a nuclear missile through the Tesseract’s portal and into space before (naturally) freefalling to Earth and the safety of Hulk’s green, giant grasp. He may have survived that time, but considering Tony’s apocalyptic vision in Avengers: Age of Ultron — which may have been foreshadowing Thanos, not Ultron himself — we’re willing to bet that Iron Man is still willing to die to protect his planet and his teammates.

3. The mother of all misdirects

Thanks to the source material, many fans expected Captain America to die in Captain America: Civil War. When that didn’t happen, those theories naturally carried over to Infinity War and its sequel. After all, there’s no hero purer or more willing to sacrifice himself than Cap, who essentially did just did that in the final moments of Captain America: The First Avenger. Plus, with pals Sam Wilson/Falcon (Anthony Mackie) and Bucky Barnes/Winter Soldier (Sebastian Stan) already established, Marvel could easily slide either into the role of Captain America, as they did in the comics. It seems almost too perfect for Cap to die in Avengers 4, leaving Marvel Studios the perfect opportunity to subvert expectations and deliver an emotional gut-punch by having Cap’s Civil War opponent bid farewell to the MCU instead.

 

2. Death is never the end in comic books

Let’s face it: the MCU exists not only to inspire and exhilarate fans but to keep the higher-ups at Disney happy. Thankfully, if Tony Stark’s hypothetical death does hurt box office grosses, Kevin Feige and company always have the option of concocting a storyline that will reintroduce Iron Man into the fold, either with Downey back in the role or by recasting with another actor. Either way, it gives fans a break from the character — making a recast easier to swallow — and allows the MCU to focus its energy on what lies ahead for newer heroes like Black Panther and Captain Marvel. When you’re dealing with a comic book world where supernatural forces, time travel, and alternate realities are on the table, anything is possible.

1. A true conclusion to this era of the MCU

Iron Man (2008) - Robert Downey, Jr.

The most important reason why Tony Stark’s death makes sense for Avengers 4 is that there is no more significant way to convey that Joe and Anthony Russo’s epic marks the conclusion of a 22-film arc. Feige himself has already confirmed this is the case, and seeing as Iron Man was the springboard for the entire MCU — and, accordingly, Stark’s “I am Iron Man” revelation the foundation for everything that followed — it’s only fitting that the final film in this mega-narrative provide a definitive (and tragic) close to his story. Tony Stark started the MCU as an arrogant, selfish weapons manufacturer. Imagine the impact his journey would have if it ends with him dying a hero who literally puts the entire universe before himself. If we’re right and Tony Stark’s days are numbered, you might want to start stocking up on tissues now.


Do you think Iron Man could die in Avengers 4? Share your thoughts in the comments section below!

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Rejoice, Sinners! AMC’s Preacher to Return for a Third Season

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Get ready Preacher faithful (or is it faithless?), AMC’s Preacher has been renewed for a third season, according to executive producer Seth Rogen.

Preacher Season 3 Renewal

Rogen tweeted the announcement earlier today, and a blog post on the official site for the series confirmed that it will be returning in 2018, though no other details are available at this time.  The announcement is an answered prayer for fans, particularly with the season two finale ending in a cliff-hanger (read about the most recent episode here, but only if you’re willing to accept spoilers into your heart).

Preacher follows Jesse Custer (Dominic Cooper) – a criminal-turned-preacher with the power to control people’s minds through his voice, Tulip O’Hare (Ruth Negga) – a criminal-turned-well, criminal with the ability to turn just about anything in reach into a deadly weapon, and Cassidy (Joseph Gilgun) – a vampire-turned-drug addict with the ability to make any day a party, on their quest to find God.  Through two seasons, they have persevered in the face of a reincarnated cowboy killing machine (the Saint of Killers, played by Graham McTavish), a kind-hearted boy with the face of an arse (Eugene, played by Ian Colletti), and the world’s most powerful organization, led by the ruthless Herr Starr (Pip Torrens), a man with a taste for global domination and sodomy.  But can they survive Jesse’s grandmother?  We’ll find out in season three, God (and the Grail) willing.

