The Mummy, Universal’s official launch of their new connected monster’s universe, has a new robust release date of June 9, 2017. Additionally, Tom Cruise, who has been circling the project in rumor mills for some time, is now officially attached to the film.
The new release date instills confidence in the project. Moving the date from March 24, 2017 to the middle of the summer movie season is promising on one hand, but on the other hand, it raises new concerns that the picture will be action oriented. That, on top of the fact action superstar Cruise is officially on board. Sofia Boutella will star alongside Cruise, and is expected to be the new female mummy character.
Cruise’s role is uncertain at this point, but rumors have been narrowing his part down. Variety’s Justin Kroll tweeted back in November that Cruise would probably play an ex-Navy SEAL who might show up in latter entries in the universe and tie things together:
@TheInSneider neither I believe he plays an ex-navy seal though that might have changed. Mummy will likely be a female
This is also a little disconcerting… a Navy SEAL?! This is definitely angling towards an action-heavy kickstart to a franchise which absolutely deserves to be heavier on the horror. Hopefully they mix the two elements well.
Mark Ruffalo recently spoke to Empire about his role in next year’s Thor: Ragnarok.
Ruffalo will be reprising his role as Bruce Banner, a.k.a. The Hulk, who was last seen going into seclusion at the end of Avengers: Age of Ultron. He will co-star opposite Chris Hemsworth, returning as Thor for the fifth time, whose apocalyptic vision in Age of Ultron laid the seeds for his next solo title. Ruffalo commented briefly on what can be expected in the film:
“There’s a little bit of Midnight Run, with [Charles] Grodin and [Robert] De Niro,” Ruffalo told Empire. “I feel like that’s kind of where we’re heading with this relationship between Thor and Banner.” So is it a road movie? “It is a universal road movie – that’s where we’re heading,” he says, adding cryptically: “It’s not where you’d think it will be, so it’s not your classic road movie but it has that structure, I think.”
Ruffalo acknowledges that he hasn’t actually read the script for Ragnarok yet, but he bases his description on conversations he has had with others working on the film.
It’s interesting that the Academy Award nominee chose Midnight Run as a comparison, since the 1988 film is more “buddy comedy” than action/adventure, but that may have been his intended meaning. Here he comments on the new Thor taking a more “smart-comedic” route:
“I love Chris [Hemsworth], and it’s not an accident that we’ve been put together because we have a good time together and we goof off. The fact that we’re moving towards the smart-comedic bent plays into our relationship.” And Banner will be heading to Asgard. “[Am I looking forward to that?] Hells, yeah.”
Thor: Ragnarok is scheduled for release in the US on November 3, 2017.
On Monday, Netflix started to release information on their original programming for 2016. Below is a complete list of shows with premiere dates, trailers, and descriptions.
The network also announced a second season of Marvel’s Jessica Jones has been ordered, release date is still unknown.
Chelsea Handler is going there. In this new four-part documentary series, Handler is asking the questions that we all have, but are too afraid to ask. Delving into topics that fascinate her: marriage, racism, Silicon Valley, and drugs– she goes after answers, all with her wry and unique sense of humor.
February 5 – Hannibal Buress: Comedy Camisado
He’s a kamikaze gambler. A one-arm cuddler. And if his fly is down, so be it. A night of sly riffs and slow burns.
February 19 – Love
“LOVE follows Gus and Mickey as they navigate the exhilarations and humiliations of intimacy, commitment, and other things they were hoping to avoid.
Having recently ended their respective dysfunctional relationships, Gus and Mickey meet each other by chance at a convenience store and forge a connection in the mending of their broken hearts and egos.
Created by Judd Apatow (40 Year Old Virgin, Trainwreck), Lesley Arfin (Brooklyn Nine-Nine, Awkward) and Paul Rust (Arrested Development).
February 26 – Fuller House
In Fuller House, the adventures that began in 1987 on Full House continue, with
Veterinarian D.J. Tanner-Fuller (Candace Cameron-Bure) recently widowed and living in San Francisco. D.J.’s younger sister/aspiring musician Stephanie Tanner (Jodie Sweetin) and D.J.’s lifelong best friend/fellow single mother Kimmy Gibbler (Andrea Barber), along with Kimmy’s feisty teenage daughter Ramona, all move in to help take care of D.J.’s three boys — the rebellious 12-year-old Jackson, neurotic 7-year-old Max and her newborn baby, Tommy Jr.
