Home Blog Page 758

Nancy Wheeler’s Unpopular Feminism In ‘Stranger Things 2’

Monkeys Fighting Robots

Last week, an article came out on Vice claiming the worst character in Stranger Things 2 is Nancy Wheeler. The article, penned by Vice UK writer Roisin Lanigan, reveals a bigger problem with the way we view male versus female characters. Men get away with (sometimes literal) murder but a woman commits an infraction as minor as hurting someone’s feelings, and she is raked through the mud. Sounds familiar, doesn’t it?

Plenty of spoilers ahead.

A Case for Nancy Wheeler As a Complex Heroine

According to Lanigan, Nancy is worse than Dustin, who adopts a slime creature after a Demogorgon kidnaps one of his best friends. Worse than Mr. Wheeler, who personifies the toe lint you get after wearing wool socks. And worse than the aggressive, racist, mentally abusive, aspiring murderer Billy Mayfield.

Lanigan doesn’t mention these misdeeds, instead she slams the crown of “Hawkins Most Trash Human” on Nancy’s head for hurting poor Steve. The article reads like the burn book of a dude that uses the phrase “friend zone” seriously. Lanigan makes points which are either factually wrong (Nancy doesn’t laugh at Steve’s college essay…) or else don’t allow the character her teenage flaws (her advice to Dustin isn’t GREAT but that certainly doesn’t make her a misogynist).

moriarty for Nancy WheelerCompare Nancy to male protagonists whose behavior we excuse or praise on other shows. Dexter, Hannibal, Sherlock, Walter White, any male character on Shameless, only to name a few. We forgive them for their crimes, doodle them in flower crowns, quote them, and wear their faces on t-shirts. The difference is clear. While men can be many things, women can only be good or bad. To make matters worse, we typically make the distinction based on how they treat the men around them.

The Wheeler Kids Aren’t Alright

Lanigan makes a flawed argument from the start. “Nancy Wheeler is so awful that when she leaves Hawkins for days—the town where children go missing and end up in a terrifying vortex full of hell-creatures—not even her mom and dad care.” True. However, this has nothing to do with Nancy, and everything to do the Wheelers’ neglectful parenting style.

They never know where Nancy or Mike are. Neither noticed that there was an extra kid living in their basement—and after finding out, they didn’t change their hands-off style. Mrs. Wheeler in season one tells her kids they can talk to her, but when they push her away she gives up. And in season two, instead of talking to Mike about his dramatic personality change, she punishes him. If anything, Nancy’s doing well for a girl with so little supervision and a faulty window lock.

Nancy Wheeler is Not A Criminal…but Billy Mayfield Might Be

billy stranger things 2Let’s back up a tick and highlight the biggest problem with this argument: Billy Mayfield. In Beyond Stranger Things, show creators The Duffer Brothers explain they added Billy as a human antagonist when Steve Harrington joined the light side at the end of season one. They might have overshot a touch.

Here’s Billy’s rap sheet so far:
A) screams at Max several times, making vague threats in the process.
B) tries to run over “the Party” while driving two or three times the speed limit in a suburban neighborhood.
C) stands uncomfortably close to Steve in the showers after gym class in a show of dominance.
D) calls women “bitches”.
E) objects to Lucas in a way that codes him a racist.
F) pummels Steve Harrington into the ground before threatening the kids one more time.

He should have ended up in handcuffs, or as a human sacrifice to Dart, or left to rot in the Upside Down. The scene in his home, where we see that his behavior mimics his abusive father’s, does very little to make him sympathetic. You cannot blame Billy for the abuse he suffers, and someone should call child services (NOT YOU, MRS. WHEELER), but you can blame him for the abuse he inflicts on others. While his father’s abuse seems circumstantial (still inexcusable and traumatic), Billy might be a real-life psychopath. But please, tell me more about how Nancy deserves to die in Stranger Things 3.

