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TMNT: The One Franchise I Actually Want Them To Reboot

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Most comic book/genre film fans bristle when they hear the word ‘reboot’, and I completely sympathize. Of course, it’s worse when a studio forces a previously successful director to do something that he doesn’t want to do, so certain elements seem shoehorned in, and THAT poor film kills an otherwise well-done franchise. (Examples: Sam Raimi didn’t want to put Venom in Spider-Man 3. Warner Brothers didn’t want the dark tone that Tim Burton had established, eventually going back to it after the horrors of Batman and Robin). But is there any beloved character of yours that was done so poorly that you actually WANT them to reboot it? Well, I can think of one and here is what I would do if I were a Hollywood hot-shot who was given the reigns to Teenage Mutant Ninja Turtles.

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NINJAS ONCE AGAIN

I read somewhere that it would have been possible for a fantasy character in a movie to have a CGI head instead of just being fully CG, which is more expensive and part of the reason that the 2014 TMNT movie focused on the human characters. Godzilla movies, the ones they are still making in Japan (not the American one that few people liked) still use rubber suits, but they are much better-looking than the ones they used in previous decades. It stands to reason then, that the producers of a TMNT reboot could have gone with rubber suits that were better than the 1990 Jim Henson version, but made the characters more expressive with CG heads. This would have solved the problem of the turtles being enormous hulking monstrosities that can’t hide anywhere convincingly. You could put actual martial artists in the suits for the fight scenes and actors for the close-ups, combining CG and practical effects the way that the last Star Wars film did successfully.

FOCUS ON THE TURTLES AS CHARACTERS IN A STORY

With the budget cut for the CG characters themselves, I would develop a story that concentrates on the turtles themselves and their family ties, their vendetta against the Foot Clan/Shredder and introduce the sci-fi elements subtly at first. This is a family. Four stepbrothers and a loving, adopted, elderly father who are ninjas because they need to defend themselves. Yes, the ooze brought them together, but they just happen to be mutants. Family first. Then ninja. Then mutants. The recent IDW comic series did this brilliantly, as the story started out with Raphael being missing, Splinter and the turtles having to find him and then the story branches out from there with side characters (April, Casey, etc.). No focusing on human characters who just happen to stumble across the title characters like Transformers and the 2014 TMNT did.

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The story would focus on the turtles individually, not short-changing their screen time by the excessive focus on the humans. I would go back to Ninja Turtle stories that made you cry, like the 1990 film. (“I have tried to channel your anger, Raphael, but more remains. Anger clouds the mind!”) And not pointless, logic-free action films that made me angry and clouded my mind.

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Fans of the original, black-and-white indie comics remember that Splinter, in the first issue, trained the turtles to go kill Shredder. That was the whole story from TMNT #1. They were assassins, just like real ninjas. True, Eastman and Laird thought that would be the only Ninja Turtle comic they would ever make. And, as the story developed and moved into family-friendly turf, Splinter’s motivation changed. Now, he trained the turtles to fight because he loved them and wanted them to defend themselves.

What I would do in MY TMNT reboot is bring Splinter back to the guy who trained his sons to be assassins, to avenge his Master Hamato Yoshi and his beloved Tang Shen (who were both murdered in the comics). But as the story progresses, Splinter would realize that doing that is wrong, something that Raphael screamed at him during one of their heated arguments (before storming off per usual). And there would be a touching scene where Splinter tells the turtles, “You are not my soldiers. You are my sons.” And, in a twist for Mirage comic fans, Tang Shen would still be alive in my version, an elderly woman who has remarried after Yoshi’s death and who gives Splinter parenting advice as they play chess in Central Park. The turtles still fight Shredder at the end because it’s the right thing to do and because it’s a movie, but not because of revenge, something Shen has convinced Splinter is needlessly destructive.

SHARED UNIVERSE

How do you make a shared universe out of an indie comic that was made by two guys living in a small apartment in Dover NH? Well, Eastman and Laird did it in 1983/84 by publishing a story called Fugitoid in a magazine called Gobbledygook and then crossing it over with TMNT when those issues started selling.

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His storyline was about a scientist (Professor Honeycutt) from a far-off planet whose body was trapped inside of a robot that he built, making him a fugitive android (fugitoid). This robot is being pursued by soldiers on opposite sides of a galaxy-wide conflict that includes giant Klingon-like, anthropomorphic triceratopses called Triceratons, which would look awesome in a movie. They both want the trans-mat (beaming) device that Honeycutt had invented to use in their war. Honeycutt is a pacifist and has consistently refused to build one for them. Eventually, when the TMNT are beamed to this far-off galaxy, they help Fugitoid escape while he helped them get home.