February 26 – Theo Von: No Offense
March 4 – House of Cards, Season 4
March 11 – Flaked
March 18 – Jimmy Carr Funny Business
March 18 – Marvel’s Daredevil, Season 2
Just when Matt thinks he is bringing order back to the city, new forces are rising in Hell’s Kitchen. Now the Man Without Fear must take on a new adversary in Frank Castle and face an old flame – Elektra Natchios.
Bigger problems emerge when Frank Castle, a man looking for vengeance, is reborn as The Punisher, a man who takes justice into his own hands in Matt’s neighborhood. Meanwhile, Matt must balance his duty to his community as a lawyer and his dangerous life as the Devil of Hell’s Kitchen, facing a life-altering choice that forces him to truly understand what it means to be a hero.
April 1 – Lost & Found Music Studios
April 1 – The Ranch
April 15 – Kong: King of the Apes
April 15 – Unbreakable Kimmy Schmidt, Season 2
April 22 – Patton Oswalt: Talking for Clapping
May 5 – Marseille
Robert Taro has been the mayor of Marseille for 25 years. Now he faces a merciless election against his young, ambitious former protégé.
Comedy team Key and Peele, whose Comedy Central show came and went too quickly, have reunited for their first feature-film together: Keanu. And no, this has nothing to do with Reeves.
Keanu in this instance is an adorable cat. Here is the (NSFW) trailer:
And here’s the synopsis:
Keegan-Michael Key and Jordan Peele, a.k.a. the hugely popular comedy duo Key & Peele, star as Clarence and Rell, two cousins who live in the city but are far from streetwise. When Rell’s beloved kitten, Keanu, is catnapped, the hopelessly straight-laced pair must impersonate ruthless killers in order to infiltrate a street gang and retrieve the purloined feline. But the incredibly adorable kitten becomes so coveted that the fight over his custody creates a gang war, forcing our two unwitting heroes to take the law into their own hands.
Key and Peele have gotten stronger in their absence from Comedy Central. Their show was aces, but they have each appeared in skits and in small roles on TV and film. This promises to be right in the wheelhouse of their comedic stylings.
As a football fan, Twitter is the best place to create a second screen experience with an NFL game, but with Facebook’s announcement of Facebook Sports Stadium, this could put a huge dent in Twitter’s limited user base.
Today Facebook launched the Facebook Sports Stadium, a dedicated place to experience sports in real-time with your friends and the world.
With 650 million sports fans, Facebook is the world’s largest stadium. The social network has built a place devoted to sports so you can get the feeling you’re watching the game with your friends even when you aren’t together.
With Facebook Sports, all the content on Facebook related to the game is in one place, and it comes in real time and appears chronologically.
Users can: Posts from your friends, and their comments on plays
Posts and commentary from experts, like teams, leagues and journalists, with easy access to their Pages
Live scores, stats and a play-by-play
Game info, like where to find the game on TV
Users can follow the action as the game unfolds with a live play-by-play, and even like, comment on, and share individual plays. You can also get up to speed quickly with live scores and the most discussed plays. Facebook hopes this second-screen experience makes watching the broadcast even better.
As of now users can get to Facebook Sports by searching for the game, with updates coming soon. You can bet that Facebook will make a major push with this product over the next two weeks before Super Bowl 50 in Santa Clara, California.
While nobody was looking, Paramount stealthily removed a Terminator: Genisys sequel from its upcoming release schedule. The potential sequel was replaced by the big-screen adaptation of Baywatch, which might have more depth and charm than any new Terminator film.
Exhibitor Relations, who also noticed the Fantastic Four sequel was taken off FOX’s schedule, pointed out the absence of a new Terminator: Genisys… 2, or whatever ridiculous title it would have, on their Twitter feed:
After the disappointing grosses of the latest reboot, Paramount's TERMINATOR 2 has been reset from 5/19/17 to UNSET.
This despite the claim from Skydance a few months back that the sequel – the second part of this new trilogy – was a sure thing. When Genisys did boffo numbers in China’s market it did seem like we were going to be beaten down by another failed entry into the franchise.
Paramount may have saved us from the machines.
The Terminator franchise has five entries thus far and only two good movies. It should have quit 25 years ago, and it’s time to move on to new ideas and new franchises. Until the Terminator reboot comes along.