The People’s Princess

“Hating Nancy feels subversive. It feels a bit wrong. You’re not really supposed to hate her, that feeling seems to say. You’re not really supposed to hate her because Nancy Wheeler is a badass girl. She’s empowered. She kills monsters. She cuts her hair. She sleeps with who she wants, when she wants. She drinks. She stands up to the government. You’re supposed to like her.” (Lanigan)

According to Lanigan, Nancy failed to “become the hero we want to rally behind”. Considering she helps blow up the Main Boss in season one, and stages a national coup in season two, it’s hard to see where her heroism fails. Much like the first season, there are many pieces to the Upside Down puzzle. While the boys try to figure out Dart, Eleven discovers her past, Bob and Joyce worry over Will…and on and on. Nancy and Jonathan set out to find justice for Barb, and they succeed.

Steve and Nancy Stranger Things 2Nancy gets mad at Steve because he wants to follow the rules. This makes him ineligible to assist her, and she leaves him behind. She has already lost her best friend and seen her brother in great danger—and for her the fight isn’t over. Instead of supporting or joining her, he first tries to dissuade her, and whines about having dinner with Barb’s parents.

He certainly deserves a moment of self-pity following their fight at the party, and Nancy’s unwillingness to apologize for what she said. But we don’t get mad at Steve for any of this, or for leaving her mid-conversation in favor of a gym class basketball game. Instead we pat him on the back with a “poor baby” and once again shove Nancy on the naughty list.

Pure Breakup Fuel

The Halloween party is a hot damn mess. Inebriation is not a free pass. Shouting at Steve is wrong, and he deserves an apology whether Nancy remembers saying those things or not. But Steve storms off, leaving her very drunk, alone, and vulnerable. Their behavior is equally difficult to dismiss.

Nancy and Steve Halloween Nancy wheelerLanigan refers to Nancy as cruel, saying she “…is not the feminist savior of Stranger Things just because she ditched Steve”. Ignore that we’re soaring right over the leaving a drunk girl at a party misstep. Breaking up with Steve doesn’t make her a feminist savior, but it also doesn’t count against her. She was honest with Steve, and honesty isn’t always comfortable. Someone always gets hurt in a breakup. Sometimes it’s a good guy. It’s okay—he will heal.

If Nancy had stayed with Steve after knowing that she had no feelings for him anymore? She would’ve been in hot water for playing with his heart. By entering a committed relationship at the end of season one, Nancy also enters a no-win situation. Women are only ever allowed to break up with a guy if he does something wrong, but Steve hasn’t crossed that line yet.
We have discovered the endless conundrum of being a woman.

Friends Don’t Lie

The title of the Vice article is “Forget Barb. F*ck Nancy.” I didn’t know “F*ck Barb” was a sentiment anyone was struggling with. The general consensus after season one was #bringbackBarb; fans ran multiple campaigns, and cheered when Shannon Purser joined the cast of Riverdale.

Shannon Purser Stranger Things Nancy Wheeler

For the sake of argument let’s say “F*ck Barb” was a popular opinion. What’s the core of that argument? We have no knowledge of Nancy’s life before episode 1.1, except two things. We know she dressed up as a monster for Mike and his friends, and she made out with Steve a few times recently. She wears a necklace with ballet shoes, but is it a hint at a hidden love for dance, or an accessory in her “nice girl” persona? Outside of these meager facts, we have Barb’s insistence that Nancy has changed. Is Barb right, or is she jealous of her best friend, and a little lonely now that Nancy’s splitting her time?

“You’re not this stupid”, Barb complains before the pool party. No, Barb, she isn’t. She bought a new bra. She knows exactly what could happen tonight. There’s nothing stupid about knowing what you want, but Barb’s newly-unpredictable bestie frustrates her. Maybe Nancy invites Barb along out of habit or because she doesn’t have a car of her own (not that her parents would notice if she took theirs). Maybe she invites Barb in case things go south and she needs an escape route.