Again, if this were up to me, I would greenlight a Fugitoid movie immediately after my first TMNT film blew the minds of audiences. Then, the second one would end with the turtles getting beamed off-planet (an Empire Strikes Back ending), and they would show up at the end of the Fugitoid movie, setting up TMNT 3. Kids know who Fugitoid is from season four of the Nick cartoon. There was a great old issue of TMNT called Return to New York, which was more recently adapted for the Nick TMNT show, which included one of the Triceratons being trapped on Earth and he inadvertently helps them fight the Foot, so this storyline has ramifications for future movies.

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But Fugitoid was never in the original 1987 cartoon, you say. No, but he was in the (way better) original indie comic books. When it comes to characters that started out in comics, the comics are the Bible. This is true of Marvel and DC. Fans always point to the comics when they feel that something was done wrong in a film. But because TMNT started out as an indie comic and more people remember the glorified toy commercial that was the cartoon (most 80’s cartoons were toy commercials), they don’t raise their standards as high as they would for an MCU movie. They don’t think TMNT can be any more than a mindless popcorn flick. They are wrong.

People swallow a cinematic abortion (legal in all fifty states, but disgusting to watch) Michael Bay TMNT movie that rips off Amazing Spider-Man 2, tries to dance around a whitewashed Shredder with poor edits and makes no sense, but rip into Batman v. Superman for changes made to the lore. Rightfully so, but I think TMNT is capable of so much more if the comics were tapped into for material instead of being looked at as a nostalgia piece with no potential for anything other than a “popcorn flick.” The sillier elements of the 80’s TMNT cartoon were watered down versions of what was in the comics first (example: a race of brain-like beings called Utroms became Krang, a “brain from Dimension X” who never tells us whose head he fell out of.) Even the old Archie-published TMNT comics, which started out as reprints of the 80’s TV show, but then went its own way, has a lot of story potential for future movies.

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Kids who watch the new Nickelodeon TMNT show know who the Mighty Mutanimals are. They were kind of like the Guardians of the Galaxy if the GOTG were all mutant animals. They had a much bigger roster in the Archie Comics, including characters that I would die to see on the screen. I would probably need to make 5 or 6 TMNT movies to greenlight a spinoff, because I wouldn’t want to rush it like ASM2 did. But who wouldn’t want to see Mondo Gecko, Slash, Leatherhead, Pigeon Pete, Wingnut, Screwloose or Ray Fillet in a movie? If you are too young to remember those last three. Google. TMNT Wiki. And if you need still your nostalgia bone tickled, the Triceratons were in the third TMNT NES game. Well, one of them. Check that one and picture Michael Dorn voicing him. Epic.

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Is there any character that you love that you hope they reboot because you hated the movie version? What untapped TMNT character would you love to see in a future TMNT movie? Comment below.

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Review: ‘Micronauts’ #2: Shortcomings

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JOURNEY THROUGH MICROSPACE! The reign of BARON KARZA stretches through all of known space… but a small band of renegades have other ideas. Action like you’ve never seen before!

After the cliffhanger of the last issue, the book really doesn’t build on much which was established from the first issue. It instead tries to dive into a lot of character exposition. Not much else happens really other then the team surviving the explosion, spending a lot of time reflecting, taking stock of where they are, and then a brief attack before a new character shows up. The issue is over in a blink of an eye and not in a good way. The reader will come out of this wanting more bang for their buck.

This pace of this issue is confusing. Thanks to the previews and cover art for the series, it appears as if the overall goal is to have the characters crossover into a more realistic world (like modern day Earth) where they will be tiny compared to the rest of the world. It feels like this should be hinted more but for now seems to be getting to this destination at a very slow pace.
Micronauts
The art is still on task and really helps to save the issue. Max Dunbar’s art still looks great and illustrates some incredible action scenes and showcases the powers of the heroes. The scenes of the invading forces overhead really help to show the scale of what the team is up against.

The series is decent but it’s starting to feel like it knows where it’s going so it can take its time getting there. While it may be what fans are expecting and what has been advertised, the journey to the destination could be a bit more entertaining.

