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Anime of the Week: Classroom Crisis – Ep. 6

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After an episode last week that felt more exploitative than nuanced, Classroom Crisis is back on top with an outing focusing on Nagisa’s evolving relationship with the A-TEC crew–in spite of himself–titled “Family of Shame”.

Reacting to Kaito’s clever gaming of the bureaucratic system in the last episode, Nagisa begins his and Kaito’s metaphorical sparring match by rejecting Kaito’s newest budget plan. Kaito quickly responds by practically failing Nagisa in all of his courses as a class-member of the A-TEC crew, forcing Nagisa to take his stand-in role as a student more seriously.

Two of the A-TEC'ers with blueprints in the background.

Like the best episodes, Nagisa and Kaito’s brotherly quarreling takes center stage this time around, as Classroom Crisis feels like it’s getting back to those halcyon days of its second episode, when we were rich in craftily written character moments. Here, it’s the scenes of Nagisa denying Kaito’s budget requests and Kaito harshly scoring Nagisa’s recent tests that mirror each other, with only the power position exchanging hands between the frequent quarrelers. This is a nice advancement in the character dynamics too, as Kaito’s own abilities to make Nagisa’s life hellish–versus the other way around–escaped at least me up to this point, and offer a new avenue for character drama and growth hitherto unexplored. Too, because of the nature of Nagisa’s role in the show in opposition to Kaito, anytime that Kaito has a new card to play, the audience feels reengaged in watching how the game turns out. We saw this a handful of episodes ago when Kaito cleverly turned one of Nagisa’s tactics against him and won the A-TEC crew several new funds for research and development.

Per the usual, Kaito and Nagisa face off.

Kaito’s use of his power as an educator also doesn’t hurt in its pushing Nagisa to interact more with his fellow A-TEC’ers, all in hopes of keeping his grades afloat. We see this most of all in Nagisa’s growing friendship–or at least acquaintanceship–with Kaito’s sister, Mizuki, who helps Nagisa in his studying endeavors countless times in this episode. Clearly the writers are setting up Mizuki to be a love interest for Nagisa, which should lead to even more drama between he and Kaito, so I’m all for Mizuki and Nagisa growing closer.

Nagisa accidentally socializes.

Along with Nagisa slowly ingratiating himself with a handful of the A-TEC crew, “Family of Shame” works to ingratiate him with the audience as well, filling us in on Nagisa’s sorted past and better defining his relationship with his brothers as one that’s much darker and antagonistic than previously seen. These moments happen frequently in anime; countless villains deliver that moment where the audience realizes that maybe they’re just misunderstood. Soon, said villain has joined forces with our hero and is on the road to redemption with us, the audience, cheering at their back. After all, who doesn’t love the idea of a second chance? These moments are handled throughout the medium to varying degrees of success, but Classroom Crisis at least pulls off the subtlety here, having made Nagisa a slightly likable character several episodes back. We don’t feel slapped around by Nagisa’s sob story because we see that he’s pushed beyond it, and his own viewpoint on the world because of his experiences as a child, make him a much more tragic character than the hard-working Kaito. In this way, Nagisa represents a different type of hero we can get behind; one that ultimately needs an emotional solution to the problems in his life rather than a career solution. Kaito requires proof that he and his team are an important–maybe the important–cog in the system–a career-focused resolution–while Nagisa seemingly, at least after the revelations in this episode, has a much stronger need to be accepted into a group of warmhearted and loving people–basically the antithesis of the cold business world that he was raised in.

Nagisa, as a boy, gets picked on by his older brother.

There’s rarely anything to epic about what Classroom Crisis is up to; it’s a character piece wrapped in the disguise of a hard sci-fi show and its character types aren’t even anything we haven’t seen before. Having looked at the recent summation of user ratings over at ANN, it’s a bummer to see Classroom Crisis so low on the list, but maybe it’s due to the show’s relatively low-stakes ambitions. Though it’s not looking to reinvent the wheel, Classroom Crisis is still an exciting watch every week because of how much fuel its character interactions give the show, finding new ways to make old types clash and be forced to deal with one another in oft-tense working situations. Classroom Crisis may be the mundane office-place drama, through and through, but the way that Kaito and Nagisa are forced to deal with each other builds that mundanity into something more interesting and true to life than most anime series this season. For that, you have to give Classroom Crisis its due.