Nancy breaks her deal with Barb immediately when Steve challenges her. She shotguns a beer, neglects to help Barb once she cuts herself, and then follows Steve upstairs to his room. If Nancy makes any offensive mistakes, this is the top of the list: sending her injured best friend home alone from a party she didn’t want to attend in the first place. The Halloween party mirrors these events. Both take place in their respective seasons’ second episode, meaning the similarities are likely not a mistake.

But Barb is better than ditching a friend with no ride home. She commits to her role as guardian, and sticks by the pool regardless of Nancy’s dismissal. Her loyalty leads to her death. So are we supposed to be mad at Barb for being mad at Nancy, but sticking around anyway, when we’re not mad at Steve for being mad at Nancy and fleeing the scene? I need to lay down.

Steve’s Scary Situation

When we only discuss Nancy in terms of Steve vs. Jonathan we’re doing her a massive disservice. However, the way her relationship with each boy unfolds feeds into the Madonna/Whore dichotomy. She doesn’t need to be in a relationship, but she is, so let’s not deal in “what ifs”.

“[Nancy and Jonathan’s relationship] was the love you were rooting for! This is how it’s meant to be! Why aren’t you enjoying it? Because Nancy sucks. And because, to get there, we had to see the destruction of unlikely good guy, Steve Harrington.” (Lanigan)

Ultimately if the relationship between Nancy and Jonathan rings false, that’s because it is: there’s no chemistry between them, and their “shared trauma” was also shared with the rest of the core characters. Maybe in an early draft, Jonathan/Nancy was a more appealing coupling. But season two takes Steve from “guy who makes good choices sometimes” to “Good Guy For Life™”.

Steve Harrington Babysitter This isn’t as much of a transformation as it seems—Steve apologizes for his mistakes and backs those apologies up with action. He takes Nancy’s lead in their sex life, and recognizes and admires her intellect on multiple occasions. The breakup with Nancy does not “destroy” Steve, and he’s certainly not a “shitty boyfriend”. The important takeaway, however, is that no matter how good Steve or Jonathan or any guy is, Nancy doesn’t owe him anything.

Goonies Make Mistakes but They Never Say Die

Having flaws along with her strengths helps make Nancy a Strong Female Character. Consider in comparison an 80s equivalent: Andy from The Goonies. Andy does help the gang escape the underground tunnels, and she is not afraid of her own sexuality. But she also performs the damsel in distress role, and she can only help with proper lady-like skills. You root for her to leave Troy for Brand, even though his character doesn’t seem that interested in her as a person.

The love triangle between Jonathan, Steve, and Nancy is almost the same as the one between Brand, Troy, and Andy. It’s clear where the narrative was supposed to go, but Steve became a good guy and the analogy got messy.

“Girls this age are stupid”–Nancy Wheeler

Nancy also deviates from her Goonies twin. She exists outside of the love triangle and makes mistakes. Teenage girls are not infallible; both Andy and Nancy offer horrible advice to younger admirers. Nancy comforts Dustin clumsily, but her advice is not, as Lanigan puts it, indicative of sexism or a “…superiority complex and ‘not like other girls’ attitude…”

If anything, this advice shows self-reflection. It is an admission that she allowed Steve’s popularity to distract her from other relationships. It subverts another trope, in both movies and life, that girls invariably mature faster than boys. Nancy’s advice allows younger girls to be single, or not recognize what’s best for them and tells Dustin that girls don’t owe him their time (no matter how slick his hair).

Nancy also comes by her skill in shooting naturally and doesn’t feel the need to explain where it came from. Typically when a female character has “male” skills, she explains them away with some variation of “my dad taught me”! It’s clear that Mr. Wheeler has never taught anyone anything.

Sincerely Yours, The Hawkins A.V. Club

A minor point in Lanigan’s article is that the moniker “Princess” should be offensive to Nancy. As though being a Princess—and by extension, what society expects of women—is bad.