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Review: ‘The Nice Guys’ Has Great Lead Performances And Pacing Issues

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Title: The Nice Guys
Director: Shane Black
Summary:A mismatched pair of private eyes investigate the apparent suicide of a fading porn star in 1970s Los Angeles.

I was one of the people who liked Inherent Vice last year but I wasn’t crazy about it. I could see what it was going for, I just didn’t like it all the way through. When I saw the trailer for The Nice Guys I thought maybe this was going to be the one movie that Inherent Vice was trying to be. I also really liked the look of the cast, and Shane Black as the director made make feel pretty confident that this was going to be okay at the very least.

The Nice Guys is paced weirdly and the story is a little muddled, but the banter between the two leads makes up for it.

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I’m going to be up front and say that I’m a huge sucker for good dialogue. There isn’t anything that I enjoy more than to watch people with good chemistry banter. It’s one of the reasons why I tend to love team ups in my comics because of team dynamics. The Nice Guys has two great leads in Jackson Healy (Russell Crowe) and Holland March (Ryan Gosling) with absolutely fantastic backup in Holly (Angourie Rice), March’s young daughter. Out of the two main leads it’s Gosling who ends up stealing the show. He absolutely goes for broke as a private investigator who spends most of the movie under the influence of alcohol and an all around terrible person. He’s hilarious with his weird mannerisms and high pitched scream. Not that Crowe’s character ends up much better but he’s the one who hurts people out of this duo. In fact that is his job; Healy is the man you hire to beat people up. This is how he ends up meeting March and they end up swept up in a crime conspiracy.

Gosling might be the star but Rice is one of the best versions of a kid I’ve seen on film in a long time. She’s only thirteen but it becomes very much apparent that she’s the smart one in the household. She drives her drunk Dad around and stows away in a trunk because she knows these two are going to need help. The movie never turns her into a damsel in distress which astounded me. As soon as Holly started hanging around her Dad and Healy, I could see a bad guy putting a gun to her head. However, while this does happen eventually, Holly doesn’t take that stuff lying down. She’s one of those kids that is capable of taking care of herself like a real person and I loved the movie for it.

If there are pieces that keep the movie from being great it’s pacing and story. The Nice Guys is just under two hours but it felt a lot longer which is never a good sign for the pacing of the movie. It has several moments that feel like they should be the ending and then the movie keeps going. That also might be the fault of the story as well. I understand that the two men we’re following are either not the brightest crayons in the box or under the influence but it felt like the story jumped around. In the end I’m not even sure it made sense as it got more and more convoluted with conspiracies and murder. It felt like it was trying to be a sprawling crime drama but in the end it just felt like a random assortment of events that aren’t connected.

The Nice Guys isn’t a perfect movie and not director Shane Black’s best work (that would be Kiss Kiss Bang Bang), but the chemistry between the leads and the great dialogue were enough to make me overlook the story and pacing issues for the most part.

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‘Agent Carter’ Cancelled, Why That’s OK

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Springtime usually means renewal, but in the TV industry it means expiration. As we hit pilot season, television networks start culling the current crop of shows to remove dead weight and to make room for new programs coming in. The surprise hit of last season, Agent Carter, has become one of the many casualties on ABC’s funeral pyre.

Now while there is an online petition with currently over 80,000 signatures supporting that Netflix pick up the show, there are plenty of objective reasons that it’s ok that Agent Carter shouldn’t merit another season.

The Rise

Agent Peggy Carter made her first appearance in Captain America: The First Avenger, released in 2011. Introduced as part of the SSR (the precursor agency to S.H.I.E.L.D.), Carter would become an instant success with fans, due to the portrayal by Hayley Atwell, showing her as more than just a ‘love interest’. Agent Carter would then get her own eponymous short film in 2013. Set a year after the events of The First Avenger, it would be established that Carter would become one of the founding members of S.H.I.E.L.D., alongside Howard Stark.

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Agent Peggy Carter (Hayley Atwell)

As the character would further grow in popularity, there would be rumblings of a film or perhaps mini series coming. In 2015, the first season of Agent Carter would air during Agents Of S.H.I.E.L.D‘s winter break. An 8 episode first season showcased Carter’s rise from an unappreciated office clerk in the SSR to the capable field agent that we, as fans, all knew she was. Originally intended as a limited series, the ratings and reviews were just good enough to merit a late renewal and a 10 episode second season order.

