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Beer Review: Not Your Father’s Root Beer

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Each summer a new drink pops up, quenching the thirst and wetting the palettes of those who desire something different. You may have noticed a new soda pop percolating, that would be Not Your Father’s Root Beer.

Not your Father’s Root Beer, brewed by Small Town Brewery, is promoted as being made from “unique ingredients with an unmistakable taste of nostalgia” or in other words, it tastes just like root beer. That unmistakable taste of nostalgia isn’t just a selling point. The smooth blend took me back to my first time having a root beer as a kid.

Make no mistake, at 5.9% alcohol, it  packs a flavorful punch. An ale with the taste of spices, Not Your Father’s Root Beer in a cold glass is perfect on a warm summer night.

Taste

A rich, sweet flavor that fills your mouth with the spicy aroma of a freshly brewed keg of root beer. Considering the alcohol/volume is higher than that of a beer, the contents are well masked by the full flavor.

Body

As fizzy as a bottle of soda so be careful you don’t rattle the case too much. The beer comes to a nice head when served in a snifter. Also, can be served in a glass with some rocks as it truly does taste identical to a glass of soda.

Price

The six pack at the local distributor ran about $13 with the case (24 Bottles) coming to about $45, which doesn’t offer much insensitive to stock up unless you really are a huge fan. That was the only drawback to Not Your Father’s Root Beer, otherwise I have no aversion to spending more on my beer as long as I know it is worthwhile.

Presentation of the Beer

The bottles and case all have an old school aesthetic which adds to the allure of the beer. The craftsmanship doesn’t stop with the flavor inside the bottle as the exterior is just as well taken care of with a faux wood look that takes you back to a simpler time.

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‘Deadpool’ Gets Meta In New Trailer

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The one thing you can expect from Ryan Reynolds and Deadpool is they will make fun of everyone including themselves. A half a million stopped working today to check out the trailer for the trailer for Deadpool.

When you’re stuck in a day
that’s gray,
and lonely…
Just stick out your chin,
and grin,
and say…
everything looks sexier in red.

Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

Deadpool stars Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano, and Brianna Hildebrand. The Merc With A Mouth will be in theaters on February 12, 2016.

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Joel Edgerton Gets Under Your Skin In ‘The Gift’

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The Gift, a psychological thriller starring Jason Bateman, Rebecca Hall, and Joel Edgerton comes out this Friday, August 7. Edgerton wrote, directed, produced, and plays the creepy ‘Gordo’ in the film.

“I think the big key of a psychological thriller is getting under the audience’s skin in a way that nothing is what it seems. That the question marks are constantly there. Their turning corners every second, thinking I know what’s around the bend and giving them a surprise. In a way that is very socially resonant and has a real domestic feel. That is a journey for them that is unavoidably scary because it is something that could happen in their life,” said Edgerton on what elements make up a good psychological thriller.

Edgerton also talked about his next film Black Mass and how he had a front row seat for Johnny Depp’s performance. We jokingly talked about Owen Lars showing up in an Obi Wan Kenobi solo film and how he should be more of a bad-ass instead of a moisture farmer.

Bonus track: True Detective Season 2 Episode 7 Black Maps and Motel Rooms

ABOUT THE GIFT, OPENING IN THEATERS NATIONWIDE ON AUGUST 7th
STX Entertainment and Blumhouse Productions’ The Gift is a heart-stopping, thought-provoking psychological thriller from producers Jason Blum and Rebecca Yeldham and actor, writer, producer and first-time director Joel Edgerton (The Great Gatsby, Zero Dark Thirty, Warrior), that asks the question: What if someone you wronged long ago reemerged in your life through a chance encounter?

Simon (Jason Bateman) and Robyn (Rebecca Hall) are a young married couple whose life is going just as planned until a chance encounter with an acquaintance from Simon’s high school sends their world into a harrowing tailspin. Simon doesn’t recognize Gordo (Joel Edgerton) at first, but after a series of uninvited encounters and mysterious gifts prove troubling, a horrifying secret from the past is uncovered after more than 20 years. As Robyn learns the unsettling truth about what happened between Simon and Gordo, she starts to question: how well do we really know the people closest to us, and are past bygones ever really bygones?