“You see us as you wanna see us—in the simplest terms, with the most convenient definitions.”—The Breakfast Club

The Breakfast Club is all about subverting tropes. At the end, the characters pen an essay about what they’ve learned in detention. They conclude that they are more than their high school stereotype, less easy to define. But it does not reject those stereotypes wholesale.

Eleven Stranger Things Nancy WheelerCalling Nancy a princess was not a mistake. Like Molly Ringwald’s Claire before her, Nancy Wheeler embraces and extends beyond the title. But she is not alone. At the end of Stranger Things, the boys ask about unresolved story elements in their game—one of which is the lost princess (Eleven). At the beginning of Stranger Things 2, they fight over Princess Daphne in “Dragon’s Lair” (Max). Do these comparisons make these characters less respectable? (hint: no).

A Princess is not a bad thing. A woman is not a bad thing. Nancy is not a bad thing. Barb is not a bad thing. You don’t have to take off your crown to date a criminal, or shoot a Demogorgon in the face, or threaten your abusive brother with a baseball bat. Nancy’s whole character arc is about accepting who she is. It’s about turning towards herself. But in the micro-est of all micro-agressions, while the girls are Princesses, Steve and Billy battle for the title of “King of Hawkins High” instead. It’s almost too easy.

What’s Wrong With You? I Gave You What You Wanted!

The treatment of women in general on Stranger Things is still weak. The main evidence of this is the conversation between Lucas and his parents, when he asks what to do when a girl is mad. His father’s response is troubling “First, I apologize, then I get your mother whatever she wants.” “Even if she’s wrong?” “She’s never wrong, son.”

This advice is bad, but Lucas is not the only character putting it to use. Steve marches up to the Wheeler’s front door, roses in hand, mumbling to himself. “I’m sorry. I’m sorry? What the hell am I sorry for?” This model for male/female interaction is weak and even destructive. Instead of honest and open communication, men assume they are always right and women are overreacting. It allows men to think they can arrive bearing gifts and expect the relationship to go back to normal.

Nancy is not a feminist hero unless you consider women people. If she makes viewers uncomfortable, it’s because she ISN’T perfect. Nancy responds to her surroundings in unpredictable ways. For that, she is never forgiven.

Find the original article on Vice here.

Stranger Things and Stranger Things 2 now available for streaming on Netflix.

Monkeys Fighting Robots Youtube

Exclusive: Check Out Nine DC Comics Variants For December

Monkeys Fighting Robots

DC Comics just released nine variant covers for December exclusively to Monkeys Fighting Robots.

There is always something brilliant about Nightwing falling, Javi Fernandez and Yasmine Putri bring a great perspective to their two distinct covers.

Batman/ Teenage Mutant Ninja Turtles II Variant Edition (of 6) #1 by Kevin Eastman
Harley & Ivy Meet Betty & Veronica Variant Edition (of 6) #3 by Stephanie Hans
Jetsons Variant Edition #2 by Dan Panosian
Justice League Variant Edition #34 by J.G. Jones
Nightwing #34 by Javi Fernandez #34 by Javi Fernandez
Nightwing Variant Edition #34 by Yasmine Putri
Batman Variant Edition #36 by Olivier Coipel
Superman Variant Edition #36 by Jonboy Meyers
Green Lanterns Variant Edition #36 by Brandon Peterson

The grit and grime of a Kevin Eastman always gives me chills, and Hans brings the meta to her Harley & Ivy Meet Betty & Veronica Variant. It is still strange to see Coipel working on DC books, I will get over it quickly with more rage-filled Batman covers. The design element of Meyers’ Superman Variant is why we need to see this cover as a giant poster at San Diego Comic-Con next year.


What variant is your favorite? Sound off in the comment section below.

Monkeys Fighting Robots Youtube

‘Murder On The Orient Express’ Review: A Whodunit Which Derails

Monkeys Fighting Robots

Poor performances from the supporting cast and a terribly constructed narrative doom Murder On The Orient Express before it ever leaves the station.