Preacher airs on AMC and was created by Sam Catlin, Evan Goldberg, and Seth Rogen.  It is based the comic book series (also titled Preacher), created by Garth Ennis and the late Steve Dillon.

 

 

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Mr. Robot Turns Back the Clock with eps3.2_legacy.so

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This week’s episode of Mr. Robot, “eps3.2_legacy.so” fills in the blanks on what Tyrell Wellick (Martin Wallström) has been doing since the 5/9 hack.  This review/recap of Mr. Robot contains spoilers, so read with caution.

eps3.2_legacy.so Irving and Goons

An Act of God?

Chronologically, the story takes place at the same time as events in season 2.  As you may remember, Mr. Robot (Christian Slater) told Elliot (Rami Malek) that he killed Tyrell in self-defense in the old fsociety arcade.  It turns out that wasn’t exactly true, which is par for the course in this father/son, ego/alter-ego relationship.  Mr. Robot tried to kill Wellick, but his point-blank shot had no effect.  Wellick, believing this to be an act of God, tells Mr. Robot to try it again and he’ll accept “whatever fate decides”.  Instead of killing him, Mr. Robot sees an opportunity to use him in his plans to destroy Wellick’s former employer, E-Corp.

After this, Irving (Bobby Cannavale, making a welcome return after being absent in episode 2) shows up with some Dark Army goons to take Wellick into hiding/custody to keep the FBI from getting to him.  From here, the episode and Wellick himself go all Breaking Bad, taking place largely in an isolated rural safe house.  Here he is subjected to an intense third degree by Mr. Williams (a mustachioed, coke-snorting Wallace Shawn).  While his honesty is found lacking, his devotion to Elliot proves to be good enough for the Dark Army.

eps3.2_legacy.so Mr. Williams

Between not being able to talk to Elliot and reading online that his wife Joanna filed for divorce in absentia, Wellick is growing frustrated. Eventually, he (much like Walter White) grows too anxious to see his family and makes his escape.  It isn’t long before he is picked up by a local cop who thinks he just lucked into the collar of the century.  The cop’s dreams of being the next Elliott Ness are soon splattered, along with his brains, on his car’s partition window.  We already knew that the Dark Army’s reach is extensive.  What we didn’t know is that FBI agent Santiago (Omar Metwally), partner of Dom DiPierro, is one of their soldiers.  After being returned to Irving, Wellick ends up in the warehouse where he ended up shooting Elliot in last season’s finale.

“If You Pull the Right Strings”

Outside of the Wellick story, we find out that White Rose/Zhang (BD Wong, who shines so consistently in this role that one finds oneself taking his brilliance for granted) is a puppetmaster whose strings encircled the globe.  He orders TV talk show host Frank Cody (Erik Jensen) to rehabilitate Wellick’s public image and (oh, by the way) is implied to be responsible for Trump getting elected.

We also get a cameo from one of my favorite characters, Leon (Joey Bada$$), contemplating the pros and cons of killing Neo-Nazis.  If USA Networks is looking for spin-offs, I humbly suggest one about Leon, shanking members of murderous prison hate groups and discussing sitcoms from the 1990s.  Tell me that wouldn’t be a hit.

 

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Kit Harington Plays his Ancestor on ‘Gunpowder’

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Kit Harington will star in a new BBC One drama playing his own ancestor, one of the men behind the infamous Gunpowder Plot.

The series, entitled Gunpowder, has been described as being filled with “murder, intrigue, fireworks, and not a dragon in sight,” despite the presence of Harington, who has become infamous for his role as Jon Snow in Game of Thrones. Of course, while Game of Thrones is based on George R.R. Martin’s novels, which are in turn inspired by the War of the Roses, Harington’s new role will also be influenced by history, but in a much more personal way.