Along with Edgerton, producers Rebecca Yeldham (Kite Runner, The Motorcycle Diaries, On the Road) and Jason Blum (Insidious, Paranormal Activity, Whiplash), lead a creative team of incredible collaborators: cinematographer, Eduard Grau (A Single Man, Buried, The Awakening), production designer, Richard Sherman (Beautiful Creatures, Kinsey, Things We Lost in the Fire) and editor, Luke Doolan (Animal Kingdom) all working create a stylish, nail-biting thriller that is both artful and commercial.

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‘True Detective – Black Maps And Motel Rooms’ Recap

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True Detective season 2, has officially shed its skin. Gone are the comparisons to the first season, the lamenting of lost potential, the doldrums of boredom. Now, in this penultimate episode, this new amalgamation of True Detective has fully come into its own and become a thrilling endeavor in its own right. “Black Maps and Motel Rooms” is a taut episode from start to finish, with everyone and everything being ironed out; well, ironed out to the best of the ability of Nic Pizzolatto, who’s noir motivations for this season will always leave certain things murky.

One of the most fascinating elements of this seventh episode are the reveals that the three investigators and the plight of Frank Semyon overlap only slightly. As Velcoro, Ani, and Paul stow away in a remote cabin after looting the high-end sex party in last episode, Frank is given enough intel from Ray to go scorched earth on his betrayers. Those betrayers include just about everyone under his employ including, of course, Blake (Christopher James Baker), his slimy girl-running assistant. Once Frank is informed Blake is in with Osip – and a slew of other ancillary plot information that boils down to Frank being screwed out of his casino and nightclub – he decides to wipe the floor with his past and hit the road with Jordan.

True Detective Vince Vaughn

The scene between Frank and Blake is peak Vince Vaughn, at least True Detective Vaughn. It is the one true moment the series when Vaughn’s verbal dexterity feels right, and his imposing frame pays off. Frank kills Blake, puts on a good face when Osip informs him he is no longer the boss (but hey, Osip agrees to put him on the payroll), then proceeds to light up the LA skyline with fire.

Meanwhile, our three gumshoes are having their own problems. Paul is receiving compromising photos of his tryst with his former Black Mountain colleague on his phone, and Ani and Ray are wanted for different reasons. First, Ray and Ani: their romance was inevitable from about the third episode. However, the way Pizzolatto handles this development should be commended. Early in the episode, Ani tries to use her sexuality to deflect Ray’s questions into her past, but he rejects her offer. In the final moments, the two then share a touching and emotionally charged moment of clarity. These are two broken people, perhaps resigned to their own fate, looking for a final human connection. Both Ray and Ani have made amends in their personal lives, and the moment feels right. The way it builds is perfect, an emotionally engaging moment in a season that has been lacking any true, soulful punch.

True Detective Taylor Kitsch

Now for Paul. Once Paul discovers he is being set up with the blackmail photos, he works his way out of a jam only to be murdered by Burris (James Frain), the cop who worked with the Vinci police chief to get Ray on the case and, clearly, set him up in the end. Paul’s death was shocking, but it felt as inevitable as the romance between Ray and Ani. Taylor Kitsch has felt like the outlier this entire season of True Detective, and now perhaps that was the plan all along. Regardless of how loosely drawn Paul’s character may have been, his death was an impactful.

And now we have one ninety-minute season finale next week, as the show has come into its own. After the first three episodes I was wondering how I would make it through eight. Now, after this tightly-wound, completely satisfying penultimate episode, part of me wishes they had chosen to go to ten. While the plot still remains secondary to the characters, at least we have reached some form of clarity as to who did what and why; at least to a point. Leaving confusing threads dangling in the noir winds is par for the course in this type of storytelling, so being confused with the true mechanics of the plot is nothing to worry about. HBO wants a third season of True Detective, and I feel like this second season has finally earned Pizzolatto another go round.

