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Five Black Panther Comics To Binge Read After The Movie

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In mere days, Black Panther, a long-standing Marvel hero, will fight across cinema screens all over the country in his own movie for the first time. If early reviews are right, the movie will be a huge success for Marvel, Disney, and — we hope — the comic book that this whole thing is based on. Black Panther is a fascinating character on a number of levels. From the powerful associations with the character’s name to its legacy as a groundbreaking fictional human.

After the movie blows your mind, check out these five Black Panther stories
(plus a bonus one!) that’ll blow whatever bits of your mind that are left.

Black Panther: Panther’s Rage

black panther-marvel-comics

Written by Don McGregor
Pencilled by Rich Buckler, Gil Kane, and Billy Graham
Inked by Klaus Janson, P. Craig Russell, and Bob McLeod
Colored by Glynis Wein

Arguably the best Black Panther story ever told, Panther’s Rage is a brutal tale that takes readers all over Wakanda. Panther faces off against Killmonger but also survives leopards, wolves, and the elements. Originally published in Jungle Action, Panther’s Rage elevated the comic book game by creating characters, both heroes, and villains, who were deeply conflicted. At times, good characters become self-serving simply because of succumbing to human flaws like jealousy. Panther’s Rage features a structure that makes it accessible and deep. Each story, in some ways, exist on their own, but contribute to the greater whole, and enrich Wakanda in ways many stories fail to do.

Who Is Black Panther?

black panther-comic book-film

Written by Reginald Hudlin
Illustrated by John Romita, Klaus Janson, Dean White

This six-issue series has its ups and downs along the way. But overall, there is no better place than here to understand Black Panther as a character. Filmmaker Reginald Hudlin (Boomerang, House Party) took the reigns of the book here with the focus of reintroducing the concept of the Panther to 00s readers. Who is Black Panther? takes us through the rich lineage of the mantle. It adds a lot of gravitas to the responsibility that weighs on the person in charge of carrying on the legacy. I’d hate to be T’Challa’s kids, because it’s A LOT of pressure. Fortunately, comic book characters basically live forever and their kids mostly stay kids.

Black Panther: Secret Invasion

black panther-secret invasion-marvel

Written by Jason Aaron
Illustrated by Jefte Palo

Like Michael Jordan in the NBA Finals, Wakanda is undefeated when it comes to being invaded. No foreign power has ever planted their flag on Wakandan soil. But, OH NOES! Here come the Skrull to challenge the African nation. Short-but-sweet, Secret Invasion is an epic action movie that really needs to be included in the movie series as soon as possible. There’s no deep, introspective story here and things are fairly straightforward. The Wakandans are under threat and Panther leads his army into a brutal battle. How brutal? The vicious fight sees heads and limbs flying all over the place.

Black Panther by Jack Kirby

jack kirby-comic book-marvel-black panther

Written and Illustrated by Jack Kirby

Any self-respecting comic book fan knows the name Jack “King” Kirby. The legendary creator has a history thick with incredible sequential artwork. Kirby’s story in comics also has plenty of drama worthy of a movie. Kirby is behind some of the greatest creations in comic book history. After a breakup with Marvel and a stint at DC, Kirby returned to draw a write a few titles, one of those being Black Panther. Kirby’s stories are weird AF, but they are beautifully drawn as only “the King” can do.

Black Panther: The Complete Collection of Christopher Priest (yeah, all of it!)

christopher priest-black panther-comic book

Written by Christopher Priest
Illustrated by Mark Texeira,‎ Vince Evans,‎ Joe Jusko,‎ Mike Manley,‎ Mark Bright,‎ Sal Velluto

Yes, it’s a lot. Priest wrote for T’Challa for six years. But this run of Black Panther is undoubtedly one of the best the character has ever had. According to the star of the new film, Chadwick Boseman, this is the run that inspired the character he portrays. Priest addressed the Panther in an entirely new way. Instead of a mere superhero, Priest viewed T’Challa as the king he is and really played with that great responsibility as ruler of Wakanda.