The Fall

Agent Carter would premiere with a robust 6.91 million viewers in the first two episodes of the first season. The last two episodes would bring in an anemic 2.50 million and 2.35 million, respectively. Now numbers are not sexy, no one wants to hear data because it is boring, but the numbers show that the support, while very vocal, wasn’t made evident in the ratings. The shows’ Marvel pedigree is what kept it on television as the numbers declined this recent season.

While many in the industry feel that the current ratings system is outdated, it is the metric by which shows live or perish, and the metrics do not indicate that the investment ABC was making in Agent Carter was not bearing the desired fruit.

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Peggy Carter headed to Los Angeles in Season 2

Well Done, Agent

Hayley Atwell has done more with Agent Carter than anyone expected and that is to be celebrated. A one-off character that landed a short film, being weaved into both the Marvel Cinematic Universe and tv shows, and two seasons with a show that was intended to be a glorified mini-series. Agent Peggy Carter defied expectations, helped save the world from HYDRA, is a charter agent of S.H.I.E.L.D., and in her own words, had a good life.

As previously mentioned, there is an online petition to bring the series to Netflix. Netflix is currently producing Luke Cage, Iron Fist, a second season of Jessica Jones, and a recently announced Punisher series forthcoming. While a whole new season wouldn’t make a lot of sense, a movie to wrap things up or even showcasing the formal founding of S.H.I.E.L.D would be a great way to conclude the story of Peggy Carter and honor he contributions to the Marvel Universe.

Agree? Disagree? Think I should be imprisoned in The Raft?

Let us know in the comments, on Twitter @Monkeys_Robots or @MatPDouglas, or on Facebook.

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Four-Minute Sneak Peak Of AMC’s ‘Preacher’

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A four-minute preview for AMC’s Preacher has been released.

Preacher is an original AMC series and premieres Sunday May 22, 10/9C. The series stars Dominic Cooper, Tom Brooke, W.Earl Brown, Ian Colletti, and Lucy Griffiths.

After a supernatural event at his church a preacher enlists the help of a vampire to find God.

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Petition To Save ‘Agent Carter’ Gets 80,000 Signatures And Climbing

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As previous reported the internet was not happy when ABC canceled Marvel’s Agent Carter and a petition was made almost immediately to try and convince Netflix to save the show. In five days the petition has gained over 80,000 signatures in five days and been shared by some major names within the show such as Bridget Regan (Dottie Underwood), Chad Michael Murray (Agent Jack Thompson), Hayley Atwell (Agent Peggy Carter), Tara Butter (executive producer and writer), Geoffrey Colo (Transmedia Producer for Marvel Television), and even Marc Guggenheim (showrunner for almost all of the DC shows).

https://twitter.com/BridgetRegan/status/731889020410597377

Agent Carter

Agent Carter

Agent Carter

Agent Carter

The outcry has been fairly loud for the cancellation of Agent Carter compared to the other shows that were canceled this year. Maybe sign the petition just for the sake of letting Marvel know how much we love Peggy.

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Review: ‘Future Quest’ #1: Bright Future

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When the adventurous and inquisitive Jonny Quest and his adoptive brother Hadji make a startling discovery in the swamplands of Florida, they are pulled into an epic struggle between the Space Rangers and a dangerous villain who threatens the galaxy. Now it’s up to the combined forces of Team Quest, Inter-Nation Security, Space Ghost, and a host of Hanna-Barbera’s greatest action heroes to stop him and save their universe! Don’t miss the start of this new, monthly series that features character designs by comics superstar Darwyn Cooke and kicks off with an extra-sized story and a wraparound cover!

The recently deceased Darwyn Cooke will be remembered for many things. Though many will look towards his work on projects such as The Spirit or Justice League: New Frontier, fans of his work will definitely want to consider checking out this new series. Cooke did the character designs and has helped to reintroduce the action series of Hanna-Barbera to a new generation.

Unless the reader is a fan of older cartoons they will probably more likely recognize characters from parody shows like Space Ghost: Coast to Coast, Harvey Birdman: Attorney at Law, and Venture Brothers (which often featured references to some of these old characters). There are many of these who haven’t been used in action in a long time, The Herculoids themselves haven’t been featured in a comic in over 10 years. They were long overdue to find a way back to fighting against the forces of evil
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The story really explains a lot in a short amount of time. The main adversary of the series, the Entity, a being who wants to destroy everything was defeated by the Space Force, a galactic peace keeping force. Now the evil Dr. Zin is working to resurrect this creature and it’s up to the different heroes to come together to stop it. The book doesn’t take baby steps with action as many members of the Space Force and Tundro, the alien rhinoceros of the Herculoids seems to be dead in the first issue. Top marks to writer Jeff Parker for not being afraid to show a little violence in this series.