The Seiyu's Life! girls stand in the rain.

Runner-Up: Seiyu’s Life! – Ep. 6

All the barriers in the way of Seiyu’s Life! becoming a legitimately good show, don’t escape me; as a Gonzo series, it should be getting worse not better, from the first episode it felt like a cheap Shirobako ripoff and it dips its toes a little too deep into the moe pool at times. Seiyu’s Life! somehow fights through those shortcomings though, delivering a show that–in the last three episodes at least–really delves into the quasi-purgatorial existence of those just breaking into an entertainment industry. A few weeks ago, I talked about the fourth episode’s interest in showing Futaba–our glasses-bound protagonist–in crisis about her future as a successful seiyu–a voice actor. Since then, Seiyu’s Life! tackled the line between celebrity perception and celebrity reality in last week’s episode, mainly to point out that our heroes are never as “out of this world” as we may think they are–i.e. a “life of stardom” is more obtainable than one thinks–while this week returns us to more career-minded ennui. That’s some worthwhile contemplation happening in a show that could simply have its three female protagonists sing a cheesy pop number, do a dance and call it a day.

In this episode specifically, that previously mentioned ennui springs up from Futaba getting her hopes up about a looming anime series for which she played a decent part in the same franchise’s drama CD. When the role she was expecting to get goes to someone close to Futaba, she’s forced to reckon with her own jealousy as well as her understandable doubts about herself. Throughout the course of the episode, Futaba’s range of emotions capture the hopelessness that comes with creative failure and the weight one can put upon oneself when their career is based around other people judging them. Never does Futaba’s emotional arc here feel jilted by corny jokes or the creative team playing up the moe qualities of its small, young threesome. The writers, director and voice talent really work to provide as accurate as any an exploration of the fringes of the anime industry and what it takes to push through failure to keep fighting for the dream, no matter the disappointing outcomes that might weight you down. Hands down, Seiyu’s Life! is the best show that no one’s talking about. The animation is sub-par at best and I hold no doubts that it could turn frivolous at any second, but for now, it’s the perfect emotional answer to Shirobako‘s more technically minded look at the anime industry.


A long shot of Worick's Don.

Biggest Surprise: Gangsta. – Ep. 6

For countless weeks I waited for Gangsta. to go somewhere interesting, and of course when I basically gave up on the series, it FINALLY delivers. Where this week scored in the face of previous episodes that didn’t, was in its storytelling shining through relatively slow-paced scenes. In previous episodes, Gangsta. felt a real need to remind you that because its characters were “dark & gritty”, they weren’t afraid to “get their hands dirty” and “kick a little ass.”

This week the show takes a break from those pointless fight scenes–animated rather poorly too, mind you–to truly indulge in its characters and the world they live in. This gives us a chance to see Worick and Nicholas’ past relationship in connection to their current status as comrades, while getting a feel for the city of Ergastulum at different points in its history. We also get a peek into why Alex has been such a bland and boring character up to this point and why she tends to follow around our heroes without a thought of her own. It’s a rather tacked on answer to that question, and things get a little weird, but at least Alex’s added complexity is proof that the writers care about portraying characters that are unique and interesting. Alex’s actions in this episode also help to negate some of the initial gender role issues that Gangsta. felt burdened with, making her less of a “whore” and more of a wounded human being. Beyond that, a story line with the mob boss Daniel Monroe–Nick’s old boss–seems to be building into a nice future arc for the series, leaving Worick, Alex and Nick with a more meaningful path than the show has provided them so far. Gangsta. still isn’t the best it can be, but it’s getting there, which is surprising enough at this point.


Prince Zen is surprised and embarassed.

Biggest Disappointment: Snow White with the Red Hair – Ep. 6

Snow White with the Red Hair started as a show about an empowered and highly intelligent girl–not the most prominent character type in anime–that had a few tropes from the shōjo genre, all of which were easily handled since the show’s quality was so high otherwise. With this episode’s introduction of Prince Izana–Zen’s hateful and mischievous older brother–we’re handed one of the more annoying tropes; the bad boy with a heart of gold.