Apparently, Harington is an actual direct descendent of Robert Catesby, the mind behind the entire Gunpowder Plot, despite Guy Fawkes receiving most of the historical recognition. (Harrington’s actual name is Christopher Catesby Harington.) Catesby was inspired by the religious turmoil prevalent in England to take action against King James I, who had made it illegal to practice Catholicism. While Catesby was the mind behind the plot, Guy Fawkes was actually captured in a cellar, surrounded by barrels of gunpowder, and so became the face of the entire treasonous conspiracy.

Harington, in an interview with Front Row, discussed the role. “It’s been a family curiosity for as long as I can remember. Mum used to say ‘Robert Catesby was the leader of the gunpowder plot’ and not many people know that,” he said. “If you asked someone on the street they’d know the name Guy Fawkes. They know that barrels of gunpowder were put underneath parliament. They know the rhyme ‘remember, remember the 5th November’ but that’s pretty much all they know.”

The entire project actually arose by Harington’s own hand, after he became convinced the story deserved some type of dramatization. His friend Daniel West assisted with realizing the idea, and they sought the help of writer Ronan Bennett. Bennett brought his own historical expertise to the project, stressing the importance of historical accuracy.

Harington is an executive producer on the series, which airs on Saturdays on BBC One.

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Starbucks Launches Zombie Frappuccino

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If you love Halloween, The Walking Dead and coffee, Starbucks has the perfect drink for you.

The coffee chain announced it’s Zombie Frappuccino Thursday.  It’s available in the United States and Canada through October 31 while supplies last.

“When brainstorming a new Frappuccino flavor for this Halloween, we started by thinking about a Halloween party and monster mash,” said Jennica Robinson, who’s on the Starbucks beverage development team. “We had already invited Frankenstein and vampires to the party, so we came up with another monster that could join the bash.”

According to their website The Zombie Frappuccino blended beverage is a chilling concoction of green caramel apple, a drizzle of dark mocha, and pinkish whip.

Price ranges from$4.75-$4.95, depending on the market.

While everyone agreed The Unicorn Frappuccino was an epic fail, reviews about the new frap have been mixed.

 

Keeping the Halloween theme going Starbucks is also selling a Mummy Cake Pop, a vanilla cake Birthday Cake Pop with bandages, and a Day of the Dead Cookie that looks like a skeleton.

Did you try the Zombie Frappuccino?  Leave your thoughts on it in the comments!

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DC Comics Releases Free Justice League Activity Book For Kids

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     Justice League hits theaters on November 18th, and with it comes Justice League Day.  A day celebrating the film’s release, when fans can enter in sweepstakes, receive discounts, and more.  However, if you and your kids want to enjoy some league fun early you now can.  As DC Comics has released an all-new free activity book.

The book consists of hidden jokes and hints of other things available in products from those partnering with DC for the special day.  As part of the partnership, DC has also released a guide containing the many Justice League-themed products you can purchase.  Both books are available for free as downloadable PDF files on DC’s website.

Related: ‘Justice League’ Movie Cover Variants Coming In November

Justice League

What has you the most excited about the movie?  Who is your favorite member? What are some of your favorite activity books?  Discuss below!

 

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Tom Hanks Joins Sci-Fi Drama ‘Bios’

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Most of the time, when Tom Hanks joins a project it’s good news. He will star in this year’s Awards season hopeful, Steven Spielberg’s The Post, and it looks like he will follow that up with a sci-fi drama called Bios.

Bios, which will be directed by Game of Thrones helmer Miguel Sapochnik and written by Craig Luck and Ivor Powell, who produced Ridley Scott’s The Duellists, Alien, and Blade Runner. According to the Variety report, Bios “follows a robot that lives on a post-apocalyptic earth. Built to protect the life of his dying creator’s beloved dog, it learns about love, friendship, and the meaning of human life. Hanks will play the ailing creator.”

Sounds like it could be cool, but it sounds like it could detour into schlock pretty easily too, with a robot learning about feelings and whatnot. The spec screenplay has been a hot commodity for a while though, and in Tom Hanks we trust. Even though, well, we last saw him in that Silicon Valley thriller that showed up on the scene about five years too late, The Circle. Remember that one? Yeah, neither does anyone else. Nobody’s perfect.