 BONUS: A Nation Under Our Feet

black panther-marvel-comics

Written by Ta-Nehisi Coates
Pencils by Brian Stelfreeze
Inks by Brian Stelfreeze
Colorists by Laura Martin
Letterers by Joe Sabino
Edited by Wil Moss, Chris Robinson, and Tom Brevoort

Black Panther’s modern adventures have him facing an uprising in Wakanda. Written by best-selling author Ta-Nehisi Coates, the story is elevated by the incredible work of Brian Stelfreeze. Together, this dynamic duo, along with the rest of the creative team, have a story that’s ripping Panther’s country apart. The People are threatening the future of Wakanda, and Panther must survive the changes by becoming something greater than a weapon — a leader.

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BLACK PANTHER: A Look Back On Christopher Priest’s Run

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The upcoming Black Panther movie looks like it will be giving the Wakandan King some more mainstream love. Despite being one of Earth’s Mightiest Heroes and showcasing a detailed history in Marvel comics, not many know about the specifics. Audiences seem to know the basics about his character, but not so much about which stories of his are the best. However, many hardcore fans point to Christopher Priest’s 62-issue run on the character as a great starting point.Black Panther

As someone who has always loved the character but never had the opportunity to read this series, I decided to pick up the first collection of Priest’s run. I’ve been loving Priest’s recent work on Deathstroke and Justice League. Black Panther is the character that brought him into the limelight for most comic book fans.

The first thing about his series that stood out to me was how sardonic Priest’s writing was. If you’ve been reading Deathstroke then it shouldn’t be surprising how much intelligent wit is thrown into the dialogue. It takes a satirical look at superheroes, politics, and American culture. While the humor could be classified as dry it certainly made me laugh out loud numerous times.

Priest is a talented writer who knows how to keep the action and pace moving with his comic series. Priest focused on making Black Panther both a superhero and a king. T’Challa is much more complex as he is conflicted with both his responsibilities as an Avenger and a leader. Not only did this revert Black Panther back to Stan Lee’s initial conception, but it allowed him to be in intriguing stories. He wasn’t just the black Avenger anymore; he became a much more three dimensional character. The storyline “Enemy of the State” displays that duality phenomenally.

black panther
Priest’s run also introduced the Dora Milaje, Wakanda’s special forces, and built the legacy of Everett K. Ross, who the author first introduced in the pages of KA-ZAR. Both the Milaje and Ross have become integral parts of the Black Panther mythology, and will feature in the movie.

While the comic is definitely part satire, it’s also a superhero action comic that shows the Wakandan King kick some serious ass and puts him in awesome circumstances. A stand out moment in my mind was the fight between T’Challa and Kraven the Hunter in issue six. All the artists featured in the collection do a fantastic job conveying movement and action. Mark Texeria in particular contributed a unique style that assisted Priest’s storytelling.

As someone who never read any of Black Panther’s run, this was a great jumping on point. It’s mix of commentary, satirical wit, and action kept me engaged as a reader. I absolutely recommend anyone who’s even remotely curious about the character to pick up this collection. It’s new-reader friendly and is a strong run for Black Panther. Hopefully the upcoming film will be borrowing from Priest’s fantastic work on the character.

The first collection collects issues #1-17 and is currently available at most comic stores and online.

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Review: BOJACK HORSEMAN Season 4 – Prepare for More Emotional Gut-Punches

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For a show set in Hollywood (or Hollywoo if you prefer) where half the cast is anthropomorphist animals Bojack Horseman is probably one of the most hard-hitting dramas on television, and the fourth series is no exception.

It has been a year since Bojack ran away from Hollywoo after Sarah Lynn’s death. Since he has been gone Mr. Peanutbutter has been convinced to run for the Governorship of California, Diane has taken a job at a feminist blog, and Princess Carolyn has decided she wants a baby before it’s too late. When Bojack returns to Hollywoo, he finds a 17-year-old horse girl – Hollyhock (Aparna Nancherla) – claiming to be his daughter and wants to know who her biological mother is.