Recall one of the more recent mainstays of the shōjo genre, Fruits Basket, and that show’s triangular relationship between Tohru, Yuki and Kyo; Tohru is our timid heroine who must choose between the strong and true Yuki and Kyo, the asshole who’s misunderstood and just needs a little tender love & care to be molded into the perfect mate. At this point, there’s really no telling if that direction is for sure the way that Snow White is headed with this potential love triangle, but all the pieces are in place. Izana’s mischief is causing trouble for Shirayuki but Zen isn’t quite doing everything he can to help her out, thus putting him in a worse light. More to the point, as recently as last week, Snow White with the Red Hair was focused almost solely on Shirayuki’s journey to becoming the best court herbalist that she could be, her and Zen’s romantic relationship being an element of the show, but a background element to be sure. Now with Izana in the picture, fans of romantic drama will have plenty of scenes to chew on, while those of us more interested in Shirayuki’s growth as an individual may be left high and dry. I’m hoping this is just a temporary divergence from Shirayuki’s path though, and that Snow White with the Red Hair will be taking her on new and enriching adventures again by next week. Just keep that tired love triangle out of the picture and let the bad boy stay a bad boy, sans heart of gold.


The crew of Ranpo Kitan bid a fond farewell.

Predictions for Next Week

After a couple of lackluster episodes, I’m moving past Ranpo Kitan which doesn’t seem to be going anywhere fast–we’re up to “shenanigans with pedophiles”, at this point in the series. Aside from that and Snow White‘s transgression, this week was solid through and through, so I’m hoping that the season keeps getting better with next week’s entries. Monster Musume is finally entering into an actual narrative–apparently–with its next episode, so we’ll see how that’s handled. Meanwhile, Prison School, having wrapped up its first arc, has something to prove as far as progressing the story and keeping us on the side of its shackled male protagonists, while not going too far down the “men’s rights” rabbit hole. While it wasn’t a terrible episode by any means, I’m hoping that God Eater offers a more definitive episode next week that captures the spirit of the series’ fantastic third episode, and I’m also crossing my fingers that Gangsta. and Seiyu’s Life! continue down their current path of quality. Lastly, Snow White can hopefully pull itself away from the countless shōjo series pitfalls that now litter its path, thanks to its newest character addition. Snow White can be so much more! Either way, I hope to see you back next week for my thoughts on the best–and the rest–in the week’s anime.


Survivors of the Week

Classroom Crisis
Snow White with the Red Hair
Monster Musume
Gangsta.
Seiyu’s Life!
Prison School
God Eater
My Love Story
Ninja Slayer: from Animation

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D23-‘Toy Story 4’ plot details revealed

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During the three-hour animation panel on Friday at Disney’s D23 Expo, details were revealed about Toy Story 4. According to Movieweb.com, John Lasseter (Chief Creative Officer of Pixar and Walt Disney Animation Studios) revealed that Toy Story 4 will center around a love story between Woody (Tom Hanks) and Bo Peep (Annie Potts). Apparently Bo Peep will go missing and Buzz and Woody will team up to find her. During their journey they will run into plenty of brand new characters. Josh Cooley has been picked to co-direct the fourth installment of the Pixar franchise. Rashida Jones and Wil McCormack are both on board to write the screenplay. Toy Story 4 is slated for a June 16, 2017 release.

 

Toy Story 4

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D23- ‘Zootopia’ teaser trailer debuts

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In Zootopia, the latest from Walt Disney Animation,humans never existed. Which means animals behave and act like “humans” (even though apparently they never existed). This has both good and bad ramifications on the world around them. Check out next year’s animated Disney feature.

 

 

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D23- ‘Finding Dory’ takes center stage

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Ellen DeGeneres was on hand to discuss Finding Dory, the sequel to the movie Finding Nemo at Disney’s D23 fan expo on Friday. Andrew Stanton, director of the original film, has been tapped to helm the sequel. According to Entertainment Weekly, the story involves an ocean sanctuary facility where wounded animals are treated. Ed O’Neil, Ty Burrell, and Katlin Olson all have been cast in the follow up and were on hand for the panel.