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Review: ‘Irrational Man’ Is Captivatingly Putrid

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What seems to be Woody Allen’s 900th film, Irrational Man, is reminiscent of a collection of sticky notes that, when you put together, don’t make much sense. You get the feeling Allen was cleaning out his production office and found these plot ideas he had written down, and decided to just put it all together and see what transpired.What transpired is an incoherent film, stumbling from beginning to end. Seeing this film was like watching a John Woo style slo-mo car wreck

Irrational Man is about a philosophy professor named Abe (Joaquin Phoenix), who is obsessed with murdering a judge, and Emma Stone as the student he romances.

The biggest problem with this film is the screenplay. Joaquin and Emma try to create characters you can relate to, and even develop some sort of empathy for, but the script keeps putting up road blocks. The script was written with 79-year-old New Yorker sensibilities; too bad Emma Stone is 26 and Joaquin Phoenix is 40. With this confluence of circumstances, the end result is a motion picture equivalent of Ambien.

Irrational Man

Both Phoenix and Stone do their best with what they are given. Joaquin tries his damnedest to deliver line after line, playing the depressed Philosophical scholar, while trying to fend off the affections of his student, Stone. At times, you do see a certain spark on the screen, but then we fall into what I would call the “Woody Vortex”. The Woody Vortex is when you have onscreen voice-overs describing actions that just happened mere seconds earlier. It seems every time I thought we would have some sort of momentum, another voice over would pop off. It was an Irrational decision made by Allen, and contributed to the general malaise throughout the picture.

When faced with these daunting obstacles, it’s hard for even the best of actors to pull of a commendable performance. Stone’s performance is poor, flat out. Nothing she attempts on-screen comes across as believable, but the script didn’t do her any favors.

Joaquin Phoenix’s performance can only be described as… erratic. He is supposedly this highly-regarded college professor everyone fawns over, and he is mired in regurgitating just how horrible his life has become.  Woody Allen expects us to believe these two characters are who they are supposed to be, and doesn’t provide either of them with enough material in the script to achieve that goal. It’s as if he thinks we actually give a damn about his characters just because they happen to be on the screen.

In the end, Irrational Man just keeps tripping over itself from beginning to end. From its lack of cohesiveness to a lack of a polished script ,this movie borders on unwatchable. I truthfully can’t think of anyone I would want to subject to 94 minutes of discombobulation. Irrational Man is one of the most captivatingly putrid movies of 2015.

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Who would you cast as the next Incredible Hulk?

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As much as we don’t want to admit it, Mark Ruffalo won’t be able to play the Hulk forever. Age and other projects are going to start to get in the way of him playing Dr. Bruce Banner and at some point he will respectfully just step aside. In fact it wouldn’t surprise me if after Avengers “Infinity War Part 1 and 2”, he decides to step away from the role. Marvel is going to have a gigantic void to fill and will have to make sure that whomever they cast is perfect for the role. Marvel jumped the gun once before and now Edward Norton is not allowed within a 1,000 ft of a Marvel movie. With the thought of Marvel pulling a “Norton”, I put this question out to the folks on Twitter.

I received some interesting responses like this one.

https://twitter.com/tombatron/status/627664048197402628//

Who knew that the real Tom Hanks actually cares so much about this issue that he sent in his choice.

Here are some real options that were suggested via twitter. 

David Duchovny-

David Duchovny is a tremendous actor but he isn’t close to who I would envision as Dr. Bruce Banner. Not only is age not on his side but Duchovny comes off as smug on screen which is not who Dr. Banner is. Remember, The Incredible Hulk doesn’t want to be the green monster and all he truly wants is to be a doctor that helps the world. I just don’t think that David Duchovny could pull this off.

David Duchovny

 

Justin Bartha and Zachary Levi-

I think that these suggestions have a ton of merit. Justin Bartha and Zachary Levi certainly have the right body type for the role and could deliver the needed duality on-screen to portray both roles. What both of the actors have that makes them even more appealing is that they have youth on their side. In any reboot Marvel will aim to go younger with the role of Dr. Bruce Banner so that they can tell an origin story for the Hulk. However, they are not the best pick in my opinion.