Summary

Murder On The Orient Express centers around the exploits of Hercule Poirot (Kenneth Branagh). Poirot is internationally famous, both for cracking the most desperate cases and for his keen sense of observation. He just finished breaking his toughest case yet at Jerusalem’s Wailing Wall and is in dire need of a vacation. Poirot is offered a first class ticket on The Orient Express, which should allow him to get away for some time. As he boards the train, Poirot encounters an eclectic group of passengers and finds himself in the middle of a grisly murder. Will the world’s greatest detective be able to crack this case or has he finally met his match?

murder-on-the-orient-express.png (670×377)

What Worked

Branagh was the perfect actor to portray one of Agatha Christie’s more famous characters. Poirot’s idiosyncrasies were on full display and his internal struggle with OCD with at times uncomfortable to watch. Instead of blowing every little quirk out of proportion, he chooses to highlight these in a very different way. One thing that stood out was his need to have two perfectly cooked eggs in the morning (and by perfect I mean he measures them with a ruler to see that each are proportionate to one another).

Haris Zambarloukos once again showed how profoundly skilled he was behind the camera. His cinematography was able to heighten the proximity of these cabins and heighten the film’s more tense moments. Loved how tight the show was when Poirot was interrogating Hector Macqueen (Josh Gad). The audience could see the beads of sweat forming on his forehead. Zambarloukos uses his cinematography to bring the audience into the story.

What Didn’t Work

Screenwriter Micheal Green repeated some of the same mistakes we saw in Alien: Covenant and Green Lantern. Instead of focusing on the campiness found in most Agatha Christie novels or the action in his previous two films, his narrative is bogged down with too much exposition. Audiences don’t need to know what brought Poirot to this moment in his life, let’s get right to the mystery. No one cares about the nobility of the Lantern Corps; we want to see them battle some galactic bad guys. Had Green focused on beefing up the action in this narrative and stayed from the mindless exposition, then this release could have been so much better. Instead, the story drags on lulling the theater into an uncomfortable haze.

Why was Daisy Ridley cast in this film? Was it due to her name value? Ridley portrays Mary Debenham which happens to be one of the more interesting characters in the story. The actress needs to someone with a broader range of ability which she doesn’t have. Her portrayal was lifeless, flat, and her romance with Dr. Arbuthnot (Leslie Odom Jr) was less than believable.

Judi Dench’s accent was far from accurate and became a distraction. Was she Russian? Was she from Eastern Europe?

Overall

Murder On The Orient Express is the perfect example of how critical screenwriting is. It doesn’t matter who is in a film. If the narrative isn’t focused or bogged down with too much exposition, the release is doomed. While Branagh was a perfect choice to play the eccentric detective, this film collapses under the weight of a poorly conceived adaptation.

Monkeys Fighting Robots Youtube

Five DC Comics Characters And Concepts Perfect For Brian Michael Bendis

Monkeys Fighting Robots

So unless you live in one of the Dark Multiverse worlds, you surely heard the news about the DC Comics exclusive contract signed by super-scribe Brian Michael Bendis. This is huge news in the comics industry as Bendis has been largely credited with spearheading the modern Marvel Comics Universe, writing and creating many titles and characters.

So many fans are asking themselves “What now?”. Well, Bendis’ track record is pretty varied. He has written everything from teenage superheroes (Ultimate Spider-Man), gritty urban vigilantes (Daredevil), police procedurals (Powers), cosmic adventure (Guardians of The Galaxy) and noir (Alias/Torso/The United States of Murder).  With a resume like that he could tackle almost any kind of comic. So with that in mind, I propose five existing DC properties the writer would be great at. Keep in mind this is just MY opinion, as no one knows (yet at least) what Bendis may be writing.

What titles/characters do you want to see him write? Comment and discuss below!