 

 

 

 

 

 

 

 

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D23 – Disney announces ‘Gigantic’ project

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Jack has been up and down that beanstalk in many different stories and films, but now Disney is going to take a crack at telling their version of the story. It was announced at Disney’s D23 fan expo (The expo that highlights all things Disney and Marvel) that in 2018 Disney will release Gigantic. The animated picture will feature songs from Oscar-winning Frozen songwriters Kristen Anderson-Lopez and Robert Lopez. Nathan Greno who directed Tangled will direct this picture. According to Entertainment Weekly, the story will take place in 15th century Spain during the Age of Exploration.

Check out the Animation

Check out what they did after they showed off some animation.

What do you think?

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Lisa Jakub On Leaving Hollywood Behind

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Retired actress Lisa Jakub stopped by to talk about her 18 year career in Hollywood and sudden retirement at 22. Jakub is most remembered for her roles in Mrs. Doubtfire and Independence Day. With all the fame and fortune something was missing, so she packed up everything and moved to Virginia. Now 15 years later her passion of writing has led her to release a memoir, You Look Like That Girl.

“I realized that there must be more to life than premieres and pretending to be other people. I suspected that there was something outside of movies that would feel more authentic to me. I left the film industry under the guise of following the man I loved to Virginia. Luckily, the man I loved really was in Virginia, so it all worked out and we lived happily ever after in our own version of a Hollywood ending,” said Jakub

Jakub’s memoir, You Look Like That Girl, is available now.

Bonus podcast track: Who should play a young Han Solo in the Anthology film?

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Why It’s Good To Be A Baccano Fan Right Now

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Baccano is a fantastic series, funny, fast paced, frantic, and freaking bloody, but it’s never really gotten the attention it deserved. Never really grabbing the attention of the Japanese audience due to its frantic, unusual nature, and too intimidating for many American fans to check out due to its multi storyline approach. Not to mention airing the same year as Dennou Coil, EF – Tale of Memories, Higurashi, Mononoke (not the Ghibli movie), Gurren Laggan, Death Note, and Code Geass. All of which contributed to the fact that it never got a second season, despite having more than enough material (eighteen additional volumes), amazing characters, soundtrack, animation, and style.
Heck, even its inferior spiritual successor Durarara is more popular than Baccano.

Baccano Blood
This show is bloody amazing

However things seem to be turning around for the Baccano fan over the past month. With two major announcements being made. One being Yen Press releasing English versions of the original light novels, and two being a new manga adaptation of Baccano!.

There are three reasons why these are such amazing announcements.

1. WE GET BACCANO BOOKS IN ENGLISH!!!

2. WE GET A BACCANO MANGA! (AGAIN!)

3. This has the possibility of leading Baccano to a second season.

Let me explain myself. Baccano has had a manga adaptation before, that adaptation came out in 2006, and its sole purpose was to hype up the anime coming the following year.

Baccano Cat
Meow

This has led fan to speculate that we could see a Baccano! season two sometime next year. This is further supported when considering the industry in general at this point. Studio Shuka has gotten their hands on the Durarara anime rights and have been producing second, third, and fourth seasons of Durarara. If these seasons continue to be as popular as they currently are, Studio Shuka would certainly have a reason to seek out a Baccano adaptation. Considering the fact that Baccano! footage can be found in Durarara x2 Ten, and shows with that style are more and more common, such as Kekkai Sensen and Gangsta, it seems highly likely that this is the case.

Baccano Durarara
That poster in the corner? That’s Issac and Miria… Baccano

But, this is all speculation, and nothing might come out of it. But worst case scenario, we still get Baccano books and a Baccano manga, which still lends this to being one of the best times to be a Baccano fan.

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Straight Outta Compton REVIEW: “Compton” as fierce and fascinating as the group that inspired it

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Like the pioneering rap/hip-hop group whose story it so compellingly tells, Straight Outta Compton is nothing short of a revelation. For those who watched firsthand in the late 80’s and early 90’s the rise of N.W.A. and their effect on the world musically and culturally, it will most likely feel like stepping back in time to that tumultuous period, thanks to the meticulous production and detailed vision of director F. Gary Gray and producers Ice Cube and Dr. Dre. But that’s only half of what makes it great.