When it comes to comedy shows that can give audiences a gut punch Bojack Horseman is high up there. It is a show that has a nuanced look at psychological conditions like depression and can rival Rick and Morty for nihilistic philosophy. Throughout the show’s run characters have been shown how they became so messed up. The strongest arch in the fourth series was Beatrice’s, Bojack’s mother, backstory. Before Season Four, Beatrice has been shown to be a soul-sucking succubus who sets out to crush her son’s spirit. She was one of the vilest characters in Bojack Horseman – until now.

Beatrice was given two brilliant episodes that looked at her life, “The Old Sugarman Place” and “Time Arrow.” These are two incredibly powerful and dramatic episodes. Beatrice is the product of her upbringing, just like Bojack – she had a father who’s views would have even been considered chauvinistic in the ’40s and ’50s, and her mother succumbed to depression after the loss of Beatrice’s brother. Beatrice was clearly an intelligent woman, getting a university degree, against her father’s wishes and developed a left-wing outlook despite her privileged background.

When Beatrice is introduced as an adult in the fourth season, she’s suffering from dementia and speaking about random things including about a baby – calling Bojack ‘Henrietta.’ It’s all explained in “Time Arrow” to devastating effect.

Both of Bojack’s parents had big dreams and Bojack’s ruined them. Bojack’s father, Butterscotch, dreamed that he would write the next great American novel and wanted to continue a salt-of-the-Earth lifestyle – believing an office job would ruin his creativity and the message of his ‘novel’. They project all their bitterness of their failures and failed marriage on Bojack. When another woman has a similar dilemma to Beatrice, the former socialite offers support in her own unique way because Beatrice doesn’t want the woman to make the same mistakes.

Princess Carolyn also has a heavy storyline because she wants a baby because her biological clock is ticking. She’s finally with a caring man and finally has time off, but she is drawn to the showbiz because she is good at making deals and feels both the extreme highs and lows. Princess Carolyn had an emotionally heavy episode with “Ruthie” which had a slight similarity to the How I Met Your Mother episode “Symphony of Illumination.” The final three episode has Princess Carolyn fall into her own pit of depression.

The fourth season was not all hard-hitting stories about real life issues – there was still plenty of comedy. Mr. Peanutbutter’s run was a thinly veiled parody of the Trump Presidential campaign where a dangerously unqualified man runs for political office. To Mr. Peanutbutter the governor race is a popularity contest – something to give him validation. He starts his campaign by challenging the governor to a ski race, and his campaign manager/ex-wife was able to amend the Californian constitution to make this challenge possible. It was an overt satire to how powerful lobbying and pork barrelling are in American politics. Governor Woodchuck (Keith David) is a serious and competent public servant fighting against an unrealistic populist movement, a bit like Ray Patterson against Homer in The Simpsons episode “Trash of the Titans.” The political story is also a commentary on California’s history of electing actors as governors with Mr. Peanutbutter being a lot like Arnold Schwarzenegger – an empty shell of a politician with few ideas of his own.

Jessica Biel also returns to the series and is given a slightly expanded role. She was hilarious as a crazy version of herself – she is actually psychopathic and ends up being a Trump-like figure in the middle of the series. Her greatest moment was starting the reign of fire.

There was also a political plotline in the episode “Thoughts and Prayers” combining the hot topics of American gun rights/ownership and feminism. Its commentary about these issues and how men would react is both hilarious and biting.

Todd’s also provides a lot of laughs with his well-meaning stupidity. He finally gets his own episode showing how he haphazardly helps everyone around him and through sheer luck does it. He also has another crazy business scheme, egged on by Mr. Peanutbutter, combining dentists and clowns.

Season Four of Bojack Horseman continues the show’s status as one of the best adult animated shows around, being hilarious, giving audience character development and offering some social and political commentary. But most importantly the season is absolutely devastating.

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DC on CW Weekly Review: A Week of Weaker Episodes

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This series will be a brief, semi-comedic review of the CW superhero shows. You can check out last week’s review post here. The only shows discussed will be ‘Arrow’, ‘Flash’, and ‘Supergirl’. There WILL be some spoilers discussed, so only look at the reviews you’re up to date on!