Next

5. The Spectre

Another cult level character, The Spectre has been a part of the DCU since the Golden Age. We’ve had the original, Jim Corrigan, as well as most recently Crispus Allen (from Gotham Central actually) as hosts for the vengeful spirit. The concept of The Spectre would allow Bendis to play and merge the worlds of cops and horror and the writer is great at fusing genres like that. Bendis could go with the classic Corrigan character, or maybe just start from the ground up with a whole new take. Either way, The Spectre is something that should be a big part of the DCU, and Bendis could inject life and energy to resurrect this character for a whole new audience.

Next

It’s Official: Universal’s Dark Universe is Dead

Monkeys Fighting Robots

Universal’s attempt at kickstarting their own shared universe with arguably their most famous IP’s, the Universal Monsters, has officially died on the vine after one movie. The Dark Universe has gone, well, dark.

The least surprising news you will see all day comes courtesy of The Hollywood Reporter. Alex Kurtzman and Chris Morgan, the brilliant minds behind the decision to start this whole thing with a flaccid, terrible new Mummy movie, have moved on to greener franchises. Kurtzman is working on Star Trek: Discovery, and Morgan continues to mine the depths of the Fast and Furious franchise (even though that is showing definite signs of wear and tear).

Meanwhile, it’s back to the drawing board for Universal, who could have been successful with the Dark Universe had they just put the slightest amount of thought into it. Studio president Peter Cramer said “We’ve learned many lessons throughout the creative process on Dark Universe so far, and we are viewing these titles as filmmaker-driven vehicles, each with their own distinct vision,” and ““We are not rushing to meet a release date and will move forward with these films when we feel they are the best versions of themselves.”


They may be focusing on individual tales driven by directors and their unique vision. They might try it all over again. Whatever the case, it’s a little amazing that Universal thought this was all a good idea to remake The Mummy with TOM CRUISE instead of trying to start things off with a different character in a setting we haven’t seen so often. Of all the places to start…

Anyway, #neverforget the photo on top of this article, so full of promise and hope that a half dozen films would unite these actors into perpetuity. It will be a good trivia question one of these days.

Monkeys Fighting Robots Youtube

And Now ‘Creed 2’ is Auditioning People to Play Ivan Drago’s Kid

Monkeys Fighting Robots

A few weeks ago, Sylvester Stallone confirmed he would be writing and directing Creed 2, and would be bringing back Dolph Lundgren as Ivan Drago. The news made some people happy, and it made other people, who remember Rocky IV, more than skeptical.

Now it seems Stallone is doubling down in the bad idea department, and he’s auditioning people to play Drago’s son. Maybe, Ivan Jr.?

Sage Northcutt, an MMA fighter, was talking to MMAFighting.com recently and he brought up the fact he had auditioned for the role. “”Got a little audition tape,” he said, “so hopefully that goes through. That would be pretty neat. Being Ivan Drago’s son in the movie?”

Northcutt also pointed out that he looks a lot like Drago, and this photoshopped Twitter post confirmed this:

Great, yeah, he looks like Ivan Drago. I’m sure he’s a terrific actor too. Not that the acting is going to matter in Creed 2, which is totally heading in the direction of the Rocky sequels. At least that franchise had the serious Rocky II follow up to the Oscar-winning original. Stallone appears to be skipping right over that and heading to the schtick.


Why in the world would Adonis square off against Drago? Also, why would Drago want his son to fight in Russia? Things didn’t end up well for him. I know I know, stop asking so many logical questions. This is Stallone we’re talking about…

Creed 2 is set to release in 2018. There is no definite release date yet, they’re probably just waiting to cast this all-important piece.

Monkeys Fighting Robots Youtube

Episode 19: Port of Earth Opens, Captain America’s BACK, & Thor: Ragnarok Recap

Monkeys Fighting Robots

Welcome to the nineteenth episode of the Comic Show by Monkeys Fighting Robots! This week we’re talking Captain America #695 – one of the best books of Marvel Legacy so far! Port of Earth also opens over at Image Comics; we break down the strong debut issue. Then we close out the show with a review/discussion of Thor: Ragnarok, the 17th film in the Marvel Cinematic Universe!