Stay tuned for more updates on Bios when they become available.

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Marvel Legacy Report: Week 4 – Hits, Misses, and Comebacks

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As we enter a new era of Marvel Comics, I’ll be providing a weekly report on all Legacy titles. Your one-stop guide to what’s going on in the 616 universe from MFR’s resident Marvel fan. Above you’ll see Marvel’s report card for the week, then below we’ll dive into each book. Let’s dig in!

Marvel Legacy banner

 

***SPOILERS LIE AHEAD***

 

Amazing Spider-Man #790
“Fall Of Parker” Part Two

Parker Industries is done and to cover all the lawsuits, Peter and Harry have to sell everything the company had. This includes the Baxter Building, which of course doesn’t sit right with Johnny Storm. Spidey promised him the building “would always belong to the FF” and clearly can’t back it up.

Back when Human Torch learned that Pete had bought the Baxter Building for PI, they fought about it. Now he’s finding out it’s getting sold, so they fight about it again. Anyone who stuck with the title throughout the past two years will likely find this a bit lame and familiar. Other than the fight, seeing the Parker Industries fallout is an entertaining read.

The fight provides enough of a distraction for disgruntled ex-employee/supervillain, Clash, to steal back his tech before it’s sold. His moronic henchmen activate some scientific equipment that will take the building down unless they all work together. What began as a retread of a previous fight ends up being a fantastically fun superhero collaboration.

With the public hatred aimed at Peter Parker for a change, the city is enthralled with Spider-Man. Seeing Spidey carrying an old lady’s groceries, taking pictures, and jumping rope with kids in a park is hilarious.

Regardless of how you feel about Dan Slott’s long tenure as Spider-Scribe, Stuart Immonen has undoubtedly been one of the strongest Spidey artists of the last decade. He makes the web-slinger sing, even with a dumb glowing spider symbol. Immonen gets to draw the classic costume again and its dazzling.


 

America #8
“Exterminatrix” Part One

America Chavez is a lower-tier, fan-favorite character that recently had a resurgence leading the Ultimates team. Her first solo got off to a slower start than fans would have liked, Legacy provides the title with an opportunity to gain some major traction.

Ms. Chavez is a firecracker, one of the things I didn’t love about this series coming straight from Ultimates was her voice. Gabby Rivera has developed her grasp on Chavez and is now taking her to an all-new level as her stubborn, youthful attitude gives her plenty of opportunity to overcome adversity and grow.

Visually, the book has seemed to find its groove as well. Through deep colors and simplistic design, Joe Quinones and Jordan Gibson are delivering a different and stylized take on intergalactic space school.

The biggest appeal of this series is that it feels fresh and takes us to a setting we haven’t explored much. America proves there are still places in the Marvel universe to visit and does so with the perfect character. America Chavez should have no problem solidifying a permanent fan base with this ongoing series if it continues to stick to its guns.


 

Black Panther #166
“Klaw Stands Supreme” Part One

Ta-Nehisi Coates continues breathing life into the fictional nation of Wakanda. Real world politics and seriousness blended into a ridiculous superhero landscape, this next chapter gets off to an impressive start. Coates fits Klaw into this world effortlessly without losing the lunacy of his nature.

It’s hard not to share a sense of “classic” Marvel when Klaw appears with a thunderous and deadly entrance. Over-the-top mad scientists, with a team of equally diabolical geniuses at their disposal, are a staple of Marvel villainy. Coates is clearly having fun writing Klaw, diving deep into the core of his insanity.

T’Challa doesn’t even appear until the final page of this issue, it’s all about the return of the “sound god” Ulysses Klaw. For good measure too, this installment effectively ramps up excitement for the noise that’s come to Wakanda and his eventual showdown with Black Panther. It’s also a great entry point for readers not already subscribed to Coates’ Wakandan adventures.