Next

1. Arrow, “The Devil’s Greatest Trick” (Feb 8th)

For the second week in a row, ARROW ruins a perfectly good antagonist. Michael Emerson has put on a great performance as Cayden James this season. This episode dumbs him down to an absentee father, spoiling his demise with the uninformative flashbacks. The reveal of Ricardo Diaz being the mastermind isn’t exciting, because we know so little about his character. The Siren-vs-Canary fight is interesting, but one action sequence does not a good ARROW episode make. Where the season will go from here is unclear, as the show has now broken its season-long villain build-up. But without Michael Emerson, it’s a future that will be lacking in anticipation.

SCORE: 6/10 Basketball Games

WEEKLY WIN TALLY:

The Flash: 5.5 Weeks

Supergirl: 4.5 Weeks

Arrow: 2.5 Weeks

What show did you think won the week? Does Legends of Tomorrow or Black Lightning take your vote? Let us know in the comments below!

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Review: TWISTED ROMANCE #1 Lives Up To Its Name In Many Ways

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Image Comics’ new anthology Twisted Romance (with work by Alex de Campi, Katie Skelly, Sarah Horrocks, and Megan Cubed) offers up three very unique, genre-bending and, multi-medium takes on the concept of love. Twisted Romance

Twisted Romance #1
Stories by: Alex de Campi, Sarah Horrocks, and Magen Cubed
Art by: Katie Skelly, Sarah Horrocks, and Magen Cubed
Published by: Image Comics

Just in time for Valentine’s Day comes this strange and intriguing new anthology of love stories (also bonded by the presence of the supernatural). This issue features three stories: the comic Old Flames by Alex de Campi & Katie Skelly, Leather & Lace (a prose story) by Magen Cubed, and Red Medusa by Sarah Horrocks, a more experimental type of comic tale.

Twisted Romance
Old Flames Art by Katie Skelly

Old Flames

This piece of comics storytelling takes up the bulk of the page count and is considered the main feature. Old Flames is a dark story told deceptively cartoonish. A tale about succubus type beings drawn with the energy and pop of a bright cartoon or webcomic. Alex de Campi writes what on the surface seems like a horror story or revenge fantasy (and those elements are there) but when looked at deeper has themes of loneliness, regret, and redemption. Old Flames is also an entertaining read with a couple of good plot twists. It looks and feels great with all the expressive, bright and colorful images that came out of Katie Skelly’s pen. Old Flames is great. It’s short, fast, a little dark and kinda sweet.

Twisted Roamnce
Old Flames Art by Katie Skelly

Leather & Lace

Leather & Lace is a prose story, yet it still feels like it belongs in this comic anthology as writer Magen Cubed uses some good descriptive visuals to create some great images in your head and has some strong dialog. It’s also a story that combines romance and the supernatural; in this case two star-crossed, love-eyed monster hunters. Leather & Lace is actually the most ‘romantic’ of the three and giving away too much would spoil the fun but it is safe to say it will leave you smiling.

Red Medusa

Twisted Romance
Red Medusa Art by Sarah Horrocks

Red Medusa is the most bizarre entry, as it plays loose with its narrative, its art and pretty much everything else in its arsenal. Sarah Horrocks creates some really eye-catching figures and panels that bring to mind Bill Sienkiewicz (New Mutants) and some Melinda Gebbie (Lost Girls) too. There is a mixed texture and media look to the art that makes it tangible. Red Medusa may have to be read a few times to decipher a narrative but that’s the point in a comic with art like this.

Conclusion

Twisted Romance is the kind of comic that is important for the medium. It offers new genres and mashups in interesting ways by unique creators, truly living up to its name. The first issue, with its three tales, has something for just about anyone.

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Star Trek: Discovery – Gearing Up for “Will You Take My Hand?”

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Star Trek: Discovery’s first season finale, “Will You Take My Hand?” will air shortly, capping off the crew’s first season in action. It has been an eventful season so far with the introduction of the Klingons’ new look, a mutiny, a four-episode journey through the Mirror Universe, and the death of the U.S.S Discovery’s captain.