Justin Bartha

 

Zachary Levi

Miles Teller

Miles Teller is the perfect choice to replace Mark Ruffalo as Dr. Bruce Banner/Incredible Hulk. You  need  an actor with a certain amount of gravitas on the screen as the Hulk and could be believable as a young Dr. Banner and Teller fills both roles. Marvel would want to tell the origin story of a young Dr/ Banner/Incredible Hulk and having Miles in that role would allow Marvel to do just that. Plus this would give Marvel a chance to have him locked into the role for multiple years and not worry about their leading actor outgrowing the role anytime soon.

Some may disagree with the notion of Miles Teller as Dr. Banner because of this upcoming role as Mr. Fantastic in Fantastic Four but remember that this is years away from happening and we don’t know how successful that movie even will be. This wouldn’t be the 1st time a star played different super heroes over the span of a couple of years; Ryan Reynolds would be an example of that.

Miles Teller

 

Conclusion – 

I understand that any suggestion as to who would take over for Mark Ruffalo is merely speculation but as fans isn’t that what we do best? I may not have mentioned a name that you think would be perfect for the role so please tweet those to me and let’s start this debate.

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Video: “Digimon Adventures tri” Part one trailer!

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Well its been a long road in the journey for the nostalgia bomb that is Digimon Adventures tri. I, probably like most people, was held aback when I found out that it was going to be turned into a six part movie series. And that was back in the winter. Now its deep into the summer. But don’t worry, because finally we get a trailer worth waiting for. The first chapter titled “Reunion” will have a limited theater release on Nov. 21, followed by a Blu-Ray/DVD release on Dec. 18.

Digimon Tri Promo

Digimon Adventure tri. will feature Keitaro Motonaga (Jormungand, Date a Live II) as director with Cencoroll mastermind Atsuya Uki on character designs and Yuuko Kakihara (Heaven’s Lost Property, Chihayafuru 2) writing series composition.

 

The updated staff and credits include:

Production: Katsuhiro Takagi
Planning: Kozo Morishita
Original Concept: Akiyoshi Hongo
Director: Keitaro Motonaga

Series Composition: Yuuko Kakihara
Character Design: Atsuya Uki
Animation Character Design: Masanori Shino
Animation Director: Koji Ito
Chief Animation Director: Toshyuki Komaru, Haruhito Takada
Main Animator: Hisashi Eguchi, Katsumi Matsuda
Prop Design: Goichi Iwahata
Colour Design: Sachiko Urushido
Art Director: Shinji Nagaoka
Photography Director: Fumi Nanba
Editing: Takashi Sakurai
Music: Go Sakabe
Sound Director: Yasunori Ebina

Animation Producer: Takashi Sakurai, Kiyoshi Yamamoto (Takashi Iijima)
Chief Producer: Atsushi Suzuki, Iriya Azuma
Producer: Shuhei Arai (?), Makiko Murakami (?), Toru Nishida (?), Kohei Motokawa

Animation Production Cooperation: Typhoon Graphics
Cooperation: Toei
Planning/Animation Production: Toei Animation

 

Cast includes

Taichi Yagami – Natsuki Hanae
Sora Takenouchi – Suzuko Mimori
Yamato Ishida – Yoshimasa Hosoya
Koushiro Izumi – Mutsumi Tamura
Mimi Tachikawa – Hitomi Yoshida
Jo Kido – Junya Ikeda
Takeru Takaishi – Junya Enoki
Hikari Yagami – M・A・O

agumon – Chika Sakamoto
biyomon – Atori Shigematsu
gabumon – Mayumi Yamaguchi
tentomon – Takahiro Sakurai
palmon – Kinoko Yamada
gomamon – Junko Takeuchi
patamon – Miwa Matsumoto
gatomon – Yuka Tokumitsu

 

Digimon Adventures tri Main Visual

Digimon Tri Main Visual

Theatrical release poster

Digimon Theatrical release promo

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Rumor: Gen Urobuchi’s Next Project Might be a Trigger Anime

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First of all please keep in mind that this is solely a rumor at this point, but it’s pretty exciting.

Gen Urobuchi is by far anime’s most famous writer, with works like Psycho-Pass, Madoka Magica, and Fate/Zero under his belt.