 

Despicable Deadpool #288
“Deadpool Kills Cable” Part Two

Deadpool wields Cable’s metal arm to chase him through time, ultimately resulting in a time cop prison blood bath. Chapter two is a quick read, reminiscent of the good times Cable And Deadpool provided years ago. Even with these two facing off each other, their chemistry is infectious.

Gerry Duggan is letting loose, effectively marrying Deadpool’s Looney Tunes mentality with Cable’s all-too-serious time travel nonsense. If these two issues are any indication, Despicable Deadpool should be the best Deadpool book on shelves filled with too many of them. Duggan is capable of making Wade Wilson funny without going overboard or stuffing too many jokes in.

Scott Koblish and Nick Filardi unleash a thrilling mess of carnage and murder, exactly what readers want from Deadpool. With Cable reclaiming his arm, avatar Deadpool is already no more. I look forward to more gags like this going forward, this creative team might be able to poke fun at other characters without falling into the same stale cliches past teams have.

Hopefully Duggan and company explore even more of the despicable going forward. With so many Deadpool Vs. comics out there, Despicable Deadpool is proving that just pairing him with Cable is always the best course to take.


 

Jean Grey #8
“Psych Wars” Part One

Jean has been proactively layering her defenses against the inevitable arrival of the Phoenix Force. Her preparation has seen her collaborate with previous Phoenix hosts and warriors knowledgeable of cosmic threats. Now she seeks

This subconscious psychic landscape Jean finds herself in is compelling, especially being that it’s within Emma Frost’s head. Using older Jean to infiltrate Emma’s head to assist young Jean is a genius comic book component. Emma and Jean’s checkered history has always been one of the most fascinating in all of X-Men comics.

Jean’s banter with her older self is a joy. Getting her younger self’s reaction to all the crazy happenings of Morrison’s run is beyond amusing. Dennis Hopeless has been making the most, and more, out of this particularly strange situation for Jean Grey.

As someone who holds Grant Morrison’s New X-Men run in very high regard, to tastfeully revisit that era is extremely pleasing. Victor Ibáñez’s take on Frank Quietly creations from the run is delightful.

This is a sandbox with so much to play with inside, the opportunity isn’t squandered by writer or artist. Jean Grey was one of the strongest X-Men titles before Marvel Legacy, there’s no reason to believe it won’t continue shining as bright. The approaching Phoenix spells even more thrills on the way.


 

Captain Marvel #125
“Dark Origin” Part One

Carol Danvers is one of the characters most in need of a Marvel Legacy makeover. Ever since her Civil War II character assassination, she’s been nothing but a one-note disappointment. With her MCU debut on the horizon, it’s crucial that Marvel turns her comic book presence around.

Captain Marvel’s unification with Alpha Flight was one of the best things about her pre-CWII series. They function so well as a team, having them back at the center of attention alongside Carol is a step in the right direction. Unfortunately the Alpha Cadets are also sticking around, they’re dead weight dragging this book down.

Captain Marvel #125 feels a bit behind the rest of Marvel Legacy. Everything else is quickly moving on to greater things while here we’re still stuck on Secret Empire. This suffers from the same issues Guardians Of The Galaxy had when the team was “grounded” a while ago. Space adventures happen in space, we see Carol on earth enough, not often enough among the stars.

This may not be the fresh start some of us were looking for, but it’s not a lost cause. The art is sharp and almost warrants a read completely on its own. The main cast isn’t poorly written, it’s just not an interesting story they’re currently in. Hopefully the Alpha Cadets get left behind and Alpha Flight takes their services back into space sooner than later.


 

X-Men: Blue #14
“Mojo Worldwide” Part Four

Chapter four of the X-Men: Blue/Gold crossover sees Longshot takeover, leading his large band of mutants against Mojo. Having him back in X-Men comics is wonderful, especially having him almost entirely unchanged or modernized.