The other half is just how intimate and emotional the portrait of the men behind the monikers — O’Shea Jackson (Ice Cube), Andre Young (Dr. Dre), and Eric Wright (Eazy-E) — and their friendship truly is. The film takes audiences on a tour through the pivotal moments and forces that brought those three, along with MC Ren and DJ Yella, together and to unexpected prominence in the musical world, as well as the ones that divided them and nearly destroyed their brotherhood. In so doing, it delivers a narrative so mesmerizing that even those with scant knowledge of the music or the times that inspired it should find themselves wholly enthralled. You can’t take your eyes or ears off of it, for its authenticity in depicting the past and in pointing a not-so-subtle finger at how that past and its social and political realities aren’t nearly as far back in the rear view mirror as people might like to think they are.

Straight Outta Compton begins with the origins of N.W.A. in 1987: Eric “Eazy-E” Wright (Jason Mitchell) was making his living selling dope and narrowly avoiding getting busted for it in South Central Los Angeles, while Andre “Dr. Dre” Young (Corey Hawkins) and fellow deejay Antoine “DJ Yella” Carraby (Neil Brown, Jr.) were spinning records for $50 a gig as part of the “World Class Wreckin’ Cru”, and O’Shea “Ice Cube” Jackson (O’Shea Jackson, Jr.) was riding a school bus home to Compton each day, chronicling the social inequities and racial profiling he saw and experienced all around him day after day in poems and lyrics scribbled in a composition notebook. Dre and Yella easily saw Cube’s lyrical genius and eagerly mixed beats to go along with them, but they needed E’s vision and business savvy to create the opportunity and the means to do more than just spin in clubs. With working capital from E and Lorenzo “MC Ren” Patterson (Aldis Hodge) completing the ensemble, the new group finally records and distributes their first single, “Boyz in the Hood.”

That single, and the tremendous demand for local radio airplay it garnered, catches the attention of veteran music manager Jerry Heller (Paul Giamatti), who convinces E to pool their resources in order to start up Ruthless Records and release N.W.A.’s debut album, “Straight Outta Compton”, whose very title declared to the music world that there was rap and hip-hop worth talking about that came from somewhere aside from the East Coast and the likes of Run-DMC and the Beastie Boys.

From there, for a brief time, there seems like no height of success the group can’t reach, and no authority they can’t thumb their nose at as their raps describe for the world at large what day-to-day life in working class Compton was like with unflinching honesty, explicitly bawdy humor, and most often unbridled rage. For every effort of the establishments — musical, social, political — that tried to muzzle them or otherwise keep them down, more and more of the music sold, and more and more fans clamored for more music. But by 1989, after just one infamous 40-date tour, the group was gone, its most talented members pursuing solo careers as performers and producers, with the bitter feelings behind their dissolution fueling years of competing acts and “diss tracks” featuring disparaging lyrics and personal attacks that at times led to very public violence.

And by 1995 one of their brotherhood was dead, claimed by the HIV virus and AIDS, leaving the others as well as the musical world to mourn and to wonder what might have been.

straight-outta-compton-SOC_Fin1Sheet10_RGB_0709_1_rgb

At first glance, what’s immediately striking about Straight Outta Compton is just how much the actors cast as these now-iconic pioneers of rap and hip-hop simply look and sound their parts when performing, none more so than Ice Cube’s own son, O’Shea Jackson Jr., playing his father in his debut acting role. The physicality, the cadence, the on-stage delivery of those original West Coast raps as delivered by Cube back in the day are seemingly channeled by Jackson Jr. to the point where the two are almost indistinguishable. The other performers, though they may not share the level of physical resemblance that father and son do, evoke their real-life counterparts in other ways, through on-stage physicality, mannerisms, or in the cases of Dre and Yella, spinning and mixing technique on stage and in the recording studio. Wherever the setting, the actors’ chemistry and affinity with each other stands out — however much audiences might attribute that to their own talent versus the direction and input from the real-life N.W.A. themselves doesn’t really matter. It just works … really, really well.

But if Straight Outta Compton was just a series of well-recreated iconic performances by N.W.A., then it still wouldn’t be much of a movie at all. Like so many stories about the rise and fall of great musical acts, so much of what makes this story so fascinating is the drama behind the scenes, before and after the performances, and those scenes are brought to life just as authentically as the performance scenes are. It’s in bringing to life those scenes that director F. Gary Gray (Friday, The Negotiator, Law Abiding Citizen) deserves so much credit, and that actor Jason Mitchell, playing Eazy-E, truly makes his mark, as E’s part in the whole tale is arguably the most emotional and tragic. Mitchell often shares screen time with the always-phenomenal Paul Giamatti, whose character is treated with perhaps more nuance and objectivity than one might expect. Without a doubt, the film’s script holds Heller and his management of N.W.A. for the group’s sudden demise, but it also grants that Heller had a very genuine appreciation for Eazy-E, for the group’s talent, and for just how revolutionary and important the music and the issues it was casting a stark light on really were.