Gen Urobuchi's Psycho-Pass

Trigger is the new Gainax-born studio that has taken the world by storm, with shows like hugely successful Kill la Kill and the wonderful Little Witch Acadamia.

Not Gen Urobuchi's Kill la Kill

Rumors claim that these two figures are working together on an upcoming project.

This may correlate with Trigger’s announcement of a new project.

What makes this interesting, is considering the parallels of these two.

Gen Urobuchi is known for hugely popular series (Think Madoka), and lately seems to be in a slump, having his name stamped on terrible shows like Aldnoah ZeroGunslinger Stratos: The Animation, and Chaos Dragon, while Expelled from Paradise‘s reception was… ‘meh’. However, his latest project, The Psycho-Pass Movie, has fared far better than his other recent works.

Trigger’s first project, Kill la Kill, is hugely popular (Often claimed as the ‘Savior of anime), but lately seems to be in a slump, with Ninja Slayer From Animation ending up pretty terrible, and When Supernatural Battles Become Commonplace only getting a ‘meh’ reaction. But their latest project, Little Witch Acadamia: The Enchanted Parade is simply wonderful.

Not Gen Urobuchi's Little Witch Acadamia

Another thing to consider is that Gen Urobuchi, known as the ‘Urobutcher’ by fans, has only written dark and violent series, with Suisei no Gargantia being his lightest. Trigger, on the other hand, is known for more wacky and fun series, like Kill la Kill.

That said, as a fan of both creative forces, I am very much looking forward to what could come out of it, and hoping the rumors true.

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Development Continues, Charlotte – Episode 5

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Welcome back to the Charlotte analysis. On this episode the power of the week is levitation. And boy does it not matter at all. After seeing this episode and comparing it to last episode I think I realize why these “power of the week” episodes keep happening. They’re devices to put our main characters in situations to develop and reveal things about themselves that feels natural while still giving us glimpses of whats to come in future episodes. But just because this is noticeable doesn’t necessarily mean its a bad thing. Everything that still leads up these moments fits correctly with the context and goal of the show.

But like last episode this is also a transitional episode that will most likely lead into some main objective. Its obvious that they are building the characters and preparing them for what is to come. As well as introducing characters and themes that will be addressed and resolved in later episodes. Charlotte is taking its time to let the impact that its sure to let out be as meaningful and satisfying as possible. And like a good soup, it all comes down to how you cook the broth. Yeah I just compared the first five episodes of Charlotte to broth, what of it?

One element of the “broth” is Nao being forced out of class by a group of girls and being mercilessly beat up. It seems that this happens a lot and it also seems that it is because of some sort of grudge against Nao. My guess would have to be that there are people who Nao couldn’t save from the scientists and got taken away. Which is why Nao takes these beatings without resistance. Which fits her quite well, seeing as Nao is probably harder on herself than anyone else. Maybe even getting beat up relieves her in a way, because she doesn’t know how else to pay for her mistakes. Of course I don’t really know, it’s just a guess.

Nao's beating

Also in this episode we get a little more context and importance to the music Nao is always listening to. She also decided to share it with Yu once she finds out that they both share the same feeling when they listen to it. Slowly were starting to get a look at Nao’s ambitions after this whole abilities phase is over. It’s nice to see that she’s not obsessing over it as much as she could. She still has real life goals and is working towards them even in the weird situation she finds herself in.

Shared feelings

Another thing is the relationship thats blooming between Yu and Nao. Yusa comments on how well they fit together, and asks if they are dating. While Jojiro reassures that they aren’t, he comments that their opposing personalities are very good for each other, and I’d have to agree with him. Every time they’re on-screen together their chemistry gets more and more apparent. And the fact that it’s a relationship forming out of curiosity instead of love makes it seem more real for characters like them. While it may seem now like there isn’t any romantic tension it sure is growing more and more possible as they grow to know each other, and everyone except themselves is able to see it. Honestly both of them don’t seem to be the type to just love someone just because, or notice when someone takes an earnest liking to them, so that wouldn’t really make any sense anyway. At least to me. Now I may be alone on this, but oh well. It wouldn’t be the first time.