Buckle up, True Believers! Episode 19 of the COMIC SHOW by Monkeys Fighting Robots is here.

EPISODE BREAKDOWN:

3:45 – Captain America #695 Review
Anthony – 4.5 Monkeys
Matt – 4 Robots

24:10 – Port of Earth #1 Review
Anthony – 4 Monkeys
Matt – 4 Robots

36:00 – Thor: Ragnarok Film Review & Discussion

Thank you for listening!

Do you want to be our FAN of the week? All you have to do is comment on this podcast to be eligible.

Do you have a question that you would like answered during the show? Email your questions to matt@popaxiom.com.

Reviews are greatly appreciated – How to Rate and Review a Podcast in iTunes

Monkeys Fighting Robots Youtube

Watch The First Trailer For Steven Spielberg’s ‘The Post’

Monkeys Fighting Robots

20th Century Fox released the first trailer to Steven Spielberg’s ‘The Post’ starring Tom Hanks and Meryl Streep.

The cinematic world is a reflection of society. Apparently, Spielberg wants to renew our faith in journalism and or remind the media of its greater responsibility.

Watch the trailer below:

About the film:
Steven Spielberg directs Meryl Streep and Tom Hanks in The Post, a thrilling drama about the unlikely partnership between The Washington Post’s Katharine Graham (Streep), the first female publisher of a major American newspaper, and editor Ben Bradlee (Hanks), as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The two must overcome their differences as they risk their careers – and their very freedom – to help bring long-buried truths to light.

The film also stars Alison Brie, Carrie Coon, David Cross, Bruce Greenwood, Tracy Letts, Bob Odenkirk, Sarah Paulson, Jesse Plemons, Matthew Rhys, Michael Stuhlbarg, Bradley Whitford, and Zach Woods.

‘The Post’ hits theaters on December 22.


Do you think Hanks and Spielberg still have the magic? Comment below.

Monkeys Fighting Robots Youtube

The 11 Best Nintendo SWITCH Games Under $20

Monkeys Fighting Robots

If there is one con about the Nintendo Switch it’s that there are way too many awesome games and not enough time to play them all. Trying to narrow it down to a Top 10 was difficult, so whether you have yet to dive into the ‘Nindies’ titles or are new to the Switchverse, here are 11 of our favorites as a start-off point. Please act accordingly.

Snake Pass ($19.99)

Release Date: March 28, 2017

About: When the tranquility of Haven Tor is interrupted by a mysterious interloper, only the unlikeliest of heroes can save the day to reunite the missing keystones with magical gates that give it its mythical power.

Neon Chrome ($14.99)

Release Date: October 12, 2017

About: Experience a ruthless top-down cyberpunk shooter and blast your way through enemies and walls. Upgrade, enhance and build up your strength. The path to stopping the Overseer is ever changing.

Oxenfree ($19.99)

Release Date: October 6, 2017

About: Oxenfree is a supernatural thriller about a group of friends who unwittingly open a ghostly rift. How you deal with these events, your peers and the ominous creatures you’ve unleashed is up to you.

The Mummy Demastered ($19.99)

Release Date: October 24, 2017

About: The Mummy Demastered throws you into a 16-bit-inspired battle against the undead in a 2D, nonlinear, action-packed adventure.

Thumper ($19.99)

Release Date: May 18, 2017

About: Thumper is a title that contains classic rhythm-action, blistering speed and brutal physicality. Brave the hellish void and confront a maniacal giant head from the future.

Rocket League ($19.99)

Release Date: November 14, 2017

About: Rocket League is a high-powered hybrid of arcade soccer and driving with rewarding physics-based gameplay.