Wednesday Sony announced the studio was moving up the date on the Untitled Spider-Man film to July 7, 2017. Filming is expected to start this summer in Atlanta.
Spider-Man will be introduced to the Marvel Cinematic Universe on May 6 in Captain America: Civil War. The third film adaptation of Spider-Man is directed by Jon Watts from scripts by John Francis Daley and Jonathan M. Goldstein. Tom Holland will play Peter Parker / Spider-Man and Marisa Tomei has been cast as Aunt May.
Check out the updated Marvel Studios filming schedule below.
2016
March 18: Marvel’s Daredevil Season 2
May 6: Captain America: Civil War
November 4: Doctor Strange
No Date: Marvel’s Luke Cage – Netflix
2017
May 5: Guardians of the Galaxy Vol. 2
July 7: Untitled Spider-Man
November 3: Thor: Ragnarok
No Date: Marvel’s Jessica Jones Season 2 – Netflix
No Date: Marvel’s Punisher – Netflix
2018
February 16: Black Panther
May 4: Avengers: Infinity War, Part 1
July 6: Ant-Man and the Wasp
No Date: Marvel’s Iron Fist – Netflix
No Date: Marvel’s The Defenders – Netflix
2019
March 8: Captain Marvel
May 3: Avengers: Infinity War, Part 2
July 12: Inhumans
2020
May 1: Untitled Marvel Studios film
July 10: Untitled Marvel Studios film
November 6: Untitled Marvel Studios film
In last night’s midseason premiere of TheFlash, we were teased throughout with quite possibly one of the biggest reveals this season – the reveal of Barry’s secret identity to current girlfriend Patty Spivot.
Haunted by nightmares of a terrible fate to his significant other at the hands of Zoom, Barry and Patty have hit a rough spot. Reeling from the nightmares, Barry is closed off and further edging himself towards his imminent reveal. From the get-go, we see Patty and Barry enjoying a night out, only to be cut short by a speedster tearing her away. A chase ensues to the top of a building, and Zoom drops her to her death, with Barry watching, just out of time to save her.
Knowing full well that something is putting him off, Patty fully expresses her care for Barry, her hopes of a brighter future and a desire for him to be open with her. With a seemingly unnatural amount of people knowing Barry’s secret, it’s only a matter of time before he does reveal it.
But, really, just tell her!
However, this show wasn’t just a battle of mentality, despite the large amount of the inner battles occurring. Between Barry’s fight between telling Patty and keeping her in the dark, Harry’s secret rendezvous with Zoom and the larger picture and a hidden secret with Jay, an additional foe just adds to the drama.
Introducing, Russell Glosson A.K.A. The Turtle.
In a show full of speedsters, it’s definitely a curve ball when the baddie of the week turns out to slow things down, literally. When a series of robberies occur and no one has a face to put to it, it was easy for the team to assume that another speedster is to blame, until it’s discovered that the robberies are done in real time, just with everything in the vicinity entirely frozen in time.
With the ability to manipulate kinetic energy, the Turtle is able to “pulse” and stop everything in it’s tracks. With that, he easily just walks through and nonchalantly grabs his prize, which share a common theme of something that is personally treasured by the owner. Wish is the perfect way to spring Team Flash’s trap on him.
Via an art exhibit with a timeless piece of art; Jay, Barry and Caitlin dress to the nines with the correct assumption that Turtle will walk into town. Disguised as a date night to make up for his distant nature with Patty, the night seemed to have everything figured out. But, as the story goes, they had no control in their first attempt. Patty goes all gun-ho and accelerates the process in which the team anticipates the attempt to capture him. From there, we see him use his power to hold everyone in their place. Even with the Flash’s speed, he was no match for the misunderstood burglar. Add the attempt at Patty’s life and a chandelier falling, Barry chose love over his enemy and pushed Patty out of the way, but getting knocked out by the chandelier in the meantime.
While unconscious, Jay and Caitlin dragged Flash away and out of sight, leaving Patty to awaken alone in the middle of the expo. Furthering the conflict between the two, Barry and Patty duke it out over the fact that Patty feels like no matter how close they get, there will always be something that keeps them distant. Once Barry is finally ready to tell her, Patty reveals to Barry that she plans on leaving Central City. With Weather Wizard behind bars, she is finally ready to join the CSI program she has wanted to pursue for so many years before devoting herself to putting her fathers killer away.