Discovery, despite the difficulties that viewers have had tracking down episodes of the show which airs exclusively on CBS All Access in the United States, has enjoyed very favourable ratings and has already been green-lighted for a second season. Producers have promised fans of the show that the questions they have will all be answered in time: plot points that appear to have fallen by the wayside will pop up again leaving no loose threads.

Star Trek: Discovery – The Klingon Question

Although the issue was handled relatively poorly in Star Trek: Enterprise, I’m looking forward to finding out why the Klingons look like gigantic walking cockroaches rather than either of the two looks that Star Trek fans saw in the past. I know that other people watching the show have made peace with the new look, but for better or worse I want an explanation.

Star Trek: Discovery – A Madwoman at the Wheel

Viewers will likely get a chance to see how Emperor Georgiou fares as captain of the Discovery in the season finale, as long as she doesn’t blow her cover. But, after this next episode, I wonder whose butt will be in the big chair next season.

Commander Saru looked pretty good sitting on the dais, but because no previous Star Trek show or movie has featured a ship with an alien captain, and because Doug Jones must be expensive, I wonder if the command structure aboard Discovery will change after Season One’s end.

Star Trek: Discovery – Final Thoughts

Discovery has suffered from a few ongoing problems during its first season, specifically a general lack of success executing what seem like good ideas and a faster-than-light pace to each episode’s plot. That said, so did every Star Trek show that has ever aired. My personal favourite, Star Trek: The Next Generation took a couple seasons to fully develop into the stellar show it became.

So, I’ll stick around for the next season if only to hold the writers and producers to their promise that all questions will be answered.

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The Elaborate Entrance Of Chad Deity Brings Wrestling Action To The Stage

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For tens of thousands of years, man has tried to tell stories to each other in one way or another. It likely started with grunts and a form of caveman charades. But it grew to become art, oratory tales, music, television, and film. Mixed into all that is the stage, where people like Willy Shakespeare and Arthur Miller unleashed wonderful stories. At the heart of everything we do here at Monkeys Fighting Robots, whether it’s the latest Batman comic or Marvel movie, is a desire to tell stories.

All this brings me to The Elaborate Entrance of Chad Deity, a play written by Kristoffer Diaz circa 2009 that returns the theatrics of wrestling home to where those theatrics began — the theatre.

WATCH THE TRAILER

Life-long wrestling fan and pro wrestler Macedonio “Mace” Guerra (Pierre Jean Gonzalez) is a technically perfect athlete with zero charisma. Mace plays the role of a perennial loser in the ring. He’s the wrestler who makes the other wrestlers look good. Mace wrestles for the fictional THE Wrestling where the star of stars is Chad Deity (Garrett Turner). Deity is loaded with charisma and stage presence but lacking in wrestling skills.

Gonzalez does the “heavy lifting” in the ring to make his opponents look better than they are. But Gonzalez also does heavy lifting in the play, leading it from start to finish and spending very little time off stage. Gonzalez makes it look effortless, splendid stage acting that’s made all the more difficult when fighting, flying, and falling is also part of the show. Contrasting Gonzalez boyish enthusiasm for the sport is the outrageously magnetic Deity. Garrett’s work here reminded me of Jim Carrey in the 90s as Garrett uses an impossibly malleable face to puntuate some hilarious dialogue.

Mace’s story is so closely connected to anyone who’s ever done a job where there’s little appreciation. Mace makes the bad wrestlers look good. He also lives in a duality; Mace understands and, in fact, loves the nature of wrestling and how it’s greater than the sum of its parts. But, reality doesn’t appreciate the cog in the machine so-to-speak as much as it values what the machine produces and that’s money.

And let it be known, the audience will
experience the elaborate entrance of Chad Deity
towards the end of the first act. 