Yu and Nao's Chemistry

Speaking of love it was nice to get a lock on how Jojiro views this whole situation he finds himself in. If anything he sees his powers as a stepping stone he needs to cross in order to continue on with his life. As opposed to everyone else they’ve met who sees it as the next step in their life. While he may be observing for now, I think he will become a rock for other characters as the series goes on. Or maybe be revealed to be more unstable as he makes himself out to be.

Speaking of development, were finally starting to get a feel for what Yusa and Misa’s relationship was like before Misa died. It seems like while Misa may have been acting rough and strong, Yusa always looked at her as still being caring and compassionate. As for Misa’s view of her little sister, well that’s still pretty vague, but I expect them both to slowly start revealing things about each other as they get more and more comfortable with their new friends. I also expect Yusa’s spunky personality to let off the gas as well. Hopefully like this episode she will continue to show a more interesting side to herself, and the relationship she had/could have with Misa.

And did anyone do a personal fist bump when Ayumi made something without pizza sauce? Sure the only reason she did it was because they were out but it felt like as much as a victory for me as it was for Yu. And it brought out some hints about why Ayumi may feel so strongly about using it. Sure it may always seem obvious as a viewer but it doesn’t really hit home until you see the character express it on-screen instead of just implications. So seeing her put such an importance on the pizza sauce and how she connects it to their familial bond was nice.

As for Ayumi’s little cold I don’t think this is the last were going to see of that. Jun Maeda almost always has girls with “Anime Disease” in his works and I hope this isn’t that. Purely for the fact that I’d just like to see something else. While I don’t really know how it’ll be incorporated I feel that it might have something to do with her getting powers soon. Nao has brought up before how multiple people in a family can get powers and I’m sure it’s crossed Nao’s mind that Ayumi may develop them. As it stands now the most interesting thing that could happen if Ayumi gets powers is Yu’s reaction and the way he handles it. Since he knows what happened to Nao’s brother I feel that knowing his sister is vulnerable to the same fate may give him a dramatic change in character.

Ayumi's Illness

Like I said I do enjoy these episodes where it feels like the character development is natural, while still having a lot of weight and meaning behind it. But I certainly would like Charlotte to start answering some of the many questions its been laying down. That or for the stakes to be heightened. While a good set-up is important to the show, if left to linger too long it will leave the viewer disinterested no matter what it has planned ahead. Charlotte has layed an incredible framework for the characters and story, and I think the time has come to start kicking it into high gear.

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Box Office Report: ‘Ant-Man’ Dethroned By ‘Mission: Impossible – Rogue Nation’

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Marvel’s Ant-Man in week three of its release couldn’t beat the tag team of Mission: Impossible – Rogue Nation and Vacation at the box office. Ant-Man pulled in $12,619,000 on 3,322 screens over the weekend, good for third place. Mission: Impossible – Rogue Nation dominated the box office with $56,000,000 on 3,956 screens. Vacation a distant second at $14,850,000 on 3,411 screens.

Ant-Man has collected $132,148,000 at the box office and still sits in the Marvel Cinematic Universe box office cellar. Combining foreign and domestic box office the film has grossed $291,648,000.

[table caption=”Marvel Films” colwidth=”20|200|50|50|50″ colalign=”left|left|right|right|right”]
Rank,Film,Year,Opening Weekend,Gross
1,The Avengers,2012,$207.4M,$623.4M
2,Avengers: Age of Ultron, 2015, $191.2M,$456.6M
3,Iron Man 3, 2013, $174.1M, $409M
4,Iron Man 2, 2010, $128.1M, $312.4M
5,Iron Man, 2008, $98.6M, $318.4M
6,Captain America: Winter Soldier, 2014, $95M, $259.7M
7,Guardians of the Galaxy,2014,$94.3M,$318.4M
8,Thor: Dark World, 2013,$85.7M,$206.3M
9,Thor, 2011,$65.7M,$181M
10, Captain America: First Avenger, 2011,$65M,$176.6M
11,The Incredible Hulk, 2008,$55.4M, $134.5M
12,Ant-Man, 2015,$58M,$132.1M
[/table]

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