In the theme of keeping the distance, we get more looks at Keiynan Lonsdale’s Wally West as the father-son dynamic put through the ringer. Obviously, the news of having a son was both a shock and a welcoming relief to Joe, who desperately tries to establish a relationship with Wally, who doesn’t have any of the same feelings. His rebellion against his father is key, as he is constantly dropping his father down a peg, mocking his detective abilities (you know, being that he couldn’t figure out that he had a son) and even ditching a dinner invitation. From this, Joe seems to lose all optimism that he can still be a father to him.
Later on, we see a scene with just Wally and why exactly he came to Central City. In a very Fast and Furious kind of way, it’s apparent Wally’s thrill of speed goes a lot further than his future fate. Leaving Keystone City for a new racing scene, Wally is a successful street racer, pulling off an aggressive victory against another racer. His victory is short lived, with Joe in the crowd watching him. They mix words and it’s clear, Wally knows he is the man of his house, resorting to his winnings to pay for his mothers hospital bills.
Back to the main plot, Barry is mulling over finally revealing himself, going through the motions of bringing her into his double life, getting the support from the team, minus Harry. Bringing the point up that he can cause more harm than good by letting her know, he muddies the water and clouds his thought process.
Mirroring his want to bring her in to his world, we turn to a shot of Patty in her home, when a knock at the door catches her attention. She answers to the Turtle, who busts into her house and confronts her. Relying on her gun once more, she fires three shots, which he pulsed and stopped in mid air and lets them fall to the ground. Barry arrives to discover her missing, her pistol and the bullets on the ground. With fears of his nightmares turning to a reality, he ramps up his fight against his slow counterpart.
Racing off, Team Flash look for connections in the same detective-ish way that it’s always done. Through complex analysis and computer databases, the team managed to connect the dots of Turtle and his past wife’s former place of employment in the Central City archives. Taking residence in an abandoned building is a typical place of operations in the Flash universe, so it was a bit obvious that they found his fortress fairly quickly.
The next sequence of events gets a bit off of the beaten path, as Turtle reveals his motivation behind what he does, citing his wife as his precious possession being taken from him, thats why he takes what is the most precious from them. With a sense of urgency regarding the villain taking his best girl hostage, Barry does what Barry does best. Racing off with no real plan in action, Barry thinks on his feet and quickly bolts in. Acting solely on quick thinking, Barry is easily stopped on the first pulse, despite the team advising him to work in between his pulses. After the first attempt, he races out and runs back, gaining more speed to push through the pulses.
After an easy victory, the team is back at S.T.A.R. Labs celebrating when it takes an odd turn. Harry is clearly feeling the pressure from a lack of success in saving his daughter and his hidden agenda in trying to make Barry stronger and faster. He’s distraught, he is overly focused on his work, slaving at every possible option to get his family back. He’s keeping voice memos, trying to remain grounded in his seemingly endless battle of pure knowledge. He goes to Turtle’s cell and without warning, rams a syringe up his nose and takes a blood sample.
Caitlin, taking a cell sample from Jay in secret, finally opens up conversation, confronting him about it. It’s finally out there, Jay is dying. Without his speed and powers, he will continually get worse and worse until it ultimately kills him.
If it wasn’t clear already, Barry is getting stronger with each passing episode, and these B-list bad guys are just tools to continuously getting stronger and faster, which, ironically, is where Zoom wants him to be. Obviously, his mindset is cloudy with his dilemma in Patty leaving and him unable to voice his secrets to her. Will she really leave? We aren’t sure, but it is clear that if Barry can’t reveal himself soon, then we will not be seeing Patty for much longer.
I love the drama played out on so many levels. While a lot of times it dilutes the actual story, Flash is handling them really well. People have their conflicts, and it’s nice to see a human side of conflict between an otherwise successful group of individuals. It’s the secrets now that will play the big roles later. Therefore, I will obviously be tuning in next week to see what happens next.
Overall, this episode is ripe with plotlines and it was a great start to the second part of this season, throw in the fact that Eobard Thawne makes his mysterious reappearance and kickstarts his “origin story.” Clearly the parallel universes are playing another confusing role in this constantly expanding show.