Mace narrates the show as it introduces his passion for the squared-circle. Mace has been in love with wrestling since childhood, and now he gets to be a wrestler. He uses toys as a metaphor for comparing his skill to those of the popular wrestlers who are usually the worst wrestlers. Mace fails to provide the level of crowd control that the hyper-charismatic Chad Deity provides. And let it be known, the audience will experience the elaborate entrance of Chad Deity towards the end of the first act. It definitely lives up to the hype.

Todd Allen Durkin as Everett K. Olsen, is the head of THE Wrestling who is a typical semi-sleaze bag of over-the-top personality. Through Durkin’s money-grubbing smile is something to love. Mace brings a friend into the wrestling fold, an Indian from Brooklyn named Vigneshwar Paduar (Raji Ahsan), who is chock-full of street-smart charm. Paduar has what Mace lacks, but the fast-talking man doesn’t have the desire to wrestle and his short-lived career in the ring is riddled with terror and being forced to play a terrorist.

The Elaborate Entrance throws in some live wrestling action into the second act. The high-flying fun takes place in a ring like any other wrestling event. It’s choreographed here by Jamin Olivencia, a pro wrestler who also doubles as three wrestlers throughout the show. The action mixes up the usual pattern of a show; it also continues to push the story forward so that it creates the right blend of character and action.

The award-winning play isn’t merely about wrestling.

The unique part of theatre stems from its in-the-moment nature. From performance to performance, the words stay the same, but from show to show, things are just a little different than before. Each person that sees a show sees an almost entirely original version of the same story. I bring this up because The Colony theatre on Miami Beach and Asolo Repertory Theatre created a multimedia experience that mixes the precise acting and blocking of theatre with pre-recorded and live video. Scenes play out in a way that allows viewers to watch the action on the stage or see an alternate angle on the video screens.

The award-winning play isn’t merely about wrestling. Mace touches on that deep desire we all have to reach some greater dream. Also, slinking in and out of the story are issues that relate to politics, race relations, and stereotypes. Wrestling is notorious for using cartoonish cliches to the industry’s advantage. The Elaborate Entrance of Chad Deity is a wild wrestling show, with bombastic characters that serve a story with deeper layers. The entire show is a look inward at ourselves as individuals and a country. Do we face reality or escape permanently to false narratives?

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Review: A Dating App Haunts the Superhero World in GREEN LANTERNS #40

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It has been a while since anyone has covered the Green Lanterns of Earth. It has nothing to do with the book’s quality, it just was lost under all of the events. Recently, Jessica and Simon have successfully stopped an insurrection on the distant planet of Ungara. Liseth Vok, one of Ungara’s greatest artists, tried to convince her world to force out any refugees and keep to their own planet. The Lanterns step in, defeating the villainess before she could do more harm to the people. Now the Lanterns go back to fighting something more frightening than evil alien extremists: DATING!

Green Lanterns in love

**Some Spoilers Below**

Story:

After helping out a town recover from a flood, the Green Lanterns are asked by another hero to find her lost friend. Simon accepts the case after revealing the missing person is a superhero he dated a while back from Caper. What’s Caper? It’s the newest dating app made exclusively for heroes, which piques Jessica’s interest. As she signs up for it, Simon goes to Cyborg to get a lead where the hero vanished. They soon realize that it’s more than just one hero missing as the list grows to dozens. While Cyborg can’t put the pieces together, the Green Lanterns find the connection: all of the missing heroes are on Caper. This leads to the Lanterns to track down the headquarters of the app as well as a surprise guest character.Green Lanterns hurricane

This isn’t meant to be a deep, thought-provoking story, but the truth is it doesn’t have to be. You have a pair of fun characters confronting a present-day topic. There is great humor, cool action, and a plot you want to follow. Not because it’s trying to convey some deeper meaning, it’s just a fun set up for a possibly fun story. The last arc devolved from Lanterns performing epic feats to heavy-handed social commentary. There isn’t anything wrong with social commentary, but sometimes you just want a lighter or sillier story. This current story has the potential to turn into heavy commentary as well, but until then, just sit back and have fun.

There is one thing that does bother me about this issue though. The Caper app finds the user’s perfect match for them, and for Jessica, it’s Simon. For 40 issues, Simon and Jessica have grown to be an amazing team and great friends. Why now is this whole romantic angle coming in? In fact, why is there a romantic angle at all?