The art is great, Evan “Doc” Shaner is able to use Cooke’s designs to really showcases the characters in great detail. The action pages are incredibly intricate and help to tell the story by showcasing just how much chaos the Entity is causing. The use portals to other words helps to foreshadow all the different characters which will hopefully introduced in future issues.

When this series was announced it looked to be one of the better of the new line of books based on classic Hanna-Barbera characters and if done successfully would help to reintroduce a lot of characters to a new group of comic book fans. Luckily it appears as if they have succeeded. Congratulations to Mr. Parker, Mr. Shaner, and the late Mr. Cooke for creating an action series which will appeal not only to fans of old cartoons but will bring in others who will be able to appreciate the greatness of some of these long forgotten animated heroes.

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Tetris Adaptation Begins Filming in China Next Year

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In what can only be described as a one of the biggest head scratching decisions of the year, the cinematic adaptation of the classic video game, Tetris, will begin filming in China sometime next year. This will include a cast of both Chinese and American actors, as well as have Larry Kasanoff as one of the producers. Kasanoff credits include several forays into adapting both Lego and Mortal Kombat properties onto the big and little screens.

Though the project has been promoted to be an epic science fiction adventure, there is a lingering question on the minds of many. Why?

Why is this being done?

Why would anyone consider Tetris, of all games, to make into a movie?

Why would anyone think of putting large amounts of capital into producing this?

This isn’t to say similar films have not fared well, but let’s be real here. Most of them are just terrible. Need I remind everyone of the recent classic that is Battleship? There are some games that beg to be brought onto the silver screen. Games that pull us into the story and never let us go, even after we overcome the final quest or boss.

But this? This is a game of blocks. Literally.

I love Tetris, and I’ve wasted more hours than would likely be recommended for one’s mental health. But I see this as a train wreck waiting to happen. No, I take that back. This is a Titanic disaster waiting to happen. What scares me, personally, is that there’s eighty-million dollars being thrown into this project. I repeat, 80 million dollars. I’ll let that sink in for a second.

Granted we haven’t seen any trailers, images, or even conceptual drawing to show us what this is going to be. But I would not be surprised if this doesn’t lead to a major loss for a few of the people pouring their money into this thing.

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Review: ‘Brutal Nature’ #1: Lives Up To The Name

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A collection of masks transforms the young man known as Ich into innumerable different beasts and monsters. Using this ancient power, he embarks on a battle that pits the indigenous people of Colombia against the encroaching Spanish empire. But can one man hope to beat back the massive forces of the conquering Spaniards? Luciano Saracino and Ariel Olivetti (Venom: Space Knight) bring readers a stunningly illustrated story of beasts and men fighting for the soul of a nation!

Though some of the creator owned series from IDW have been hit or miss, the new series from Luciano Saracino and Ariel Olivetti definitely falls into the better side of the equation. Their new book Brutal Nature is a violent and fantastic look at a period of history which is often glossed over or romantized. Their view of the Spanish exploration of South America is far from the happy adventures shown in The Road to El Dorado.

Luciano Saracino writes an engaging story about Ich, a man who can transform into beasts thanks to the different masks he owns, and uses them to try to repel the massive invasion of Spanish Conquistadors which have laid waste to his home and his family. In the first issue alone, it’s shown despite having these mystical abilities, Ich is alone and faces a force he may not be able to stop which makes for a thrilling read.
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The art for this series is insane in the best ways possible. Everything in the comic is painted and done is such flawless detail it’s hard not to appreciate the time and effort which went into making this book. The scenes of action and torture are truly made more intense thanks to Ariel Olivetti’s intense attention to detail. If he isn’t nominated for some type of award for his work in this issue, there is no justice in the world.

This new series helps to showcase an interesting story in a distinct period in history. Saracino and Olivetti truly are a winning combination and have created a book many need to check out. Fans of incredible artwork and violent storytelling will definitely want to make sure to give this book a read.