Agent Carter is back! Quite a bit happened in the long-awaited season two premiere but in the interest of avoiding spoilers let’s kick off the first of my weekly reviews with a roll call of Agent Carter’s season two primary and supporting characters:
Peggy Carter returns with her measured approach to espionage
First and foremost, there’s Peggy, the character the show’s named after who made a strong impression in Captain America: The First Avenger and originally appeared in a Marvel comic in the ‘60s, an issue of Tales of Suspense, as a passionate memory of a thawed out Captain America. Deftly portrayed by Hayley Atwell, she shoots only after asking a series of rationally framed questions.
Next, Edwin Jarvis. The butler to Tony Stark’s dad Howard Stark in the Marvel TV/cinematic universe, he originally appeared in an issue of Tales of Suspense in the ‘60s, again as a lifetime butler to the Starks.
Next, Chief Daniel Sousa, the SSR division chief with a heart of gold and a bum leg. This character appears to have been invented by the writers of Agent Carter. His and Peggy’s ongoing Ross and Rachel will they/won’t they sexual tension serves as an ongoing love story for those interested.
Along with the relatively boring Chief Jack Thompson, another Agent Carter creation, returning from last season we also have Hugh Jones, played by Ray Wise. Hugh Jones’s first appearance in a Marvel comic was in an issue of Captain America comics in the early ‘70s. In it Jones is the President of the nefarious Roxxon Oil.
Peggy first appeared in this issue of Tales of Suspense
New this episode are Jason Wilkes and Whitney Frost. Whitney Frost is introduced in this episode as the wife of Senate hopeful Calvin Chadwick, Chadwick being another new character created for the show. Whitney Frost, however, and Jason Wilkes are names borrowed from Marvel comics, both again from issues of Tales of Suspense from the ‘60s.
I’m sensing a theme here. Seems to me most of the characters in this show that are actually based on Marvel properties are from issues of Captain America or Tales of Suspense from the ‘60s and ‘70s. In fact, Tales of Suspense is even mentioned in passing during the season two premiere, although it’s implied that it’s a series of movies rather than a popular comicbook title.
So, this is all great. It’s nice that characters from Marvel comics are actually being mentioned and used on the show. And, the writers seem to be using some of the right source material, contextualizing Peggy by using contemporary characters created by Marvel in the ‘60s and ‘70s. But, not to beat a dead horse, where are the characters who were created in or before 1947 when the show is meant to be set: Human Torch, Blonde Phantom, Namor? Obviously, and thankfully, we’re not likely to see a Super-Rabbit cameo, and, for reasons that are obvious to those who watched Netflix’s Jessica Jones, we’re not likely to see a Patsy Walker cameo, but would it be too much to ask to have Chief Sousa’s nurse girlfriend be named Nellie or to have Peggy cross paths with a manipulative redhead named Rusty? A notable first appearance of a super-heroine in 1947 is that of Namora … ‘nuff said.
Namora first appeared in Marvel Mystery Comics in 1947, the year Agent Carter is set in
Alas and alack, it seems that the creative team of Agent Carter is locked into a system of borrowing from comics from the ‘60s and ‘70s, mostly Tales of Suspense, and creating characters of their own when needed. This could be a great way to go about making a show like this especially since Peggy herself, as mentioned earlier, first appeared in a Tales of Suspense comic from the ‘60s.
If Agent Carter’s season two premiere is any indication, though, this tactic isn’t proving to be very effective at producing entertaining television, and, like Agent Carter’s sister show Agents of S.H.I.E.L.D., this tactic throws too many familiar balls into the air only to let them all fall in order to introduce new characters created for the show. What happened to Arnim Zola, featured at the end of the last season of Agent Carter? Although like all good villains he may return, I fear Zola may have gone the way of Franklin Hall, who appeared in season one of Agents of S.H.I.E.L.D., a great villain lost in time.
For whatever reason, practically every studio in Hollywood today has decided to move around release dates for their upcoming slate of films. First, Star Wars Episode VIII got a six-month delay, then Pirates of the Caribbean 5 took Episode VIII‘s old spot. Now, it seems the new Spider-Man is getting its release date moved up.
Sony has shifted its untitled Spider-Man reboot several weeks ahead of schedule, from July 28th, 2017 to July 7th, 2017. Tom Holland will make his debut as Spider-Man this summer in Captain America: Civil War before getting his own standalone film directed by Jon Watts, director of the 2015 film Cop Car.
Does this small change in release plans get you more hyped knowing you’ll get to see your favorite webslinger on the big screen even sooner? Let us know in the comments below!