Now, for those out there who have concerns about what sort of message the film may be sending or what sorts of response might be inspired by the acts of protest and defiance of law and government depicted in the film, well, you may just be missing the point entirely. What should be clear to anyone walking out of this film, though it’s never articulated explicitly during the film’s running time, is that despite “Straight Outta Compton” having landed in the hands of listeners on vinyl and cassette tapes more than 25 years ago the issues of social inequality, disenfranchisement, racial profiling by local authorities, police brutality as an institutional response to the pervasiveness of the drug trade and gang violence haven’t really changed all that much, and certainly haven’t gone away. If anything, what N.W.A. and the musical genre they helped found did was open a new venue for conversation and discourse about those issues, and revealed them to a world public that didn’t necessarily want to know about it.

Straight Outta Compton the film, in addition to being a very personal account of the very real people who made up that group, is a very finely crafted account of how that group worked hard to keep their emotional and personal message heard, whether people wanted to hear it or not. The LAST thing you should be is afraid to go see Straight Outta Compton because of what it depicts and what it might lead people who see it to do. Instead, see it for yourself, enjoy it for the remarkable film experience that it is and open your mind and your ears to what it’s actually saying. You may be surprised at just how much you understand where the attitude — the “A” in the group’s name, after all — comes from.

Straight Outta Compton
Starring O’Shea Jackson, Jr., Corey Hawkins, Jason Mitchell, Neil Brown, Jr., Aldis Hodge, and Paul Giamatti. Directed by F. Gary Gray.
Running Time: 157 minutes
Rated R for language throughout, strong sexuality/nudity, violence, and drug use.

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‘Toy Story 4’ and ‘Incredibles 2’ Movie Posters

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D23 starts today in Anaheim and to greet Disney fans are teaser posters for Incredibles 2 and Toy Story 4. There was a time when Pixar didn’t like doing sequels…

John Lasseter is set to direct Toy Story 4 with Rashida Jones and Will McCormack working on a script. Tom Hanks, Tim Allen, and Don Rickles have signed on, and the film will be in theaters on June 16, 2017.

Brad Bird is writing and directing Incredibles 2 and this will be his next project.

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Beer Review: Boulevard Brewing Co. ‘The Calling’ IPA

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Taking you into the weekend is a review of The Calling IPA. “The Calling” as its named, beckoned me with its Jack Daniels style label and the fact that it is an IPA, which is my go-to beer. The Calling IPA is made by Boulevard Brewing Co. in Kansas City, Missouri which has been around since 1989 and is part of their smokestack series.

Taste

Given the high alcohol content and smokey flavor it is no question why it borrows the Jack Daniels aesthetic. It is a flavorful blend that isn’t overpowering and doesn’t have much of an aftertaste which is good because a strong residual flavor can sometimes make it hard to match the beer with certain foods.

Body

The consistency of this beer really agrees with my palate as it offers a lot of flavor but isn’t too strong. The smokestack flavor comes and goes with each sip, which is great because no one likes something that sticks around after you thought it was long gone.

Price

A four pack ran $13 and change but at %8.5 percent it isn’t a beer that is meant to be drank in one sitting. Share them with a friend or keep them on ice for when you want to unwind.

PresentationCalling IPA

The Jack Daniels label is an iconic piece of Americana. It fits with the smokestack style of the brew and makes them feel like a beer that may have brewed in the back woods somewhere.

Final Sip of Calling IPA

As I take a final sip of this beer I hesitate briefly. Not because I don’t want to take this flavorful voyage but because I don’t want to see it go. The Calling IPA is a great, slow drinking beer that you will enjoy the entire time through. It is light, but packs a smokestack flavor that passes through the palette leaving satisfaction in its wake.

 

 

Enjoy your weekend and drink responsibly!

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