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REVIEW: ‘The Angry Birds Movie’ lacks game’s replay value

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The Angry Birds Movie, unlike the smash hit mobile video game series that inspired it, lacks any sort of addictive quality for anyone above the age of 9. Yes, there’s plenty of things flying, falling and going “boom” for the kids, and lots of clever in-jokes and sight gags for the grown-ups, so the film is not without its merits. It’s a cute, relatively harmless distraction for a little over an hour and a half.

However, whereas the game offered endless moments of “okay, I want to do that again!”, both kids and parents most likely will be okay with just one go around of The Angry Birds Movie. After the first viewing, there’s not a whole lot there worthy of repeating the experience.

What’s it about?

As one might expect, the film expands on the game’s basic premise: green piggies stealing something of great value to the colorful, flightless birds, resulting in a high-flying, slingshot-powered counterattack. The film provides context for the birds’ titular anger, and in particular, the anger of the red bird with the block eyebrows, Red, voiced by Jason Sudeikis (Horrible Bosses, We’re the Millers).

Unlike most of the other super nice and blissfully happy avian residents of his home, Bird Island, Red has a bit of a temper problem. After that temper gets him in trouble for the upteenth time, the island’s Bird Court, presided over by the impressive Judge Peckinpah (Keegan-Michael Key) sentences Red to anger management therapy.

Red therapy group consists of a collection of the island’s other misfits. There’s Chuck (Josh Gad, Pixels, Frozen), who moves and talks too fast for his own good; Bomb (Danny McBride, HBO’s “Eastbound and Down“, This is the End), who suffers from very literal version of Intermittent Explosive Disorder (surprise or startle him, and he go “boom!”); and Terrence (Sean Penn), who, well is quite large for a bird and only communicates in angry growls. The group is presided over by the outwardly peaceful Matilda (Maya Rudolph, Sisters), who wants to help her group overcome their issues just as she overcame hers … mostly.

It’s this group of misfits who must save Bird Island when a ship carrying the piggies, led by Leonard (Bill Hader, Trainwreck), arrive proclaiming a desire for friendship while secretly planning their dastardly heist. While the rest of the trusting happy birds welcome their new “friends”, Red, Chuck, and Bomb work to discover their true plans, leading to the ultimate battle of bird vs. pig.

The Angry Birds Movie one-sheet

Cast lifts middling material

If there’s anything to really recommend about The Angry Birds Movie, it’s the voice cast, which injects life into a bare-bones story and concept. In particular, Maya Rudolph, Bill Hader, and of all people Peter Dinklage (HBO’s “Game of Thrones“, X-Men: Days of Future Past), who provides the voice of Mighty Eagle, the near-mythical hero and protector of Bird Island, really sound like they’re having fun with their parts.

Sudeikis, while his role is technically the lead, also really gets stuck with the wet blanket/straight man role, and so his work here isn’t as memorable. If anything, his sidekicks Chuck and Bomb and even the relatively guttural and monosyllabic Terrence steal his scenes. Perhaps that’s by design, but if it is, it’s a waste of Sudeikis, who does off-the-wall wacky as well as anyone.

Good for the younger kids

Again, with all the uncontrolled flying, falling, and hitting things on the way down, The Angry Birds Movie has plenty of the sort of frenetic entertainment that should garner plenty of laughs from younger kids. The musical numbers are lively, too, but not to worry: there’s nothing nearly as catchy here as “Everything is Awesome” from 2014’s The Lego Movie, so you won’t find any unwelcome tunes stuck in your or your child’s head when leaving the theater. Demi Lovato’s cover of “I Will Survive” that runs with the end credits may get you singing along for a second or two, but no more.

As for grown-up entertainment value, enjoy all the pig and bird jokes, the references to ham, porkers, and guano (“Okay, maybe it wasn’t ice cream.”), sight gags like a sign at the public bath on Pig Island marked “Hog Wash”, and other such chucklers. There’s no genius at work here, which is maybe the biggest difference between the film and the game. The game, with its simple premise and almost infinite replay value, had real genius behind it.

This film, in comparison, is the equivalent of an add-on to the game that doesn’t quite live up to its cost to download.

The Angry Birds Movie

Starring the voices of Jason Sudeikis, Josh Gad, Danny McBride, Maya Rudolph, Kate McKinnon, Sean Penn, Tony Hale, Keegan-Michael Key, with Bill Hader and Peter Dinklage. Directed by Fergal Reilly and Clay Kaytis. Directed by Fergal Reilly and Clay Kaytis.
Running Time: 97 minutes
Rated PG for rude Humor and action.

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