There are so many vibrant X-Men and enemies loaded into almost every page that the book explodes with color. Matt Milla is one of the most prominent color artists in comic books currently, this book is a true testament to that. Milla perfectly accents Jorge Molina’s pencils.

Even when the action is clearly setting up future X-Men plots, it’s subtle and doesn’t take away from the fun we’re having here and now. At points, this is just a beautifully rendered history lesson; at other points, it’s a cheap excuse to get all of our favorite X-Men together. Either way, it’s a satisfying blockbuster story well worth your time.


 

U.S.Avengers #11
“Cannonball Run” Part One

Al Ewing’s “GI JOE Avengers” don’t get enough credit. U.S.Avengers has quietly been an over-the-top superhero-team book featuring a splendid mix of fan-favorite characters old and new. With a fresh start in Marvel Legacy, Ewing vows to jump off the deep end and get weird.

Cannonball finds himself on a strange planet where everybody is forced to pretend they make up a small town in 1950s America. Meanwhile, Sunspot and Smasher are following Cannonball’s energy signature across space and find themselves in equally puzzling trouble.

Nobody does cosmic adventures like Al Ewing, to see him take a deep dive into a more strange direction is intriguing to say the least. The Archie-esque production these mysterious aliens are forced to put on shows a silly side of Ewing that we have yet to see.

U.S.Avengers may not stick around forever, but it’s going to provide nothing but fun while it still can. The continuing adult progressions of Cannonball and Sunspot never tire. Red Hulk is one of the best newer characters that the internet claims Marvel has none of. Jump onto this series now before it’s gone!


 

All-New Wolverine #26
“Orphans Of X” Part Two

Daken finds a way to escape the Hostel torture situation he’s in, while Beast helps Laura and Gabby prove their mother is who she says she is. Another Laura look-alike enters the scene as Daken learns more about his mutant hating cult captors on his way out the door.

Writer Tom Taylor has made Laura into one of the coolest heroes at Marvel, this series has been consistently thrilling. He’s also given her one of the best supporting casts in comic books, and they’re mostly his creations. Adding Daken and some of Laura’s other allies only makes this book even stronger.

From the torture chamber to the front yard bullet storm, All-New Wolverine #26 is action-packed. We still don’t know much about these anti-mutant nut-jobs, but they mean business. It’s great to see Daken getting some prominent use as a character, and in a story that he really shines in.

Juann Cabal’s art is spectacular, it’s gruesome and detailed without overdoing anything. Even with three characters in this issue all basically being the same person, it never gets confusing. It kind of looks like if Jon Davis-Hunt did X-Men comics, which is extremely high praise.

This continues to be one of the strongest books currently at Marvel, Tom Taylor and company are clearly up to the challenge of ramping things up for Legacy.


What were your favorites from this week of Marvel Legacy? Be sure to check back next week for another healthy installment of Marvel Legacy Report!

 

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Hulu Releases Official ‘Marvel’s Runaways’ Trailer

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Hulu wants its piece of the superhero pie, and they picked a perfect group of outcasts to debut with. Marvel TV and Hulu released the official trailer for Marvel’s Runaways’ Thursday afternoon.

The first three episodes of the 10-episode season will hit Hulu Tuesday, November 21.

Watch the trailer below.

About the show:
Every teenager thinks their parents are evil. What if you found out they actually were? Marvel’s Runaways is the story of six diverse teenagers who can barely stand each other but who must unite against a common foe – their parents.

‘Marvel’s Runaways’ stars Rhenzy Feliz, Lyrica Okano, Virginia Gardner, Ariela Barer, Gregg Sulkin, Allegra Acosta, Annie Wersching, Ryan Sands, Angel Parker, Ever Carradine, James Marsters, Kevin Weisman, Brigid Brannah, James Yaegashi, Brittany Ishibashi, Kip Pardue, and Julian McMahon.

The Runaways was created by Brian K. Vaughan and Adrian Alphona.

Monkeys Fighting Robots review of the first four episode drops Wednesday, November 1.


What did you think of the trailer? Are you excited for the show? Comment below.

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