Wulverblade ($19.99)

Release Date: October 12, 2017

About: Help Britannia defeat the Romans in a hardcore side-scrolling beat ‘em up inspired by the old arcade classics!

Morphite ($14.99)

Release Date: November 2, 2017

About: Set in a distant future where humanity has colonized the far reaches of space, Morphite follows the story of Myrah Kale, a young woman whose life takes a sudden turn when a simple mission develops into an epic interstellar journey.

Stardew Valley ($14.99)

Release Date: October 5, 2017

About: You’ve inherited your grandfather’s old farm plot in Stardew Valley. Armed with hand-me-down tools and a few coins, you set out to begin your new life.

Sonic Mania ($19.99)

Release Date: August 15, 2017

About: Experience the ultimate celebration of past and future in Sonic Mania, an all-new 2D Sonic adventure, with multiple playable characters.

Perception ($14.99)

Release Date: October 31, 2017

About: Perception is a tense psychological thriller where players must uncover the mysteries of a sinister estate with echolocation as their only sight.

The lineup of all current and upcoming games for the Nintendo Switch can be found HERE.

Monkeys Fighting Robots Youtube

Review: ‘Murder on the Orient Express’ Takes The Scenic Route

Monkeys Fighting Robots

Kenneth Branagh is pulling double duty as director and star in Murder on the Orient Express, based on the legendary Agatha Christie novel; he should have focused solely on directing, as the film feels a bit too indulgent, and is plagued with pacing issues from top to bottom. The enormous cast does provide terrific bright spots throughout, but even when all is said and done you can’t help but think: what if?

Murder on the Orient Express starts off breezy, witty and full of verve as we meet our eccentric cast. Before long, however, once the luscious locomotive is snowbound in the mountains, the plot becomes bogged down with train semantics before leading into the murder and, eventually, a satisfying, albeit long-winded reveal. Branagh owns the show as the Hercule Poirot: awkward, direct, and the greatest sleuth in the world. The best scenes in the film involve Poirot’s idiosyncrasies, and Branagh the director also manages to keep Johnny Depp in check.

The casting of Depp is a deft touch, and possibly even an attempt for the actor to embrace his unlikable real-life persona; it’s easy to hold contempt for the character he plays here, the gangster Edward Ratchet. Michelle Pfeiffer tries hard but ultimately feels unbelievable as the flighty Caroline Hubbard. Pfeiffer has those angular features and a steely gaze that tilts towards the evil side. No matter how much she smiles… the eyes don’t lie.

Star Wars has made a mega-star out of Daisy Ridley, but the young actor could use more seasoning before stepping out. Some actors have a presence and eat up the screen, but with this role Ridley seemed timid and becomes easily swallowed up by the picture surrounding her.

Once Willem Dafoe’s Gerhard Hardman lets his guard down, it’s clear this was what the movie needed from the start. It would have never worked for the story, but Dafoe has an undeniable presence and an ability to stand out anywhere in anything; he should have stood out even more. Penélope Cruz is another actor who can dominate the screen, but somehow Branagh figures out a way to blend her in with the wallpaper.

Murder on the Orient Express has this grand, epic, blockbuster feel to it, but every time Branagh pans the camera to the CGI landscape or CGI train shot, intimacy dissipates. In fact, Tom Bateman’s character, Bouc, even gives an excellent speech about the adventure of a long train ride. Sadly, the film never heeds Bateman’s words. There is no tight, cramped feeling at any moment, and this lack of claustrophobia steals from the potential drama of the murder mystery and the frustration the characters involved.

The movie runs just under two hours, and if Branagh had cut even 10-minutes here and there from the film it could have cleaned up clear pacing issues. Branagh has assembled a cast with great potential, but somewhere along the way it seems he got lost in the scope of the film instead of focusing on the details.

Like Hercule Poirot would have done.


Was ‘Murder on the Orient Express’ on your radar? Sound off below with your comments.

Monkeys Fighting Robots Youtube