Green Lanterns Save the day

Art:

The art team does a fantastic job in this issue. Barnaby Bagenda does an extraordinary job designing the Lanterns and their powers. As I mentioned in the Secret History of Task Force X reviews, Bagenda does great work in a sci-fi environment, so having him work on a Lantern book promises imaginative designs. Add that with Ulises Arreola Palomera’s colorwork. Each character is able to pop off the page beautifully. Together, they create a wonderful book to look at.

Conclusion:

Overall, this is a fun issue. It has great humor and cool action from our leads. The art team goes above and beyond and really brings the issue together. If you need something to read this week, give this issue a shot.

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SOLO Creators Promise L3-37 is Unlike any Droid We Have Seen

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The newest droid in the Star Wars Universe, L3-37, voiced by Phoebe Waller-Bridge, that will appear in the upcoming Solo: A Star Wars Story, is unique in many ways. It is not only voiced by a woman, which is huge because, you know, it’s 2018, but also because it is self-modified.

“She’s a complete individual in the galaxy,” Jon Kasdan says. “We wanted to have it be a completely different kind of droid than you’ve ever seen in the movies. And we definitely wanted it to be a female. We thought it was more than time for that.”

Waller-Bridge will bring her ‘fearless and awkward sense of humor’ to the L3 droid. We have yet to hear her as the character, but if you have yet to see her in anything, check out the show she created and stars in, Fleabag, on Amazon.

“The idea is that she’s sort of a mutt, if you will, of various parts of different kinds of droids who has improved upon herself,” Kasdan said.

L3 will serve as a ‘partner-in-crime’ to Lando Calrissian, with whom there is a working relationship and understanding, though it has yet to be seen if the two will be as inseparable as Han Solo and Chewbacca.

“Her A.I. is way up there in terms of I.Q.,” said director Ron Howard. “She’s capable of some pretty interesting conversations and Phoebe is hilarious and brilliant and really helped bring that character to life in ways that are funny and surprising.”

Solo: A Star Wars releases nationwide in theaters on May 25, 2018.

[embedyt] https://www.youtube.com/watch?v=dNW0B0HsvVs[/embedyt]

 

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Warner Bros. Hesitant on a Possible Michael Bay LOBO Film

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According to The Hollywood Reporter, the speculation floating that Michael Bay will helm the Lobo film is currently false. In fact, the presumed production cost would be upward of $200 million, which is leading to Warner Bros. to have second thoughts regarding the project.

THR also claimed that Bay has not yet been offered the gig and there is a rumor that the studio is not too ‘keen’ on the character. So, that said, this project might be on the back burner for now, especially since it is not even present in DC Comics’ upcoming DCEU films list.

An R-rated superhero film is worth a shot from DC when you consider how much success Marvel has had with Deadpool. If done right, the character could be a hit as he is a fan-favorite character. One that is also foul-mouthed, cigar-toting and with an insatiable hunger for mayhem.

If you don’t know anything about the character, here’s a quick rundown. He was born on the utopian planet of Czarnia. He is the last of his kind because he wiped out his entire civilization so that he could be the last of his people. His name, in his native tongue, actually means, ‘He who devours your entrails and thoroughly enjoys it’. He rides around the galaxy on his rocket-fueled motorcycle as the self-proclaimed ‘best bounty hunter in the galaxy’. He is a weapons expert with super-strength, healing powers and washes it all down with an unquenchable thirst for blood.

Screenwriter Jason Fuchs is actively penning a rewrite in hopes of keeping the project afloat. His rewrite would reportedly scale down the production, which would make WB happy, but not Bay, who prides himself on big-scale action production.

Bay most-recently produced A Quiet Place and the Transformers spinoff Bumblebee. Both films are due in 2018 with Paramount Pictures.

Little else is known about this proposed project, let alone what he would actually look like. His current ‘style’ is below, but he’s definitely been through some ch-ch-ch-changes.

Consider this M.I.A. until further notice.

 

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